The Atlantic

The (Final) Problem With <i>Sherlock</i>

In its fourth season the BBC show turned its main character into a superhero, and lost everything that made it special in the process.
Source: BBC Pictures

This story contains spoilers through the most recent episode of Sherlock.

Christopher Nolan is a truly brilliant British creative talent, which makes it all the more ironic that his work seems to have (at least temporarily) unmoored two of that nation’s greatest fictional heroes. In dampening the palette and tone of superhero movies so spectacularly with his trilogy of Batman movies, Nolan created a domino effect that stretched all the way across the ocean, from a louche, debonair intelligence agent into a tortured, self-medicating hitman, compelled by the death of his parents to hunt down a series of increasingly psychopathic villains. And, as “The Final Problem” revealed on Sunday, Nolan’s influence has similarly transformed A wry detective drama with a twist has turned into a superhero origin story, complete with agonizing childhood trauma, terrifying antagonists with improbable powers, and a final showdown in an ancestral home burned to the ground.

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