Mother Jones

CONTEMPTIBLE COLLECTIBLES

The lessons and legacy of Jim Crow-era keepsakes
An illustration for a racist poem

DAVID PILGRIM bought his first piece of racist memorabilia in the early 1970s, when he was a youngster in Mobile, Alabama. It was a set of salt and pepper shakers meant to caricature African Americans. “I purchased it and broke it” on purpose, recalls Pilgrim, who is black. Yet over the next few decades, he amassed a sizable collection of what he calls “contemptible collectibles”—once-common household objects and products that mock and stereotype black people. In 1996, Pilgrim transformed his 3,200-item collection into the Jim

You’re reading a preview, subscribe to read more.

More from Mother Jones

Mother Jones1 min read
Contributions
Barcelona-based artist Guillem Casasús has illustrated some of our favorite issues, features, and packages—like this bubble-bursting cover for our dive into third parties. What’s getting you through the 2024 election cycle? To see our masthead, visit
Mother Jones5 min read
Sludge Report
DOSTIE FARM, an organic dairy in Fairfield, Maine, was thriving until one day in October 2020 when owner Egide Dostie Jr. got a call from Stonyfield, his exclusive buyer. Something was off with the farm’s milk: Tests had found that it contained three
Mother Jones9 min read
Well Played
THEY MIGHT NOT know his name, but millions of video gamers have encountered narrative designer Evan Narcisse’s handiwork in Marvel’s Spider-Man: Miles Morales, which showcases more Black and Brown characters in its first few minutes than most popular

Related