The Paris Review

Say Goodbye, Catullus

Revisited is a series in which writers look back on a work of art they first encountered long ago. Here, Catherine Lacey remembers her first visit to Houston’s Cy Twombly Gallery.

Cy Twombly, Untitled (Say Goodbye, Catullus, to the Shores of Asia Minor) (installation view), 1994, oil, acrylic, oil stick, crayon, and graphite on three canvases 157 1/2″ × 624″. Courtesy the Menil Collection, Houston.

If one accepts that love is at least one part disaster—if one accepts that love cannot be effectively diagnosed or measured—if one accepts that a person cannot predict or control when such a feeling might take root—if one accepts that a person in love frequently behaves in a manner that others see as irrational—and if one accepts that it is difficult, if not

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Cover: Courtesy of Nicolas Party and the Modern Institute /Toby Webster Ltd. Page 12, courtesy of Alice Notley; pages 32, 36, 39, 42, 45, 48, 52, 55, 56, courtesy of Jhumpa Lahiri; page 59, photograph by Marco Delogu, courtesy of Jhumpa Lahiri; pages

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