The Atlantic

The Language the Poet Knows

A new collection of essays attempts to lend some objective shape to a timeless-seeming challenge: the ongoing balance of voice and form.
Source: Alexander Nemenov / AFP / Getty

It is one of writing’s oldest cliches: Find your voice. Developing this ineffable quality—unique to a given writer, derived largely from reflection and experience—can seem like an elusive goal. Particularly for poets, with their highly personal interaction with language and the challenge of adapting it to form, the quest can seem highly subjective.

, a collection of new and reworked essays by Craig Morgan Teicher, attempts to lend some objective shape to this endeavor by surveying how poets grow in their craft and take on its challenges over the course of their writing lives. In these engaging studies—informed by Teicher’s

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic3 min read
They Rode the Rails, Made Friends, and Fell Out of Love With America
The open road is the great American literary device. Whether the example is Jack Kerouac or Tracy Chapman, the national canon is full of travel tales that observe America’s idiosyncrasies and inequalities, its dark corners and lost wanderers, but ult
The Atlantic8 min readAmerican Government
The Most Consequential Recent First Lady
This article was featured in the One Story to Read Today newsletter. Sign up for it here. The most consequential first lady of modern times was Melania Trump. I know, I know. We are supposed to believe it was Hillary Clinton, with her unbaked cookies
The Atlantic4 min read
Hayao Miyazaki’s Anti-war Fantasia
Once, in a windowless conference room, I got into an argument with a minor Japanese-government official about Hayao Miyazaki. This was in 2017, three years after the director had announced his latest retirement from filmmaking. His final project was

Related