Artist Profile

Anita LARKIN

How do you start a work?

I interact with an object in a physical, curious way, much like little children do. Children don’t have any preconceived ideas about what the object is expected to be, does or means, they just play with it. So that’s my starting point. I then think about the object’s relationship to time, to body, to functional use, what it has been in the past to someone, but also what it can potentially be. There is always play though. Word associations, misinterpretation, objects out of context – I consider all those things. And that’s multiplied if you work with a few objects at once. Which

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile13 min read
Representing Emily
Early 1989, CAAMA (Central Australian Aboriginal Media Association) Shop, Alice Springs. The redbacks had been evicted and Rodney Gooch, the manager, had the first paintings by the Utopia Women lining the walls. A Summer Project was an experiment we
Artist Profile4 min read
Zoe Leonard Al Río / To The River
Leonard photographed sections of and moments along the roughly 2000 km stretch of the Río Bravo/Rio Grande flowing southeast from the twin cities of El Paso/Ciudad Juarez to the Gulf of Mexico that demarcates the USA and Mexico. Leonard’s Río Bravo/R
Artist Profile5 min read
Chris Dyson A No Theory Vibe
Chris Dyson has spent the better part of fifty years producing a prolific body of work, including drawings, paintings, and sculptures. However, there is scant evidence of his legacy on the internet; a rare and refreshing phenomenon in the age of the

Related Books & Audiobooks