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The Golden Age
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The Golden Age
Unavailable
The Golden Age
Audiobook (abridged)6 hours

The Golden Age

Written by Gore Vidal

Narrated by Kathryn Walker

Rating: 3.5 out of 5 stars

3.5/5

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Currently unavailable

Currently unavailable

About this audiobook

The Golden Age is the concluding volume in Gore Vidal's celebrated and bestselling Narratives of Empire series-a unique pageant of the national experience from the United States' entry into World War Two to the end of the Korean War.

The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power.

The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself.

The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
LanguageEnglish
Release dateSep 19, 2000
ISBN9780553753042
Unavailable
The Golden Age
Author

Gore Vidal

Gore Vidal (1925–2012) was born at the United States Military Academy at West Point. His first novel, Williwaw, written when he was 19 years old and serving in the army, appeared in the spring of 1946. He wrote 23 novels, five plays, many screenplays, short stories, well over 200 essays, and a memoir.

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Reviews for The Golden Age

Rating: 3.262498 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    The last part of Vidal's fictional history of the United states. From Aaron Burr to Aaron Burr could be the cryptic summary of the total sequence.The final book describes Vidal's view on the Second World War, and especially Pearl Harbour: a deliberately provoked attack, which would bring world dominion to the USA. The weak point of his argument is that although he states that this strive for empire is against the wishes of the American people, and serves minority interests, he doesn't make clear just why this minority would want this war other than for an innate will for power, which does not convince me. It is a well written book, in which he even parodies himself a bit, but as a novel it fails, the members of his fictional political dynasty (illegitimate offspring of Aaron Burr, the bad guy of the early years of the American republic), are just pawns in the political game around the Pearl Harbour attack. The most memorable statements of the book would have found a better place in an essay on American history and the nature of American democracy than in a novel. I liked the parallel he draws between the classical world and the position of the USA, and provides a good summary of the main theme of his seven American histrory novels: ,,Arguably, for that brave pompous invention of the Enlightenment, the United States set in a wilderness, forever dreaming itself Athens reborn even as it crudely, doggedly recreated Rome.''
  • Rating: 3 out of 5 stars
    3/5
    Not as good as "Burr" or "1876", or even "Lincoln." But not awful.
  • Rating: 5 out of 5 stars
    5/5
    I loved the maestro’s insights into FDR. His Pearl Harbor suspicions are most credible!

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    I?ve run out of superlatives to describe this series and this book ? the final book, so I am now bereft. A novel of huge scope and audacity, which separates us definitively, achingly from the wonderful Caroline Sandford, whose life has become our own. What is this series about? US political history, of course, but the themes that emerge are to do with power and mortality, time and change, truth and illusion, cynicism, beauty and hope. There is not a great deal of room for love in Vidal?s universe, nor in our own, come to that. His characters ? all so real and vital ? tread water in the flow of history, react to events, win glory, suffer humiliation, decline and die, generation after generation. And yet this is not a bleak vision; on the contrary, it is deeply moving. There are passages of unsurpassed pathos, so brief and subtle; great wit, as you would expect from this author. That anyone could have the intelligence and artistry to create this whole ambitious series and succeed is beyond my ability to comprehend. I am tremendously grateful to Gore Vidal.

    1 person found this helpful

  • Rating: 2 out of 5 stars
    2/5
    I can see that, at some time in the past, books like these seemed pretty good, fun to read, interesting. But that day is gone. Life is too short for a marginal read like this. Its somewhat interesting, has somewhat defined characters and may give food for thought to some degree.
    I am left unimpressed.
    Life is short. There are amazing books to read in every genre. Unfortunately, this book is not a priority at all.
    I ditched it 1/3 the way through.
  • Rating: 4 out of 5 stars
    4/5
    Re-reading this book by one of my favorite writers.

    1 person found this helpful

  • Rating: 3 out of 5 stars
    3/5
    The Golden Age is the seventh and last in The American Chronicle series by Gore Vidal. I previously read Burr and Lincoln, both of which I enjoyed more than this novel. Gore writes of the era between 1939 and 1960. To propel the story, he creates a fictional family – the Sanford’s – and weaves their story into actual political figures and events of the era – the Roosevelt’s, Harry Hopkins, Truman, Acheson, McCarthy and others. The Sanford’s own one of Washington’s leading newspapers. Blaise Sanford is the publisher; his half-sister Caroline was a founder of the paper. She had been away from the paper for decades when she went to Hollywood to star in silent pictures, but returns to Washington right before the war. Caroline has become close to Hopkins and her interactions with Franklin and Eleanor serve to bring the historical events into the story line. Blaise’s son Peter decides not to follow his father into the newspaper business; instead, he starts his own magazine – “The American Idea” – a left-leaning commentary periodical on the politics of the time. There are portrayals through the eyes of the Sanford’s of the political conventions of 1940 and 1944 when Roosevelt sought unprecedented third and fourth terms. The atmosphere of the conventions of those days is vividly depicted, certainly in contrast to later day political processes. A minor character in post-war political ambitions is Clay Overbury, son-in-law to Blaise, who exploits his war hero image (likely fabricated) to advance his political career ruthlessly until his untimely death. Overbury is aiming for the presidency in 1960 as a competitor to Jack Kennedy.Vidal delves deeply into the build up to the war and the radically shifted American role on the world stage in the post war era. He examines the theory that Roosevelt manipulated America (at the time overwhelmingly isolationist) into war. Despite our neutrality, Roosevelt used complicated quasi-legal means to support Britain, like the lend-lease scheme that sent ships and war material to England. He also (according to the theory) pursued a series of blatantly provocative moves against Japan designed to compel them to attack America first. These theories have been expounded throughout the years and there is a ring of credibility to them. Truman’s decisions are examined from the perspective how they brought on the cold war with the Soviet Union. By exploiting the hyperbolic fixation present in the media and right-wing political circles on the Soviet’s putative intentions to dominate the world, Truman and his diplomats engendered a hostile, belligerent attitude toward the Soviets that foreclosed any possible less antagonistic relations. The rise of the extremism of McCarthyism was, in light of the overblown conceptions of the dangers posed by the Soviet Unions, a manifestation of the paranoia extant throughout the nation.The novel is the forum for Vidal to expound his conceptions of the motivations of the political figures of the time. From the jaded viewpoint of one who considers himself an insider, there is a cynical tone in his writing and the sense of the American people are utterly manipulated leaders whose self-interest plays a large part in their scheming. I found this a bit too tendentious at times and the personal intrigues of the characters a bit too much to care about. Nonetheless, understanding the figures of the times and reading a point-of-view about their motivations and decisions would make this an interesting read for anyone.