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    Le Morte D'Arthur
    Le Morte D'Arthur
    Le Morte D'Arthur
    Audiobook (abridged)9 hours

    Le Morte D'Arthur

    Written by Thomas Malory

    Narrated by Derek Jacobi

    4/5

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    About this audiobook

    For over 1,000 years, tales of King Arthur and his Knights of the Round Table have enthralled people, among them Henry VIII and T. E. Lawrence. Proof of the Arthurian legend's timeless appeal is the fact that scarcely a year goes by without a new adaptation. Published in 1485, Sir Thomas Malory's epic poem Le Morte d'Arthur became the standard source for future Arthurian works such as Idylls of the King by Lord Tennyson and T.H. White's The Once and Future King.

    With its expressive, vigorous dialogue, Le Morte d'Arthur resounds with colloquial liveliness and ceremonious dignity, the style for a fifteenth-century gentleman. This audio recording grips the listener with the fascinating, fateful story of Arthur's ascension to the throne as a boy, his marriage to Guenevere, the formation of the Round Table Knights, the quest for the Holy Grail, the ill-fated passion between Lancelot and Guenevere, the treachery of Arthur's illegitimate son Mordred, and the ultimate destruction of Arthur's realm.

    A superb story of adventure, love, honor, and betrayal, Le Morte d'Arthur is filled with dramatic power and deep, tragic irony.
    LanguageEnglish
    PublisherHighbridge Company
    Release dateJan 13, 2005
    ISBN9781598872828

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    Reviews for Le Morte D'Arthur

    4/5

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    • 5/5
      Jesu Christe , this was epic. As much as I am a fan of John Steinbeck, this version was way better and authentic. What an adventure. I feel as if 100 years past from the time I started reading until the end of this book.

      1 person found this helpful

    • 5/5
      The national epic of England. I wish I had read this when I was 15 years old. It gives the key to understanding so much of English history, culture, and literature. Malory's tale is down to earth and evocative. The first and best adventure story we have in (almost) modern English.

      1 person found this helpful

    • 4/5
      The mother of all Arthurian legends. Not the easiest reading, and extremely repetitious at points, but worth it if you like King Arthur stories. The ending chapters on the fall of Camelot are incredible.
    • 2/5
      I know Le Mort d'Arthur is supposed to be a great classic and the definitive Arthur, but damn it, I'm 377 pages in and I can't do it anymore. It is just too much of the same flipping story over and over and over and over again. And not just the same story (knight jousts with knight), but almost the same exact wording with each battle. The only thing to have sparked my interest in about 200 pages was this line: "The King Arthur overtook her [a false lady and sorceress], and with the same sword he smite off her head, and the Lady of the Lake took up her head and hung it up by the hair to her saddle-bow." THAT is pretty damn awesome, but it's also just one line out of all those 200 pages, and it made me long for a Lady of the Lake story, not more and more of these knights smacking each other around and talking about how knightly and courtly they are because they are big strong men who can politely knock another guy off a horse. I am so wonderfully wroth at this book that I'm about to come at all of these damn knights like thunder and smote them down with their own damn lances. (PS. If I never see the words "wroth", "smote", or "came together like thunder" again, it will be too soon.) Seriously, don't these guys have anything better to do than run around the forests or hang out a bridges and joust with each other? Isn't there farming or something to be done? Anything? Please? I mean, I'll read about the wheat in the fields at this point. Did I also mention that it's over 900 pages? Well, it is, and apparently this is the SHORT version. The other version is in like three volumes or something. Since it's getting the point that I'm starting to hate Arthur and his knights, I need to just put in the towel and read something — anything — else for a while. Right now, I'm really looking forward to rereading Simon Armitag's translation of Sir Gawain and the Green Knight, because I need something to remind me why I used to love Arthurian stories so much.
    • 4/5
      It was great. If most of your information about Arthur and his knights come from television then you need to listen to it.
    • 4/5
      despite the difficult language (this is an untranslated version) very good read.
    • 3/5
      While I can appreciate it's standing as the English epic and the beauty of its prose, the key moments are disarrayed within a relentless series of encounters between incredible knights. Homer and Virgil are more believable and more touching because they are more human. Were I to recommend the death of Arthur, I would probably specify portions that avoid the action-movie feel of endless jousts. The opening sets the foundation of Arthur (Excalibur, Mordred) and is the only part involving Merlin. Perhaps a few sections in the middle regarding Sir Beumains, Sir Tritram, and the Lady Isoud would also be included. The last few hundred pages finally bring out a plot, showing the conflict between Lancelout and Arthur -- and the tragic result. If one wants to understand the nature of the knight errant, they might read just a few chapters to get the idea.
    • 3/5
      I agree with the reviewer who said this is not for the faint of heart, and few general readers are going to find this a great read. If you're looking for an absorbing, entertaining read with characters you can relate to and root for, you're absolutely, positively in the wrong place. Read instead Arthurian novels such as T.H. White's The Once and Future King or Mary Stewart's Merlin Trilogy. There are countless other such novels inspired by this material worth reading, and I've read a lot of them.But I did find it interesting at times going through this, one of the ur-texts as it were of Arthurian legend. There are other, earlier works of Arthurian literature: Geoffrey of Monmouth's The History of the Kings of Britain (1136), Chrétien de Troyes's Arthurian Romances in the 12th century and Wolfram von Eschenbach's Parzival in the 13th century are among the most notable. But Malory drew from several sources, so much so he's often described more as the "compiler" than the author of the work. I own a edition in two volumes that comes close to 1,000 pages. So this is an exhaustive resource of all sorts of facets of the legend. The story of Tristram and Iseult is here, for instance. And this is a medieval work, so it's imbued with its assumptions and attitudes. Obviously a source of outrage to some reviewers, and even by the standards of the time, comparing this to how women are treated in say Boccaccio's Decameron and Chaucer's Canterbury Tales--well, women don't come off well here. Misogyny abounds. And knights are held up as paragons who commit a lot of heinous acts and just plain WTF. A lot is repetitive and a slog--as one reviewer put it too much is "joust, joust, joust." And this was written about half-way between Chaucer and Shakespeare. With the spelling regularized it's quite readable, much more so than unmodernized Chaucer. But with those that choose to preserve the archaic words, that means wading through words such as "hight" (is called) and "mickle" (much). And there's just so much that can be excused by, well, "it's the times"--I found plenty of medieval writers who were wonderful reads, and just plain more humane: Dante, Boccaccio, Chaucer. I can't see Malory as their equal--not remotely. But as a fan of Arthurian literature and someone fascinated by the Middle Ages, this did from time to time have its fascinations.
    • 4/5
      I listened to the Librivox audiobook version, but the age of the text makes it pretty hard to follow in places, so I went back and reread some chapters at sacred-texts.com. My favourite parts of this were the parts I didn't already know (basically the whole Lancelot and Guinevere business and the grail quest) -- I think the best section is the bit where King Arthur is bored doesn't feel like paying taxes so he fights the entire Roman Empire, and then when he's defeated everyone and is in charge of everything he just goes home.
    • 3/5
      I barely got halfway through this book. While the stories are fun, the language makes for a slow, difficult read.
    • 3/5
      Classic tale of King Arthur and his Knights, read it at Uni, and want to read it properly without studying it to enjoy it more.
    • 5/5
      I'm so glad I finally read Le Morte Darthur. I've loved the King Arthur stories ever since I was little and read what I think was a retelling by Enid Blyton. I actually read this for my Late Medieval Literature class, but I'd have read it someday anyway. The copy I read was an abridgement, which is probably a good thing as parts of it got quite tedious as it was. The introduction to this version is pretty interesting -- and, by the way, my lectures on it were wonderful.

      I subscribe to the view that this is not necessarily intended to be a novel in the modern sense. The tales are too repetitive in parts and each can stand alone. I do agree that they're all related to each other, though. Throughout the course of the book, the tales get better and more lovingly written, I think. I do suspect Sir Thomas Malory would rather like to have married Lancelot on the astral plane. It's odd to notice how much of a stinking liar Lancelot is, and yet the text makes no judgement on him at all for that. I'm aware of the public honour system's part in that, but still...

      I'm not sure one can say anything new on this text that hasn't been said, to be honest. I loved it, and if you're into King Arthur and you don't mind a bit of a challenge, I suggest you go for it.

      Hic iacet Arthurus, rex quondam rexque futurus.

      (Because in some secret part of my heart, I believe that one day King Arthur will come again.)
    • 5/5
      This Edition is based on Caxton's text: It therefore very largely contains the original detailed content - alterations have been confined almost entirely to spellings and a little grammar.This is the 'Romance' as conceived by Malory; every human strength and frailty explored through a tale of fair and foul maidens bestowing favours and demanding submission from manly counterparts, valiant and timid knights gripped by purity of motives and the basest of desires, the noble pursuit of mystical religious objects, considerable magic worked for good and bad, lived folk-lore, and at its core a legendary great King whose moral reputation, avowed love and sincere loyalty for his fellows in the face of every sort of affliction, assault and treachery survives unsullied to the present day. Be he real or imagined - Arthur - is one of the greatest characters ever written down in the English language - with his gallant, chivalric recruits to the Round Table, their strong-willed female companions and array of adversaries the range of all future English Literature (and much for Europe and modern America) is given a riveting basis for its later global success.It is said (by many) Cervantes' Don Quixote was the first modern novel - I disagree - 'The Death of Arthur' in my estimation has that significant role.
    • 5/5
      I think I read this over and over when I was a child, and when I came back to it as an adult, I still loved it. These tales are an ingrained part of western culture and are still a weather value for the rough winds of our morality.

      Of course Mallory's tales of Arthur are a fifteenth century re-modelling but what glorious new dressing has been added. Each tale is a short story in its own right, and each combines effortlessly to create the picture of heroes and a kingdom in which people mattered, in which civilisation was something to strive for and not something to endure.

      Maybe I'm just a sucker for Arthurian tales. They still delight and captivate me (all except the recent film version with Clive Owen and Keira Knightly) and I'm glad they do. We all know right and wrong is more complex than in Mallory's tales, but at least he makes living up to even simple choices filled with hurdles and pitfalls. Maybe that's why they work, because every hero wears his failings as openly as he wears his sword and shield.
    • 4/5
      Keith Baines' edited version of Sir Thomas Malory's Le Morte d'Arthur renders Malory's compendium of Arthurian legends into modern idiom. Malory's Arthur and Knights of the Round Table would likely appear strange to those familiar with the Arthur stories from Tennyson's Idylls of the King and T.H. White's The Once and Future King. In Malory's 15th-century retelling of the traditional legends, the knights frequently behead those they best in jousting, beget bastards on various ladies, and regard chivalry more in its original meaning of horsemanship rather than the later Victorian ideals. That shouldn't alienate those who come to these stories from their later reworkings, as Malory seems to set his Arthur in all times, blending elements from 500 C.E. through the 1100's.The stories overlap at times, but, for the sake of ease, Malory divides them into eight books: The Tale of King Arthur; The Tale of King Arthur and the Emperor Lucius; The Tale of Sir Launcelot du Lake; The Tale of Sir Gareth; The Book of Sir Tristram of Lyoness; The Tale of the Sangreal; The Book of Sir Launcelot and Queen Gwynevere; and Le Morte d'Arthur. All of the books fit together to make one larger narrative, though The Book of Sir Tristram of Lyoness (a retelling of Tristan and Iseult) stands alone and could serve as its own book. While the story of Tristan and Iseult likely predates the Arthurian legends, by Malory's time it had been incorporated into that body of work (after it had likely influenced the relationship of LLancelot and Guinevere). The strongest books in the series are The Tale of King Arthur, The Tale of the Sangreal, The Book of Sir Launcelot and Queen Gwynevere, and Le Morte d'Arthur.If looking for an edition of Le Morte d'Arthur to serve as an introduction to the larger Arthurian tradition, Baines' translation is a serviceable work.
    • 4/5
      I ventured into this version of Malory to fulfill something that had held my curiosity over the years, namely the common source of the Arthurian legends. And while some of the legends in Malory have their roots outside of England, it was Malory who brought the whole thing together into one collective tale. As a result reading this may be somewhat cumbersome, particularly for those who are not accustomed to the language of the period. The text in this edition is well prepared and the preface denotes a certain amount of editing to shorten certain scenes, which is helpful, as Malory does have an inclination toward repetitive scenes. Reading Malory was indeed enlightening, as my knowledge of Arthurian legend was limited to common facets of the tales and the pieces that were highlighted in the film adaptation "Excalibur", a great movie in its own right, but a decided interpretative take, stressing a certain line of the legends (as do all the films concerning Camelot). I found it helpful, and fascinating, to map out a geneaology and relationship tree as I read Malory, as some characters spring in and out of the narrative with large gaps between. I found the latter part of Malory most satisfying, as the legend moves to the grand tragedy that is the epic confrontation between Arthur and Lancelot, and then Arthur and Mordred. For those considering a venture into Malory, I would strongly recommend following it up with a read of Tennyson's 'Idylls of the King', which has its own focus on the legend, and looks at it from quite a different perspective. Either way, Malory is a classic, as his prose still reads well to this day, and its resonance through literature is undeniable.
    • 2/5
      Very difficult, monotonous reading. Lots of smoting and brasting. Surprising source of subsequent Arthurian legends which bear little resemblance to Malory's work.
    • 5/5
      An essential Arthurian Legend text.
    • 4/5
      "The Beast with the Hair on". The spelling is regularized but that's the only concession made to the modern reader. The Tales are unorganized, but that's part of the fun. Also we should consider that Malory's organization differs from our personal one because he was writing for his own time. A great read, which rewards rereading. I know Ive been back to it several times.
    • 5/5
      An absolute childhood favorite - I took my Malory (and my thesaurus) everywhere! I fear I wore out a few copies before I acquired this sturdy hardcover.
    • 5/5
      Arthurian legends have always piqued my interest. I've learned a lot from studying them, the least of which that the stories are incredibly old. Malory's Winchester Manuscript is the most comprehensive version - from an English author. All the stories of Arthur's knights are here, and I certainly have my favorites: Gareth first! Malory's writing is quite dense, and it takes a while to get used to his 15th century technique. However, once you get into the text you will fall in love. He writes beautifully, and this will always be a part of my library. If you're looking for even older Arthurian stories - search in Wales and France.
    • 4/5
      The first time I read this I was a college student immersed in literature. I loved the language and imagery, truly felt transported to another time and place. With this second reading I see James Bond. Arthur roams the countryside, bedding/leaving damsels, fighting/killing whatever gets in his way, getting himself wrapped up in conspiracies and evil plots, all without losing his smirk. OK, maybe Malory doesn't mention the smirk, but you know it's there.
    • 2/5
      Malory was a medieval author who wrote the first recorded account of the largely mythical King Arthur. It is largely an account of the 100 knights of the round table (or "table round"). Unfortunately, these stories are rarely interesting (except maybe for graphic descriptions of quality kills) and it really gets tedious. The stories we commonly associate with King Arthur have their seeds here, but are fleshed out derivatives, it's hard to see the story we're all familiar with. Perhaps Malory was a minstrel and these tales made for good song, but for read, they are dull, dull, dull.
    • 5/5
      Very long, but as usual interesting that something written so long ago is still relatively current.
    • 5/5
      Beautiful, oversized hardcover edition of this classic work. Learn the story of King Arthur as is was first "recorded." Highly recommended!
    • 3/5
      Having adored T.H. White's "The Once and Future King" in high school, I figured I would read this classic treatment of the Arthurian legends and enjoy it as well. Unfortunately, Malory's work was far less entertaining. Sure, I expected prose from the 15th century to be a harder to get through and denser than White's 20th century treatment, but "Le Morte D'Arthur" barely has an actual story. Malory gives us a series of very repetitive events and makes it difficult to identify with or even care about the main characters. I did give the book three stars, though, almost completely on the strength of the first chapters that go over Arthur's rise to the throne and the final chapter recounting his legendary death. These are worth reading and are very good. Overall, though, if you are looking for a more meaningful and entertaining telling of the Arthurian legends, go to White.