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    Crimen Y Castigo
    Crimen Y Castigo
    Crimen Y Castigo
    Audiobook (abridged)2 hours

    Crimen Y Castigo

    Written by Fyodor Dostoyevsky

    Narrated by Fabio Camero

    4.5/5

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    About this audiobook

    El mundo desesperado de un criminal. Invariablemente en cualquier encuesta que se haga sobre las obras maestras de la novela, figuran por los menos una del insigne escritor ruso Fedor Dostoyevsky, en especial Crimen y Castigo, que figura en esta edicion y Los Hermanos Karamazov. En la novela que se presenta, se ve la mente de Raskolnikov, un brillante creyente en las ideas de que los hombres superiores tienen por ese hecho, permiso para transgredir las leyes y dentro de esa teoria comete un crimen. Su odisea y su redencion a traves del amor de la prostituta Sonia y los intentos del inspector de policia de hacer confesar y arrepentirse al asesino, son la trama basica de esta novela que, como pocas, penetra en el interior del alma humana. La lectura de Fabio Camero resalta los instantes dramaticos que ella tiene.
    LanguageEspañol
    PublisherYOYO USA
    Release dateJan 1, 2001
    ISBN9781611552751
    Author

    Fyodor Dostoyevsky

    Fyodor Dostoevsky was born in Moscow in 1821. Between 1838 and 1843 he studied at the St Petersburg Engineering Academy. His first work of fiction was the epistolary novel Poor Folk (1846), which met with a generally favourable response. However, his immediately subsequent works were less enthusiastically received. In 1849 Dostoevsky was arrested as a member of the socialist Petrashevsky circle, and subjected to a mock execution. He suffered four years in a Siberian penal settlement and then another four years of enforced military service. He returned to writing in the late 1850s and travelled abroad in the 1860s. It was during the last twenty years of his life that he wrote the iconic works, such as Notes from the Underground (1864), Crime and Punishment (1866), The Idiot (1868) and The Brothers Karamazov (1880), which were to form the basis of his formidable reputation. He died in 1881.

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    Reviews for Crimen Y Castigo

    4.5/5

    8,923 ratings199 reviews

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    • 1/5
      Esta incompleto el audiolibro y no lo advierte en ninguna parte
    • 5/5
      Muy bueno!!! Recomendable , mucha pasion en la lectura! Y clara
    • 5/5
      Excelente narración, se agradece. Muy buena historia crimen y castigo
    • 5/5
      I first read this book fifteen years ago as a high school student. I was gripped by the mystery of it--not knowing what would happen to the narrator who, it is fairly clear from page one, is thinking of doing something horrible, and wondering throughout whether he would get caught. I was also swept up in the idea that a novel could be not just a story, but a philosophy: an exposition, through characters' perspectives, of what is true about life, faith, and politics. My classmates found Marmeladov's drunken ramblings on suffering as a vehicle for salvation dry, dull, and depressing; I was coming into the beginnings of my independent religious consciousness, and latched on to the idea that faith could be a personal and individual thing. I had always disliked how easily authors and directors made me root for the bad guy, and I found myself so smitten with the possibility that we are each villains in our own ways, and can be redeemed to do the right thing in the end. In short, I fell in love with this book, which quickly garnered the distinction as my favourite of all time, not only as an important novel, but as a moving and compelling story.The acclaim in which I held this book for so long made me a bit tentative about going back to it fifteen years later, but I am so glad for having done so. I can be more open now about the writing style in comparison with other great works I have read since; it is, without a doubt, a nineteenth century text, and one whose reading requires a great deal of investment--not work, per se, but close attention. And yet, the deeper meanings of the novel stand out in even sharper relief to me than they did on the first go. I find myself taking the perspective of each of the characters, not just Raskolnikov, and marvelling at how well Dostoevsky brings each of them to life with a psychology and a spirituality that is uniquely and realistically their own. I find myself more critical of the themes of the novel in view of my own understanding of Christian truth, yet more desperate than ever to piece together how and when, for Raskolnikov, his actions and his understanding combine into a coherent whole. And I find myself more appreciative than ever that the author does not gloss over the evil realities of life, but instead explores the heights of Christian redemption through the depths of the harshest sins, and does not permit his characters to slip painlessly into a happy ending, but demands, as God does of us, that they persevere for years in a growing understanding of His truth. This is the Christian fiction I wish more Christians could be bothered to aim for--not the heartfelt world of Amish farms, well-behaved children, and sexually pure courtships, but the far more compelling world of real people with real problems, getting life wrong, falling into the depths of despair, finding faith, and continuing to live in spite of their pain (not without it) simply because of some faint understanding in the bottom of their consciousness that there is one more reason out there not to give up hope. It is the fiction that would birth the C.S. Lewis and the Flannery O'Connor, as well as inspire a multitude of non-Christian authors who, in spite of not sharing the author's or the main character's views, would sense the significance of allowing their characters to be shaped by events and not simply molded by predestined happy endings. It is a book that seems to touch on my own psychology and heart more as I grow older and more experienced with disappointment and struggle. And though the mystery faded considerably after the first read, it is, because of all these things, still my all-time favourite book.
    • 2/5
      It was too depressing/confusing for me when I first read it; I might just need to read it again.
    • 4/5
      Veel minder gegrepen door de lectuur dan 24 jaar geleden. Wel sterk verhaal met hoogtepunten (droom in I 5, ruzie in IV 2, zelfmoord in VI 6 en slotscene), maar soms teveel nevenplots en te pathetische sc?nes. Indrukwekkend blijft de psychologie van de karaktertekeningen.
    • 5/5
      Excelente Lector !!! El Mejor de todos ?
    • 4/5
      It took me a long time to read Crime and Punishment. Partly because I was moving away from home at the time, and partly because it's quite intense, and thoughtful, and, well, psychological. I found it interesting how realistic parts of it were, in terms of how people act: Dostoyevsky knew what he was writing about, certainly. At the same time, the people are quite strange -- the investigator, always talking and spilling out his thoughts; the main character, always talking to himself; Mrs Marmeladov with her strange delusions... They all seem a little bit larger than life. It certainly gives them a life of their own, anyway.

      In terms of the writing, the repetitions of things and the stating of the obvious and the sameness to the eccentricity of the characters somewhat bored me. Large chunks of it are just Raskolnikov dithering around and being delirious.

      I can see why this is considered a great book, but I can't quite give it a whole-hearted "it was amazing" rating. It's something I might read again to ponder over some more.
    • 5/5
      Read and pieced together 3 different versions totaling about 621 pages (see wikipedia for explanations of why so many versions) Russian writing at its best. Written after Dostoevsky returned from Siberian gulag; although this is not what the book is about. The book attempts to both solidify and crumble notions that one has about philosophy and the nature of sin. Great read! 621 pages
    • 3/5
      The crime scene is amazing, suspenseful and thrilling. There are a few other scenes that rise to that level, but the interminable speeches and declamations are what made this a real slog for me. Also showing Raskolnikov is a moody bitch could have been more concise.
    • 5/5
      For a long time, I have looked along shelves at the book store, looking for books to read, and every time, I skipped over the Classics section. Compared to the books of today, the Classics seemed like they would be more of a chore than a fun way to escape from reality. But one day, I decided to take the plunge into this pool of literary greatness. The first book I picked up was Crime and Punishment by Fyodor Dostoevsky. I wasn't sure what I was getting into when I read the very first page, but now, I understand why books like Crime and Punishment are called the Classics. There is a depth and complexity in Crime and Punishment that I haven't yet encountered. It may be from my limited exposure to such novels, but it still is something worth noting. Dostoevsky delves deep into the mind of man and takes us on a journey through love and hate, joy and despair, through this tale of a young man and his tormented life.It's not enough to look at Crime and Punishment as just a novel that follows the same basic pattern that has been followed for centuries. This is a book that is much deeper than that. The book follows the life of a ex-student named Raskolonikov (Some characters refer to him as different names, but this is the most common), a young man who lives in St. Petersburg, Russia. He lives in completely deplorable conditions: he barley lives on a few coins in a very small attic and flirts on the edge of sanity. In this state, Raskolonikov is not the usual protagonist and in fact, he may be the perfect definition of an antihero. Sometimes, however, I found myself lost as the story went on. The story would be centered around a single thought or idea and change radically in a manner of paragraphs. Other times, the same idea would get stuck and persist through whole passages, leaving a very long and, in some instances, a very tedious workload. The transition from thoughts to spoken word can be a bit hard to discern, though it could be just a problem of the translation. Some passages I really enjoyed, but others just dragged on for a long time. Crime and Punishment is one of those books that you shouldn't spend too log of time reading. It's not that it's short or something that is easy to read, but with the different characters and other factors, it's easy to forget where you are, who the characters are, and how that scene fits into the running plot if you leave it untouched for too long. But for the reasons stated above, it can get hard to keep rolling through the book. I sometimes found myself rereading certain passages to understand what was going on, only to become lost in the grand scheme of things.Crime and Punishment is one of the books you should read at least once. Dostoevsky covers the base ideas of man in a thoughtful and interesting way. This book was a wake-up call to the type of literature that I still need to read. But, parts of the book just seemed too drawn out and longer than what it should have been. It is a very dense book and almost every line seemed to have some sort of significance, promoting a close analyzation of almost everything. I enjoyed Crime and Punishment and, while not everyone will necessarily like it, recommend others to try and read it at least once.
    • 5/5
      Read and pieced together 3 different versions totaling about 621 pages (see wikipedia for explanations of why so many versions) Russian writing at its best. Written after Dostoevsky returned from Siberian gulag; although this is not what the book is about. The book attempts to both solidify and crumble notions that one has about philosophy and the nature of sin. Great read! 621 pages
    • 5/5
      This book is not what I expected it be. It is sad but very comical. In fact, some time it is so sad that it is comical. But it's realism is not marred by cartoonish antics. The writing is operatic but supremely smart and witty. There are monologues upon monologues, but these monologues are page turners, building to wonderful observations upon life, some I most certainly did not believe our present day have in common with Russian society in the 1860s. Most importantly, even though this book is completely popular and is said to be THE book, it is still quite unpredictable as far as plot lines go. And the writing is wonderfully digestible. And even more, what a wonderfully horrible slash smart slash kind slash petty slash stubborn slash generous main character. There is no denying that we all identify with Raskolnikov at one point in the book.
    • 5/5
      Muy bien leído, me ha gustado mucho su voz y entonación.
    • 5/5
      Excelente narración me mantuvo interesada y entretenida muy además de que su levites es muy amena e interpretativa
    • 4/5
      The Fifth Floor. Julie Oleszek. 2015. This first person narrative of a young woman’s recovery from anorexia in a mental hospital is interesting it is but not as good as I remember I Never Promised You a Rose Garden or Girl Interrupted being. It was a freebie or almost freebie on Kindle and an okay read if you like this kind of book.
    • 5/5
      Buen libro buena trama, un clásico imperdible muy bien narrado
    • 5/5
      Excelente obra hace meditar mucho entre el bien ey el mar
    • 3/5
      Muy buena la narración... Pero otra vez le cortan al final.
      Van dos audiolibros de este sello y es lo mismo, omiten el final.
      Alguna razón en específico?
      PD omiten matar que el protagonista es enviado 8 años a Siberia
    • 5/5
      "Crime and Punishment" is not about either, but about the space between. Little time is spent dwelling on motive before the title's crime occurs. It must be murder, to drive the story to be told, but in order to render maximum sympathy for Rodia the motive remains obscured and his efforts clumsy without personal gain. The majority of the story by far is focussed upon what comes after. Mortal paranoia works against Rodia and he contemplates every form of escape: confession, being accused of his crime at last, or achieving the absolute certainty of avoiding justice. It is difficult to watch him thrust away anyone who would help him, be they friends or family. Guilt drives loneliness; with whom can he share his agony before madness descends? As his straitened circumstances progress, he cannot accept being close with anyone besides those who would regard him as a benefactor, and seeks some form of kinship among society's lowest strata. When Rodia's motive becomes more clear, half the story is already done and the reader is no longer likely to pass summary judgement. By then we know his good side through how well-regarded he is by those who have known him best, and how protective he is of others even as he scorns them at the same time. It is impossible to hope that he will get away with murder, but it is something to hope that he will find the error in his thinking that led him astray. The question then is whether corporal punishment is required to see this realization through, or can a criminal arrive at redemption independently? Dostoevsky spent time as a political prisoner and had ample time to consider the purpose and impact of criminal justice upon society and those it punished. Reading into this novel the result of those musings, it seems to me he could not satisfy himself as to the answer and shared the mystery in this way we all may profit from.
    • 5/5
      This is a must read classic. It explores the mind of the kind-hearted Raskolnikov and his psychological journey to hell amidst poverty and corruption. I found this book riveting and difficult to put down. Dostoevsky describes the emotions of his characters in such way, it makes the reader actually feel what the characters are going through. This is Dostoevsky's greatest masterpiece and definitely a book everyone should read.
    • 5/5
      me encantara leer este libro
    • 5/5
      There is not much more I can say about this book that hasn't been said by hundreds of people throughout the years. On a personal note, I found this book to be outstanding and can easily see why it is considered one of the classics of literature. The way Dostoevsky gets into the mind of his character is as good writing as I have ever seen. The torment, guilt, hope, wonder, and range of dozens of emotions of the main character really hit home to the reader. I think everyone could connect in some way to the ideas in this story and although it is a slow read that takes some time, I think it is worth it for any avid reader.
    • 5/5
      Amazing, phenomenal, and well deserved to be called a masterpiece. For some reason, I had in my head that it would be about the Crime, of course, and then being in prison, with long pondering about guilt, remorse, etc. - and very dry. But I was completely wrong. It was exciting, suspenseful, with intriguing sub-plots and many layers to be uncovered. Wonderful, and I highly recommend it!
    • 5/5
      I first read this book in high school and was mesmerized. When my book club was considering reading some classics, I recommended it, and I find that I still love the book. It is a classic psychological thriller.
    • 5/5
      Un señor usa la culpa para torturar a otro señor.
    • 4/5
      A man, living in depressing poverty in a city full of small, horrible tragedies, commits a terrible crime for reasons that seem simple but probably aren't, then spends a long time in a complicated internal conflict between worrying that he'll be caught and wanting to confess. It became clear to me pretty quickly just why this is considered such a classic. Dostoevsky writes with an incredibly subtle, nuanced, and realistic view of human psychology, complete with an understanding of all the ways in which people lie to themselves, justify their own actions, and fail to entirely understand their own motivations. That's pretty impressive stuff, and by a hundred pages or so in, I was enjoying this book much more than I expected to -- if "enjoying" is quite the right word for a novel so full of awful stuff -- and even finding a sort of bleak humor in just how utterly incompetent the protagonist seemed to be at both criminality and penitence. There's also some wonderfully vivid characters. I think Pyotr Petrovich Luzhin is perhaps my new favorite most hate-able character in all of literature.It did begin to drag for me somewhere in the middle, though. I know it's silly to wish for this kind of novel to be a little bit shorter and pithier, but I found myself kind of wishing it, anyway. And I wasn't entirely satisfied with the note it ends on, but I think that's because Dostoevsky and I have different religious views, not because it isn't well-written. Still, I do now understand just why this Dostoevsky fellow is still considered so much worth reading. And maybe one of these days I will finally get around to The Brothers Karamazov.
    • 4/5
      Fantastic book, really up my alley. I loved the psychological and philosophical ramblings. I loved any and all dialog between Raskolnikov and Porfiry, and Raskolnikov and Sonya. The cat and mouse game between Porfiry and Rodya was particularly compelling. Some of the monologues and dialogues could drag a bit at times, and this book took me a long time to get through (almost a month). As much as I enjoyed it, I have to say that I am glad I'm finished with it. Raskolnikov's dark psyche was getting to me after a bit and making me broody.

      Favorite quote (Spoilers):

      Can't you see that I must have known that if I'd already started asking myself the question, "Do I have a right to power?", then it already meant I didn't. Or that if I asked, "Is a human being a louse?", then man was certainly no louse for me, only for someone to whom the question never occurs, and who sets off without asking questions.. And if I'd already tormented myself for so many days wondering, "Would Napoleon have gone or wouldn't he?", then I obviously knew that I was no Napoleon.. I endured all the agony of this empty talk, Sonya, all of it, and now I just wanted to shake it off. I wanted to kill without casuistry, Sonya, to kill for myself, for myself alone! I didn't want to lie about it, not even to myself! It wasn't to help mother that I killed - nonsense! It wasn't to acquire funds and power that I killed, so as to make myself a benefactor of humanity. Nonsense! I just killed. I killed for myself, for myself alone; and whether I'd become anyone's benefactor or spend my entire lite as a spider, catching Everyone in my web and sucking out their vital juices, shouldn't have mattered to me one jot at that moment!...
    • 4/5
      Raskolnikov's crime is a form of rebellion against the depraved society in which he lives: his nihilism is justified by his own ego. He compares himself to Napoleon more than once, making me wonder if Dostoevsky read Nietzsche's theories of der ubermensch.

      The criminal's redemption at the feet of Sonya, former prostitute with a heart of gold, feels a little bit tacked on.
    • 4/5
      Perhaps the most ‘readable’ of Dostoevsky’s work, Crime and Punishment takes a look at duality and morality, the heart in conflict with itself. The characters can seem over the top to modern readers, and there are passages that seem long-winded; also a deus ex machina contrivance that strains credibility. Yet there is always a sense of an author truly trying to figure things out, who feels great compassion for his characters. The novel captures a moment in time, 19th century St. Petersburg in between the late Romantic and the Utilitarian, or rational egoist, as Dostoyevsky’s attitudes changed from his time with the Petrashevsky Circle to his post-prison rapprochement with Church and State. The idea of suffering being the basis for happiness rather than a socialist or rationalist plan for living, is a central theme.The book can be surprisingly funny, artistic in its depiction of St. Petersburg light, simplistic especially in its female characters, and both maddening and endearing in equal measure.