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    Exley
    Exley
    Exley
    Audiobook10 hours

    Exley

    Written by Brock Clarke

    Narrated by Michael Sullivan and Chris Sorensen

    3.5/5

    ()

    About this audiobook

    Best-selling author Brock Clarke is acclaimed for his wry, absurdist humor. In Exley, Clarke introduces nine-year-old Miller, who becomes convinced that his father-who left without explanation-must have run away to join the military, and is now lying comatose in a VA hospital. Thinking a visit from his father's favorite writer will help revive him, Miller decides to track down A Fan's Notes author Frederick Exley. "[A] charming story, at times hilarious ."-Library Journal
    LanguageEnglish
    PublisherRecorded Books, Inc.
    Release dateMar 25, 2011
    ISBN9781456123277
    Exley

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    Reviews for Exley

    3.5/5

    38 ratings3 reviews

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    • 4/5
      As children, or even as adults, things don't always make sense, and they definitely don't always go our way. With a good imagination, we can attempt to create our own sensible narrative. This is exactly what the protagonist, a 10-year-old boy, does. The voice of this child was magnificent and realistic. At turns funny and heartbreaking, this is an excellent illustration of how we can talk ourselves into believing anything.
    • 5/5
      I understand why this book garnered some negative reviews. If you're looking for a straightforward tale, told by a reliable narrator, you won't find it here. But if you want a departure from conventional storytelling (without any of the quirks of overly "post-modern" techniques), then you might find this book worth the ride. The novel is about a boy who can't accept his reality -- that his parents have separated and he's lost touch with his father. He is now convinced that his father went off to Iraq, but got injured and is lying comatose in a VA hospital in Watertown, New York -- the setting of the novel A Fan's Notes. The father was a big fan of Exley's book and modeled his life after Exley and the boy is convinced that if he brings Exley to his father, he'll be able to save his father's life. But the boy's mother doesn't believe him, and she brings the boy to a psychiatrist to help him stop fantasizing and creating what she believes are elaborate ruses to convince her he's telling the truth. The psychiatrist is no ordinary psychiatrist. We learn that he's a social misfit, and we discover right off that something's not quite right with him because he has a crash on the boy's mother and initially his only interest in treating the boy (whose name is Miller, but 2ho is mostly referred to as just M. in imitation of Exley's style) seems to stem from his desire to interact with her. Things get more and more complicated from there.

      The chapters switch back and forth between M's point of view and case study notes taken by the psychiatrist. As each chapter unravels, the story functions like a series of Russian nesting dolls, where you assume each time you've gotten to the bottom of things, but you can never be sure. One minute you think Miller's telling the truth, another you think his mother is right and that his story is all just a fantasy. Facts that you thought were true are pulled out from under you, as you discover you too have been the victim of the boy's need to fantasize. The psychiatrist provides good comic fodder because he starts to unravel. In an attempt to get to the truth, he starts to follow the boy and even breaks into his house to read the journal he's told M.to write. In doing that, he even steals some letters written, we think, by the father from Iraq to his son, which the mother's been hiding because she believes Miller fabricated them. You're constantly kept guessing as the story gets more complicated and the stakes get higher. Later on, the psychiatrist takes on the persona of Exley, and it's not clear whether it's from lunacy or a brilliant to attempt to help Miller cope with what the psychiatrist realizes would be an unacceptable reality. Exley's biographer, Jonathan Yardley, is even brought into the story as Miller tries to sort everything out. The closing is heart-wrenching and pays off in a big way the effort you made to keep poring through what at times is a perplexing story. You'll be left feeling heartbroken for those of us who have to cope with untenable realities and sympathetic to the extent we can all go to create fantasies that make those harsh realities livable.

      There's some serious "meta" stuff, and deep thinkers (of which I'm not) will have a lot of fun with how the story's bigger themes play into the whole notion of fiction. There's a lot of playing with words. The psychiatrist insists on being called a "mental health professional" because he doesn't like all the pejorative nicknames for psychiatrists -- in the belief that the words we choose can somehow shape the reality we live in. There's a whole examination of whether the stories we create for ourselves can become reality -- and Exley is the perfect vessel for that exploration. He wrote a "fictional memoir" (what is that? after all) and created a persona -- the fun-loving drunk who had disdain for all in the world he disaproved of -- as if that story and persona could become his reality. So in other words, if you're patient with the unconventional storytelling approach here, the book offers plenty of rewards.
    • 4/5
      After you finish reading Exley, by Brock Clarke, you may need to take a few moments to catch your breath. You may not sleep well, and that’s certainly not because of anything horrific or scary in the book. This book, quite simply, messes with your mind.First, the characters are wildly created and completely unpredictable. It starts with Miller, or M-, who is a child prodigy on a quest to find his father who left the family suddenly and without explanation. He’s a weird little kid, but likable, and you can’t help but feel sympathy for him as he misses his dad. The only explanation he can find is that his father must have left for Iraq (they live in an army base town), and this explanation doesn’t sit well with his mother. She arranges for him to meet with a psychiatrist to discuss Miller’s ‘wild imagination’. Miller and the doctor form a tentative relationship, with Miller’s explanations sounding more reasonable than anyone else’s. The key to all of this, to separate it from any number of books about dysfunctional families, is Exley. Frederick Exley, is the author of A Fan’s Notes, the favorite book of Miller’s father. His father’s so tied to Exley’s books that when he gets a phone call on 9/11 to tell him to turn on the television, he can’t be bothered. He’s too busy re-reading the book. The book becomes Miller’s only connection to his dad. He carries on his father’s obsession and turns to Exley (or at least anything even remotely related to Exley or his writing) to bring him back. With book in hand, he searches all over Watertown to find a connection and an explanation. In between searching, he teaches his father’s English class at the Junior College, meets a mysterious young woman who may have known his father, and visits the VA hospital searching for clues. This is one busy kid.The psychiatrist, Dr. Pahnee, isn’t exactly the appropriate choice for a mental health professional for Miller. This makes him perfect in terms of the book. Because while Dr. Pahnee utters the traditional psychobabble, he’s also not above prowling Miller’s house when no one’s home, and following him around to verify if any of Miller’s claims could possibly be true (both of them on bikes). He’s not above hitting on Miller’s mother, and as several of the chapters are written as his patient notes, we see just how far out of the range of normal he is. He is given to uttering repetitive phrases-repetitive and, indeed, annoying. (Just like that sentence!) Quirky doesn’t even begin to describe him.Clarke writes the characters in a brisk way that creates instant visuals: he describes the father “like a bear with hurt feelings.” The mother is an uptight lawyer whose emotions are best deciphered by the position of her hands on her hips, and who is so rigid that her business suits are assigned a certain day to be worn. Everyone else that Miller meets fits the same non-mold, and the effect is dizzying. Despite the craziness, there is a genuine thread of humanity that aims to understand how much (or how little) of what we want to believe relates to what actually is true. It also toys with the idea of imagination as a therapeutic process, a means to adjust to and possibly accept changing circumstances.The book reminded me a bit of Jonathan Safran Foer’s Extremely Loud and Incredibly Close, which has a child protagonist on a similar journey. Yet Clarke’s novel has a more satisfying ending, and doesn’t fold up quite as neatly. The flawed and outrageous characters for the most part were still sympathetic. My only irritation was that the character of Miller’s mother seemed apathetic much of the time, and insensitive to Miller’s father need. And to be honest, at times the unpredictable events almost became predictable once you get involved into the story…it’s as if you begin to expect more of the same. The cleverness that was refreshing at first, did, albeit only a few times, get stale.