Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

The Portrait of a Lady
The Portrait of a Lady
The Portrait of a Lady
Audiobook26 hours

The Portrait of a Lady

Written by Henry James

Narrated by Juliet Stevenson

Rating: 4.5 out of 5 stars

4.5/5

()

About this audiobook

The Portrait of a Lady tells the compelling and ultimately tragic tale of a beautiful young American woman's encounter with European sophistication. Set principally in England and Italy, the story follows Isabel Archer's fortunes as a variety of admirers vie for her hand. Her choice will be crucial, and she is not wanting for advice, whether from the generous- spirited Ralph Touchett or the charming but rootless Madame Merle.
LanguageEnglish
Release dateOct 16, 2016
ISBN9781843799566
Author

Henry James

Henry James (1843–1916) was an American writer, highly regarded as one of the key proponents of literary realism, as well as for his contributions to literary criticism. His writing centres on the clash and overlap between Europe and America, and The Portrait of a Lady is regarded as his most notable work.

Related to The Portrait of a Lady

Related audiobooks

Classics For You

View More

Related articles

Reviews for The Portrait of a Lady

Rating: 4.396551724137931 out of 5 stars
4.5/5

58 ratings4 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    I didn't know if I would like this novel, but I am very glad I read it. Although the ending is heart wrenching it is a superb work of literature.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    He is a wonderful writer The ending was bad
  • Rating: 5 out of 5 stars
    5/5
    Truly an incredible performance by Juliet Stevenson, bringing SUCH specific and nuanced life to these characters.
  • Rating: 3 out of 5 stars
    3/5
    Juliet Stephenson is impeccable, as always. James is not nearly the artist here that he was to become in later years with the last 4 novels. His plotting and dialog, though much more active and thick in this book than the more figural, interior landscape exploration of his later works, does not deliver the hearty rewards that a master of the popular (versus rarified) 19th century novel can (e.g. Balzac, Dickens, Hugo). His heroine is likely the most vexingly obnoxious, counterproductive poor judge of character that has ever strolled the pages of 19th C print. The tome drags on and on and ends on a senseless quasi- cliffhanger. At least there's the idea that she sacrifices herself to fulfill her promise to the child by going back to Rome.