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Criss Cross
Criss Cross
Criss Cross
Ebook254 pages3 hours

Criss Cross

Rating: 3.5 out of 5 stars

3.5/5

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Winner of the Newbery Medal • New York Times Bestseller • An ALA Notable Book • An ALA Best Book for Young Adults • School Library Journal Best Book • Booklist Editors’ Choice • Kirkus Reviews Editors’ Choice • Horn Book Fanfare Book • New York Public Library Book for the Teen Age

In this acclaimed, award-winning, and timeless national bestseller, Newbery Medalist Lynne Rae Perkins explores the crisscrossing lives of four teenagers on the verge of adulthood. The unique format incorporates short vignettes, haiku, Q&As, and illustrations by the author. Written with love and humor, Criss Cross is an unforgettable story of friendship, family, and growing up.

“It’s hard to write a book this good. Lynne Rae Perkins makes it seem easy.”—Kevin Henkes, New York Times–bestselling author of the Newbery Honor Books Olive’s Ocean and The Year of Billy Miller

“Brilliantly captures the adolescent-level Zen that thoughtful kids bring to their assessment of the world.”—Bulletin of the Center for Children’s Books (starred review)

“Best of all are the understated moments, often private and piercing in their authenticity, that capture intelligent, likable teens searching for signs of who they are, and who they’ll become.”—ALA Booklist (starred review)

“Written with humor and modest bits of philosophy, the writing sparkles with inventive, often dazzling metaphors.”—Kirkus Reviews (starred review)

“Like a lazy summer day, the novel induces that exhilarating feeling that one has all the time in the world.”—The Horn Book (starred review)

“A gentle story about a group of childhood friends facing the crossroads of life and how they wish to live it. Young teens will certainly relate.”—School Library Journal (starred review)

LanguageEnglish
PublisherHarperCollins
Release dateNov 16, 2010
ISBN9780062062901
Criss Cross
Author

Lynne Rae Perkins

Lynne Rae Perkins was awarded the Newbery Medal for Criss Cross. She is the author of four other novels—All Alone in the Universe, As Easy as Falling Off the Face of the Earth, Nuts to You, and Secret Sisters of the Salty Sea. Lynne Rae Perkins has also written and illustrated several acclaimed picture books, including Frank and Lucky Get Schooled; The Broken Cat; Snow Music: Pictures from Our Vacation; and The Cardboard Piano. The author lives with her family in northern Michigan. www.lynnerae.com

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Rating: 3.4418604966408273 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    This one was just ok. It was pretty slow and I expected WAY more to happen given the synopsis and tag on the book. It is a middle grade which I usually have difficult time getting thru anyway but this was just so mundane! I mean pretty much just changing perspectives of about six 14 year olds during the start of summer. I could see how it would be a good read for that age group.
  • Rating: 2 out of 5 stars
    2/5
    Lovely prose but BORING!!!
  • Rating: 1 out of 5 stars
    1/5
    Boring & pointless
  • Rating: 5 out of 5 stars
    5/5
    Criss Cross views the lives of a handful of young teens in a small town in what I imagined to be the early 70s, though the era was not completely clear. It's not entirely about young love, or romance, or small town life, or coming of age, or friendships... but it is about all of those things. The characters are all likable - Debbie and Hector are absolutely lovable. it is not a plot-centric book. Rather, it rambles in and out of the lives of the various characters, touching down on points in their live that may or may not be revisited later in the book. Perkins writes with a wonderful humor. Some sections are laugh out loud funny, with brilliantly funny wording scattered throughout the novel.
  • Rating: 5 out of 5 stars
    5/5
    This book is beautifully written with a lot of different rhetorical devices and prose styles used within it. This book has some content that borders on a bit too mature for the age I want to teach (a lot of it is about dating and love), but within this is also a coming of age story. Typically having an unclear plot is a weak point of a book, but with the theme of this book being centered around the fleeting nature of moments, this lack of a well defined plot worked beautifully. Also, some of the gender norms as well as the use of chewing tobacco being normalized for teenagers within the book make it a bit antiquated, as an adult, I loved the story. All in all, great book for me, but perhaps not the best book to recommend to all of my students, depending on maturity level.
  • Rating: 4 out of 5 stars
    4/5
    Small town teenagers question their identities in the 1960s.
  • Rating: 3 out of 5 stars
    3/5
    This book follows a group of friends on the cusp of adolescence, as they explore new ideas, find new interests, and form first crushes. The plot structure is very loose and episodic; the content is rooted in nostalgia. There are occasional illustrations that don't do a whole lot for the story. Set in a small town in the 1970s, I found myself wondering what sort of appeal this book would have for young readers today. It won the Newbery Medal in 2006, inexplicably. This reads like a book for adults who grew up in the 1970s, and not a book for children at all. The writing is good, and the characters are interesting, if not always fully realized (I had trouble distinguishing some of the boys, particularly, and Debbie's best friend Patty has no personality to speak of), but there's so little action that I really had to push myself to stay engaged. I wouldn't recommend this for kids, but adults who were teenagers in the '70s might find it a nice walk down memory lane.
  • Rating: 2 out of 5 stars
    2/5
    This book is the 2006 Newbery winner. It is about a group of teenagers dealing with the struggles and joys of growing up. There isn't one consistent storyline, rather the narrative alternates between the characters. Not a lot happens, it's mostly little disconnected stories about everyday life, and the thoughts and feelings of the characters. It became a bit confusing for me at times, because I read a few pages here and there over the course of several months, and forgot who was who.

    I struggle with these Newbery books. I feel like the committee chooses some books that they think kids should be reading, but that kids would actually hate, and others that kids will love but adults may hate. This book did not appeal to me as an adult. It was a little bit melodramatic. At the same time I felt like maybe it could really appeal to teenagers who are into cool guys with guitars who write songs and people who have all these deep, original thoughts about life. It reminded me a bit of a John Green book, but this book didn't really make me want to roll my eyes like his books and actually had some genuinely touching moments. I think if I'd read it more continuously I might give it another star.
  • Rating: 4 out of 5 stars
    4/5
    Boy, young adult books have come a long way since I was a ‘young adult’! Light-hearted yet hyper-realistic, these loosely-connected vignettes follow the hopes and worries of a group of teens in a small town, as well as the journey of the necklace one of the girls loses. The characters experience everything from having a crush on the cool kid to being accepted by your older sibling’s friends; from discovering your talents to the wonder of learning about the power of music. Though it takes place in the real world and the characters seem like people you bump into every day there’s also an air of other-worldliness, everything is cast with a shimmery glow. Perkins so accurately conveys what it is to be young today I had to look her up to see how old she is (she’s a grown up). Unassuming without being sentimental—this is the sort of book adults as well as teens will enjoy.
  • Rating: 4 out of 5 stars
    4/5
    This is a book about way people, lives, moments, and fates cross and the ways they don't. It begins with Debbie wishing for something good to happen. To her. Soon. It then branches off to multiple other characters, weaving together the lives of friends and not friends, adults and teenagers in to a slice of life narrative set in the 1960s. There was a couple of points where the multiplicity of characters became a bit confusing, because I couldn't remember who so-and-so was, but the chapters (each of which reads a bit like a short story) work together well. And while not much seems to happen and there's not much in the way of resolution, you do get to see the characters grow. You don't quite get to see the "final result" of them (because change is ongoing), but you get to see the potential for who they might become, which is very cool.In addition to a collection of interesting character (none of whom is presented as perfect or a villain), the story also offers some really wonderful writing. For example:"Debbie and Patty stood inside a thriving mountain of rhododendrons, flowering with primeval abandon against a withered, sagging garage that was slowly subdividing into raw materials, basic elements and individual atoms on the edge of an oily, pothole-dotted forgotten cinder alley."
  • Rating: 5 out of 5 stars
    5/5
    This book is about a girl named Debbie who lives in a small town called Seldem. Debbie can hardly wait for her summer vacation. Debbie and her friends do pretty much the same thing all the time which is hang out at the Tastee Frezee and listen to the radio show called "Criss Cross." Until she meets Hector. Personal reaction: I thought this was a great book. It was a really a bit long so I figure the audience is most likely teenage girls. I think most teenage girls can relate to this book. Definitely a great read.Classroom extension:1.) Journal entry over if there was ever a time you could relate to this book. 2.)Make a list of all the important memories from this year and put it in a time capsule. 3.) Class discussion over memories and some great times ahead.
  • Rating: 3 out of 5 stars
    3/5
    What was the last book you read in which a main character was named “Debbie”. Ah-ha! I thought so: it is—or never was—a popular name for heroines.In this novel for young people Debbie is a fourteen-year-old in 1973, waiting for something to happen in her life. Hector, 14, is also waiting. Together with three other teenagers they gather weekly in one teen’s father’s truck to listen to a radio show called Criss-Cross.Ultimately, this is a sweet but unmemorable story. It won the Newbery Medal for Best Children’s Literature in 2006, but I’ve read stronger winners.Read this if: your name is Debbie & you’re participating in a reading challenge like Semi-Charmed’s Summer Event; or you’d like a gentle, realistic tale that will take you back to the early 1970s. 3 stars
  • Rating: 5 out of 5 stars
    5/5
    This book won the 2006 Newbery Medal, and I am for once in complete accord with the Newbery Committee. Perkins' prose is spare and clean. Some of the passages simply glow, especially when they are highlighting the ways in which we try to communicate and fail. Characters who love each other are at cross purposes with the best intentions in the world. The characters are sympathetic and believable, there are no emotional pyrotechnics, no huge tragedies these kids have to recover from, they are ordinary, singular, delightful young adults who learn some things worth knowing. Illustrated, which I confess put me off at first, but done so well I began to look forward to each intriguing illustration. I recommend this book without reservations.
  • Rating: 4 out of 5 stars
    4/5
    I liked this book a lot. But I'm not convinced that the "young adults" it is supposedly meant for would really like it all that much. It is quirky in a way that I don't think would resonate too much with the young folks.
  • Rating: 4 out of 5 stars
    4/5
    Funny and true-to-life story about young teenagers making steps to grow into themselves. It takes you back to that time in your life when you were first figuring out who you were going to be -- the random happenings, the awkward moments, the slight misses of connections. Funny, heartwarming, realistic. Definitely worth the read.
  • Rating: 4 out of 5 stars
    4/5
    It's a lazy summer in the 1970s, and fourteen-year-old Debbie, Hector, and many more characters whose lives intersect are changed in small ways over the course of the summer. The book's format is different: interspersing more straightforward text are chapters written, say, with just a character's name (or initials) and their dialogue, or rendered in haiku.The story starts with Debbie wishing something would happen. Frankly, I often wished something would happen in the story. I have to admit, I tried to read this five years ago when it won the Newbery Medal, but the experimental format really threw me for a loop. In audio, some of the odd devices were not as in-your-face. The haiku chapter actually had a nice ring to it, read aloud. One of my co-workers - who loves the book - said that it reminded her of her summers growing up. I think that's what the main draw of the book is: the nostalgia. Perhaps I'm not yet far enough removed from lazy summers in which a lot happens, but ever-so-slowly and almost imperceptibly to those involved, that I want to read a book about them.
  • Rating: 3 out of 5 stars
    3/5
    This book seems very real, but it also was a bit boring for me, because I like books where there's more of a plot, and not just average days. I do appreciate how real it seems, especially the chapter where two of the characters are thinking side by side in two columns. There were parts that I didn't want to end, but mostly because these were so much better then the rest of the book.
  • Rating: 4 out of 5 stars
    4/5
    Teenagers in a small town in the 1960s experience new thoughts and feelings, question their identities, connect, and disconnect as they search for the meaning of life and love.
  • Rating: 5 out of 5 stars
    5/5
    This is a really great book about what it’s like to be 14 going on 15 – the first ideas about romance, first forays into defining oneself and others. It is interestingly placed sometime in the 1960s or 1970s, so while the general experience is probably fairly universal, modern teens could be confused by the cultural references and the freedom of movement of the characters. Also, since the time period is not defined, I was frequently “popped out” of the story by trying to figure it out. Be that as it may, this read very poetically and very truly. (pannarrens)
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed the quirky nature of Ms. Perkins writing in this Newberry award winner. Ms. Perkins intersperses pictures, drawings, poems, and unconventional page layout to tell this story of childhood friends exploring the world of growing up, of understanding life and love, and of making connections.
  • Rating: 5 out of 5 stars
    5/5
    There are few books that I can say really reflect my experiences as a pre-teen/teenager. Criss Cross is the notable exception. As I read, I kept thinking, "Yes, I understand that completely. It sounds like my experiences!" For this reason alone, I give the book five stars. And I can also see why it was chosen as a Newbery winner.Though there are really two main characters, we also see short glimpses into others' lives. The characters are teenagers still discovering who they are and what they want from the world, and it is touching to see how they gain more self-awareness (and awareness of the world around them). Then, there are the relationships: a sister who takes her brother to a concert that inspires him to learn to play the guitar; a girl who helps out her elderly neighbor; a sweet but short-lived sort-of romance between a girl and her neighbor's grandson (who is only visiting and lives across the country); friends hanging out listening to the radio, enjoying each other's company without the awkwardness of making conversation. Lynne Rae Perkins excels at describing adolescence in almost a dreamy, reminiscent way, like she is recalling the best moments of a summer of her teenage years, perhaps before angst and conflicts with parents/friends/significant others complicate life. But she is also quite adept at picturing those moments of almost-but-not-quite connections between two people. If their timing was right, these almost-connections might result in something quite special, but the moment passes, and they are left savoring the question, "What if?"
  • Rating: 4 out of 5 stars
    4/5
    A brief but fascinating look into the adolescent mind is accomplished with small vignettes of the ordinary lives of several teens. Their paths cross and re-cross in this unique coming-of- age story. Not much plot but still, realistic fiction at its best!
  • Rating: 4 out of 5 stars
    4/5
    What a contrast between a contemporary Newbery and an old Newbery! Where the main character in Smokey the Cowhorse has adventure after adventure, facing death over and over, the main characters in Criss Cross do almost nothing. The kids sit around and talk and sunbathe and listen to the radio and think. That’s about it. It’s Perkins’ unique way of looking at the world that gives this book its surprising fun feel. And the pictures are great, too.
  • Rating: 4 out of 5 stars
    4/5
    I'm kind of surprised about the Newbery Medal, I guess, even though the book was a sweet somewhat-coming-of-age story in which the characters voices were real and strong...it just seemed a little light compared to other Newbery books I've read. I have to say, though, that it was refreshing to read a book about early teens where their thoughts actually seemed accurate. They didn't seem to old, too serious, too moody. There isn't a real strong plot, but is rather more character driven. There were some laugh out loud funny parts, and definitely some playing around with writing style. It was an enjoyable book to read.
  • Rating: 4 out of 5 stars
    4/5
    Small town teenagers question their identities in the 1960s.
  • Rating: 5 out of 5 stars
    5/5
    What a great book! I am working my way through a list of Newbery Award books, just in case you wondered. The author really did deserve the award, in my opinion. You might call this a "coming of age" book - one reviewer certainly did.Imagine being able to know the thoughts of a group of 13-15 year old kids who have grown up together. They are gradually becoming aware of each other as different from the way they've always known each other. No nasty bits, no angst, just well written and compelling. Familiar, in a way. Read it!
  • Rating: 4 out of 5 stars
    4/5
    Kearsten says: At first, this was one of those books where I felt I was missing something. Not a whole lot happens - several teenagers in a small town (most of them in the same wide social circle) spend the summer wondering about themselves, and what they wish for. It wasn't until I discussed the book with members of a teen book group that I got a better understanding of the characters, and what the author was trying to do. After the discussion, I realized I liked this book A LOT.The reader sees the world from almost all of the characters' point of view, which can be rather disconcerting and/or confusing at times, but the ways in which they interact is fascinating. So many of the characters are thinking *very* similar things, but either they don't act on the thoughts, or think things at different times, they lose possible *moments* - those moments in movies, for example, where the boy looks into the girl's eyes and REALIZES. Then they kiss.Criss Cross is a very lovely illustration of when the boy and girl happen to gaze meaningfully at each other AT THE WRONG TIMES. Sounds weird, but feels very real. Read this one, then try to figure out which character best mirrors you and your life. Betcha find one!
  • Rating: 5 out of 5 stars
    5/5
    Brilliantly written. The characters are so real, you feel as though you might bump into them on the street one day, and if you did, you'd recognize them in a second. Their teenage voices are pure and spot-on; I remember as a teen thinking some of the same thoughts the girl Debbie expresses during the book, except that she expresses my thoughts better than I knew how to express them at the time. An all out joy to read and to get carried back to your teenage days with.
  • Rating: 5 out of 5 stars
    5/5
    This novel is a good example of realistic fiction because the characters (Debbie, and Hector are the main two) in this story are not real people, but the events that take place in this book are trying to illustrate the ways that our lives are all related and intertwine with each other.
  • Rating: 3 out of 5 stars
    3/5
    This book is a good example of a realistic fiction novel because it is not set at a historic time and the characters are believable and could be found anywhere. The book centers around four friends as they grow up and into teenagers.Age Appropriateness: MiddleMedia: black and white photos, and sketches

Book preview

Criss Cross - Lynne Rae Perkins

CHAPTER 1

The Catch

She wished something would happen.

She wished it while she was looking at a magazine.

The magazine was her sister Chrisanne’s; so was the bed she was sitting on and the sweater Debbie had decided to borrow after coming into Chrisanne’s room to use her lip gloss. Chrisanne wasn’t there. She had gone off somewhere.

Thinking she should be more specific in case her wish came true, even though it wasn’t an official wish, it was just a thought, Debbie thought, I wish something different would happen. Something good. To me.

As she thought it, she wound her finger in the necklace she was wearing, which was her own, then unwound it again. It was a short necklace, and she could only wrap her finger in it twice. At least while it was still around her neck.

The article she was looking at was about how the most important thing was to be yourself. Although the pictures that went with it recommended being someone else. Looking at them together made it seem like you could do both at the same time.

Debbie checked her wish for loopholes, because of all those stories about wishes that come true but cause disasters at the same time. Like King Midas turning his daughter and all of his food into gold. Even in her own life, Debbie remembered that once, when she was little, she had shouted that she wished everyone would just leave her alone. And then everyone did.

The trouble with being too careful about your wishes, though, was that you could end up with a wish so shapeless that it could come true and you wouldn’t even know it, or it wouldn’t matter.

She wrapped the necklace around her finger again, and this time it popped loose, flinging itself from her neck onto a bright, fuzzy photograph of a boy and a girl, laughing, having fun against a backdrop of sparkling water.

Debbie picked up her necklace and jiggled the catch. It stuck sometimes in a partly open position, and the connecting loop could slip out.

Something like that, she thought, looking at the photo. Wondering if it would require being a different person.

In a way that doesn’t hurt anyone or cause any natural disasters, she added, out of habit.

Fastening the chain back around her neck, trying to tell by feel whether the catch had closed, she thought of another loophole. Hoping it wasn’t too late to tack on one more condition, she thought the word soon.

The wish floated off, and she turned the page.

CHAPTER 2

Hector Goes Into a Sponge State and Has a Satori

Meanwhile, in another part of town, Hector’s sister, Rowanne, was upstairs in her bedroom, changing her clothes or something. Hector could hear her humming, and the sound of drawers opening and closing.

He was crossing the front hall on his way to the kitchen and, as he passed the mirror, he glanced in and gave himself a little smile. It was something he always did; he didn’t know why. For encouragement, maybe.

This time he smiled hello at himself just as a slanted ray of sun shot through one of the diamond-shaped windows in the front door at the side of his face, producing a sort of side-lit, golden, disembodied-head effect in the mirror. It struck him as an improvement on the usual averageness of his face; it added some drama. Some intrigue. An aura of interestingness his sister’s face had all the time, but his did not, which mystified him because when he compared their features one at a time, a lot of them seemed identical. Or almost identical. There were some small differences. Like their hair. Their hair was different.

They both had auburn hair, but while Rowanne’s auburn hair plummeted in a serene, graceful waterfall to her waist, Hector’s shot out from his head in wiry, dissenting clumps.

And while both of their faces were slim, freckled ovals with a hint of roundness, Hector’s was rounder. Rowanne had slipped away from her roly-poly childhood like a sylph from a cocoon, but Hector’s was still wrapped around him in a soft, wooly layer.

Their eyes were blue-gray, behind almost identical wire-rimmed glasses resting on very similar slender noses. But Rowanne’s eyes-glasses-nose constellation somehow conveyed intelligence and warmth. Hector’s conveyed friendly and goofy. Why? What was the difference? Maybe it was his eyes, he was thinking. Maybe they were too close together. Maybe they would move farther apart as he matured, like a flounder’s. Although when he thought about it, he seemed to remember that both the flounder’s eyes ended up on the same side of its face. He tried to remember what made that happen, if it was something the flounder did, and if maybe he could do the opposite. Perhaps it would help that he wasn’t lying on the bottom of the ocean watching for food to float by.

He definitely felt unfinished, still in process. He felt that there was still time, that by the time three years had passed and he was seventeen, as Rowanne was now, he, too, might coalesce into something. Maybe not something as remarkable as Rowanne, but something. It was possible, he felt.

Hector took off his glasses to see if his eyes looked better without them. He looked blurrier, which seemed to heighten the cinematic, enigmatic quality lent by the falling sun’s sideways glance. His clumpy hair dissolved softly into the shadows, and the effort he had to make to see gave an intense, piercing quality to his gaze. Maybe corrected vision wasn’t all it was cracked up to be. Maybe in ancient times, when distinct edges were unknown to many people, he would have been considered handsome. Though he might have had a lot of headaches.

The sun dropped a degree and the golden disembodied moment passed. Hector put his glasses back on and was about to turn away when a sharp jab of weight on his shoulder made him jump. It was Rowanne’s chin. She had sneaked up behind him, and her face appeared next to his in the mirror. So much like his, but more. There was just no explaining it.

Rowanne smiled, and they both turned and headed for the kitchen. Rowanne was ahead of him, and Hector noticed she had a piece of the newspaper in her hand.

Do you want to go somewhere with me? she asked.

Where? asked Hector. Their parents had already gone out for the evening. He didn’t know what Rowanne’s plans were, but his were to call out for pizza and watch movies on TV.

A coffeehouse thing, she said. It’s at Arland Community College. In Arland.

She unfolded the newspaper on the kitchen table and pointed to a small advertisement.

See? she said. Do you want to go?

Hector looked at the ad. A couple of questions came to mind. The main one was, why was she asking him to go along, why didn’t she just call one of her bezillion friends? But he didn’t bring it up because she didn’t often invite him along and he didn’t want her to change her mind. He thought he might like to go. He had never been to a coffeehouse thing or, for that matter, a college. It sounded kind of interesting.

I really, really think we should go, said Rowanne. As if it had just occurred to her.

Okay, he said. Sure. Why not?

The parking lot they pulled into at dusk was half empty. Or half full, Hector was thinking. As if to welcome them, a half-dozen lights on tall poles flickered to life. In the thirty minutes it had taken them to drive there, the air had slipped from almost-spring back to still-winter. Stepping out of the overheated car, Hector found himself shivering. He zipped up his flimsy nylon windbreaker and pulled the drawstring of the small hood snugly around his face, although he knew this made him look like a turtle without its shell. He alternated between warming his hands in his armpits and forcing them down into the pockets of his jeans.

A few more cars pulled in and released noisy gusts of people into the chilly air. Car doors slammed. Hector noticed that the newcomers were braving the cold without headgear, and he pulled the skimpy hood back off. It was colder this way, but he felt it made him look older. Colder but older. Older but colder. Colder and colder, older and older.

The edge of night moved visibly across the sky.

The other people swarmed from the parking lot up onto a sidewalk and down a trail of evenly spaced pools of light. Minutes passed. Hector bounced up and down on his heels to keep warm. Finally Rowanne got out of the car (what was she doing in there, anyway?) and they, too, headed down the trail of bright, softly buzzing circles.

The sidewalk led to a courtyard set between several buildings, the chief distinguishing feature of which was that you couldn’t tell them apart. They were concrete and modern, but followed the medieval practice of having small, recessed slits of windows that arrows could be shot out of but which would be difficult to shoot arrows into. They seemed to have been designed for easy cleaning with a hose and a giant squeegee, like the concrete stalls at the Humane Society.

It didn’t fit Hector’s idea of what a college should be like. He realized that his ideas about colleges came mostly from movies. He knew the difference between movies and real life, but he thought that at least some of the movies must have been filmed on location, or be based on real places. The movie colleges tended to have ivy-covered brick walls and massive old oaks. They had big grassy lawns, and they seemed like places where a human might like to spend some time. He looked at the concrete planters that held only dirt and stray wads of paper, bordered by concrete benches and installed at equal intervals across the concrete plaza. Maybe it looked better in the daytime, in sunlight. Or blanketed by snow. Or in total darkness. The only humanizing influence was the humans, crisscrossing the court in chattering bunches. They seemed to be in pretty high spirits, though. Controlled substances, he was guessing.

He heard Rowanne calling his name and realized that he had stopped walking. She hurried back and led him by his elbow to a glass door.

How do you know where you’re going? he asked. Have you been here before?

Maybe once or twice, said Rowanne.

The room they entered was dimly lit and crowded. Candles in red glass globes lit circles of faces at each table. Voices bounced around the painted concrete block walls before being sucked into the acoustical ceiling tile. Dark brown beams and worn orange carpeting had been glued on here and there to suggest warmth and atmosphere.

Hector and Rowanne paused. A flurry of waving hands and a couple of shouts drew them toward a table on the far side of the room. They waded through hip-high thickets of occupied plastic chairs, some of which inched apart to make a passageway while others remained unmoved, leaving narrow canyons only a wasp could thread. Hector tried to psychically compress his girth since, compared to a wasp, he was more like a camel.

The table, when they got there, was filled with Rowanne’s friends. A single empty chair waited for Rowanne, and a thought whispered from the back of Hector’s mind, but it was drowned out by the sounds of scraping, shifting chairs.

There wasn’t quite enough room for Hector’s chair. His chair was a peninsula, jutting out into the nonexistent space between tables, in the position where a dog might sit to wait patiently for scraps. At least he had a chair, though. Unlike the dog.

His right knee touched the southwest corner of Rowanne’s chair, and his left knee touched the southeast edge of the chair of Rowanne’s best friend, Liz. A dark, trapezoidal chasm yawned between his knees and the table where, next to the red candle, there was a plastic basket filled with peanuts. Hector had to stand up and lean over to grab some. He grabbed with both hands to cut down on how often he would have to do it. He had a feeling this might be his main entertainment for the evening. He emptied the peanuts into his lap and cracked one open, then wondered what he should do with the shells. He looked around to see what other people were doing with theirs, and settled on piling them neatly on the edge of the table.

Eating the peanuts made him thirsty.

Someone carrying two cups of hot coffee squeezed behind Hector’s chair in a series of forceful sideways thrusts. The hot coffee tended, because of the principle of inertia, to remain where it was even when the cups moved on, so that with each thrust, splats of hot, homeless coffee fell (gravity) onto Hector’s shoulder, his head, his other shoulder.

His good humor began to waver a little. He found himself thinking fondly of home: the couch. The television. The front door that you opened to receive the fragrant pizza.

But then a friend of Rowanne’s named Chip or Skip (or was it Flip?) set a paper cup of brown pop down in front of Hector. Rowanne’s friend Liz scooted her chair back so that Hector could pull forward and sit almost next to her. A guy with a guitar climbed onto the stage and started plunking out chords that dropped softly into the noise of the room, making pockets of quiet wherever they fell. Hector was drawn gently back into the evening.

So, he said to Liz, relaxing slightly in his chair, do you come here often?

He was just asking for information, but she laughed and Hector realized it sounded like something different, like something a man would say to a woman in a movie. A pickup line. He flushed a little, but it was okay. It was dark, and it was just Liz.

The guitarist on the stage, tuning his guitar, let pure drops of sound fall into the noisy room, making the pockets of quiet. The drops fell into the middle of conversations and hushed them. The drops of sound fell on an unmoistened sponge that was waiting somewhere inside Hector. In his heart or his mind or his soul. He didn’t realize that he was in a sponge state but, having been separated from his moorings—couch, TV, pizza—and led into unfamiliar territory, there was a spongy piece of him left open and receptive to the universe in whatever form it might take, and the form it took was a guitar.

Hector’s first thought about the guitar was how good it sounded. It sounded great. There was something different about it than a radio or a record. There was more darkness and more brightness to it. And the guy who was playing it was amazing. He had finished tuning by now and was picking out a jumpy, catchy little tune.

He didn’t look like a person who would be an amazing guitar player. Or an amazing anything. Not at first. His apparent ordinariness helped a second thought to sprout on Hector’s moistened sponge, which was that it didn’t look that hard. Or maybe it was hard, but it looked like fun. It looked like the guy was having a blast.

The guitarist started to sing. The song was about his little chicken, whose name is Marie and who don’t like no one but him—me in the song, so it could rhyme with Marie. It was a different kind of music than Hector ever listened

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