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A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects
A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects
A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects
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A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects

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LanguageEnglish
Release dateJan 1, 1929
A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects
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Mary Wollstonecraft

Mary Wollstonecraft (1759–1797) was an English writer. She is best known for her work A Vindication of the Rights of Woman, in which she puts forth the visionary argument that women and men should receive the same education and are moral equals in the eyes of God. One of the most pivotal thinkers of the Enlightenment, she is widely considered to be the first feminist philosopher, and her work strongly influenced the twentieth-century feminist movement.

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  • Rating: 4 out of 5 stars
    4/5
    I had been wanting to read this for a long time, so when I saw it narrated by Fiona Shaw last year, I snapped it up. The narration is brilliantly done - perfectly delivered, and I loved that they used a male narrator (Jonathan Keeble) to narrate the parts where Wollstonecraft quotes from Fordyce's Sermons and Jean-Jacques Rousseau. This is basically one long essay that is divided into chapters, each addressing or responding to a different theme. While it is dated, as one would expect anything from 1792 to be, it is also still relevant. Definitely recommended - not sure I would have made it through the print version, but the audio is fabulous.
  • Rating: 3 out of 5 stars
    3/5
    I'm torn on this one. One the one had, this is the founding document of feminism, of which I am a modern day beneficiary. On the other hand, I found a lot that I could not relate to. It's a single volume of what was intended to be a 3 volume treatise, this isn't a fully finished article. It also has the feel of having been written swiftly, it doesn't follow an entirely logical sequence, and it repeats itself more than once. On the other hand, this gives it an impression of being written with feeling (which is ironic, when reading the view on emotions expressed in this). What I didn't relate to:The reasons for wanting to educate women is so that they can use reason to supplant emotions. Passion is a sign of weakness. Women should be equal so that they can gain merit in heaven for their soulsAn educated women makes for a better mother to her childrenThat marriage & motherhood should be a woman's ideal. There's a lot in there that I found impossible to relate to. It seems to me that she wants to make women into female men. The trouble with that being that she then wants to assign women to a set role in life, that of wife and mother. I can't see that suppressing emotion to reason is ever a good idea, it strikes me as a recipe for mental health issues. Life is a balance between head and heart, not the suppression of one to the other. And to argue that passion is not worth the same as reason is to ignore the impact that emotion can have on a life. It also strikes me that her life is not an example of practicing what she preaches. Her attempt to commit suicide after Imlay deserted her and her marriage to Godwin suggest, to me, that she would, herself, be unable to meet her own expectations. It strikes me as an argument that only works in the abstract. The call on religion is, clearly, of its time and is something that makes a lot of this hard to take seriously. I also note that she fails to take issue with the attribution of God as male, which is something I find unpalatable. The limitation of the women's role to the sphere of wife and mother is somewhat inexplicable. Mary Wollstencraft would seem to be an example of a woman who wanted a life outside that sphere, as she didn't fit that role herself. It seems an odd contrast again. On the other hand, there is a lot of ambition in this. She wants equal opportunities for education of both sexes, in fact going as far as to propose primary schools on a national basis. There is the call for women to be represented in parliament (along with the point that the franchise is still very small at this time, and that the majority of the poor are also disenfranchised). There's the wish to change the law to allow women to have civil rights, to be able to hold their own property and have control of their own income. The other oddity in this was that this is directed purely to middle class women. It's not intended as a broad rallying cry for women. I'm not sure I can understand the logic of this.It's difficult to rate books from a different era, their starting point is so different from where we are now. I wanted to love this, to find it as a rallying cry that I could take up. It didn't work out like that, there was a lot of good, but there was too much that I found hard to get behind.
  • Rating: 5 out of 5 stars
    5/5
    I think everyone should read this book. Everyone. Sometimes I reread it just to remind myself how fiercely this battle was being fought in the eighteenth century, and how hard we still have to fight. A little righteous fury goes a long way.
  • Rating: 3 out of 5 stars
    3/5
    I read this during my last quarter as an undergraduate English major. The class was on revolutionary women writers and it was AWESOME. I was more interested and involved in that class than most of my other classes--I kept up a double-entry journal for all of the reading so that I was constantly analyzing and writing down my thoughts. I had a great relationship with the professor and other girls in my class. It was during this class that the big protest in Seattle was going on, and we were all motivated to take a bus up there together because of the women about whom we were reading. This class motivated me to be an activist.

    As for this particular book, it was great in the beginning. Wollstonecraft is difficult, dense reading. She had some great ideas that spurred deep intellectual discussion, but after a while you want to stop reading. She makes her point early on and the rest is too much. Also, it's hard to be motivated to trudge through it when her dream is somewhat old news to us now.
  • Rating: 4 out of 5 stars
    4/5
    This is a valuable tool for understanding late 18th century thought, and how a real live woman ahead of her time framed her opinions on the rights and education of women long before modern feminism.
  • Rating: 3 out of 5 stars
    3/5
    Might seem like an odd combination, but there’s method. Mary Wollstonecraft is the author of Vindication of the Rights of Woman (although she may be more famous for being the mother of Mary Wollstonecraft Godwin, who eventually became Mary Wollstonecraft Shelly). At any rate, Ms. Wollstonecraft may have been the first radical feminist; she was nicknamed “The Hyena in Petticoats” by contemporaries. It’s true that the lot of women was pretty miserable for 18th century Englishwomen; women could not own property, and the only grounds for divorce for women was desertion. (A man could get a divorce for adultery, but a woman couldn’t; as long as her husband kept supporting her he was free to consort with all and sundry, and many did). Alas, despite its importance, this book is pretty tedious. Ms. Wollstonecraft is not a talented writer, and it took a lot of patience to get through this. To her credit, her main point is that woman should get the same education as men; but she gets sidetracked so often on questions of feminine beauty, details of educational methods (she sometimes sounds annoyingly like a NEA representative) and various other diversions that her main point gets lost. (I was once a member of NOW, until I read an editorial in the NOW newsletter stating NOWs position on land claims of the Hopi. I was a little puzzled as to what NOW was doing getting involved in Native American rights; a friend explained that “Native American Rights are a women’s issue”. Well, perhaps, but I decided that self defense was a women’s issue too, noted that there are more women in the NRA than the NOW, and transferred all my donations there). This is the same problem Wollstonecraft has, if you make everything “a women’s issue”, then nothing is a women’s issue.
    Wollstonecraft’s personal life was interesting given her political views. Her first husband (they never actually married) was Gilbert Imlay, an American. Mr. Imlay lost interest after the birth of their child, and took up with an actress, whereupon Wollstonecraft jumped off a bridge into the Thames. She was dragged out by a passer-by. She then took up with an old friend, William Godwin, who was of the opinion that marriage was an artificial institution unnecessary to virtuous individuals while Wollstonecraft had argued that cohabitation was evil. They did marry after Wollstonecraft’s second pregnancy, but never lived together; Wollstonecraft died in childbirth.
    So what does this have to do with Georgette Heyer, who is more or less the inventor of the Regency romance novel? Ms. Heyer was prolific with I think around 50 works to her credit; they all have more or less the same plot (unlikely girl attracts the attention of rich but accomplished English gentleman who falls in love with her virtues rather than her beauty). There are a number of fairly pedestrian mystery novels, and she sometimes leaves her time period for the medieval, Elizabethan, Restoration or Georgian settings. All that said, she’s pretty enjoyable. Her historical research is meticulous to the extent that it’s sometimes difficult to figure out character’s dialect without recourse to the dictionary. The plotting, despite its basic predictability, has enough surprises to be entertaining, and her characters manage to be individuals despite being all essentially the same. Oddly, she seems to spend more time on her male’s character development than her females, and she has a disturbing tendency to let her heroes get shot in the arm so the heroine can prove her worth by nursing them back to health, possibly showing that while her history is otherwise immaculate she had a poor idea of what happens when you get hit by a 0.79” lead ball (to be fair, Charlotte Bronte gets away with this in Shirley, so I suppose it’s alright).
    Now then, I mentioned above that Vindication is slow reading, and I often pick a lighter book as sort of a “palate cleaner” to take a break better the heavy chapters. Thus, I was reading Heyer’s The Quiet Gentleman at the same time as Vindication, and lo and behold heroine Drusilla Morville is acquainted with Mary Wollstonecraft and even recounts her suicide attempt with a mix of amusement and disapproval. Must be something to coincidences after all.
  • Rating: 4 out of 5 stars
    4/5
    3.5 stars
    I read this for a class but I did enjoy it. I found some of the ideas within this book really interesting. The reason I didn't rate this higher is that I personally found some of the writing to be a bit repetitive and clearly some of the ideas in this book are outdated. There is still some expectation that women and men are inherently different while I think the modern idea is more that there may be some physical differences between men and women but most differences we see is more the result of societal influence rather than inherent differences.

    Wollstonecraft proposes education and education of boys and girls together as being the solution to a lot of problems with inequality. While I don't disagree with education being very helpful with promoting equality and probably at the time, fighting for girls to have access to education was very important and novel, I do think that now that we, at least in the U.S., have an education system that does educate girls and boys together, it is clear that it takes more than integration to promote equality between men and women.

    I did really enjoy reading some early theory on this topic but I definitely can get a little frustrated when I'm reading theory that is so clearly outdated, especially when I am not super familiar with the theory expanding on a topic that came later. I would recommend this book. It has a lot of influential and interesting ideas. Just know that feminist political theory has advanced after this book was written.
  • Rating: 5 out of 5 stars
    5/5
    This book changed everything, and opened my eyes to a whole world
  • Rating: 3 out of 5 stars
    3/5
    Sometimes it's difficult to know how to rate such a classic. This work blazed trails for women, so one doesn't want to be too harsh on it, but it is difficult to read and turgid by today's standards of writing. The author focuses way too much on keeping women moral as the reason for educating them, though one suspects that is more to sell the idea to the men of the time, since she herself had a life that did not fit with what she described as a proper role for a woman in this book. The book appeared about the time of the French Revolution, and the idea of equality was being shouted both in France and across the pond in the former colonies; this author references both countries frequently in her desire to spread the idea of equality a bit further, and include women in the boundaries. Overall, worthwhile more for the history than the ideas, since most of us have moved on much beyond her modest (by today's standards) proposals. One real downside is that the book focused relentlessly on the idle classes; one who has read any history at all can hardly imagine her descriptions of the follies of poorly educated women applying to the rank-and-file of the hard-working women who didn't have time for the frivolous pursuits she decried. Such things may seem petty or picky as critiques, but these are the critiques that are always being leveled at feminists, whether they are true or not, and it would be nice to be able to point to a founding document and say, "see? we were always concerned about all women, not just rich women", so it's quite disappointing when such an important author gives fodder to the naysayers.
  • Rating: 4 out of 5 stars
    4/5
    Apart from Class ridden snobbery condemming working classes to manual work and paying attention to current social mores, Wollestonecraft makes a reasoned case for women to shove off the fripperies of womanhood and get into some solid educational DIY.
    Her thesis is a woman is a better wife etc if she is educated rather than an uneducated bimbo who is more concerned with the latest fashion than by the state of her brain. I think this holds true.
    Well worth reading, well written and an easy read in comparison to other philosophy texts.
  • Rating: 4 out of 5 stars
    4/5
    This is a valuable tool for understanding late 18th century thought, and how a real live woman ahead of her time framed her opinions on the rights and education of women long before modern feminism.
  • Rating: 4 out of 5 stars
    4/5
    Mary Wollstonecraft is often credited with being the world’s first feminist. That may be something of an exaggeration, but her 1792 treatise A Vindication of the Rights of Woman is certainly renowned as the earliest, most powerful, most overtly feminist tract in the English language – despite having been written long before the word “feminism” was coined.The dense wordy style of an eighteenth century political tract is easily enough to put off the majority of modern readers, but – for the brave or committed reader – this work more than repays the effort required. Indeed, what struck me is how much of what Wollstonecraft says in A Vindication resounds in the modern world.Her argument (addressed primarily to the position of middle-class women) is that a lack of effective and appropriate education, and a distorted view of women’s purpose in life, have combined to render many or most women weak, foolish, vain, selfish, cunning and unfit for what Wollstonecraft sees as their peculiar (but not primary) duty – that of motherhood.[Aside: much to my satisfaction, there are a number of pro-breastfeeding remarks in A Vindication, and Wollstonecraft repeatedly makes the point that beauty requirements and other foolish demands on women make them averse to breastfeeding with potentially disastrous consequences!]She argues powerfully that society (by which she means, primarily, men – since they have all the education and the political and economic power) fails women in a number of ways.For one thing, it makes them utterly dependent financially on men – fathers, husbands, brothers or other relatives. The effect is that for self-preservation women must adopt a subservient, self-abasing attitude to men. This degrades them twice: once in dignity; and then (which makes me think of Dickens’ Uriah Heep!) by forcing them to use cunning – those famous “womanly wiles” – to get what they want or need but cannot obtain for themselves.Secondly, society assigns to women an obligation to please men, and to be pleasing to them. This springs in part from their aforementioned dependence on men, and is reinforced by the fact that precious little other outlet is given them for their emotions and ambitions. The consequence is that women, being admired far more for their persons than for their minds, expend all their care and effort on the former at the expense of the latter. They become vain, and bitchy, and obsessed with “beauty”, by which they mean weak delicate bodies decorated in whatever ornaments are currently in fashion.More than all this, what women suffer is a total lack of any education worth the name. It is their want of a proper education which narrows their horizons and reinforces both their dependence on men and their inordinate concern for petty things such as their dress or (by outward show, if not in practice) maintenance of the one virtue that no woman must be without – chastity.Such women as this, Wollstonecraft argues, inevitably become hopelessly caught up in “vice” – vanity and cupidity if nothing else – and will inevitably lack any real virtue such as genuine chastity, proper affection, loyalty or generosity, selfless friendship, or sound understanding. Moreover, such women as this will also invariably either neglect their children in favour of pursuing the “necessary” activity of continuing to please men by maintaining their beauty and other charms – or they will devote themselves excessively to their children but, because they lack both judgement and sound understanding, they will be unable to respond to their children properly and thus will risk spoiling either their health or their tempers, perhaps irremediably. In either case, such a woman as this will be unable to carry out her peculiar (but not primary) duty: to bring up children who are healthy, happy, well-behaved and suitably educated.Wollstonecraft’s primary aims in A Vindication are twofold.Firstly, she endeavours to sweep away the lingering idea – by making clear how nonsensical and self-contradictory it is – that Woman was made by God to be a plaything and propagator for Man, and that she has no true rationality or personhood of her own.Secondy, she makes a strident plea for proper education for women. If women were given a level playing field and still fell behind men, she says, it would be appropriate to charge them with inferiority. Unless and until that happens, she insists that no man can prove women inferior. But, she says, even if we believe that women are in some way less than men, they are still human beings, still rational creatures, and still (as she says) given an immortal soul which it is their sacred duty to expand and develop. It is wrong for women to be oppressed and prevented from meeting this sacred duty, merely because of an (unproved!) idea that women will or may not actually achieve their aim in the same degree as men. Indeed, if that were not argument enough, it should be remembered that failing to educate women properly will prevent them from meeting their secondary duty – that of mothering – because it renders them unfit for the job.In short: Women are Human! and Education for All!More than that, Wollstonecraft anticiaptes, by around two centuries, a surprising number of modern feminist ideas. Women as sex class? The beauty myth? Socially constructed gender roles? The seeds of all these ideas and more can be found in A Vindication. Wollstonecraft even suggests – although tentatively, aware of the response that she would get for it – that perhaps women might at some point have a legitimate claim to taking some part in the government of their country. So we can credit her with “Votes for Women!” too.Superb.
  • Rating: 3 out of 5 stars
    3/5
    This was simultaneously brilliant and saddening. I didn’t expect these words to resonate quite as much as they did. I didn’t expect to be able to immediately apply them to my life. I was looking for a historical perspective, some sign that we are headed in the right direction.We are. At least, I think so. Unfortunately, those steps we have taken don’t seem as dramatic anymore. I mean, women can vote. They can run for office. They have been liberated from traditional sexual confines. They can take pride in just being.One of Wollstonecraft's biggest arguments was that women are socialized to appeal to men at their own expense. They don’t exercise their own wills or minds except for in a very limited sense. Where are they left when the passion dies? They are incapable of commanding respect or friendship. The best they can hope for is to be treated as lovely, mindless things whose sole purpose for existence is to satisfy the whims of the more dominant sex, which, after their mates have become habituated to their presence, is impossible.Popular culture still surrounds us with the idea that women need to be beautiful, that everything else is somehow secondary. It is important to be well dressed, to be thin. It bothers me that these words, so eloquently written so long go, have not prompted us to change the way we bring up our children. Beauty isn’t everything. Love isn’t everything. Relationships are not everything. We have to refine ourselves in order to refine our culture.
  • Rating: 1 out of 5 stars
    1/5
    This book is way too hard to read. It is reputed to be one of the most important books ever written, but I simply could not get through it. The language is extremely convoluted and reads as though it has been written for the chardonnay set. It would be difficult for the average layperson to read. I have been reading this book for months and I am not even half-way through. I think now is the time to give up!
  • Rating: 5 out of 5 stars
    5/5
    Julia Callahan Garrity (known to her friends as Callahan and to her family as "Jules") left the Atlanta Police Department 10 years ago when she was denied a promotion to Homicide Detective. Turning her back on the "glass ceiling" Callahan bought a cleaning business called The House Mouse and picked up a license to be a private investigator on the side. Over the years, she's relied heavily on her former partner and best friend Bucky Deavors (who got that promotion she was denied), for information on various cases, so when he invites her to a St. Patrick's Day party at a local bar, she can't say no. But the evening ends abruptly when Bucky is shot during an apparent liquor store robbery while they're on the way home. Callahan is devastated, and the talk that perhaps Bucky was a "dirty cop" only intensifies her pain. It doesn't help matters any when she learns that her long-time lover, Mac MacAuliff, is about to take a job in Nashville, and wants Callahan to drop everything, sell both her businesses, and move away with him. With her entire life in turmoil, she is determined to find the person responsible for shooting Bucky and clear her friend's name, and with the sometimes outrageous help of her "Mice", she swears she will pierce the veil of secrecy surrounding an Irish fraternal police organization if it's the last thing she ever does. But she's up against a nameless, faceless enemy and the bad guys could be anywhere. She no longer knows who to trust on the Atlanta PD, and her enemies are watching her every move while brewing up something far more lethal than a mug of green beer.I really hate to see this series end. It's got everything I like in a mystery series: great characters, twisted plot lines, moments of sheer hilarity, and others that tug at your heart. But, this book was written in 2000 and nary another one since, in this series anyway. This one had an epilogue that attempted to tie up assorted loose ends and deliver everything with a nice bow on top, but it didn't satisfy me. I would far rather imagine that Callahan and her iron-willed, deeply Southern mother Edna, are still handling the day to day mundane business of cleaning houses along with Neva Jean, Ruby, Cheezer, and the most unforgettable pair of sisters I've ever run across, Baby and Sister Easterbrooks, both in their 80s, and ready for anything. I do recommend this series.
  • Rating: 5 out of 5 stars
    5/5
    Wollstonecraft waxes eloquent in defending the intellectual and spiritual capacity of women, but was somehow still a woman who made a bad choice about who to love and wasn't quite liberated enough to openly give birth to an illegitimate child. All that is just a footnote. The body of the text is a sound piece of philosophical discourse that deserves its place on a shelf with the classics.

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A Vindication of the Rights of WomanWith Strictures on Political and Moral Subjects - Mary Wollstonecraft

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Title: A Vindication of the Rights of Woman Title: Vindication of the Rights of Women

Author: Mary Wollstonecraft [Godwin]

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This etext was produced by Amy E Zelmer Col Choat Sue Asscher

A VINDICATION OF THE RIGHTS OF WOMAN, WITH STRICTURES ON POLITICAL AND MORAL SUBJECTS, BY MARY WOLLSTONECRAFT.

WITH A BIOGRAPHICAL SKETCH OF THE AUTHOR.

CONTENTS.

INTRODUCTION.

CHAPTER 1. THE RIGHTS AND INVOLVED DUTIES OF MANKIND CONSIDERED.

CHAPTER 2. THE PREVAILING OPINION OF A SEXUAL CHARACTER DISCUSSED.

CHAPTER 3. THE SAME SUBJECT CONTINUED.

CHAPTER 4. OBSERVATIONS ON THE STATE OF DEGRADATION TO WHICH WOMAN IS REDUCED BY VARIOUS CAUSES.

CHAPTER 5. ANIMADVERSIONS ON SOME OF THE WRITERS WHO HAVE RENDERED WOMEN OBJECTS OF PITY, BORDERING ON CONTEMPT.

CHAPTER 6. THE EFFECT WHICH AN EARLY ASSOCIATION OF IDEAS HAS UPON THE CHARACTER.

CHAPTER 7. MODESTY. COMPREHENSIVELY CONSIDERED, AND NOT AS A SEXUAL VIRTUE.

CHAPTER 8. MORALITY UNDERMINED BY SEXUAL NOTIONS OF THE IMPORTANCE OF A GOOD REPUTATION

CHAPTER 9. OF THE PERNICIOUS EFFECTS WHICH ARISE FROM THE UNNATURAL DISTINCTIONS ESTABLISHED IN SOCIETY.

CHAPTER 10. PARENTAL AFFECTION.

CHAPTER 11. DUTY TO PARENTS

CHAPTER 12. ON NATIONAL EDUCATION

CHAPTER 13. SOME INSTANCES OF THE FOLLY WHICH THE IGNORANCE OF WOMEN GENERATES; WITH CONCLUDING REFLECTIONS ON THE MORAL IMPROVEMENT THAT A REVOLUTION IN FEMALE MANNERS MAY NATURALLY BE EXPECTED TO PRODUCE. 8 April, 2001

A BRIEF SKETCH OF THE LIFE OF MARY WOLLSTONECRAFT.

M. Wollstonecraft was born in 1759. Her father was so great a wanderer, that the place of her birth is uncertain; she supposed, however, it was London, or Epping Forest: at the latter place she spent the first five years of her life. In early youth she exhibited traces of exquisite sensibility, soundness of understanding, and decision of character; but her father being a despot in his family, and her mother one of his subjects, Mary, derived little benefit from their parental training. She received no literary instructions but such as were to be had in ordinary day schools. Before her sixteenth year she became acquainted with Mr. Clare a clergyman, and Miss Frances Blood; the latter, two years older than herself; who possessing good taste and some knowledge of the fine arts, seems to have given the first impulse to the formation of her character. At the age of nineteen, she left her parents, and resided with a Mrs. Dawson for two years; when she returned to the parental roof to give attention to her mother, whose ill health made her presence necessary. On the death of her mother, Mary bade a final adieu to her father's house, and became the inmate of F. Blood; thus situated, their intimacy increased, and a strong attachment was reciprocated. In 1783 she commenced a day school at Newington green, in conjunction with her friend, F. Blood. At this place she became acquainted with Dr. Price, to whom she became strongly attached; the regard was mutual.

It is said that she became a teacher from motives of benevolence, or rather philanthropy, and during the time she continued in the profession, she gave proof of superior qualification for the performance of its arduous and important duties. Her friend and coadjutor married and removed to Lisbon, in Portugal, where she died of a pulmonary disease; the symptoms of which were visible before her marriage. So true was Mary's attachment to her, that she entrusted her school to the care of others, for the purpose of attending Frances in her closing scene. She aided, as did Dr. Young, in Stealing Narcissa a grave. Her mind was expanded by this residence in a foreign country, and though clear of religious bigotry before, she took some instructive lessons on the evils of superstition, and intolerance.

On her return she found the school had suffered by her absence, and having previously decided to apply herself to literature, she now resolved to commence. In 1787 she made, or received, proposals from Johnson, a publisher in London, who was already acquainted with her talents as an author. During the three subsequent years, she was actively engaged, more in translating, condensing, and compiling, than in the production of original works. At this time she laboured under much depression of spirits, for the loss of her friend; this rather increased, perhaps, by the publication of Mary, a novel, which was mostly composed of incidents and reflections connected with their intimacy.

The pecuniary concerns of her father becoming embarrassed, Mary practised a rigid economy in her expenditures, and with her savings was enabled to procure her sisters and brothers situations, to which without her aid, they could not have had access; her father was sustained at length from her funds; she even found means to take under her protection an orphan child.

She had acquired a facility in the arrangement and expression of thoughts, in her avocation of translator, and compiler, which was no doubt of great use to her afterward. It was not long until she had occasion for them. The eminent Burke produced his celebrated Reflections on the Revolution in France. Mary full of sentiments of liberty, and indignant at what she thought subversive of it, seized her pen and produced the first attack upon that famous work. It succeeded well, for though intemperate and contemptuous, it was vehemently and impetuously eloquent; and though Burke was beloved by the enlightened friends of freedom, they were dissatisfied and disgusted with what they deemed an outrage upon it.

It is said that Mary, had not wanted confidence in her own powers before, but the reception this work met from the public, gave her an opportunity of judging what those powers were, in the estimation of others. It was shortly after this, that she commenced the work to which these remarks are prefixed. What are its merits will be decided in the judgment of each reader; suffice it to say she appears to have stept forth boldly, and singly, in defence of that half of the human race, which by the usages of all society, whether savage or civilized, have been kept from attaining their proper dignity—their equal rank as rational beings. It would appear that the disguise used in placing on woman the silken fetters which bribed her into endurance, and even love of slavery, but increased the opposition of our authoress: she would have had more patience with rude, brute coercion, than with that imposing gallantry, which, while it affects to consider woman as the pride, and ornament of creation, degrades her to a toy—an appendage—a cypher. The work was much reprehended, and as might well be expected, found its greatest enemies in the pretty soft creatures—the spoiled children of her own sex. She accomplished it in six weeks.

In 1792 she removed to Paris, where she became acquainted with Gilbert Imlay, of the United States. And from this acquaintance grew an attachment, which brought the parties together, without legal formalities, to which she objected on account of some family embarrassments, in which he would thereby become involved. The engagement was however considered by her of the most sacred nature, and they formed the plan of emigrating to America, where they should be enabled to accomplish it. These were the days of Robespierrean cruelty, and Imlay left Paris for Havre, whither after a time Mary followed him. They continued to reside there, until he left Havre for London, under pretence of business, and with a promise of rejoining her soon at Paris, which however he did not, but in 1795 sent for her to London. In the mean time she had become the mother of a female child, whom she called Frances in commemoration of her early friendship.

Before she went to England, she had some gloomy forebodings that the affections of Imlay, had waned, if they were not estranged from her; on her arrival, those forebodings were sorrowfully confirmed. His attentions were too formal and constrained to pass unobserved by her penetration, and though he ascribed his manner, and his absence, to business duties, she saw his affection for her was only something to be remembered. To use her own expression, Love, dear delusion! Rigorous reason has forced me to resign; and now my rational prospects are blasted, just as I have learned to be contented with rational enjoyments. To pretend to depict her misery at this time would be futile; the best idea can be formed of it from the fact that she had planned her own destruction, from which Imlay prevented her. She conceived the idea of suicide a second time, and threw herself into the Thames; she remained in the water, until consciousness forsook her, but she was taken up and resuscitated. After divers attempts to revive the affections of Imlay, with sundry explanations and professions on his part, through the lapse of two years, she resolved finally to forgo all hope of reclaiming him, and endeavour to think of him no more in connexion with her future prospects. In this she succeeded so well, that she afterwards had a private interview with him, which did not produce any painful emotions.

In 1796 she revived or improved an acquaintance which commenced years before with Wm. Godwin, author of Political Justice, and other works of great notoriety. Though they had not been favourably impressed with each other on their former acquaintance, they now met under circumstances which permitted a mutual and just appreciation of character. Their intimacy increased by regular and almost imperceptible degrees. The partiality they conceived for each other was, according to her biographer, In the most refined style of love. It grew with equal advances in the mind of each. It would have been impossible for the most minute observer to have said who was before, or who after. One sex did not take the priority which long established custom has awarded it, nor the other overstep that delicacy which is so severely imposed. Neither party could assume to have been the agent or the patient, the toil-spreader or the prey in the affair. When in the course of things the disclosure came, there was nothing in a manner for either to disclose to the other.

Mary lived but a few months after her marriage, and died in child-bed; having given birth to a daughter who is now known to the literary world as Mrs. Shelly, the widow of Percy Bysche Shelly.

We can scarcely avoid regret that one of such splendid talents, and high toned feelings, should, after the former seemed to have been fully developed, and the latter had found an object in whom they might repose, after their eccentric and painful efforts to find a resting place—that such an one should at such a time, be cut off from life is something which we cannot contemplate without feeling regret; we can scarcely repress the murmur that she had not been removed ere clouds darkened her horizon, or that she had remained to witness the brightness and serenity which might have succeeded. But thus it is; we may trace the cause to anti-social arrangements; it is not individuals but society which must change it, and that not by enactments, but by a change in public opinion.

The authoress of the Rights of Woman, was born April 1759, died

September 1797.

That there may be no doubt regarding the facts in this sketch, they are taken from a memoir written by her afflicted husband. In addition to many kind things he has said of her, (he was not blinded to imperfections in her character) is, that she was Lovely in her person, and in the best and most engaging sense feminine in her manners.

TO

M. TALLEYRAND PERIGORD,

LATE BISHOP OF AUTUN.

Sir:—

Having read with great pleasure a pamphlet, which you have lately published, on National Education, I dedicate this volume to you, the first dedication that I have ever written, to induce you to read it with attention; and, because I think that you will understand me, which I do not suppose many pert witlings will, who may ridicule the arguments they are unable to answer. But, sir, I carry my respect for your understanding still farther: so far, that I am confident you will not throw my work aside, and hastily conclude that I am in the wrong because you did not view the subject in the same light yourself. And pardon my frankness, but I must observe, that you treated it in too cursory a manner, contented to consider it as it had been considered formerly, when the rights of man, not to advert to woman, were trampled on as chimerical. I call upon you, therefore, now to weigh what I have advanced respecting the rights of woman, and national education; and I call with the firm tone of humanity. For my arguments, sir, are dictated by a disinterested spirit: I plead for my sex, not for myself. Independence I have long considered as the grand blessing of life, the basis of every virtue; and independence I will ever secure by contracting my wants, though I were to live on a barren heath.

It is,

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