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The Awakening
The Awakening
The Awakening
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The Awakening

Rating: 3.5 out of 5 stars

3.5/5

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Kate Chopin’s groundbreaking novel of early feminism set against the evocative backdrop of turn-of-the-century New Orleans
Edna Pontellier is trapped. By her marriage, by her responsibilities to two young sons, by the expectations of Creole society. When she falls in love with the charming and flirtatious Robert Lebrun during a summer on the Louisiana coast, Edna awakens to a new sense of herself, and to the possibility of true independence. Mademoiselle Reisz, a locally renowned musician, offers one example of the self-sufficient, artistic existence Edna might lead. An affair with the notorious womanizer Alcée Arobin warns of the passion and danger inherent in living outside the boundaries of convention. Torn between the life that was handed to her and the one she wants to live, Edna makes a shocking decision.
Overwhelmingly criticized in its day for its frank depictions of female sexuality, marriage, and a woman’s desire for independence, The Awakening is now celebrated as one of the earliest—and most revolutionary—feminist novels in American literature.
LanguageEnglish
Release dateMar 18, 2014
ISBN9781480477025
Author

Kate Chopin

Kate Chopin was born in St. Louis, Missouri,In 1851. She began writing shortly after herHusband's death and, from 1889 until her ownDeath, her stories and other miscellaneousWritings appeared in Vogue, Youth's companion,Atlantic Monthly, Century, Saturday EveningPost, and other publications. In addition to The Awakening, Mrs. Chopin published another novel, At Fault, and two collections of short stories and sketches, Bayou Folk and A Night at Acadie. The publication of The Awakening in 1899 occasioned shocked and angry response from reviewers all over the country. The book was taken off the shelves of the St. Louis mercantile library and its author was barred from the fine arts club. Kate Chopin died in 1904.

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Rating: 3.609957020776166 out of 5 stars
3.5/5

2,551 ratings91 reviews

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  • Rating: 5 out of 5 stars
    5/5
    One of the most amazing experiences it was reading is this masterpiece of women's literature about a woman struggling to find her own place in a world of men, where not only her public view but also essentially her needs are exclusively dictated by her social roles, in this case as a wife and mother. It is not that it was a marvellous read, with such beautiful writing, it was the shock of thinking how little has actually changed since the 19th century status of a woman. Because even today women have to struggle with their roles as mothers, wives and workers. And if they so happen as to also have intellectual or artistic concerns, like painting in the case of Chopin's protagonist, Edna, then it is a constant battle with time and decision making, what to leave behind. Edna only understands that she can rely on no one else but herself in the end, and it is devastating to discover that not even her so called liberators would allow her the freedom they allegedly lead her to find. Although I am not in favour of suicide as a road to emancipation, I like to believe that Edna's drowning is not out of despair but an ultimate act of free will, a declaration of self-determination, a statement that she is eventually mistress of herself and, if she chooses, it is her prerogative to take away from her "rulers" the very object of their rule. The Awakening is really among the books I would like to have been able to read again for the first time, but it is also a book that you can read again and again, each time discovering something new to contemplate on.
  • Rating: 3 out of 5 stars
    3/5
    I was mad throughout most of this book. The way women are treated is just awful. I know that this is for some but not for me.
  • Rating: 3 out of 5 stars
    3/5
    Regarded as highly scandalous when it was published in 1898, this story of a young wife who is bored with her lie as a proper wife and mother in late 19th Century New Orleans and seeks out her own independent life, seems fairly run of the mill in the 21st Century. It is, however, well written and held my interest from beginning to end.
  • Rating: 5 out of 5 stars
    5/5
    ... oh my goodness me the reviews.

    Some of them are so unkind, so cruel and so scathing. And for everyone criticising Chopin's writing and saying how they would write this book -- Go! Go write a book with feminist themes that you'd like to see in a book.

    Edna, as a female protagonist, stands for so much more than a selfish woman who has had an affair. She is brave enough, and bold enough to completely abandon society and realise that she is so much more than a mother and a wife. She realises, during the course of the book, that she has a self that neither her husband or her children would ever see.

    This book is full of metaphors and beautifully written. I loved how Chopin created atmosphere and texture and colour, and how she drew on her environment to enhance her writing. It was written in 1899, and was so ground-breaking for its time.

    I don't like books about cheating, or with cheating tropes. I think it's lazy, and I don't find it interesting.

    But I loved this book. This is an important book.

    But more than anything, I love Edna. She is a beautiful, flawed women, and I saw part of myself in her. Furthermore, all these negative comments and reviews make me realise that this is why we need feminism. This is why I need feminism.

    And I will love and defend Edna and her choices till the end of my days. Chopin, I tip my hat to you. I will give this book to my friends, and to anyone who asks.

    (I feel like this review is a little bit harsh - we're all entitled to our different opinions but it makes me a bit sad that people are so unfair to a female protagonist.)
  • Rating: 5 out of 5 stars
    5/5
    Required reading in too many English classes, normally I would hate such a text, but this actually is pretty good, and has always been very relevant. It stands the test of time like few do. Not my favorite period or writer, but among the best of each. Recommended.
  • Rating: 3 out of 5 stars
    3/5
    This was somewhat difficult to read, mainly because of the writing style of the time period, I think. I was overly dramatic. There were some lovely passages of description and I understood the point of the story, but the style was a little clumsy.
  • Rating: 3 out of 5 stars
    3/5
    WTF????? This book left me SHOOK. Also I guess I should add a trigger warning because Edna does struggle with not being able to see better days for herself and it did lead her to pick suicideEdna wants more out of life. After a vacation in the Mexican Gulf she goes home feeling unsatisfied with her role as dutiful wife and doting mother. Why? It all begins with an emotional affair she enters with a man named Robert Lebrun. When he sets off for Mexico Edna realizes how deep she is in her feelings for him and things just go downhill from there. Though Madame Adèle Ratignolle is a dear friend and a great role model to her she can't help but feel a stronger connection to Mademoiselle Reisz the type of woman she wishes she could've been.So this was part of the trifecta of IB/AP/Honors English Literature being swapped out from a pool of A Doll's House, Their Eyes Were Watching God, or I Know Why the Caged Bird Sings. Every year the English teacher would choose three of those books to read and analyze and all that jazz except when it came time for my group to study three of them, Awakening was not a part of the trio. But I kind of wish it had beat out Doll's House that one was really annoying to analyze.Honestly, this book was really close to getting a two because of how annoying I found Edna Pontellier but then it ended. Okay so with that out of the way what did I like? For one, I liked the exposition into Edna's life. She didn't have it all that bad but it wasn't ideal either especially for a woman that clearly wasn't happy as a wife or mother. It rang true to life. Also her love affair with music was just as juicy as her love affair with Alcée Arobin. The symbolism of certain things were also clever to the point I kicked myself for not noticing where it was all heading.So why such a low rating? I hated Edna. Yeah, I know, a good feminist would feel a connection with Edna and her breaking gender roles and all that but she was so childish. I'm all for a self aware character that knows they are different from what society expects from them but Edna's reactions to certain situations drove me mad. Okay so she's shocked that Robert's leaving, I get it, but did she have to go insane about it? Her lover wants her but she tries to reject him only to pounce on him the next chance she got. Her sister's getting married and she doesn't want to go because REASONS. To me it just felt like an excuse the author picked to get her to be alone and able to have her first physically sexual awakening. At some point Madame Adèle Ratignolle calls her out on her behavior and I had to take a pause and really think about it. Is it a good thing because I wasn't wrong that it's exactly how she was behaving? Or have I been conditioned just as Mdm R to perceive Edna's behavior as such? SHOOK.Also, I didn't think Mr. Pontellier was all that bad either. He did seem to care for her wellbeing but again, have I just been conditioned to think Edna the bad guy here or was Mr. P really just one of those nice white guys that wants us to clap for him just because he's not a bad guy? But then again I really liked Robert but was it just because he was able to act on what he wanted which made him so likeable, unlike Edna who couldn't do anything because of societal norms? - clearly I wish this had been used in my time at school because I have a lot to say about this book. But I'm sorry I didn't like it more.
  • Rating: 5 out of 5 stars
    5/5
    romantic and bitter sweet.
  • Rating: 4 out of 5 stars
    4/5
    Read in "The Awakening and Selected Short Stories"The novella The Awakening I found melancholy in the same way that Anna Karenina and Mrs. Dalloway were. The story has a lot in common with Anna Karenina, Madame Bovary & some other classics of this time; I can see that when it was first published in 1899 it might have been thought shocking or daring. However, just as with Anna, I found the main character Edna more annoying than sympathetic (although Edna was nowhere near as annoying as Anna!). I was much more sympathetic to Robert! I guess this is one instance to which my modern sensibilities just can't really relate.
  • Rating: 4 out of 5 stars
    4/5
    #44, 2004A very short novel, I read this in a single day, and enjoyed it. It was beautifully written; a portrait of what I'd call the interior landscape of a woman in the Victorian era who discovers that her life is not what she wants it to be, and that she is not the person she thought herself to be. She's in what seems a "typical" situation for someone of her "station" at the time - married to a successful but wholly self-centered man who treats her like a child, rather than as any sort of equal.SPOILER!!!!I understand that this book was very shocking at the time, because of its treatment of her marital infidelity. Certainly in our society we're used to that as subject matter by now, so it wasn't shocking, except when considered from the perspective of the time. I was not happy about the ending, but also realised its inevitability fairly early on. I'm not sure what made me sadder - that there was no choice (in terms of the story) but for her to die, or the fact that I completely disagreed with the reason, ultimately, that her life ended. I don't want to say too terribly much more here, for fear of ruining it for anyone who ignored the spoiler warning, but I'd be happy to discuss further with anyone who's read it. Additional comments and LJ Discussion
  • Rating: 2 out of 5 stars
    2/5
    An appeasing novella, but dated and lacking in many instances. Altogether, did not enjoy very much.
  • Rating: 5 out of 5 stars
    5/5
    This is a landmark work, ahead of its time, and with themes on marriage, adultery, and most importantly the pursuit of one’s own identity and control of one’s own life in spite of societal pressure which resonate today. In 1899, a woman questioning her feelings of sadness in a marriage and then doing something about it was shocking, both to characters in the novel (her husband thinks she’s losing her mind when she moves out, and her own father suggests to his son-in-law that authority and coercion are needed), and to readers, who rejected and vilified The Awakening, leading Chopin to spend the remaining five years of her life in relative seclusion prior to her premature death at the age of 54.Powerful stuff and very well written, with the Louisiana setting adding to its charm. Deserves a higher average rating on LT!Quotes:On adultery, and seduction, I love the light touch of these words, and how they scandalized the world at the time:“His hand strayed to her beautiful shoulders, and he could feel the response of her flesh to his touch. He seated himself beside her and kissed her lightly upon the shoulder. ‘I thought you were going away,’ she said, in an uneven voice.‘I am, after I have said good night.’‘Good night,’ she murmured.He did not answer, except to continue to caress her. He did not say good night until she had become supple to his gentle, seductive entreaties.”On divorce, and ‘owning oneself’, again, shocking at the time:“She took his face between her hands and looked into it as if she would never withdraw her eyes more. She kissed him on the forehead, the eyes, the cheeks and the lips.‘You have been a very, very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontellier’s possessions to dispose of or not. I give myself where I choose. If he were to say, ‘Here, Robert, take her and be happy; she is yours,’ I should laugh at you both.”On infatuation:“As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.”On love, and separation:“Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him.”On marriage, and settling:“She was a grown young woman when she was overtaken by what she supposed to be the climax of her fate. It was when the face and figure of a great tragedian began to haunt her imagination and stir her senses. The persistence of the infatuation lent it an air of genuineness. The hopelessness of it colored it with the lofty tones of a great passion.…Her marriage to Leonce Pontellier was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate. …. He pleased her; his absolute devotion flattered her. She fancied there was a sympathy of thought and taste between them, in which fancy she was mistaken. …The acme of bliss, which would have been a marriage with the tragedian, was not for her in this world. As the devoted wife of a man who worshipped her, she felt she would take her place with a certain dignity in the world of reality, closing the portals forever behind her upon the realm of romance and dreams.”On self-knowledge, on awakening:“A certain light was beginning to dawn dimly within her – the light which, showing the way, forbids it.At that early period it served but to bewilder her. It moved her to dreams, to thoughtfulness, to the shadowy anguish which had overcome her the midnight when she had abandoned herself to tears. In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being……The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inner contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.”And this one:“It sometimes entered Mr. Pontellier’s mind to wonder if his wife were not growing a little unbalanced mentally. He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.”And:“…perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one’s life.”Lastly, I like this description of a night walk to the beach:“There were strange, rare odors abroad – a tangle of the sea smell and of weeds and damp, new-plowed earth, mingled with the heavy perfume of a field of white blossoms somewhere near. But the night sat lightly upon the sea and the land. There was no weight of darkness; there were no shadows. The white light of the moon had fallen upon the world like a mystery and the softness of sleep.”
  • Rating: 4 out of 5 stars
    4/5
    I know this book supposed to be about the woman's sexual awakening and her awakening to the fact that, as a good wife and mother she's expected to subsume herself in the happiness of her family and she refuses to do such a thing. I was a little disappointed, though, that the only way she could think of expressing herself and asserting her individuality was through romance which I find to be many a woman's downfall and far from the meaning of life.
  • Rating: 5 out of 5 stars
    5/5
    Probably one of the most important books I've read... and I always forget about it! Forced to read in high school I fell in love with literature. And then, re-read as an adult... as a writer... simply unforgettable. I turn to it again and again for work with transitions and scenery. Brilliant.
  • Rating: 4 out of 5 stars
    4/5
    I read this book in either junior high or high school and, even though my circumstances were very different than the protagonist's, I identified so strongly with the feeling of being confined and restricted and just wanting to break free.
  • Rating: 1 out of 5 stars
    1/5
    I didn't like this one very much.
  • Rating: 3 out of 5 stars
    3/5
    I absolutely hated the way this novel ended! While the novel, I suppose, provided an interesting character study, the ending was like that one piece of garlic in an otherwise tasty apple pie. It ruined this novel for me.
  • Rating: 3 out of 5 stars
    3/5
    The Awakening? The ending is more like The Darkening (not to mention "The Hours" and "Madame Bovary.") My edition included some reviews from the 1899 publication date which were interesting. Even Willa Cather trounced the book at the end of her review. I've been meaning to read this one for years, though. Certainly the ending was a surprise.
  • Rating: 5 out of 5 stars
    5/5
    Sometimes the 1001 Books to Read Before You Die list surprises me with a great book that I had never heard of. Such was the case with this book.Published in 1899, The Awakening tells the story of Edna Pontillier, a young married woman with two sons. It opens in a resort in Grand Isle on the Gulf of Mexico where Mrs Pontillier and the boys are staying for the summer with Mr. Leonce Pontillier coming down from New Orleans on weekends. The owner's son, Robert Lebrun, falls in love with Edna and the feeling is reciprocated although there is no physical intimacy. Towards the end of the summer Robert leaves Grand Isle to seek his fortune in Mexico and Edna feels very depressed. Back in New Orleans Mrs. Pontillier stops involving herself in polite society and feels happier and free. Her husband goes to New York on a business trip and the boys are sent to their grandmother in Iberville so Edna is free to do as she likes. What she really wants to do is live with Robert but society would find that scandalous. Edna Pontillier is a prisoner of her times and, like Anna Karenina, she is made to suffer.As can be imagined this book was vilified by many reviewers when it came out. But I imagine a number of women probably read it and felt it spoke to them. The writing style is so evocative of the Deep South that I felt transported there. We spent a few days on Grand Isle last year and although I am sure it is far different from the 1890s when this story was set I too felt the langourous pleasure of that locale. It is a perfect setting for this story.
  • Rating: 2 out of 5 stars
    2/5
    This book is about the journey of a woman and how she struggles with trying to decide what is best versus what she is supposed to do or think according to society. This book brings attention to women's issues back in the day. The book is not really my style, therefore i really did not enjoy it.
  • Rating: 3 out of 5 stars
    3/5
    Dieses Buch war zur Erscheinungszeit 1899 ein richtiger Skandal: Eine Frau verlässt ihren Mann, scheinbar grundlos. Sie möchte selbstbestimmt leben. Doch die Erwartungen an die große Liebe erfüllen sich nicht und die Freiheit scheint nicht lebbar.Das ist ein gutes Thema und das Buch hat einige starke Szenen. Z.B. fand ich alle Interaktionen mit Herrn Pontellier sehr gelungen- es ist einfach zu befremdlich, wie egozentrisch und wenig empathisch dieser Mann sich in aller Unschuld gebärdet.Aber dennoch sprang bei mir kein Funke über. Ich bin mit diesem Buch zweimal eingeschlafen! Mir war es zu langweilig und trotz des geringen Umfangs musste ich mich regelrecht aufraffen es zu lesen. Vielleicht war es die falsche Zeit.
  • Rating: 4 out of 5 stars
    4/5
    Loved it! I especially love the ambiguous ending that I enjoy arguing about.
  • Rating: 4 out of 5 stars
    4/5
    Edna Pontellier “awakens” during another summer spent with her husband and children on Grande Isle, LA. The sultry nights, the hypnotic lapping of the waves on the beach, the intoxicating scents and the attentions of one person in particular all combine to bring strength to Edna’s inner self. Slowly, she comes to feel that she has stifled the person inside her for her husband, her family and society. She is unable to fully explain what is happening to her, but she knows that she can no longer be untrue to herself.

    I really enjoyed this novella. I could not help but think about Edith Wharton’s House of Mirth; I see so many parallels between Lily Bart and Edna. The time frame is similar (late 1890s), as is the inner turmoil of our heroine as she tries to make decisions about her life. While Edna is older than Lily, and has already achieved a measure of success in society (i.e. she has married well, has two charming children and a lovely home), she, like Lily, longs for something that will result in her removal from the society she knows.

    The novella unfolds slowly, with limited dialogue, but a vivid sense of place. There is languorousness about the writing that mimics the languor felt on a hot and humid summer day on Grand Isle. Two scenes provide a perfect contrast and illustrate Edna’s awakening spirit. In one she sits with her husband on the veranda all night with scarcely a word between them and a palpable distance. In the other she spends an afternoon napping, while her friend Robert sits outside under a tree waiting; and despite the physical distance and lack of personal contact portrayed there is a palpable intimacy between them.

    Without expressing her feelings exactly, the novel gave me insight into how Edna must have felt – excited by this new phase of her life, afraid to reveal how much it means to her, unsure she’s chosen wisely, full of regret, and finally accepting.
  • Rating: 4 out of 5 stars
    4/5
    A married woman has an awakening of spirit after falling in love with a young man on a vacation by the seaside, which leads her to new social and spiritual freedoms. It's interesting that despite her husband's insistence that his wife must be ill to behave this way, many of her friends and allies (and some strangers/acquaintances) remain true and support her. Told with sparse prose, this story is considered a strong feminist tale, and considering the period in which it was written, it certainly is. Though it's old fashioned by today's standards, it's still a beautiful, touching story.
  • Rating: 3 out of 5 stars
    3/5
    This is a story of Edna Pontellier, a affluent middle aged woman who is depressed and is going through mid life crisis. She readily fall in love with younger men and encourages other men. This book when it was published in 1899 had created a great scandal but today it will just count as a sad story of a depressed woman.
  • Rating: 5 out of 5 stars
    5/5
    I was first introduced to this book at the library. Students would pour in with their required reading assignment in hand and would flock to this book. I think they chose it because it was short and it had the potential to have sex scenes in it. Those are both terrible reasons to pick up this book. In many not so subtle ways the book immediately demonstrates that Mr. Pontellier is quite a jerk. That general theme reminds me a lot of Virginia Woolf’s To the Lighthouse where the men bluster and have expectations that aren’t to be questioned. There is the expectation of women to take care of everything to please her husband, as if that was the only purpose of a wife. The situation translates so well over time where women were viewed as objects, robots, there to serve a function. Anyone who rebelled against this was thought to tear at the seams of good society. However, just like many other classics (Madame Bovary) the woman who is unhappy with this domestic arrangement makes mistakes in just hoping for a change. Those mistakes always lead to tragic results. I really enjoyed the book for the lyrical language and the plight of poor Mrs. Pontellier. The Awakening is the prototype of feminist novels and I am sorry I put it off for so long.Favorite passages:"In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her. This may seem like a ponderous weight of wisdom to descend upon the soul of a young woman of twenty-eight--perhaps more wisdom than the Holy Ghost is usually pleased to vouchsafe to any woman. p. 18"The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace." p. 18"With a writhing motion she settled herself more securely in the hammock. She perceived that her will had blazed up, stubborn and resistant. She could not at that moment have done other than denied and resisted. She wondered if her husband had ever spoken to her like that before, and if she had submitted to his command. Of course she had; she remembered that she had. But she could not realize why or how she should have yielded, feeling as she then did." p. 35"and she tried to discover wherein this summer had been different from any and every other summer of her life. She could only realize that she herself--her present self--was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored and changed her environment, she did not yet suspect." p. 44"The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she had held, that she had been denied that which her impassioned, newly awakened being demanded." p. 48"Mr Pontellier had been a rather courteous husband so long as he met a certain submissiveness in his wife But her and unexpected line of conduct completely bewildered him It shocked him her absolute disregard for her duties a wife angered him. When Mr Pontelier became rude Edna grew insolent She had resolved never to take another step backward" p. 75"It sometimes entered Mr Pontellier's to wonder if his wife were not growing a little unbalanced mentally. He could plainly that she was not herself. That is he could not see that she was becoming herself and daily casting aside that fictitious which we assume like a garment with which to appear before the world." p. 80"Or else she stayed indoors and nursed a mood with which she was becoming too familiar for her own comfort and peace of mind. It was not despair but it seemed to her as if life were passing by leaving its promise broken and unfulfilled." p.100"She felt as if a mist had been lifted from her eyes enabling her to look upon and comprehend the significance of life that monster made up of beauty and brutality." p. 125 "Every step which she took toward relieving herself from obligations added to her strength and expansion as an individual. She began to look with her own eyes to see and to apprehend the deeper undercurrents of life." p. 150"She had pictured him seeking her at the very first hour and he had lived under the same sky since day before yesterday while only by accident had he stumbled upon her." p. 175"You have been a very very foolish boy your time dreaming of impossible things when you speak of Mr Pontellier setting me free. I am no longer one of Mr possessions to dispose of or not give myself where I choose If he were to say "Here Robert take her and be happy; she is yours!" I should laugh at you both." p. 185
  • Rating: 2 out of 5 stars
    2/5
    First posted on bellesbeautifulbooks.blogspot.comI didn't finish this book at about 70 pages. I just couldn't get into the writing, and story. The characters were very blah. I can't side with a woman who cheats on her husband, and I can't side with a husband who treats his wife as his property. I don't like reading about a cheater.I can see why people love this book, but it just wasn't me. It is a feminist piece of literature, and I'm not a feminist. I did not like reading this for school.
  • Rating: 1 out of 5 stars
    1/5
    Awfully dry and a chore to get through. We read this in a Literature class as an example of writing from a woman's perspective... but there are better examples of the female perspective. Opinions of this book seem to be pretty divided in my experience.
  • Rating: 1 out of 5 stars
    1/5
    If only we might all be so irresponsible in the name of emancipation.
  • Rating: 4 out of 5 stars
    4/5
    A well-written thought-provoking book, particularly given the fact that it was published first in 1899. It is very understandable why this book was later re-discovered as it still seems very fresh. The attitude of this woman seems to be ahead of her time, which adds to the intrigue of the book. Plus it was very evocative of New Orleans. I could almost smell that City and I could certainly almost see it in her descriptions. My main problem, actually my only problem, with this book was the ending. Not because it was a tragic ending, but rather because she exhibits a belated concern for her children which she immediately throws out the window by killing herself. It was her relationship with her children in conjunction with her other decisions and actions that somehow didn't ring true. But it was still a wonderful surprise.

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The Awakening - Kate Chopin

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The Awakening

Kate Chopin

Contents

THE AWAKENING

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

BEYOND THE BAYOU

MA’AME PELAGIE

I

II

III

IV

DESIREE’S BABY

A RESPECTABLE WOMAN

THE KISS

A PAIR OF SILK STOCKINGS

THE LOCKET

I

II

A REFLECTION

THE AWAKENING

I

A GREEN AND YELLOW PARROT, which hung in a cage outside the door, kept repeating over and over:

Allez vous-en! Allez vous-en! Sapristi! That’s all right!

He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.

Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust.

He walked down the gallery and across the narrow bridges which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mockingbird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.

He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.

Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed.

Once in a while he withdrew his glance from the newspaper and looked about him. There was more noise than ever over at the house. The main building was called the house, to distinguish it from the cottages. The chattering and whistling birds were still at it. Two young girls, the Farival twins, were playing a duet from Zampa upon the piano. Madame Lebrun was bustling in and out, giving orders in a high key to a yard-boy whenever she got inside the house, and directions in an equally high voice to a dining-room servant whenever she got outside. She was a fresh, pretty woman, clad always in white with elbow sleeves. Her starched skirts crinkled as she came and went. Farther down, before one of the cottages, a lady in black was walking demurely up and down, telling her beads. A good many persons of the pension had gone over to the Cheniere Caminada in Beaudelet’s lugger to hear mass. Some young people were out under the wateroaks playing croquet. Mr. Pontellier’s two children were there—sturdy little fellows of four and five. A quadroon nurse followed them about with a faraway, meditative air.

Mr. Pontellier finally lit a cigar and began to smoke, letting the paper drag idly from his hand. He fixed his gaze upon a white sunshade that was advancing at snail’s pace from the beach. He could see it plainly between the gaunt trunks of the water-oaks and across the stretch of yellow camomile. The gulf looked far away, melting hazily into the blue of the horizon. The sunshade continued to approach slowly. Beneath its pink-lined shelter were his wife, Mrs. Pontellier, and young Robert Lebrun. When they reached the cottage, the two seated themselves with some appearance of fatigue upon the upper step of the porch, facing each other, each leaning against a supporting post.

What folly! to bathe at such an hour in such heat! exclaimed Mr. Pontellier. He himself had taken a plunge at daylight. That was why the morning seemed long to him.

You are burnt beyond recognition, he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her fawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.

What is it? asked Pontellier, looking lazily and amused from one to the other. It was some utter nonsense; some adventure out there in the water, and they both tried to relate it at once. It did not seem half so amusing when told. They realized this, and so did Mr. Pontellier. He yawned and stretched himself. Then he got up, saying he had half a mind to go over to Klein’s hotel and play a game of billiards.

Come go along, Lebrun, he proposed to Robert. But Robert admitted quite frankly that he preferred to stay where he was and talk to Mrs. Pontellier.

Well, send him about his business when he bores you, Edna, instructed her husband as he prepared to leave.

Here, take the umbrella, she exclaimed, holding it out to him. He accepted the sunshade, and lifting it over his head descended the steps and walked away.

Coming back to dinner? his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten-dollar bill there. He did not know; perhaps he would return for the early dinner and perhaps he would not. It all depended upon the company which he found over at Klein’s and the size of the game. He did not say this, but she understood it, and laughed, nodding good-by to him.

Both children wanted to follow their father when they saw him starting out. He kissed them and promised to bring them back bonbons and peanuts.

II

MRS. PONTELLIER’S EYES WERE QUICK and bright; they were a yellowish brown, about the color of her hair. She had a way of turning them swiftly upon an object and holding them there as if lost in some inward maze of contemplation or thought.

Her eyebrows were a shade darker than her hair. They were thick and almost horizontal, emphasizing the depth of her eyes. She was rather handsome than beautiful. Her face was captivating by reason of a certain frankness of expression and a contradictory subtle play of features. Her manner was engaging.

Robert rolled a cigarette. He smoked cigarettes because he could not afford cigars, he said. He had a cigar in his pocket which Mr. Pontellier had presented him with, and he was saving it for his after-dinner smoke.

This seemed quite proper and natural on his part. In coloring he was not unlike his companion. A clean-shaved face made the resemblance more pronounced than it would otherwise have been. There rested no shadow of care upon his open countenance. His eyes gathered in and reflected the light and languor of the summer day.

Mrs. Pontellier reached over for a palm-leaf fan that lay on the porch and began to fan herself, while Robert sent between his lips light puffs from his cigarette. They chatted incessantly: about the things around them; their amusing adventure out in the water—it had again assumed its entertaining aspect; about the wind, the trees, the people who had gone to the Cheniere; about the children playing croquet under the oaks, and the Farival twins, who were now performing the overture to The Poet and the Peasant.

Robert talked a good deal about himself. He was very young, and did not know any better. Mrs. Pontellier talked a little about herself for the same reason. Each was interested in what the other said. Robert spoke of his intention to go to Mexico in the autumn, where fortune awaited him. He was always intending to go to Mexico, but some way never got there. Meanwhile he held on to his modest position in a mercantile house in New Orleans, where an equal familiarity with English, French and Spanish gave him no small value as a clerk and correspondent.

He was spending his summer vacation, as he always did, with his mother at Grand Isle. In former times, before Robert could remember, the house had been a summer luxury of the Lebruns. Now, flanked by its dozen or more cottages, which were always filled with exclusive visitors from the Quartier Francais, it enabled Madame Lebrun to maintain the easy and comfortable existence which appeared to be her birthright.

Mrs. Pontellier talked about her father’s Mississippi plantation and her girlhood home in the old Kentucky bluegrass country. She was an American woman, with a small infusion of French which seemed to have been lost in dilution. She read a letter from her sister, who was away in the East, and who had engaged herself to be married. Robert was interested, and wanted to know what manner of girls the sisters were, what the father was like, and how long the mother had been dead.

When Mrs. Pontellier folded the letter it was time for her to dress for the early dinner.

I see Leonce isn’t coming back, she said, with a glance in the direction whence her husband had disappeared. Robert supposed he was not, as there were a good many New Orleans club men over at Klein’s.

When Mrs. Pontellier left him to enter her room, the young man descended the steps and strolled over toward the croquet players, where, during the half-hour before dinner, he amused himself with the little Pontellier children, who were very fond of him.

III

IT WAS ELEVEN O’CLOCK that night when Mr. Pontellier returned from Klein’s hotel. He was in an excellent humor, in high spirits, and very talkative. His entrance awoke his wife, who was in bed and fast asleep when he came in. He talked to her while he undressed, telling her anecdotes and bits of news and gossip that he had gathered during the day. From his trousers pockets he took a fistful of crumpled bank notes and a good deal of silver coin, which he piled on the bureau indiscriminately with keys, knife, handkerchief, and whatever else happened to be in his pockets. She was overcome with sleep, and answered him with little half utterances.

He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation.

Mr. Pontellier had forgotten the bonbons and peanuts for the boys. Notwithstanding he loved them very much, and went into the adjoining room where they slept to take a look at them and make sure that they were resting comfortably. The result of his investigation was far from satisfactory. He turned and shifted the youngsters about in bed. One of them began to kick and talk about a basket full of crabs.

Mr. Pontellier returned to his wife with the information that Raoul had a high fever and needed looking after. Then he lit a cigar and went and sat near the open door to smoke it.

Mrs. Pontellier was quite sure Raoul had no fever. He had gone to bed perfectly well, she said, and nothing had ailed him all day. Mr. Pontellier was too well acquainted with fever symptoms to be mistaken. He assured her the child was consuming at that moment in the next room.

He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother’s place to look after children, whose on earth was it? He himself had his hands full with his brokerage business. He could not be in two places at once; making a living for his family on the street, and staying at home to see that no harm befell them. He talked in a monotonous, insistent way.

Mrs. Pontellier sprang out of bed and went into the next room. She soon came back and sat on the edge of the bed, leaning her head down on the pillow. She said nothing, and refused to answer her husband when he questioned her. When his cigar was smoked out he went to bed, and in half a minute he was fast asleep.

Mrs. Pontellier was by that time thoroughly awake. She began to cry a little, and wiped her eyes on the sleeve of her peignoir. Blowing out the candle, which her husband had left burning, she slipped her bare feet into a pair of satin mules at the foot of the bed and went out on the porch, where she sat down in the wicker chair and began to rock gently to and fro.

It was then past midnight. The cottages were all dark. A single faint light gleamed out from the hallway of the house. There was no sound abroad except the hooting of an old owl in the top of a water-oak, and the everlasting voice of the sea, that was not uplifted at that soft hour. It broke like a mournful lullaby upon the night.

The tears came so fast to Mrs. Pontellier’s eyes that the damp sleeve of her peignoir no longer served to dry them. She was holding the back of her chair with one hand; her loose sleeve had slipped almost to the shoulder of her uplifted arm. Turning, she thrust her face, steaming and wet, into the bend of her arm, and she went on crying there, not caring any longer to dry her face, her eyes, her arms. She could not have told why she was crying. Such experiences as the foregoing were not uncommon in her married life. They seemed never before to have weighed much against the abundance of her husband’s kindness and a uniform devotion which had come to be tacit and self-understood.

An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul’s summer day. It was strange and unfamiliar; it was a mood. She did not sit there inwardly upbraiding her husband, lamenting at Fate, which had directed her footsteps to the path which they had taken. She was just having a good cry all to herself. The mosquitoes made merry over her, biting her firm, round arms and nipping at her bare insteps.

The little stinging, buzzing imps succeeded in dispelling a mood which might have held her there in the darkness half a night longer.

The following morning Mr. Pontellier was up in good time to take the rockaway which was to convey him to the steamer at the wharf. He was returning to the city to his business, and they would not see him again at the Island till the coming Saturday. He had regained his composure, which seemed to have been somewhat impaired the night before. He was eager to be gone, as he looked forward to a lively week in Carondelet Street.

Mr. Pontellier gave his wife half of the money which he had brought away from Klein’s hotel the evening before. She liked money as well as most women, and accepted it with no little satisfaction.

It will buy a handsome wedding present for Sister Janet! she exclaimed, smoothing out the bills as she counted them one by one.

Oh! we’ll treat Sister Janet better than that, my dear, he laughed, as he prepared to kiss her good-by.

The boys were tumbling about, clinging to his legs, imploring that numerous things be brought back to them. Mr. Pontellier was a great favorite, and ladies, men, children, even nurses, were always on hand to say goodby to him. His wife stood smiling and waving, the boys shouting, as he disappeared in the old rockaway down the sandy road.

A few days later a box arrived for Mrs. Pontellier from New Orleans. It was from her husband. It was filled with friandises, with luscious and toothsome bits—the finest of fruits, pates, a rare bottle or two, delicious syrups, and bonbons in abundance.

Mrs. Pontellier was always very generous with the contents of such a box; she was quite used to receiving them when away from home. The pates and fruit were brought to the dining-room; the bonbons were passed around. And the ladies, selecting with dainty and discriminating fingers and a little greedily, all declared that Mr. Pontellier was the best husband in the world. Mrs. Pontellier was forced to admit that she knew of none better.

IV

IT WOULD HAVE BEEN A DIFFICULT matter for Mr. Pontellier to define to his own satisfaction or any one else’s wherein his wife failed in her duty toward their children. It was something which he felt rather than perceived, and he never voiced the feeling without subsequent regret and ample atonement.

If one of the little Pontellier boys took a tumble whilst at play, he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing. Tots as they were, they pulled together and stood their ground in childish battles with doubled fists and uplifted voices, which usually prevailed against the other mother-tots. The quadroon nurse was looked upon as a huge encumbrance, only good to button up waists and panties and to brush and part hair; since it seemed to be a law of society that hair must be parted and brushed.

In short, Mrs. Pontellier was not a mother-woman. The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.

Many of

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