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    The Prince
    The Prince
    The Prince
    Ebook186 pages4 hours

    The Prince

    By Niccolo Machiavelli

    3.5/5

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    The world’s most influential—and controversial—treatise on politics

    Composed in exile and published posthumously, The Prince is Niccolò Machiavelli’s legacy and the foundation of modern political theory. Drawing on his firsthand experiences as a diplomat and military commander in the Florentine Republic, Machiavelli disregards the rhetorical flourishes and sentimentality typically found in sixteenth-century mirrors for princes—guides instructing noblemen in the fine art of ruling—and gets straight to practical matters: how to eliminate rivals, when to use force, whether it is better to be loved or feared.
     
    For its cold-blooded candor and unrepentant assertion that immorality can be a political virtue, The Prince was censured and Machiavelli’s name became synonymous with evil. Yet five centuries’ worth of political thinkers and leaders, from Thomas Cromwell to Francis Bacon to Napoleon Bonaparte to John Adams to Joseph Stalin, have turned to this slim volume for guidance and inspiration, because its advice on the acquisition and preservation of power contains the wisdom of experience—and, most importantly of all, because it works.
     
    This ebook has been professionally proofread to ensure accuracy and readability on all devices.
    LanguageEnglish
    PublisherOpen Road Media
    Release dateJul 1, 2014
    ISBN9781480427983
    Author

    Niccolo Machiavelli

    Niccolò Machiavelli was born on 3 May 1469 in Florence during the city-state's peak of greatness under the Medici family. In 1494, the year the Medici were exiled, Machiavelli entered Florentine public service. In 1498 he was appointed Chancellor and Secretary to the Second Chancery. Serving as a diplomat for the republic, Machiavelli was an emissary to some of the most distinguished people of the age. When the Medici were returned to Florence in 1512, Machiavelli was forced into retirement. In the years that followed he devoted himself to literature, producing not only his most famous work, The Prince, but also the Discourses on the First Decade of Titus Livius (First Decade here means First Ten Books), his Art of War and The History of Florence. In 1527 the Medici were once again expelled from Florence, but before Machiavelli was able once again to secure political office in the city he died on 22 June 1527.

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    Reviews for The Prince

    3.5/5

    65 ratings72 reviews

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    • 4/5
      While I understand that his take is controversial, I have to tell you, it makes sense. It's not nice, but it is practical.
    • 5/5
      Thought rereading this might shed some light on the Trump presidency until I realized that there is a crucial difference between realpolitik and realityTVpolitiking.
    • 4/5
      Et klassisk værk om hvorledes en fyrste bør regere.Indeholder 26 kapitler: "Om forskellige arter af fyrstevælder og måder at erhverve dem på", "Om de arvelige fyrstevælder", "Om blandede fyrstevælder", "Hvorfor Darius' rige, som Alexander erobrede, ved dennes død ikke gjorde oprør mod hans efterfølger", "Hvorledes man skal styre de byer og fyrstevælder, der før erobringen havde egne love", "Om erhvervelsen af et nyt fyrstevælde ved egne våben og dygtighed", "Om erhvervelsen af et nyt fyrstevælde ved fremmede våben og lykkens hjælp", "Om fyrster, der når herredømmet ved forbrydelser", "Om folkefyrster", "Hvordan alle fyrstevælders kraft skal måles", "Om gejstlige fyrstevælder", "Om forskellige arter stridskræfter og om lejetropper", "Om hjælpetropper, blandede og egne tropper", "Om en fyrstes militære opgaver", "Hvad der skaffer menneskene og især fyrsterne ros eller dadel", "Om gavmildhed og gerrighed", "Om grusomhed og mildhed, og om at det er bedre at blive frygtet end elsket", "Hvorvidt en fyrste altid skal stå ved sit ord", "Man må undgå ringeagt og had", "Om fæstninger eller andre forholdsregler, der træffes af fyrsten, er til nytte eller skade", "Hvorledes en fyrste skal optræde for at vinde anseelse", "Om fyrsternes statssekretærer", "Hvorledes man skal undgå smiger", "Hvorledes Italiens fyrster har tabt deres stater", "Hvad skæbnen formår i de menneskelige anliggender, og hvorledes man skal kæmpe imod den", "Opråb om at befri Italien fra barbarerne".I denne bog behandler forfatteren kun fyrstedømmer. Han indleder med at sige at arvestater er meget lettere at bevare end nyerhvervede stater. Han betoner at folkets gunst er vigtig at bevare og at man bør bosætte sig i en nyerobret stat. Man bør svække de stærke naboer og støtte de svage uden at styrke dem.Udmærket læsning. Machiavelli argumenterer for sine synspunkter, fx at lejetropper og hjælpetropper kun er af det onde, og har mange underbyggende eksempler.En manual for at opnå og bevare magt
    • 5/5
      Fascinating historical perspective.
    • 3/5
      Zeer geromantiseerde inleidingIntussen overbekende politieke theorie (efficiëntie gaat voor op ethiek). Moeilijke lectuur
    • 5/5
      A Great Book!
    • 4/5
      A very sharp commentary on the art and business of politics when ruling a nation/people. As it did for previous generations this 16th Century tome has many pertinent pointers for today's would-be establishment elite: however, the pitfalls of power & being consumed by the desire for authority that it also mentions have been neglected by so many ill-equipped & haplessly inadequate Leaders of the 20th/21st centuries it would appear many of them were not concentrating when they read Machiavelli's masterpiece!
    • 3/5
      The Prince. Niccolo Machiavelli. 2008. Our book club chose this classic of how to get and keep political power because it was an election year. What surprised several of us was how mild it seemed. We decided we were no longer idealistic and had lived too long to be shocked at what lengths a man in power will go to maintain that power
    • 5/5
      First time reading it since my 1989 Great Books course at Evergreen. A lot of fun to teach. The Dover edition, so far as I can determine, is perfectly serviceable, and, presuming I'm rating the right book, is improved vastly by including excerpts from The Discourses. Complicates things nicely for the students.
    • 5/5
      I'm weirdly pleased that The Prince lives up to its reputation: it is indeed Machiavellian. Here's his advice on conquering self-governing states (i.e. democracies): "The only way to hold on to such a state is to reduce it to rubble." Well then.

      I'd like to say that any guy whose last name becomes a synonym for evil is a badass, but Machiavelli wasn't; he was a failed minor diplomat who wrote this in a failed attempt to get reemployed. Stupid attempt, too; anyone who hired him would be advertising that he espoused Machiavellian values. This book was published. And as he himself advises, "A leader doesn't have to possess virtuous qualities, but it's imperative that he seem to possess them."

      So I'll go with this: anyone whose last name becomes a synonym for evil has written a good book.

      I hope to match that effect with my first novel. Working title: "Unicorns are Pretty."

      So if Machiavelli was such a loser, how did his book get so famous? It's not because it's great advice; it sortof isn't. I think it's because it's just a ton of fun to read. It's chock full of over-the-top quotes like the ones above. It's really funny.

      Which brings up a recurring topic for debate: did he intend for this to be taken seriously, or is it satire? I think it's the former: mixed in with the zany stuff is a fair amount of common-sense advice. He could certainly have included that to make the zany stuff pop more, or to camouflage it a bit, but I prefer to think he meant the whole thing seriously. And it's not like any of it is advice someone hasn't followed at some point. (See my first quote above: yeah, we've tried that.)

      Translation review: this is the very latest translation. Parks has gone to great trouble to reduce the crazy complexity of Machiavelli's sentences - I know this from reading his excellent Translator's Note - and I appreciate that. He's also tried hard to make it accessible to modern audiences, and sometimes I think he's tipped a tiny bit overboard on that front. "When a ruler occupies a land that has a different language...then things get rough." "Difficult" would have been perfectly clear; "rough" is too colloquial. We want to be able to read our classics, but we don't need to pretend they were written yesterday.

      That's a relatively minor complaint, though; this is a clear and easy translation. Good intro, too. And a glossary of proper names at the back, so you can sort out the various contemporary figures you don't recognize.

      I'll close with my favorite quote: "It's better to be impulsive than cautious; fortune is female and if you want to stay on top of her you have to slap and thrust."

      Machiavelli: kindof a dick.
    • 3/5
      If I were more of a historian I would have been able to dive deeper into this book. Missing some context, I struggled with a few bits and pieces of Machiavelli's statements, but the rest of his ideas and examples are pretty easy to follow. I see how this book, in the hands of the wrong person, could lead to cruelties, however, I also totally see what the book is getting at, and I enjoyed reading it.
    • 5/5
      This is a book that has been sitting on the shelf of my set of Great Books of the Western World since before I started college. That and the fact that it was written in the 1500's surely qualify it as a TOME. It is a very short book which made great changes in the thinking about political statecraft. His book is a frank discussion of the use of immoral means to achieve the goals of The Prince.For Machiavelli the sole goal of the Prince was to obtain power and hold it. Using historical models he sets out the most effective means to attain this end. The nobles and the people are the two forces that hold political power in the State as he sees it. Machiavelli goes into detail about how to deal with each of these. The nobles have their own bases of power and act in their pursuit of their own interests. For this reason it is important for the Prince that they fear him rather than love him.In his discussion on fortresses he makes the statement that the best fortress is the love of the people. A state that is prosperous and ruled fairly is the best way to achieve the love of the people. The Prince must also cultivate the love of the people through great achievements building a charisma that draws them to him.The art of war is a very important part of Machiavelli's discussion. Mercenaries are the most dangerous troops to use. They fight for their own reasons and are only loyal to the Prince as long as he is able to pay them. Auxiliary troops drawn from the people are more likely to remain loyal as long as their love for the Prince is constant.Machiavelli's ideas inaugurated modern politics and statecraft. His was original and unencumbered by the ideas of the past. He established new rules for the practice of statecraft. He was excoriated for his immorality but his ideas quickly gained precedence. Last year I read The Thirty Years War. Many of the principles set forth by Machiavelli appeared in the actions of the rulers in that war. They used mercenaries to a great extent and were often ruined by them. Morality was absent in their dealings with each other. They practiced the code of attaining power that Machiavelli established.
    • 5/5
      His very name has become, like that of Hobbes and Nietzsche, a byword for a cold, brutal ruthlessness. It's even said on the Wiki that he helped make "Old Nick" a term for the Devil (something the introduction to my edition denies) and political philosopher Leo Strauss called him "the teacher of evil." His book The Prince is one of the most influential books of all time and is known as the Bible of realpolitik, and Machiavelli is seen by some as the father of political science. In a letter Machiavelli claimed his "little work" (it's less than a hundred pages in paperback) was designed to examine the state, "discussing what a principality is, what kinds there are, how they are acquired, how they are maintained, why they are lost." The heart of his advice to the ruler is to be "prepared to vary his conduct as the winds of fortune and changing circumstances constrain him and … not deviate from right conduct if possible, but be capable of entering upon the path of wrongdoing when this becomes necessary." Thus The Prince can be said to be at the other end of the scale to utopian thinking; it's utterly pragmatic. And given my lack of sympathy for utopian schemes, you'd think this would be more to my taste. Yet in some ways I see both approaches as similar. Both sorts of thinking believe that ends justify the means. Utopian schemes from Plato to Mao willingly bend humans like pretzels to fit their ideals--Machiavelli wants his rulers to manipulate, deceive, and force his subjects to his ends, without worrying about whether the means are moral. Without caring about principles, what's left is just naked power. So why rate this so high? Well, I at least appreciate Machiavelli's style compared to that of so many political thinkers. One thing at least all commentators agree on is that his writing is succinct and lucid--and memorable. Hard to forget such precepts as "politics has no relation to morals" and "it is better to be feared than loved" and "a prince never lacks legitimate reasons to break his promise" and "Fortune is a woman, and if you want to stay on top of her, you have to knock her around." The man can turn a phrase. Fun and chilling to read at the same time--and great insight into politics and the minds of many politicians. And given Machiavelli's experience as a diplomat and head of a militia, and his deep pragmatism, it's not like even principled statesman working for their ideals should ignore his advice--if only as a warning.
    • 4/5
      The Prince is filled with advice for leaders hoping to hold on to their positions. This book does a great job at describing situations of power and statesmanship. From political and corporate power struggles to attaining advancement, influence and authority over others, Machiavelli’s observations apply. He gives advice based on the example of many leaders who came before, especially those in Italy. I loved reading this while watching Game of Thrones. So much of the advice is applicable. The show is all about vying for the throne and multiple people desperately maneuvering to get closer to the power. The book is all about the different ways of ruling, gaining favor, ruling with fear, etc. I loved seeing how the advice in The Prince was so perfectly mirrored in the different actions of characters on GOT. Every Lord or Prince in GOT takes a different route in their struggle for power and each one is like an example acting out the pros and cons of the advice in The Prince. So much of the book deals with the tightrope leaders must walk between being loved and feared…“Upon this a question arises: whether it be better to be loved than feared or feared than loved?”Just like being a parent, the ruler must decide which is more important to him. If he is only feared there is always the chance of disloyalty and revolt. If he is only loved than people might not respect his leadership and will rise against him. It is a difficult decision to make. BOTTOM LINE: Ruling has always been a cutthroat profession. One must almost always chose between making your subjects love you or fear you and that decision is at the heart of this book. I enjoyed reading about the different ruling styles and once again realized that not much has changed in politics. “This has been figuratively taught to princes by ancient writers, who describe how Achilles and many other princes of old were given to the Centaur Chiron to nurse, who brought them up in his discipline; which means solely that, as they had for a teacher one who was half beast and half man, so it is necessary for a prince to know how to make use of both natures, and that one without the other is not durable.”“Therefore, one who becomes a prince through the favour of the people ought to keep them friendly, and this he can easily do seeing they only ask not to be oppressed by him. But one who, in opposition to the people, becomes a prince by the favour of the nobles, ought, above everything, to seek to win the people over to himself, and this he may easily do if he takes them under his protection. Because men, when they receive good from him of whom they were expecting evil, are bound more closely to their benefactor; thus the people quickly become more devoted to him.”“But to exercise the intellect the prince should read histories, and study there the actions of illustrious men, to see how they have borne themselves in war, to examine the causes of their victories and defeat, so as to avoid the latter and imitate the former”“A prince, therefore, ought always to take counsel, but only when he wishes and not when others wish; he ought rather to discourage everyone from offering advice unless he asks it; but, however, he ought to be a constant inquirer, and afterwards a patient listener concerning the things of which he inquired.”
    • 4/5
      A book still relevant today in the 21th century. Even if some of the described techniques are neither adviseable nor morally and legally possible in today's society.
    • 2/5
      Well, you probably know about this book. Now, I'm sure that I could have read it much more closely and come up with some very interesting material to think about. But honestly- it's just not that interesting. If you're easily shocked or titillated by the idea that powerful people are powerful because they're immoral, you will be shocked and titillated. If you didn't spend your formative years reading Cicero's 'De Oficiis,' on the other hand, you won't be surprised. And honestly, if you've read a newspaper in the last century, Machiavelli won't teach you anything. He has a bunch of nice stories to illustrate his points, but without knowing the context of the stories he tells it's difficult to know why I should care. The chapter on republics is interesting, granted. But to be honest I think I'd rather read someone who knows a lot about Machiavelli than the man himself. Skinner, here I come.

      I should say, too, that the Cambridge edition is excellent. 'The Prince' is in desperate need of annotation, and the editors do an excellent job of making things clear without making the text unreadable.
    • 1/5
      I can see how it had a huge influence in humanistic politics--it lends itself to realpolitik.
    • 4/5
      Despite the aura that has grown up around this book, I don't think it's as shocking to readers in the 21st century as it evidently was to those in the early 16th; it seems pretty much "politics as usual." In fact, it seems refreshingly honest about politics, never attempting to obscure the acquisition and maintenance of power with claims of high or noble purposes.I also found it interesting that...at least as far as I was concerned...there was a connotation to the term 'Machiavellian' that was a bit more self-interested than the philosophy he actually espouses.This is definitely a book worth recommending.
    • 5/5
      My job requires me to function in a highly politicized work environment. I work with a large group of department heads, providing counsel on issues pertaining to the fine art of people management. Some of them are philosopher kings and others are callous despots. I have found that rereading THE PRINCE every few years reminds me of the basics. Whether the princes are in the courts of the Italian peninsula during the Renaissance or in the offices of a large corporation at the dawn of the 21st century, people with authority act in similar ways. There is much to be learned from this amazing little book.
    • 4/5
      Other people have reviewed The Prince's content. I gave this book four stars; I would have given it five if the translation were better. This edition (Dover Thrift) is certainly economical, but the sentences are long, convoluted, and reverse subject and object. It took me a while to get through even though it runs only 71 pages. I had to sit there and wrestle with the verbiage as I went.Otherwise, thought-provoking and a handbook of international relations.
    • 5/5
      Pretty illustrations intermingled with the text to show the period during which this is written. Not terribly fond of the translation, will have to try another one to get a better feel for the text, probably a good historical and close to the original style of the book but feels a bit forced. It's an interesting look at power and how power is won or lost and while many people have taken inspiration from it to take power not many of them seem to have read the portions on keeping power.I believe I read this years ago in college but it was interesting to go back and read it again for no purpose other than pleasure. Many authors could get inspiration for how to set up governments and how to keep power in the hands of both the good and bad guys.
    • 3/5
      I read this because it is one of those books everyone says should be read. It wasn't terribly long, the translation was easily understandable and I thought I would give it a try.What surprised me, was that I enjoyed it. I found Machiavelli's teaching style very good. He sets forth a principle, then illustrates it with examples from both ancient history and his times. It was easy to go from there and find examples in our modern times of most of the principles he set forth. I found myself marveling at his insight into human nature and the practicalities of leadership in a fallen world.Needless to say, I now feel myself prepared to take on the leadership of any minor principality which would have me. World, beware!
    • 4/5
      Now understand why it's a classic 
    • 4/5
      The definitive classic in binary political logic. But then as someone once said, there are 10 kinds of people, those who understand binary and those who don't.
    • 4/5
      Read this simply because I had heard interesting things and it was indeed an interesting read with some interesting themes and ideas. A must for anyone considering politics.
    • 4/5
      The ultimate take no prisoners guide to ruling your world. Written as a guide to the monarchy, as the name suggests, but completely applicable to modern life.Some magazines have named it as a key componant to the cliched 80s Fortune 500 executive and it is easy to see why.A great well thought out read.I highly recommend it.
    • 4/5
      This is an excellent book. It is straightforward and easy to read. It was a political treatise that offered advice on how a prince could gain and keep power. The book is actually dedicated to one of the Medici family members. Many people belive the reason he did this was to win favor of Lorenzo de’ Medici, then-governor of Florence. Machiavelli was involved with politics but had lost his job so he had hoped to land a position within the Florentine government. Unfortuantely, this plan did not work for him. This is a great book and everyone should read it.
    • 4/5
      To many autodidacts, this book is a bible of political science, a gross misconception that reinforces the cynical view of politics perpetuated in popular culture. This wouldn't bother me if it weren't for the fact that people read the Prince, and then think there's no other bibles to political science. The Prince is to modern political theory what Sun Tzu is to Clausewitz's Von Krieg. It has come before, and is useful for tracing a linear path and building upon what comes before, but if you're a complete neophyte to political science and think this comes packed with all the answers, you're grossly off the mark, and your time would better be spent on John Locke's Second Treatise (which actually is a lighter read), Hobbes' Leviathan, Marx's First and Third Manuscripts, Burke's Reflections, or Rosseau's Social Contract. Highly recommended for political scientists to see the origin of their discipline.
    • 5/5
      The original Italian text and German translation in parallel print. Allusions and references to most events and people given as examples are added to facilitate reading. A coldly pragmatic look at power play and its tools. Chilling at times, but rational and also clever. It's a very practical approach to the philosophy of power, and despite almost all examples being Machiavelli's contemporaries, the ideas still hold true. A fascinating text to read.
    • 4/5
      Cold, calculating, and objectively cruel. You can't help but to think about today's political leaders.

    Book preview

    The Prince - Niccolo Machiavelli

    INTRODUCTION

    NICOLO MACHIAVELLI WAS BORN in Florence on May 3, 1469. He was the second son of Bernardo di Nicolo Machiavelli, a lawyer of some repute, and of Bartolommea di Stefano Nelli, his wife. Both parents were members of the old Florentine nobility.

    His life falls naturally into three periods, each of which singularly enough constitutes a distinct and important era in the history of Florence. His youth was concurrent with the greatness of Florence as an Italian power under the guidance of Lorenzo de’ Medici, Il Magnifico. The downfall of the Medici in Florence occurred in 1494, in which year Machiavelli entered the public service. During his official career, Florence was free under the government of a Republic, which lasted until 1512, when the Medici returned to power, and Machiavelli lost his office. The Medici again ruled Florence from 1512 until 1527, when they were once more driven out. This was the period of Machiavelli’s literary activity and increasing influence; but he died, within a few weeks of the expulsion of the Medici, on June 22, 1527, in his fifty-eighth year, without having regained office.

    YOUTH—Aet. 1-25—1469-94

    Although there is little recorded of the youth of Machiavelli, the Florence of those days is so well-known that the early environment of this representative citizen may be easily imagined. Florence has been described as a city with two opposite currents of life, one directed by the fervent and austere Savonarola, the other by the splendour-loving Lorenzo. Savonarola’s influence upon the young Machiavelli must have been slight, for although at one time he wielded immense power over the fortunes of Florence, he only furnished Machiavelli with a subject of a gibe in The Prince, where he is cited as an example of an unarmed prophet who came to a bad end. Whereas the magnificence of the Medicean rule during the life of Lorenzo appeared to have impressed Machiavelli strongly, for he frequently recurs to it in his writings, and it is to Lorenzo’s grandson that he dedicates The Prince.

    Machiavelli, in his History of Florence, gives us a picture of the young men among whom his youth was passed. He writes: They were freer than their forefathers in dress and living, and spent more in other kinds of excesses, consuming their time and money in idleness, gaming, and women; their chief aim was to appear well dressed and to speak with wit and acuteness, while he who could wound others the most cleverly was thought the wisest. In a letter to his son Guido, Machiavelli shows why youth should avail itself of its opportunities for study, and leads us to infer that his own youth had been so occupied. He writes: I have received your letter, which has given me the greatest pleasure, especially because you tell me you are quite restored in health, than which I could have no better news; for if God grant life to you, and to me, I hope to make a good man of you if you are willing to do your share. Then, writing of a new patron, he continues: This will turn out well for you, but it is necessary for you to study; since, then, you have no longer the excuse of illness, take pains to study letters and music, for you see what honour is done to me for the little skill I have. Therefore, my son, if you wish to please me, and to bring success and honour to yourself, do right and study, because others will help you if you help yourself.

    OFFICE—Aet. 25-43—1494-1512

    The second period of Machiavelli’s life was spent in the service of the free Republic of Florence, which flourished, as stated above, from the expulsion of the Medici in 1494 until their return in 1512. After serving four years in one of the public offices, he was appointed Chancellor and Secretary to the Second Chancery, the Ten of Liberty and Peace. Here we are on firm ground when dealing with the events of Machiavelli’s life, for during this time he took a leading part in the affairs of the Republic, and we have its decrees, records, and dispatches to guide us, as well as his own writings. A mere recapitulation of a few of his transactions with the statesmen and soldiers of his time gives a fair indication of his activities and supplies the sources from which he drew the experiences and characters that illustrate The Prince.

    His first mission was in 1499 to Catherina Sforza, my lady of Forli of The Prince, from whose conduct and fate he drew the moral that it is far better to earn the confidence of the people than to rely on fortresses. This is a very noticeable principle in Machiavelli, and is urged by him in many ways as a matter of vital importance to princes.

    In 1500, he was sent to France to obtain terms from Louis XII for continuing the war against Pisa: this king it was who, in his conduct of affairs in Italy, committed the five capital errors in statecraft summarized in The Prince, and was consequently driven out. It was also he who made the dissolution of his marriage a condition of support to Pope Alexander VI, which leads Machiavelli to refer those who urge that such promises should be kept to what he has written concerning the faith of princes.

    Machiavelli’s public life was largely occupied with events arising out of the ambitions of Pope Alexander VI and his son, Cesare Borgia, the Duke Valentino, and these characters fill a large space of The Prince. Machiavelli never hesitates to cite the actions of the duke for the benefit of usurpers who wish to keep the states they have seized; he can, indeed, find no precepts to offer so good as the pattern of Cesare Borgia’s conduct, insomuch that Cesare is acclaimed by some critics as the hero of The Prince. Yet in The Prince the duke is in point of fact cited as a type of the man who rises on the fortune of others and falls with them; who takes every course that might be expected from a prudent man but the course which will save him; who is prepared for all eventualities but the one which happens; and who, when all his abilities fail to carry him through, exclaims that it was not his fault, but an extraordinary and unforeseen fatality.

    On the death of Pius III, in 1503, Machiavelli was sent to Rome to watch the election of his successor, and there he saw Cesare Borgia cheated into allowing the choice of the College to fall on Giuliano delle Rovere (Julius II), who was one of the cardinals who had most reason to fear the duke. Machiavelli, when commenting on this election, says that he who thinks new favours will cause great personages to forget old injuries deceives himself. Julius did not rest until he had ruined Cesare.

    It was to Julius II that Machiavelli was sent in 1506, when that pontiff was commencing his enterprise against Bologna, which he brought to a successful issue, as he did many of his other adventures, owing chiefly to his impetuous character. It is in reference to Pope Julius that Machiavelli moralizes on the resemblance between Fortune and women and concludes that it is the bold rather than the cautious man that will win and hold them both.

    It is impossible to follow here the varying fortunes of the Italian states, which in 1507 were controlled by France, Spain, and Germany, with results that have lasted to our day; we are concerned with those events, and with the three great actors in them, so far only as they impinge on the personality of Machiavelli. He had several meetings with Louis XII of France, and his estimate of that monarch’s character has already been alluded to. Machiavelli has painted Ferdinand of Aragon as the man who accomplished great things under the cloak of religion, but who in reality had no mercy, faith, humanity, or integrity; and who, had he allowed himself to be influenced by such motives, would have been ruined. The Emperor Maximilian was one of the most interesting men of the age, and his character has been drawn by many hands; but Machiavelli, who was an envoy at his court in 1507-8, reveals the secret of his many failures when he describes him as a secretive man, without force of character—ignoring the human agencies necessary to carry his schemes into effect and never insisting on the fulfilment of his wishes.

    The remaining years of Machiavelli’s official career were filled with events arising out of the League of Cambrai, made in 1508 between the three great European powers already mentioned and the pope, with the object of crushing the Venetian Republic. This result was attained in the battle of Vaila, when Venice lost in one day all that she had won in eight hundred years. Florence had a difficult part to play during these events, complicated as they were by the feud that broke out between the pope and the French, because friendship with France had dictated the entire policy of the Republic. When, in 1511, Julius II finally formed the Holy League against France and, with the assistance of the Swiss, drove the French out of Italy, Florence lay at the mercy of the pope and had to submit to his terms, one of which was that the Medici should be restored. The return of the Medici to Florence on September 1, 1512, and the consequent fall of the Republic, was the signal for the dismissal of Machiavelli and his friends, and thus put an end to his public career, for, as we have seen, he died without regaining office.

    LITERATURE AND DEATH—Aet. 43-58—1512-27

    On the return of the Medici, Machiavelli, who for a few weeks had vainly hoped to retain his office under the new masters of Florence, was dismissed by decree dated November 7, 1512. Shortly after this, he was accused of complicity in an abortive conspiracy against the Medici, imprisoned, and put to the question by torture. The new Medicean pope, Leo X, procured his release, and he retired to his small property at San Casciano, near Florence, where he devoted himself to literature. In a letter to Francesco Vettori, dated December 13, 1513, he has left a very interesting description of his life at this period, which elucidates his methods and his motives in writing The Prince. After describing his daily occupations with his family and neighbours, he writes: "The evening being come, I return home and go to my study; at the entrance I pull off my peasant-clothes, covered with dust and dirt, and put on my noble court dress, and thus becomingly re-clothed I pass into the ancient courts of the men of old, where, being lovingly received by them, I am fed with that food which is mine alone; where I do not hesitate to speak with them, and to ask for the reason of their actions, and they in their benignity answer me; and for four hours I feel no weariness, I forget every trouble, poverty does not dismay, death does not terrify me; I am possessed entirely by those great men. And because Dante says:

    Knowledge doth come of learning well retained,

    Unfruitful else,

    I have noted down what I have gained from their conversation, and have composed a small work on ‘Principalities,’ where I pour myself out as fully as I can in meditation on the subject, discussing what a principality is, what kinds there are, how they can be acquired, how they can be kept, why they are lost: and if any of my fancies ever pleased you, this ought not to displease you: and to a prince, especially to a new one, it should be welcome: therefore I dedicate it to his Magnificence Giuliano. Filippo Casavecchio has seen it; he will be able to tell you what is in it, and of the discourses I have had with him; nevertheless, I am still enriching and polishing it."

    The little book suffered many vicissitudes before attaining the form in which it has reached us. Various mental influences were at work during its composition; its title and patron were changed, and for some unknown reason it was finally dedicated to Lorenzo de’ Medici. Although Machiavelli discussed with Casavecchio whether it should be sent or presented in person to the patron, there is no evidence that Lorenzo ever received or even read it; he certainly never gave Machiavelli any employment. Although it was plagiarized during Machiavelli’s lifetime, The Prince was never published by him, and its text is still disputable.

    Machiavelli concludes his letter to Vettori thus: And as to this little thing [his book], when it has been read it will be seen that during the fifteen years I have given to the study of statecraft I have neither slept nor idled; and men ought ever to desire to be served by one who has reaped experience at the expense of others. And of my loyalty none could doubt, because having always kept faith I could not now learn how to break it; for he who has been faithful and honest, as I have, cannot change his nature; and my poverty is a witness to my honesty.

    Before Machiavelli had got The Prince off his hands, he commenced his Discourse on the First Decade of Titus Livius, which should be read concurrently with The Prince. These and several minor works occupied him until the year 1518, when he accepted a small commission to look after the affairs of some Florentine merchants at Genoa. In 1519, the Medicean rulers of Florence granted a few political concessions to her citizens, and Machiavelli with others was consulted upon a new constitution under which the Great Council was to be restored, but on one pretext or another, it was not promulgated.

    In 1520, the Florentine merchants again had recourse to Machiavelli to settle their difficulties with Lucca, but this year was chiefly remarkable for his reentry into Florentine literary society, where he was much sought after, and also for the production of his Art of War. It was in the same year that he received a commission at the instance of Cardinal de’ Medici to write the History of Florence, a task which occupied him until 1525. His return to popular favour may have determined the Medici to give him this employment, for an old writer observes that an able statesman out of work, like a huge whale, will endeavour to overturn the ship unless he has an empty cask to play with.

    When the History of Florence was finished, Machiavelli took it to Rome for presentation to his patron, Giuliano de’ Medici, who had in the meanwhile become pope under the title of Clement VII. It is somewhat remarkable that as, in 1513, Machiavelli had written The Prince for the instruction of the

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