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The Weirdstone of Brisingamen
The Weirdstone of Brisingamen
The Weirdstone of Brisingamen
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The Weirdstone of Brisingamen

Rating: 4 out of 5 stars

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About this ebook

From the author of the Booker Prize-shortlisted Treacle Walker and the Carnegie Medal and Guardian Children’s Fiction Prize-winning classic, The Owl Service

The much-loved classic, finally in ebook.

First published over 50 years ago, The Weirdstone of Brisingamen is one of the greatest fantasy novels of all time.

When Colin and Susan are pursued by eerie creatures across Alderley Edge, they are saved by the Wizard. He takes them into the caves of Fundindelve, where he watches over the enchanted sleep of one hundred and forty knights.

But the heart of the magic that binds them – Firefrost, also known as the Weirdstone of Brisingamen – has been lost. The Wizard has been searching for the stone for more than 100 years, but the forces of evil are closing in, determined to possess and destroy its special power.

Colin and Susan realise at last that they are the key to the Weirdstone’s return. But how can two children defeat the Morrigan and her deadly brood?

Book one in the Weirdstone trilogy, followed by THE MOON OF GOMRATH.

LanguageEnglish
Release dateAug 15, 2013
ISBN9780007539062
Author

Alan Garner

Alan Garner was born and still lives in Cheshire, an area which has had a profound effect on his writing and provided the seed of many ideas worked out in his books. His fourth book, ‘The Owl Service’ brought Alan Garner to everyone’s attention. It won two important literary prizes – The Guardian Award and the Carnegie Medal – and was made into a serial by Granada Television. It has established itself as a classic and Alan Garner as a writer of great distinction.

Read more from Alan Garner

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Rating: 4.241379310344827 out of 5 stars
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  • Rating: 2 out of 5 stars
    2/5
    I found a boxed set of 4 children's stories written by Alan Garner. These are bog standard classic British fantasies derived from folklore of the British Isles. What I find most interesting is that these stories each end quite abruptly at the climax showing that the initial problem that spurred the story has been addressed. No resolution, no wrap up, just mission accomplished, drop curtain.The Weirdstone of Brisingamen was published in 1960 and features siblings Colin and Susan who have just arrived at the village of Alderley Edge in Cheshire, due south of Manchester, for an extended stay while their parents are out of the country. They immediately explore the woods of The Edge, a hilly area that includes abandoned mines and quarries just outside the village, and fall headlong into adventure involving the morthbrood (witches) headed by the Morrigan, svarts or svart-alfar (goblins) headed by Arthog and Slinkveal, the dwarves Fenodytree and Durathror and their fearsome swords Widowmaker and Dyrnwyn, the wizard Cadellin Silverbrow, Angharad Goldenhand (the Lady of the Lake) and various others. Everyone is seeking Firefrost, the weirdstone that powers the enchantment that keeps a king of yore with 149 of his valorous knights, all accompanied by pure white steeds all asleep until the final battle when they are needed. Cadellin is their eternal guardian and rescues the children from evil creatures, thus introducing High Magic into their existence as they seek to understand why the children are in danger. It's a blend of high fantasy, Celtic gods, and Arthurian legend by other names.
  • Rating: 4 out of 5 stars
    4/5
    I find it peculiar that we don't know the ages of Susan and Colin, which one is the older sibling, what they look like or anything about their backgrounds. They seem to have identical personalities. It makes it hard to get interested in them, although by being so generic I suppose they're easier to identify with. Struggling with this, I came to page forty where the characters miss the obvious connection that I did not. That's when I started skimming. The adventure that ensues is decently written and there's some good atmosphere, but there was nothing compelling me to slow down. Most of it is travelogue without plot development, the author's detailed knowledge of the setting mistakenly leading to his outlining every smallest bit of woods and meadow, etc. with geographic precision. The ending is extremely abrupt, cutting off at the very second the climax is resolved.I read WoB as a result of working through the "501 Must-Read" books list. Unfortunately this is one of the titles that makes me wonder why it was selected. I've childhood favourites of my own that I'd rather weren't put down by anyone but, all mercy aside, WoB would not stand out in YA fiction if published today. Perhaps in 1960 a modern story about dwarfs and wizards was relatively scarce, so it could be bland and still be found engaging. This book is widely praised and could be termed a classic if allowing for its age and possibly its influence, but I'd sooner revisit Tolkien's hobbits, Susan Cooper's take on the Wild Hunt legend, or Lloyd Alexander's Prydain.
  • Rating: 4 out of 5 stars
    4/5
    Another book that I was surprised I hadn't read before. I loved Garner's use of archaic forms of English and was completely freaked out by the claustrophobia-inducing description of getting through the narrow spaces of the cave (although I could have done with a diagram at times, finding some of the scene difficult to picture).

    In places I thought it was overly reliant on Tolkein's work, but the evocation of the places around Alderley Edge made up for that in some degree. I left the novel half-finished before I went to sleep and my dreams were haunted by the landscape.
  • Rating: 5 out of 5 stars
    5/5
    This was one of my absolute favourite books as a child, and is still amongst my top ten of all time. I have read it countless times, and it never loses its suspense or magic.
  • Rating: 5 out of 5 stars
    5/5
    I first read this book aged 10 at school. After reading the story we visited Alderley Edge to see the places and the settings for the book, which really brought the book alive.Garner wrote some wonderful books for children which weren't patronising and were always exciting.
  • Rating: 5 out of 5 stars
    5/5
    Two children Colin and Susan, spent their holidays on a farm on Alderley Edge, Cheshire and soon find themselves caught up in a world of wizard's, goblins and witches. Many children's adventures hav e an obligatory underground tunnel sequence; this has the best and most terrifying, bar none.
  • Rating: 4 out of 5 stars
    4/5
    Garner writes wonderfully and Madoc reads wonderfully. In my youth this would have been a favourite. Nowadays I want a bit more than thrilling quests. Beautifully done.
  • Rating: 5 out of 5 stars
    5/5
    I haven't read this book for years. I'd forgotten how terrifying I'd found it, there is a whole section when the group is fleeing through the tunnels that terrified me, in the way that children love to be scared. Garner is a master storyteller. Fantastic.
  • Rating: 3 out of 5 stars
    3/5
    I studied this book when I was in grade 7 and remember enjoying it.
  • Rating: 5 out of 5 stars
    5/5
    This was one of the first fantasies influenced by Tolkien and Lewis before the later flood. It involves two children, Colin and Susan, who go to stay with the farmer Gowther and his wife Bess in Cheshire near Alderley. Bess had been Susan's mother's nurse and had given her a crystal which her mother passed on to Susan. This turns out to e the weirdstone, Firefrost, a focus of magical power, sought by the evil witch SElina (who uses real black magic rituals Garner found in old texts) and the orc-like svarts, and protected by the Gandalf-like wizard Cadellin and the good dwarves.
  • Rating: 3 out of 5 stars
    3/5
    I remember reading some of Alan Garner's books when I was much younger. I found them creepy as hell then, and he certainly does know what kinds of images to evoke to have that feeling of danger and creepiness. There's a lot of claustrophobia in this book -- tunnels and water-filled passages and being packed in tight. There are parts of the description that are just brilliant.

    The mythology aspects are pretty cool, too. The references to Ragnarok, etc. I don't know whether it's that whole 'younger readers can accept the unnatural much better than adults' thing that people mentioned when reading Diana Wynne Jones, though, but I found it hard to follow and it all piled in on top of everything else in a haphazard, difficult to process manner. Didn't help that I read parts of it when everyone was around talking, and parts in a cafe, but I think part of it was the writing.

    Overall it's pretty fun, but the characters aren't terribly well developed. I know it's a trope of fantasy for younger readers that the kids get to tag along, and be equal to adults, etc, etc -- I love The Dark is Rising, which is almost as guilty of it -- but it makes me shriek, the way the adults easily accept the kids being dragged into it, and the way the kids seem to just... deal with it. Realism, you can not has it.

    I'm going to read the sequel, since I have it, but I can't say I exactly recommend it. It doesn't come together very well for me, for all that bits of it are brilliant/cool/fun.
  • Rating: 5 out of 5 stars
    5/5
    One of the most magical and influential books of my childhood, this is Garner's early masterpiece (however sniffy you may choose to get about the hodgepodge of mythologies). Two children are sent to live in the myth-stalked landscape of Alderley Edge. Searching for the Wizard of legend, they find themselves threatened by goblins at dusk - and are rescued by the wizard and his allies. The children soon discover that not all walking legends are pleasant as they become the object of the Morrigan's attentions and must join the ongoing battle to keep Britain safe from the morthbrood.It is the language and the sense of place that makes this a real gem. Garner knows every byway he describes, and the setting is inextricably part of the drama, even more so than the various mythological borrowings that propel the plot. The characters - especially down-to-earth farmer Gowther Mossock and direct dwarf Fenodyree - are unforgettable.In many ways this is underdrawn, with much suggested rather than shown or told (unusually so for a children's book), which is part of its eternal appeal. This book sparks the imagination, opening up dreams and nightmares at any age.Speaking of evocative description - I blame this novel specifically for my discomfort with tight spaces. Claustrophobics beware - the Earldelving leaves its mark!
  • Rating: 5 out of 5 stars
    5/5
    A classic! There is a sequel, but this book is complete and doesn't end with a cliffhanger. Brother and sister in the English countryside. She finds the stone that's been handed down for generations is wanted by forces both evil and good.
  • Rating: 5 out of 5 stars
    5/5
    I adored this book as a young teen. It completely captured me in a way no other book had ( except Something Wicked This Way Comes) I drew countless illustrations of it. I loved the style and the story. Poetic and exciting, though I suspect the style wouldn't go down as easy with teens today perhaps?.
  • Rating: 5 out of 5 stars
    5/5
    Read first when I was about eight. Reread it on a cold afternoon. Garner is one of the best of a strand of British children's authors who let ambiguity and confusion into their works. I remember this and his others gave me a very "grown up" feel when I first read them, and I can still see why. Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    I was prompted to read this children's classic fantasy novel, first published in 1960, by seeing a post on Alan Garner in a blog by someone I know professionally involved in teaching children to read and enjoy literature. It's also to an extent a re-read as I read at least some of it as a teenager in the late 70s/early 80s, though I recalled nothing of it. It's wonderfully written and imaginative, the story of two children, Susan and Colin, who get involved with a variety of good and evil fantasy creatures, seeking the significant eponymous stone, chasing through caves and across hills, forests and plains in Cheshire, the author's native area. While it's definitely high quality, and gripping in places, I found it didn't really stir me emotionally quite as much as I thought it might. I will read the famous sequel, The Moon of Gomrath, and probably the third and very much later volume in the trilogy, Boneland.
  • Rating: 5 out of 5 stars
    5/5
    I recently re-read this after about 30 years and I have to say it is still enchanting. Set in a time of innocence but danger and Garner brings out the characters well. By the end of the book you feel you know Gowther and Colin and Susan. Probably a little dark for the young with its detailed encounters in the Earldelving.
  • Rating: 4 out of 5 stars
    4/5
    I am a regular Radio 4 listener and listened to a recent reading of this book, in celebration of the 50th anniversary of its publication. Set in and around Alderley Edge in Cheshire, which is a patch I know very well, The Weirdstone of Brisingamen is a playful, famous five-ish, apparently 'seminal' fantasy novel which set the way for classics such as His Dark Materials. Colin and Susan are sent to live with a family friend in Alderley Edge for six months as their parents are otherwise occupied. The family friend is a farmer's wife, Bess who lives next to 'the Edge' (not the bassist from U2) with her husband Gowther and their flock of various animals. So, the Edge at Alderley is described by Wikipedia as "a steep and thickly wooded sandstone ridge... which is the area's chief topographical feature. Alderley Edge overlooks the Cheshire Plain". There are views for miles around "From its highest point, the Edge affords panoramic views across Cheshire and the Peak District and walking paths through the property, as well as one to nearby National Trust property Hare Hill. From the Edge, the Cheshire Plain, can be seen extending from the area of Macclesfield Forest on the south east side with its with undulating land and woods, towards the extreme easterly point of the Derbyshire peaks, and northerly to Manchester and Blackstone Edge in Yorkshire.Until trees were planted at the Edge (1745–1755), visitors to the Edge could see a full 360° panorama of the country around; today the view from the Edge itself is limited to the northerly and easterly directions. Trees now obscure the views in other directions, including views of the Wrekin in Shropshire to the south; The Cloud near Bosley and Mow Cop (where the Cheshire Plain meets the Peckforton Hills, Beeston Castle, and the Delamere Forest) to the south west; and west to the mountains of North Wales".Colin and Susan spend the days of the summer holidays exploring the edge and the surrounding parkland, under strict instructions from Gowther not to enter the abandoned mines (which actually exist). When one day, Colin and Susan encounter a white bearded man called Cadellin, their time at Alderley transforms beyond all recognition.Cadellin is the several hundreds of years old guardian of Fundindelve, an underground sanctuary of dwarves and magicians, but his power to keep Fundindelve safe and to keep the world safe is limited by the absence of the Weirdstone of Brisingamen, a stone of great power. Unbeknownst to everyone, Susan is wearing the Weirdstone around her wrist. Cadellin issues a warning for Susan and Colin to stay away from the Edge, that they may be in grave danger. But, after a few months of staying away, Colin and Susan are unable to resist exploring Stormy Point and the Edge. They are captured by the evil Svarts who steal the Weirdstone.From this point onwards, Susan and Colin and a cast of helpers struggle to fight the evil forces of Grimmir and his associates.Good points of this book include the brilliant sense of place and tense atmosphere that persists through the book. Alderley Edge is depicted accurately, I recognised lots of features described in the book including the steep climb towards the Edge, the Wizard pub, the houses scattered around the hillsides.A fairly major lacking point however was the total absence of characterisation of Susan and Colin. There is nothing to distinguish them, they are never described in detail, they are truly a blank canvass. I felt this was a significant flaw in the book, especially when you compare it to later creations such as Lyra in His Dark Materials. For these reasons, I can't give the book more than 3 1/2 stars.
  • Rating: 5 out of 5 stars
    5/5
    Atmospheric children's fantasy with quite scary villains and monsters. I'd read it before this year, but it was good to revisit.
  • Rating: 4 out of 5 stars
    4/5
    This and its sequel, The Moon of Gomrath, are Alan Garner's best.
  • Rating: 5 out of 5 stars
    5/5
    Colin and Susan are sent to stay with their mother's nurse in Alderley Edge and while exploring the landscape, as children are wont to do, they become embroiled in an age-old conflict and the adventure begins. Alan Garner weaves together myth, folkore and landscape in a wonderful children's tale. Although Garner takes great pains to describe landscape and the feeling it invokes in the characters, the characterisation of the various players in the tale is somewhat absent apart from what we learn from their actions. As the tale is aimed at children, this is not really a drawback as imagination is brought into play and attributes can be allocated to each character as desired. As an audio version, and not having read the actual book, I was pleased with the choice of Philip Madoc as narrator. Different voices were employed, as well as accents though these might seem very out of place in modern-day Alderley Edge which has a rather different populace from that of when the book was penned. I found Mr Madoc's voice rather soothing, though he held my attention throughout.As an adult I enjoyed the tale, and, as a youngster I would relished the book and it would have become a firm favourite.
  • Rating: 5 out of 5 stars
    5/5
    I first read this at 9 years old, and the die was cast, I later bought the above copy at 11 in an experience which memory makes as magical as the book in a little bookshop in Flinders Lane. Although I am now much older the book still exerts a powerful hold on me, and although I later moved onto such giants of fantasy as Toklien and Lewis. Its a tale whose blending of the real landscape of Chesire with its mythic past holds a supreme place in my love of such tales.
  • Rating: 5 out of 5 stars
    5/5
    This book was prescribed reading when I was in year eight. I remember the teacher reading out loud and the whole class silent, engrossed and mesmerised by this story. When the bell rang for the end of class I think everyone was collectively disappointed. I'm yet to get my hands on this, for my own collection, but when I do I intend to read this to my own children - who are at present very young - and I hope to evoke that same feeling I had when it was read to me. Memorable.
  • Rating: 3 out of 5 stars
    3/5
    I know I read this book as a child but I don't remember anything in it. Perhaps I read books a little fast as a child, inhabiting each one and passing to the next without taking much with me? But this book doesn't have a heap of emotional resonance and the ending, after the detailed action, seems abrupt.
  • Rating: 3 out of 5 stars
    3/5
    "bog-standard" is apt. But I find it difficult not to enjoy 1960s English children's fantasy. It is period now, the children in this book, as in so many others, do farm chores after school.Although there is a great evil(!), the style is not as portentous as that of Susan Cooper. The whole purpose seems to have been to use cool words and ideas from Norse and Celtic mythology, and to describe in great detail the area around where the author grew up. There is a map, and a rendezvous on a hilltop, and the book is over in a flash."The Book of Three" is so much more coherent and interesting, but Lloyd Alexander was a mature author when he wrote that, while Alan Garner was just 22.

Book preview

The Weirdstone of Brisingamen - Alan Garner

The guard knocked on the door of the compartment as he went past. Wilmslow fifteen minutes!

Thank you! shouted Colin.

Susan began to clear away the debris of the journey – apple cores, orange peel, food wrappings, magazines, while Colin pulled down their luggage from the rack. And within three minutes they were both poised on the edge of their seats, case in hand and mackintosh over one arm, caught, like every traveller before or since, in that limbo of journey’s end, when there is nothing to do and no time to relax. Those last miles were the longest of all.

The platform of Wilmslow station was thick with people, and more spilled off the train, but Colin and Susan had no difficulty in recognising Gowther Mossock among those waiting. As the tide of passengers broke round him and surged through the gates, leaving the children lonely at the far end of the platform, he waved his hand and came striding towards them. He was an oak of a man: not over tall, but solid as a crag, and barrelled with flesh, bone, and muscle. His face was round and polished; blue eyes crinkled to the humour of his mouth. A tweed jacket strained across his back, and his legs, curved like the timbers of an old house, were clad in breeches, which tucked into thick woollen stockings just above the swelling calves. A felt hat, old and formless, was on his head, and hobnailed boots struck sparks from the platform as he walked.

Hallo! I’m thinking you mun be Colin and Susan. His voice was gusty and high-pitched, yet mellow, like an autumn gale.

That’s right, said Colin. And are you Mr Mossock?

I am – but we’ll have none of your ‘Mr Mossock’, if you please. Gowther’s my name. Now come on, let’s be having you. Bess is getting us some supper, and we’re not home yet.

He picked up their cases, and they made their way down the steps to the station yard, where there stood a green farm-cart with high red wheels, and between the shafts was a white horse, with shaggy mane and fetlock.

Eh up, Scamp! said Gowther as he heaved the cases into the back of the cart. A brindled lurcher, which had been asleep on a rug, stood and eyed the children warily while they climbed to the seat. Gowther took his place between them, and away they drove under the station bridge on the last stage of their travels.

They soon left the village behind and were riding down a tree-bordered lane between fields. They talked of this and that, and the children were gradually accepted by Scamp, who came and thrust his head on to the seat between Susan and Gowther. Then, "What on earth’s that?" said Colin.

They had just rounded a corner: before them, rising abruptly out of the fields a mile away, was a long-backed hill. It was high, and sombre, and black. On the extreme right-hand flank, outlined against the sky, were the towers and spires of big houses showing above the trees, which covered much of the hill like a blanket.

Yon’s th’Edge, said Gowther. Six hundred feet high and three mile long. You’ll have some grand times theer, I con tell you. Folks think as how Cheshire’s flat as a poncake, and so it is for the most part, but no wheer we live!

Nearer they came to the Edge, until it towered above them, then they turned to the right along a road which kept to the foot of the hill. On one side lay the fields, and on the other the steep slopes. The trees came right down to the road, tall beeches which seemed to be whispering to each other in the breeze.

It’s a bit creepy, isn’t it? said Susan.

"Ay, theer’s some as reckons it is, but you munner always listen to what folks say.

We’re getting close to Alderley village now, sithee: we’ve not come the shortest way, but I dunner care much for the main road, with its clatter and smoke, nor does Prince here. We shanner be going reet into the village; you’ll see more of yon when we do our shopping of a Friday. Now here’s wheer we come to a bit of steep.

They were at a crossroad. Gowther swung the cart round to the left, and they began to climb. On either side were the walled gardens of the houses that covered the western slope of the Edge. It was very steep, but the horse plodded along until, quite suddenly, the road levelled out, and Prince snorted and quickened his pace.

He knows his supper’s waiting on him, dunner thee, lad?

They were on top of the Edge now, and through gaps in the trees they caught occasional glimpses of lights twinkling on the plain far below. Then they turned down a narrow lane which ran over hills and hollows and brought them, at the last light of day, to a small farmhouse lodged in a fold of the Edge. It was built round a framework of black oak, with white plaster showing between the gnarled beams: there were diamond-patterned, lamp-yellow windows and a stone flagged roof: the whole building seemed to be a natural part of the hillside, as if it had grown there. This was the end of the children’s journey: Highmost Redmanhey, where a Mossock had farmed for three centuries and more.

Hurry on in, said Gowther. Bess’ll be waiting supper for us. I’m just going to give Prince his oats.

Bess Mossock, before her marriage, had been nurse to the children’s mother; and although it was all of twelve years since their last meeting they still wrote to each other from time to time and sent gifts at Christmas. So it was to Bess that their mother had turned when she had been called to join her husband abroad for six months, and Bess, ever the nurse, had been happy to offer what help she could. And it’ll do this owd farmhouse a world of good to have a couple of childer brighten it up for a few months.

She greeted the children warmly, and after asking how their parents were, she took them upstairs and showed them their rooms.

When Gowther came in they all sat round the table in the broad, low-ceilinged kitchen were Bess served up a monstrous Cheshire pie. The heavy meal, on top of the strain of travelling, could have only one effect, and before long Colin and Susan were falling asleep on their chairs. So they said good night and went upstairs to bed, each carrying a candle, for there was no electricity at Highmost Redmanhey.

Gosh, I’m tired!

Oh, me too!

This looks all right, doesn’t it?

Mm.

Glad we came now, aren’t you?

Ye-es …

"If you like, said Gowther at breakfast, we’ve time for a stroll round before Sam comes, then we’ll have to get in that last load of hay while the weather holds, for we could have thunder today as easy as not."

Sam Harlbutt, a lean young man of twenty-four, was Gowther’s labourer, and a craftsman with a pitchfork. That morning he lifted three times as much as Colin and Susan combined, and with a quarter of the effort. By eleven o’clock the stack was complete, and they lay in its shade and drank rough cider out of an earthenware jar.

Later, at the end of the midday meal, Gowther asked the children if they had any plans for the afternoon.

Well, said Colin, if it’s all right with you, we thought we’d like to go in the wood and see what there is there.

Good idea! Sam and I are going to mend the pig-cote wall, and it inner a big job. You go and enjoy yourselves. But when you’re up th’Edge sees you dunner venture down ony caves you might find, and keep an eye open for holes in the ground. Yon place is riddled with tunnels and shafts from the owd copper mines. If you went down theer and got lost that’d be the end of you, for even if you missed falling down a hole you’d wander about in the dark until you upped and died.

Thanks for telling us, said Colin. We’ll be careful.

Tea’s at five o’clock, said Bess.

And think on you keep away from them mine-holes! Gowther called after them as they went out of the gate.

It was strange to find an inn there on that road. Its white walls and stone roof had nestled into the woods for centuries, isolated, with no other house in sight: a village inn, without a village. Colin and Susan came to it after a mile and a half of dust and wet tar in the heat of the day. It was named The Wizard, and above the door was fixed a painted sign which held the children’s attention. The painting showed a man, dressed like a monk, with long white hair and beard: behind him a figure in old-fashioned peasant garb struggled with the reins of a white horse which was rearing on its hind legs. In the background were trees.

I wonder what all that means, said Susan. Remember to ask Gowther – he’s bound to know.

They left the shimmering road for the green wood, and The Wizard was soon lost behind them as they walked among fir and pine, oak, ash, and silver birch, along tracks through bracken, and across sleek hummocks of grass. There was no end to the peace and beauty. And then, abruptly, they came upon a stretch of rock and sand from which the heat vibrated as if from an oven. To the north, the Cheshire plain spread before them like a green and yellow patchwork quilt dotted with toy farms and houses. Here the Edge dropped steeply for several hundred feet, while away to their right the country rose in folds and wrinkles until it joined the bulk of the Pennines, which loomed eight miles away through the haze.

The children stood for some minutes, held by the splendour of the view. Then Susan, noticing something closer to hand, said, Look here! This must be one of the mines.

Almost at their feet a narrow trench sloped into the rock.

Come on, said Colin, there’s no harm in going down a little way – just as far as the daylight reaches.

Gingerly they walked down the trench, and were rather disappointed to find that it ended in a small cave, shaped roughly like a discus, and full of cold, damp air. There were no tunnels or shafts: the only thing of note was a round hole in the roof, about a yard across, which was blocked by an oblong stone.

Huh! said Colin. "There’s nothing dangerous about this, anyway."

All through the afternoon Colin and Susan roamed up and down the wooded hillside and along the valleys of the Edge, sometimes going where only the tall beech stood, and in such places all was still. On the ground lay dead leaves, nothing more: no grass or bracken grew; winter seemed to linger there among the grey, green beeches. When the children came out of such a wood it was like coming into a garden from a musty cellar.

In their wanderings they saw many caves and openings in the hill, but they never explored further than the limits of daylight.

Just as they were about to turn for home after a climb from the foot of the Edge, the children came upon a stone trough into which water was dripping from an overhanging cliff, and high in the rock was carved the face of a bearded man, and underneath was engraved:

DRINK OF THIS

AND TAKE THY FILL

FOR THE WATER FALLS

BY THE WIZHARDS WILL

The wizard again! said Susan. We really must find out from Gowther what all this is about. Let’s go straight home now and ask him. It’s probably nearly tea-time, anyway.

They were within a hundred yards of the farm when a car overtook them and pulled up sharply. The driver, a woman, got out and stood waiting for the children. She looked about forty-five years old, was powerfully built (fat was the word Susan used to describe her), and her head rested firmly on her shoulders without appearing to have much of a neck at all. Two lines ran from either side of her nose to the corners of her wide, thin-lipped mouth, and her eyes were rather too small for her broad head. Strangely enough, her legs were thin and spindly, so that in outline she resembled a well-fed sparrow, but again that was Susan’s description.

All this Colin and Susan took in as they approached the car, while the driver eyed them up and down more obviously.

Is this the road to Macclesfield? she said when the children came up to her.

I’m afraid I don’t know, said Colin. We’ve only just come to stay here.

Oh? Then you’ll want a lift. Jump in!

Thanks, said Colin, but we’re living at this next farm.

Get into the back.

No, really. It’s only a few yards.

"Get in!"

But we …

The woman’s eyes glinted and the colour rose in her cheeks.

You – will – get – into – the back!

Honestly, it’s not worth the bother! We’d only hold you up.

The woman drew breath through her teeth. Her eyes rolled upwards and the lids came down until only an unpleasant white line showed; and then she began to whisper to herself.

Colin felt most uncomfortable. They could not just walk off and leave this peculiar woman in the middle of the road, yet her manner was so embarrassing that he wanted to hurry away, to disassociate himself from her strangeness.

"Omptator," said the woman.

I … beg your pardon.

"Lapidator."

I’m sorry …

"Somniator."

Are you …?

"Qui libertar opera facitis …"

I’m not much good at Latin …

Colin wanted to run now. She must be mad. He could not cope. His brow was damp with sweat, and pins and needles were taking all awareness out of his body.

Then, close at hand, a dog barked loudly. The woman gave a suppressed cry of rage and spun round. The tension broke; and Colin saw that his fingers were round the handle of the car door, and the door was half-open.

Howd thy noise, Scamp, said Gowther sharply.

He was crossing the road opposite the farm gate, and Scamp stood a little way up the hill nearer the car, snarling nastily.

Come on! Heel!

Scamp slunk unwillingly back towards Gowther, who waved to the children and pointed to the house to show that tea was ready.

Th – that’s Mr Mossock, said Colin. He’ll be able to tell you the way to Macclesfield.

No doubt! snapped the woman. And, without another word, she threw herself into the car, and drove away.

Well! said Colin. What was all that about? She must be off her head! I thought she was having a fit! What do you think was up with her?

Susan made no comment. She gave a wan smile and shrugged her shoulders, but it was not until Colin and she were at the farm gate that she spoke.

I don’t know, she said. It may be the heat, or because we’ve walked so far, but all the time you were talking to her I thought I was going to faint. But what’s so strange is that my Tear has gone all misty.

Susan was fond of her Tear. It was a small piece of crystal, shaped like a raindrop, and had been given to her by her mother, who had had it mounted in a socket fastened to a silver chain bracelet which Susan always wore. It was a flawless stone, but, when she was very young, Susan had discovered that if she held it in a certain way, so that it caught the light just … so, she could see, deep in the heart of the crystal, miles away, or so it seemed, a twisting column of blue fire, always moving, never ending, alive, and very beautiful.

Bess Mossock clapped her hands in delight when she saw the Tear on Susan’s wrist. Oh, if it inner the Bridestone! And after all these years!

Susan was mystified, but Bess went on to explain that yon pretty dewdrop had been given to her by her mother, who had had it from her mother, and so on, till its origin and the meaning of the name had become lost among the distant generations. She had given it to the children’s mother because it always used to catch the childer’s eyes, and thy mother were no exception!

At this, Susan’s face fell. Well then, she said, it must go back to you now, because it’s obviously a family heirloom and …

Nay, nay, lass! Thee keep it. I’ve no childer of my own, and thy mother was the same as a daughter to me. I con see as how it’s in good hands.

So Susan’s Tear had continued to sparkle at her wrist until that moment at the car, when it had suddenly clouded over, the colour of whey.

Oh, hurry up, Sue! said Colin over his shoulder. You’ll feel better after a meal. Let’s go and find Gowther.

But Colin! cried Susan, holding up her wrist. She was about to say, Do look! but the words died in her throat, for the crystal now winked at her as pure as it had ever been.

"And what did owd Selina Place

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