The Weaver's Lost Art
By Charles Hill
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About this ebook
Looking beneath the surface of strategy, policy, and daily operations, this book uses the analogy of weaving to review the United States' historical responsibility for maintaining international peace and security. Author Charles Hill shows why the United States must marshal all possible elements in the Middle East, and supporters from without, to defeat the enemies of order in the region—and why the U.S. must weave an actively engaged, omnidirectional involvement to support and interact with whatever faction, regime, sect, leader, or state that seeks to gain legitimacy as a good citizen in the established international system.
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The Weaver's Lost Art - Charles Hill
HERBERT AND JANE DWIGHT WORKING GROUP ON ISLAMISM AND THE INTERNATIONAL ORDER
Many of the writings associated with this Working Group will be published by the Hoover Institution. Materials published to date, or in production, are listed below.
ESSAY SERIES:
THE GREAT UNRAVELING: THE REMAKING OF THE MIDDLE EAST
In Retreat: America’s Withdrawal from the Middle East
Russell A. Berman
Israel and the Arab Turmoil
Itamar Rabinovich
Reflections on the Revolution in Egypt
Samuel Tadros
The Struggle for Mastery in the Fertile Crescent
Fouad Ajami
The Weaver’s Lost Art
Charles Hill
The Consequences of Syria
Lee Smith
ESSAYS
Saudi Arabia and the New Strategic Landscape
Joshua Teitelbaum
Islamism and the Future of the Christians of the Middle East
Habib C. Malik
Syria through Jihadist Eyes: A Perfect Enemy
Nibras Kazimi
The Ideological Struggle for Pakistan
Ziad Haider
Syria, Iran, and Hezbollah: The Unholy Alliance and Its War on Lebanon
Marius Deeb
[For a list of books published under the auspices of the WORKING GROUP ON ISLAMISM AND THE INTERNATIONAL ORDER, please see page 63.]
The Hoover Institution on War, Revolution and Peace, founded at Stanford University in 1919 by Herbert Hoover, who went on to become the thirty-first president of the United States, is an interdisciplinary research center for advanced study on domestic and international affairs. The views expressed in its publications are entirely those of the authors and do not necessarily reflect the views of the staff, officers, or Board of Overseers of the Hoover Institution.
www.hoover.org
Hoover Institution Press Publication No. 650
Hoover Institution at Leland Stanford Junior University, Stanford, California, 94305-6010
Copyright © 2014 by the Board of Trustees of the
Leland Stanford Junior University
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher and copyright holders.
For permission to reuse material from The Weaver’s Lost Art, by Charles Hill, ISBN 978-0-8179-1765-4, please access www.copyright.com or contact the Copyright Clearance Center, Inc. (CCC), 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400. CCC is a not-for-profit organization that provides licenses and registration for a variety of uses.
Cataloging-in-Publication Data is available from the Library of Congress.
ISBN 978-0-8179-1765-4 (pbk.: alk. paper)
ISBN 978-0-8179-1766-1 (epub)
ISBN 978-0-8179-1767-8 (mobi)
ISBN 978-0-8179-1768-6 (PDF)
The Hoover Institution gratefully acknowledges the following individuals and foundations for their significant support of the
HERBERT AND JANE DWIGHT WORKING GROUP ON ISLAMISM AND THE INTERNATIONAL ORDER:
Herbert and Jane Dwight
Mr. and Mrs. Norman R. Beall
Stephen Bechtel Foundation
Lynde and Harry Bradley Foundation
Mr. and Mrs. Clayton W. Frye Jr.
Lakeside Foundation
CONTENTS
Series Foreword
by Fouad Ajami and Charles Hill
The Weaver’s Lost Art
The Great Metaphor
The Old State-Secret
and the Middle East
The Prince
The Unraveling
A Failure to Realize
Decade
A Tale of Two Princes
About the Author
About the Hoover Institution’s Herbert and Jane Dwight Working Group on Islamism and the International Order
Index
SERIES FOREWORD
The Great Unraveling: The Remaking of the Middle East
IT’S A MANTRA, but it is also true: the Middle East is being unmade and remade. The autocracies that gave so many of these states the appearance of stability are gone, their dreaded rulers dispatched to prison or exile or cut down by young people who had yearned for the end of the despotisms. These autocracies were large prisons, and in 2011, a storm overtook that stagnant world.