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The Declaration
The Declaration
The Declaration
Ebook264 pages4 hours

The Declaration

Rating: 3.5 out of 5 stars

3.5/5

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The first book in a YA trilogy set in a reproductively dystopian future. Reminiscent of Margaret Atwood and Aldous Huxley, but for teens.

It's the year 2140 and Anna shouldn't be alive. Nor should any of the children she lives with at Grange Hall. The facility is full of kids like her, kids whose parents chose to recklessly abuse Mother Nature and have children despite a law forbidding them from doing so as long as they took longevity drugs. To pay back her parents' debt to Mother Nature, Anna will have to work for the rest of her life. But then Peter appears at the hall, and he tells a very different story about the world outside of the Grange. Peter begs Anna to escape Grange Hall, and to claim a life for herself outside its bleak walls. But even if they get out, they still have to make their way to London, to Anna's parents, and to an underground movement that's determined to bring back children and rid the world of longevity drugs.

Don't miss these other books by Gemma Malley:

The Declaration Trilogy
The Declaration
The Resistance
The Returners
The Legacy

The Killables Trilogy
The Killables
The Disappearances
The System
LanguageEnglish
Release dateAug 1, 2011
ISBN9781599904153
Author

Gemma Malley

Gemma Malley studied Philosophy at Reading University before working as a journalist. She edited several business magazines and contributed regularly to Company magazine and the Sunday Telegraph before moving into the Civil Service in a senior communications role at Ofsted. The Declaration, her first novel for a teenage audience, and its sequel, The Resistance, were published to critical acclaim. She lives in South London.

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Reviews for The Declaration

Rating: 3.723255756744186 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    The premise: technology has advanced to the point that, with just two little capsules each day, everyone can live forever. Hooray! But if nobody's dying, the world is getting mighty crowded--so nobody is allowed to have babies anymore. Anna is a surplus, a kid born to a couple who did not Opt Out of the Declaration [apparently a legal document that says I Won't Have Children?]. So she's been shuffled off to Surplus Hall, where she learns menial housekeeping tasks to earn her keep in the world that doesn't want to support her.

    This could be a fascinating look at gender politics, overpopulation, medical advancements, or global resources, but it's just ... not. It's okay. It's a perfectly serviceable book for those who haven't read a lot of sci-fi/dystopia. But it's bland. The few characters who stand out, do so because they're almost cartoonish in their stereotypes (the evil head matron with a dark secret of her own! the troublemaker! the sycophant!). Characters' changes of heart happen relatively suddenly, with little to no time given to explain what prompted the change. This is not to imply there's little explanation overall; long portions are almost nothing but explanation, interrupting the narrative to give the background on the terminology, or the history, or the relationship between several characters.

    I might still recommend this to some teens, but probably not as a first draft pick. For better population-control stories, I'd steer kids to Margaret Peterson Haddix's Among the Hidden or Margaret Atwood's The Handmaid's Tale, depending on their ages.

    I'm on a dystopian kick lately. With that in mind, I recognize the irony in complaining that this book sounds like it should be perfect and yet misses the mark so completely.

    1 person found this helpful

  • Rating: 2 out of 5 stars
    2/5
    Wildly predictable YA dystopia, but easy-reading and not entirely unenjoyable. The premise is that, with the advent of Longevity drugs that make people live virtually forever, a Declaration became necessary to prevent overpopulation. Under the Declaration, it's "a life for a life", and you can't have a child unless you choose not to be on Longevity drugs. The odd kicker is that you have to decide whether you are in or out at age 16. If you change your mind at 30, or at 300, too late.

    Anna, the determined naif at the heart of the story, is a "Surplus", an illegally existing child whose parents had her despite the Declaration. Once caught, she was shipped off to a sort of home for Illegals, where they're trained none-too-gently to serve their Legal masters, and told to be grateful they weren't summarily disposed of instead.

    But then a new Surplus arrives, and he claims to know Anna's parents...

    and what happens next is pretty much exactly what you think might happen next.
  • Rating: 3 out of 5 stars
    3/5
    This was on my TBR list forever & finally I got to it (trying to clear out some older YA books). It was a very quick read & good story & it had an interesting & particularly strong setting/world-build but I'm not going to continue with the series.
  • Rating: 4 out of 5 stars
    4/5
    Written by one of the better British authors, dystopia done well in my opinion, giver 'er a go.
  • Rating: 1 out of 5 stars
    1/5
    This author is a big fan of telling without showing, repeating herself, and having plot developments and character relationships occur without creating real connections. Predictable, laborious to get though (If I weren't stuck on a plane with it, I would have given up on it). This book is the kind that makes me lose my faith in reading...ugh. I hope the next book I read is better.
  • Rating: 3 out of 5 stars
    3/5
    It was okay, very predictable. Wasn't attached to any of the characters, but it was an interesting story.
  • Rating: 3 out of 5 stars
    3/5
    This kind of sci fi is harder to support- I had some issues with a never ending supply (?) of frozen umbilical cords to support the life of the entire world, when 99% of people were no longer having kids. As well as extreme energy, etc tarrifs, that no one seemed bothered by. At least not to do anything. I tried not to fixate on these issues, among others, because you have to just accept some things in a book like this. But the way Anna flips her opinion overnight, and how -everyone- turns on them was a little more than I could buy. The ending came together too abruptly and cleanly. And I'm not entirely clear on what happened with Sheila. All in all, it was an interesting concept and a fairly interesting storyline. But not one I could lose myself in. And not as "thought-provoking" as trumpeted.
  • Rating: 4 out of 5 stars
    4/5
    This was a quick read in my new favorite genre - dystopian fiction. I will be looking forward to reading the next one. It is definitely one for discussion groups.
  • Rating: 2 out of 5 stars
    2/5
    Vaguely interesting concept, lots of flaws that are only partially addressed.

    Characters are very basic, no surprises, very predictable. If this was a movie it would be one of those that you know the entire plot just by looking at the movie poster.
  • Rating: 4 out of 5 stars
    4/5
    A strong novel, but nothing new. The longevity drug is somewhat innovative. Like most YA dystopia, there is a pattern (Diary of Anne Frank), and this novel doesn't deviate from it much. The climax is more fairy tale than anything else.
  • Rating: 4 out of 5 stars
    4/5
    I did enjoy reading this book and what i like best is that this series is finished meaning I do not have to wait to read the next book.

    Think of a world where they discovered a cure for dying. Sounds good? Hmm think again! Because if nobody dies what happens is that there are too many people so they decide that people are only allowed 1 child. Oops. Still to many people so scratch that. People are not allowed to have any children except if they do not take the cure and don't sign the declaration which means they will live a normal life and die one day.

    But there are people who do have children any how so the government created teams called catchers and they have to catch those children. In many countries the kids are being disposed of but in England they have a better idea. They brainwash them and make them feel like they should not be alive at all so they should be happy to just breath and they make them into slaves. Like housekeepers, gardeners. That is he world this story begins. A really intriguing concept and sometimes I was so into the book I really feared for the kids in there, I had to peek if all would be well. lol.

    Yes the quick way that Anna changed from a very submissive kid into a rebel was not realistic perhaps but I did not mind that. I really enjoyed it and am already reading book 2.
  • Rating: 3 out of 5 stars
    3/5
    This book is like a combination of Unwind, The Postmortal and Among the Hidden, although the last one was the only one actually published when The Declaration came out in 2007. Set in 2140, most people live forever, because of the miracle drug longevity. Unfortunately, this drug does not halt the aging process of the skin, meaning that wrinkles and sagging are still a serious problem. Basically, in this future, plastic surgery is de rigeur. Of course, there's the mysterious new Longevity which apparently keeps the skin young too.

    Like in Among the Hidden, people are forbidden from having kids, although here most people aren't even allowed one, whereas in Among the Hidden families could have two. The governments feared over population with everyone living indefinitely. Thus, only if the parents opt out of taking the drug will they be allowed to reproduce.

    What I wonder though is why the rules are quite that strict. Here's the thing. I agree that over-population is a definite concern, but it's not like most people are actually going to live forever. At one point, Malley mentions that crime has essentially been eradicated, because, apparently, it's not worthwhile if you're going to live forever. Really, that seems like bullshit to me. There would still be murder and there would still be accidents. People would be dying off, obviously at a very reduced rate, but there's still no need to institute a "life for a life" policy.

    I still haven't really warmed up to Anna, although she definitely improved as the book moved along. At the outset, she was insufferable, with her complete belief in her own worthlessness and her desire to be the best slave ever. Ugh! Plus, as the prefect at Grange Hall, she helped make the already awful lives of other Surpluses even worse. Not exactly a heroine.

    Still, I am definitely going to read the next book, as I am curious to find out what will happen next.
  • Rating: 4 out of 5 stars
    4/5
    I absolutely loved this book. It had be drawn in right from the start. The writing is a little choppy, but other than that, it's very captivating and an interesting concept.
  • Rating: 4 out of 5 stars
    4/5
    My opinion on this book swayed back and forth between 3 and 5 stars, so I eventually settled on 4 and I'm now going to do my best to explain why.

    Why it got 4 stars
    This book got 4 stars for being a highly original and intriguing story. I'm a real lover of dystopian societies, especially those set in a foreseeable future, and this is one unlike any other but with elements that are so cleverly woven with the current thoughts and fears that it makes it seem like a tragic possibility.

    The book tells the story of a society where longevity drugs mean that the body never grows old and dies, they keep all the organs working and eradicate diseases such as cancer, heart disease and AIDs. But a society where no one dies cannot exist unless no one is born either.

    Hence the declaration. Signing the declaration gives you eternal access to longevity drugs, as long as you swear to never have children. Any children born illegally are called 'surpluses', and sent away to surplus houses where they are taught of their lack of worth. How they are a burden to mother nature and the Legals who were here first, they are trained to be slaves to the Legals and to expect beatings and mistreatment as a punishment for their parents' sins.

    It's an incredible and well-constructed idea and you can feel the frustration at being told your nothing by people who have selfishly warped nature in order to avoid death. It questions some of today's issues, particularly some practises found in China, and is a story about the value of life... and, strangely, of death. I cannot wait to read the second book in this series.

    Why it didn't get 5 stars
    Quite simply, I didn't like any of the characters. The protagonist, Anna, was selfish and bratty and just really quite pathetic at times. Also, Peter was a drip. I've never been a big fan of the male hero coming in and saving the helpless princess, but if you are going to go down that route, at least make your hero memorable. There just isn't much to say about Peter, other than the fact that he was boring. The most interesting character was Mrs Pincham and the strange twist to this story that does come as quite a shock.

    I am eagerly anticipating more and just hope that the author can develop her characters to match up to the standards of the the very imaginative story.
  • Rating: 5 out of 5 stars
    5/5
    I thoroughly enjoyed this book by Gemma Malley. I listened to this one via audio book, and it was beautifully done. I recommend this to anyone who enjoys dystopia, well written, fascinating story line, and a really disturbing picture of where our current societal attitudes could carry us.
  • Rating: 4 out of 5 stars
    4/5
    I loved the theme of this book, a perfect world where no one dies, but that means the world is quickly over populated. Meaning you end up with surpluses, childern born illegally who are forced to work to "repay" their sin of being alive.Our main characters are Anne and Peter, Anne who has been at Grange Hall (where surpluses are raised and taught how to work)from the age of 2 and a half and is a "Perfect" surplus. Peter only shows up after the base story line has been layed down. Anne believes what she has been taught her whole live, that her parents are horrible, selfish and she is doing the only right thing by paying for her sins. Then she meets Peter who turns her way of thinking upside down.....My problem is I figured out the main plot "twist" before it happened. But over all a good read, with an interesting plot.
  • Rating: 4 out of 5 stars
    4/5
    when i read this book i was intranced by how it made me feel like i was almost in the story it was verry gripping and i found myself not letting it go its about a girl who lives in this hall that takes little kids who "were not meant to be born"!
  • Rating: 4 out of 5 stars
    4/5
    Dystopian novel of children born to parents who have signed the Declaration in order to receive an immortality drug. Any children born are considered "surplus" and sent to orphanages, the parents are thrown in prison. Riveting...
  • Rating: 4 out of 5 stars
    4/5
    The novel, The Declaration by Gemma Malley encompasses that every life is valuable. In the beginning, Anna struggles with trying to live up to being a Surplus (a child born from parents who didn't opt out of the declaration) by behaving and following rules. Throughout the middle she perserveres through trying to not listen to Peter, a new surplus who is trying to escape with Anna, ideas of how her parents love her, but eventually gives in and escapes with him. By the end she has learned that her parents truely love her because they kill themselves (if you kill a parent of a surplus, the surplus can becmoe a legal) in order to make Anna a legal so she can live her life with Peter, who is now a legal because his mother killed his father.Pages Read: 320/320
  • Rating: 4 out of 5 stars
    4/5
    In The Declaration, Gemma Malley creates a future where man has learned to cheat death, illness, and old age. But these miracles come with a price--those who chose to take the drug called "Longevity" are legally barred from reproduction. Surplus Anna is one of the unfortunate results of these laws. Illicitly born into a world with no room or resources to spare, she must prove her usefulness through her training at Grange Hall, a home for surplus children where beating, starvation, and humiliation are the norm.Through strong, clear prose complimented by the protagonist's diary entries, Malley builds the compelling tale of Anna's adolescence as she grows from a compliant servant to a love-lorn runaway. Characterization of the villains, initially, is a little wooden, but Malley manages to rectify this by the novel's surprising and stirring conclusion. Her description of the budding love between Anna and Peter, a newcomer to Grange Hall, is especially stirring. This is an exemplary example of YA sci-fi and would be quite comfortable on a shelf besides dystopic classics like The Handmaid's Tale, 1984, and Brave New World.
  • Rating: 5 out of 5 stars
    5/5
    In the beginning of The Declaration, Surplus Anna is introduced as a young girl who hates her parents. Her hatred just grows when the owner of her slave-like home tells her they broke the law, therefore putting her there, and they are bad people. In the middle of the story, Anna falls in love with a rebel surplus, Peter, who was actually there to find her and escape with her back to her parents. By the end of the story, Their parents end up killing themselve so that Anna and her baby sibling can live, and Mrs. Pincent, the house owner, kills her exhusband so Peter ends up living too. Peter and Anna end up living together helping the Underground Movement abolish the whole Surplus Movement. (320/320)
  • Rating: 4 out of 5 stars
    4/5
    The novel, The Declaration emcompasses how people should have the right to live. In the beggining, Anna Covery the protagonist struggles with keeping the Grange Hall clean and perfect. Throughtout the middle, she perses through helping a new surplus that thinks he knows everything about her. By the end she has learned that everyone has the right to live and her parents don't hate her , they love her. PAGES READ : 300 / TOTAL : 300
  • Rating: 4 out of 5 stars
    4/5
    In a future where nobody dies and having children is illegal, Anna lives in a "surplus" hall; basically a prison where illegal "surplus" children live. Life is miserable but Anna likes it that way - until Peter shows up. Peter, the new kid, fills her head with the idea that Anna's parents are searching for her, but she doesn't believe it. When she finally does believe him, the two teenagers devise a plan to escape from the surplus hall. When they do, a ruthless search party is sent after them, but Peter and Anna eventually find Anna's parents, and all seems well. But the catchers find them, and Anna's parents sacrifice their lives to save them. At the end, Anna learns that no form of government should be able to restrict the human spirit, no matter where or how they were born. This book turned out pretty good, but I have to admit that I became bored in some chapters, but this is still a great read. (320/320)
  • Rating: 4 out of 5 stars
    4/5
    In the novel, The Declaration encompasses a girl named surplus anna and she try to be a prefect at everything she is assigned to. In the begnning Surplus Anna was a perfect girl who could do any task. Throughout the middle, she preserves to escape with Peter because she wants to meet her parents. By the end, Surplus Anna realizes she doesnt belong in Grange Halls but belongs outside of Grange Halls.300/300
  • Rating: 4 out of 5 stars
    4/5
    The novel, The Declaration, encompasses that life has values not to be tampered with. In the beginning Anna struggles with being a prefect and keeping the surplus in line. Throughout the middle, she perseveres through escaping Grange Hall with Peter without getting caught. By the end, she has learned that there are better things than being a prefect, and that there are many opportunities to be more than that. (300 pages read/ 300 pages)
  • Rating: 4 out of 5 stars
    4/5
    A story about living forever, which oddly we don't have a lot of -- or at least I haven't read much of. It was good, but not special.
  • Rating: 5 out of 5 stars
    5/5
    If you could live forever, would you? And, if most people said yes, how would the world deal with the competition for valuable natural resources and energy?This is the premise for Gemma Malley's The Declaration. Under the Declaration, people who chose to opt-into the Declaration do not have the right to reproduce. If they do, their children are called Surplus. These surplus children are taken from their parents in raised in institutions, where they are beaten, near-starved, and convinced that they are virtually worthless. Their only hope is to learn to be Useful and to serve the Legals.This is the basic life story for the main character, Surplus Anna. She was discovered when she was just two years old, and has been told that her parents were greedy law-breakers. Raised in the Grange under the watchful, cruel eye of Mrs. Pincent, she has learned to be meek and to not question her life's lot. She believes this to be true and her only concern is to find a way to become Useful and to find a good placement where she can wait out her life in complete servitude.That is, until an older boy named Peter shows up at the Grange. He is much older than the average new Surplus, and is filled with revolutionary ideas and is wild by Surplus standards. Peter challenges everything that Anna has believed for her entire life. When he starts calling her "Anna Covey" and talks about her parents and says that he knows who she really is, he puts her world into a tailspin.Though she resists Peter's information and knowledge, she cannot help but be intrigued. Is there more to life than being a servant? Does life have value, even if one is born a Surplus?I thoroughly enjoyed this book. I've actually had it for a long time, but had never read it. I found it on my free reading shelves in my classroom, and vowed to read it for a Dystopian challenge. Normally, I read all of the books on the shelves that I make available for my students, but this tricky title slipped in without my knowledge.I am so glad that I read this book. I really and truly stopped to think about what our world would be like if there was an option to take Longevity drugs. What I imagined is not pretty. I think that many countries would use this as a way to reward the rich and eliminate the poor. I'd worry about several of the minority populations on our planet. How would they survive and persist if there were expensive drugs that only a small population of people had access to? I could go on and on. This is a great book for conversation and would be perfect as a whole-class read or as a book club selection.
  • Rating: 4 out of 5 stars
    4/5
    In the year 2140, it is 60 years after the Declaration which required everyone taking Longevity, a drug that stopped aging, illness and death, to stop having children. Only those rare few who "opt out" of the drug could have children, so for the most part, the world is empty of children. Children born illegally to those on the drug are "Surplus", captured, sent to brainwashing centers where they are raised to be useful servants. This story of Surplus Anna begins when she is 14 living in a center, soon to be sent out to work. She has been fully trained to be compliant, believing her parents are criminals, that she should not use any of the worlds resources and doesn't have a right to be alive. A new surplus arrives and everything she believes is challenged and her acceptance of her status and security that provides is suddenly threatened. The Declaration challenges its readers to consider the effect of biotechnology advances and whether a disease free world is worth the consequences. Longevity was created as a cure for cancer and AIDS and ended up making people live too long for the earth's resources. The themes of population control, free will, value of life and death are all themes reminiscent of other young adult fiction: Margaret Peterson Haddix' Shadow Children series and Unwind by Neal Shusterman. My favorite quote from the book is: "I think flowers can be just as important as food, sometimes. I think it depends what you're hungry for".
  • Rating: 2 out of 5 stars
    2/5
    I honestly would not recommend this as a YA novel. With a little more emphasis on the scarier aspects and the viewpoint not in Anna's head, it may have been suitable as an adult novel. Or with one intense scene toned down slightly, it would have been a fine middle grade novel. In my opinion, if young adults were the intended audience, the childish tone and tendency to talk down would make them throw this book across the room. Anna is supposed to be fifteen going on sixteen, but the voice used to portray her feels more like eleven. I wouldn't mind so much if I honestly thought this was a device to show how stunted her maturity was due to the inhumane conditions.Everything is preachy, we are repeatedly hit over the head with the moral "your parents love you, you belong in the world yay" and are repeatedly told how bad the villains are. Anna has been indoctrinated her entire life, but she overhears one conversation and all of a sudden, OH that woman is evil! Anna was only the heroine because of who her parents are. She is completely passive and we never see why the clear hero, Peter likes her or goes through so much danger for her. I really found her weak character to be the last straw.edit: Just remembered another thing that bothered me...the sci fi premise was very full of plot holes, often mentioned and passed over quickly, as if some editor noticed it so a line was thrown in. If this pill is so powerful you can grow a leg back, as is mentioned early in the book, why doesn't it work on skin? There are a few more giant holes like that.
  • Rating: 2 out of 5 stars
    2/5
    I could really tell this was written by a journalist. It was eat-it-up-faster-than-physically-possible-writing. I enjoyed the way Malley made it emotive without being emotional. It's an interesting, bleak and believable world - more sci-fi than fantasy.My only problem was the love story - these kids are really young to be committing to each other. It seems to be a theme at the moment, 16 year olds who have found the loves of their lives. I guess it fits with the target readers (who will feel like that if they fall in love, because they're so passionate at that age).

Book preview

The Declaration - Gemma Malley

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

A Note on the Author

For Dorie Simmonds

Chapter One

11 January, 2140

My name is Anna.

My name is Anna and I shouldn’t be here. I shouldn’t exist.

But I do.

It’s not my fault I’m here. I didn’t ask to be born. But that doesn’t make it any better that I was. They caught me early, though, which bodes well. That’s what Mrs Pincent says, anyway. She’s the lady that runs Grange Hall. We call her House Matron. Grange Hall is where I live. Where people like me are brought up to be Useful – the ‘best of a bad situation’, Mrs Pincent says.

I don’t have another name. Not like Mrs Pincent does. Mrs Pincent’s name is Margaret Pincent. Some people call her Margaret, most people call her Mrs Pincent, and we call her House Matron. Lately I’ve started to call her Mrs Pincent too, although not to her face – I’m not stupid.

Legal people generally have at least two names, sometimes more.

Not me, though. I’m just Anna. People like me don’t need more than one name, Mrs Pincent says. One is quite enough.

Actually, she doesn’t even like the name Anna – she told me she tried to change it when I first came here. But I was an obstinate child, she says, and I wouldn’t answer to anything else, so in the end she gave up. I’m pleased – I like the name Anna, even though my parents gave me that name.

I hate my parents. They broke the Declaration and didn’t care about anyone else but themselves. They’re in prison now. I don’t know where. None of us knows anything about our parents any more. Which is fine by me – I’d have nothing to say to them anyway.

None of the girls or boys here has more than one name. That’s one of the things that makes us different, Mrs Pincent says. Not the most important thing, of course – having one name is really just a detail. But sometimes it doesn’t feel like a detail. Sometimes I long for a second name, even a horrible one – I wouldn’t care what it was. One time I even asked Mrs Pincent if I could be Anna Pincent, to have her name after mine. But that made her really angry and she hit me hard across the head and took me off hot meals for a whole week. Mrs Larson, our Sewing Instructor, explained later that it had been an insult to suggest that someone like me could have Mrs Pincent’s name. As if she could be related to me.

Actually I do sort of have another name, but it’s a pre-name, not an after-name. And everyone here has got the same one, so it doesn’t really feel like a name. On the list that Mrs Pincent carries around with her, I’m down as:

Surplus Anna.

But really, it’s more of a description than a name. We’re all Surpluses at Grange Hall. Surplus to requirements. Surplus to capacity.

I’m very lucky to be here, actually. I’ve got a chance to redeem my Parents’ Sins, if I work hard enough and become employable. Not everyone gets that kind of chance, Mrs Pincent says. In some countries Surpluses are killed, put down like animals.

They’d never do that here, of course. In England they help Surpluses be Useful to other people, so it isn’t quite so bad we were born. Here they set up Grange Hall because of the staffing requirements of Legal people, and that’s why we have to work so hard – to show our gratitude.

But you can’t have Surplus Halls all over the world for every Surplus that’s born. It’s like straws on a camel’s back, Mrs Pincent says. Each and every Surplus could be the final straw that breaks the camel’s back. Probably, being put down is the best thing for everyone – who would want to be the straw that broke the back of Mother Nature? That’s why I hate my parents. It’s their fault I’m here. They didn’t think about anyone except themselves.

I sometimes wonder about the children who are put down. I wonder how the Authorities do it and whether it hurts. And I wonder what they do for maids and housekeepers in those countries. Or handymen. My friend Sheila says that they do sometimes put children down here too. But I don’t believe her. Mrs Pincent says Sheila’s imagination is far too active and that it’s going to be her downfall. I don’t know if her imagination is too active, but I do think she makes things up, like when she arrived and she swore to me that her parents hadn’t signed the Declaration, that she was Legal and that it had been a big mistake because her parents had Opted Out of Longevity. She insisted over and over again that they’d be coming to collect her once they’d sorted it all out.

They never did, of course.

There’re five hundred of us here at Grange Hall. I’m one of the eldest and I’ve been here the longest too. I’ve lived here since I was two and a half – that’s how old I was when they found me. I was being kept in an attic – can you believe that? The neighbours heard me crying, apparently. They knew there weren’t meant to be any children in the house and called the Authorities. I owe those neighbours a great deal, Mrs Pincent says. Children have a way of knowing the truth, she says, and I was probably crying because I wanted to be found. What else was I going to do – spend my life in an attic?

I can’t remember anything about the attic or my parents. I used to, I think – but I’m not really sure. It could have been dreams I was remembering. Why would anyone break the Declaration and have a baby just to keep it in an attic? It’s just plain stupid.

I can’t remember much about arriving at Grange Hall either, but that’s hardly surprising – I mean, who remembers being two and a half? I remember feeling cold, remember screaming out for my parents until my throat was hoarse because back then I didn’t realise how selfish and stupid they were. I also remember getting into trouble no matter what I did. But that’s all, really.

I don’t get into trouble any more. I’ve learnt about responsibility, Mrs Pincent says, and am set to be a Valuable Asset.

Valuable Asset Anna. I like that a lot more than Surplus.

The reason I’m set to be a Valuable Asset is that I’m a fast learner. I can cook fifty dishes to top standard, and another forty to satisfactory. I’m not as good with fish as I am with meat. But I’m a good seamstress and am going to make someone a very solid housekeeper according to my last appraisal. If my attention to detail improves, I’ll get an even better report next time. Which means that in six months, when I leave Grange Hall, I might go to one of the better houses. In six months it’s my fifteenth birthday. It’ll be time to fend for myself then, Mrs Pincent says. I’m lucky to have had such good training because I Know My Place, and people in the nicest houses like that.

I don’t know how I feel about leaving Grange Hall. Excited, I think, but scared too. The furthest I’ve ever been is to a house in the village, where I did an internship for three weeks when the owner’s own housekeeper was ill. Mrs Kean, the Cooking Instructor, walked me down there one Friday night and then she brought me back when it was over. Both times it was dark so I didn’t see much of the village at all.

The house I was working in was beautiful, though. It was nothing like Grange Hall – the rooms were painted in bright, warm colours, with thick carpet on the floor that you could kneel on without it killing your knees, and huge big sofas that made you want to curl up and sleep for ever.

It had a big garden that you could see out of all the windows, and it was filled with beautiful flowers. At the back of the garden was something called an Allotment where Mrs Sharpe grew vegetables sometimes, although there weren’t any growing when I was there. She said that flowers were an Indulgence and frowned upon by the Authorities. Now that food couldn’t be flown around the world, everyone had to grow their own. She said she thought that flowers were important too, but that the Authorities didn’t agree. I think she’s right – I think flowers can be just as important as food, sometimes. I think it depends what you’re hungry for.

In the house, Mrs Sharpe had her radiators on sometimes, so it was never cold. And she was the nicest, kindest woman – once when I was cleaning her bedroom she offered to let me try on some lipstick. I said no, because I thought she might tell Mrs Pincent, but I regretted it later. Mrs Sharpe talked to me almost like I wasn’t a Surplus. She said it was nice to have a young face about the place again.

I loved working there – mainly because of Mrs Sharpe being so nice, but also because I loved looking at the photos she had all over her walls of incredible-looking places. In each photo, there was Mrs Sharpe, smiling, holding a drink or standing in front of a beautiful building or monument. She said that the photographs were mementos of each of her holidays. She went on an international holiday three times a year at least, she told me. She said that she used to go by aeroplane but now energy tariffs meant that she had to go by boat or train instead, but she still went because you have to see the world, otherwise what’s the point? I wanted to ask ‘The point of what?’ but I didn’t because you’re not meant to ask questions, it’s not polite. She said she’d been to a hundred and fifty different countries, some more than twice, and I tried to stop my mouth dropping open because I didn’t want her to know that I hadn’t even known there were that many countries in the world. We don’t learn about countries at Grange Hall.

Mrs Sharpe has probably been to four hundred and fifty-three countries now, because it was a whole a year ago that I was at her house. I wish I were still her housekeeper. She didn’t hit me even once.

It must be amazing to travel to foreign countries. Mrs Sharpe showed me a map of the world and showed me where England is. She told me about the deserts in the Middle East, about the mountains in India and about the sea. I think my favourite place would be the desert because apparently there are no people there at all. It would be hard to be Surplus in the desert – even if you knew you were one really, there wouldn’t be anyone else around to remind you.

I’ll probably never see any desert, though. Mrs Pincent says it’s all disappearing fast because they can build on it now. Desert is a luxury this world can’t afford, she says. And I should be worrying about the state of my ironing, not thinking of places I’ll never be able to go to. I’m not sure she’s exactly right about that, although I’d never say that to her. Mrs Sharpe said she had a housekeeper once who used to go with her travelling around the world, doing her packing and organising tickets and things like that. She had her for forty years, she told me, and she was very sad to see her go because her new housekeeper can’t take the hot temperatures, so she has to leave her behind when she goes away. If I could get a job with a lady who travels a lot, I don’t think I’d mind the hot temperatures. The desert’s the hottest place of all and I’m sure I’d love it there.

‘Anna! Anna, will you come here this minute!’

Anna looked up from the small journal Mrs Sharpe had given her as a parting gift and quickly returned it, and her pen, to its hiding place.

‘Yes, House Matron,’ she called hurriedly, and rushed out of Female Bathroom 2 and down the corridor, her face flushed. How long had Mrs Pincent been calling her? How had she not heard her call?

The truth was that she’d never realised how absorbing it could be to write. She’d had Mrs Sharpe’s journal for a year now. It was a small, fat book covered in pale pink suede and filled with thick, creamy pages that looked so beautiful she couldn’t ever imagine ruining them by making a single mark on that lovely paper. Every so often she’d taken it out to look at it. She would turn it over in her hands, guiltily enjoying the soft texture of the suede against her skin before secreting it away again. But she’d never written in it – not until today, that is. Today, for some reason, she had taken it out, picked up a pen, and without even thinking had started to write. And once she’d started, she found she didn’t want to stop. Thoughts and feelings that usually lay hidden beneath worries and exhaustion suddenly came flooding to the surface as if gasping for air.

Which was all very well, but if it was discovered, she would be beaten. Number one, she wasn’t allowed to accept gifts from anyone. And number two, journals and writing were forbidden at Grange Hall. Surpluses were not there to read and write; they were there to learn and work, Mrs Pincent told them regularly. She said that things would be much easier if they didn’t have to teach them to read and write in the first place, because reading and writing were a dangerous business; they made you think, and Surpluses who thought too much were useless and difficult. But people wanted maids and housekeepers who were literate, so Mrs Pincent didn’t have a choice.

If she were truly Valuable Asset material, she would get rid of the journal completely, Anna knew that. Temptation was a test, Mrs Pincent often said. She’d already failed it twice – first by accepting the gift and now by writing in it. A true Valuable Asset wouldn’t succumb to temptation like that, would they? A Valuable Asset simply wouldn’t break the rules.

But Anna, who never broke any rules, who believed that regulations existed to be followed to the letter, had finally found a temptation that she could not resist. Now that the journal bore her writing, she knew that the stakes had been raised, and yet she could not bear to lose it, whatever the cost.

She would simply have to ensure it was never found, she resolved as she raced towards Mrs Pincent’s office. If no one knew her guilty secret, then perhaps she could bury her feelings along with the journal and convince herself that she wasn’t evil after all, that the little fragment of peace she had carved out for herself at Grange Hall was not really in jeopardy.

Before she turned the corner, Anna took a quick look at herself and smoothed down her overalls. Surpluses had to look neat and orderly at all times, and the last thing Anna wanted was to irk Mrs Pincent unnecessarily. She was a Prefect now, which meant she got second helpings at supper when there was food left over, and an extra blanket that meant the difference between a good night’s sleep and one spent shivering from the cold. No, the last thing she wanted was any trouble.

Taking a deep breath, and focusing herself so that she would appear to Mrs Pincent the usual calm and organised Anna, she turned the corner and knocked on the House Matron’s open door.

Mrs Pincent’s office was a cold, dark room with a wooden floor, yellowing walls covered in peeling paint and a harsh overhead light that seemed to highlight all the dust in the air. Even though she was nearly fifteen now, Anna had been in that room enough times for a beating or some other punishment to feel an instinctive fear every time she crossed its threshold.

‘Anna, there you are,’ Mrs Pincent said, her voice irritable. ‘Please don’t keep me waiting like that in future. I want you to prepare a bed for a new boy.’

Anna nodded. ‘Yes, House Matron,’ she said, deferentially. ‘Small?’

The incumbents at Grange Hall were classified as Small, Middle and Pending. Small was the usual entrant size – anything from babies and toddlers up to five-year-olds. You always knew when a new Small had arrived because of the crying and screaming which went on for days as they acclimatised to their new surroundings – which was why the Smalls’ dormitories were tucked away on the top floor where they wouldn’t disturb everyone else. That was the idea, anyway; in reality, you could never get away from the crying completely. It pervaded everything – both the wailing of the new Smalls and the memories the sound invoked in everyone else; years of crying which hung in the air like a ghost with unfinished business. Few ever truly forgot their first few weeks and months in the new, harsh surroundings of Grange Hall; few enjoyed the memory of being wrenched from desperate parents and transported in the dead of night to their new, stark and regimented home. Every time a new Small arrived, the others did their best to close their ears and ignore the memories that inevitably found their way into their consciousness. No one felt sorry for them – if anything, they felt resentment and anger. One more Surplus, ruining things for everyone else.

Middles were the six-year-olds up to about eleven or twelve. Some new Middles arrived from time to time, and they tended to be quiet and withdrawn rather than cry. Middles learnt faster how institutional life worked, figured out that tears and tantrums were not tolerated and were not worth the beating. But whilst they were easier to manage than the Smalls, they brought their own set of problems. Because they arrived late, because they had spent so long with their parents, they often had some very bad ideas about things. Some would make challenges in Science and Nature classes; others, like Sheila, secretly held on to the belief that their parents would come for them. Middles could be really idiotic sometimes, refusing to accept that they were lucky to be at Grange Hall.

Anna herself was a Pending. Pending employment. Pending was when the training really started in earnest and you were expected to learn everything you’d need for your future employers. Pending was also when they started testing you, starting up discussions on things like Longevity drugs and parents and Surpluses, just to see whether you Knew Your Place or not, whether you were fit for the outside world. Anna was far too clever for that trick. She wasn’t going to be one of the stupid ones who leapt on the first opportunity to speak their mind and started to criticise the Declaration. They got their two minutes of glory and then they got shipped out to a detention centre. Hard labour was what Mrs Pincent called it. Anna shuddered at the thought. Anyway, she did Know Her Place and didn’t want to argue against science and nature and the Authorities. She felt bad enough about existing without becoming a troublemaker to boot.

Mrs Pincent frowned. ‘No, not Small. Make the bed up in the Pending dormitory.’

Anna’s eyes opened wide. No one had ever joined Grange Hall as a Pending. It had to be a mistake. Unless he’d been trained somewhere else, of course.

‘Has … has he come from another Surplus Hall?’ she asked before she could stop herself. Mrs Pincent didn’t approve of asking questions unless they involved clarification of a specific task.

Mrs Pincent’s eyes narrowed slightly. ‘That is all, Anna,’ she said with a cursory nod. ‘You’ll have it ready in an hour.’

Anna nodded silently and turned to leave, trying not to betray the intense curiosity she was feeling. A Pending Surplus would be

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