Pablo Picasso and artworks
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Pablo Picasso and artworks - Victoria Charles
Pablo Picasso, Photograph, 1904
Dedicated to Suzanne and Henri Bloch
Biography
1881:
Birth of Pablo Ruiz Picasso in Málaga. Parents: José Ruiz Blasco, a teacher of drawing at the School of Fine Arts and Crafts and curator of the local museum, and Maria Picasso y Lopez.
1888-89:
The first of little Pablo’s paintings, Picador.
1895:
In Madrid, at the Prado he discovers Velázquez and Goya. Enrols at the School of Fine Arts in Barcelona, popularly called La Lonja
. His father rents a studio for him. Paints his first large academic canvas, First Communion.
1899:
In Barcelona joins a group of avant-garde intellectual artists who frequent the café Els Quatre Gats. Modernist tendencies appear in his works. Paints The Last Moments.
1900:
The Last Moments is exhibited at the Paris Exposition Universelle.
1901:
Publishes the review Arte Joven. Development of pre-Fauvist style (Cabaret Period). Exhibition of 65 of his works at the Galerie Vollard. Friendship with Max Jacob. Influenced by Lautrec and Van Gogh. The Casagemas death cycle. First Blue paintings.
1902:
Develops Blue style in Barcelona.
1904:
Moves into the Bateau-Lavoir in Montmartre. End of Blue Period. Takes up engraving. Friendship with Apollinaire and Salmon. Meets Fernande Olivier.
1905:
Exhibits at Galerie Serrurier (travelling circus themes). Completes the large canvas Family of Saltimbanques. End of the Circus Period.
1906:
Rose Classicism. Gertrude Stein introduces Picasso to Matisse. Meets André Derain. Summer in Gosol. That autumn in Paris: paints a self-portrait reflecting Iberian archaic sculpture.
1907:
Les Demoiselles d’Avignon. That summer visits the ethnographic museum at Palais du Trocadéro, where he discovers for himself African sculpture. Meets Kahnweiler and Georges Braque.
1908:
Proto-Cubism. The term Cubism
is born.
1909:
From May to September works in Horta de Ebro, develops Analytical Cubism.
1910:
High
phase of Analytical Cubism. Nine works shown in London, in the Manet and the Post-Impressionists exhibition.
1912:
Makes his first collage, Still-Life with Chair Caning. Transition of Cubism to Synthetic phase. First papiers collés and constructions.
1914:
Rococo Cubism combines with Cubist structures in a foreshadowing of Surrealist methods.
1915:
Ingres
portraits.
1917:
Joins the Diaghilev troupe in Rome, works on décor and costumes for the ballet Parade. Meets ballerina Olga Khokhlova (1891-1955).
1918:
Wedding of Picasso and Olga (12 July). Death of Apollinaire (9 November). Moves to 23, rue La Boétie.
1919:
Trip to London (May-August) : design décor and costumes for the ballet Le Tricorne (by Manuel de Falla).
1921:
Birth of son Paulo (4 February). Continues to work for Diaghilev (Cuadro Flamenco). Neo-Classicism.
1925:
Works in Monte Carlo for the Ballets Russes. Paints The Dance.
1927:
In January meets seventeen-year-old Marie-Thérèse Walter. Theme of biomorphic bathers. First etchings for Le Chef-d’œuvre Inconnu by Balzac.
1928:
Executes the huge collage Minotaur. Studio theme appears in his painting, and welded constructions in sculpture (aided by Julio González).
1930:
Crucifixion based on Matthias Grünewald’s Isenheim Altarpiece. Series of etchings illustrating Ovid’s Metamorphoses.
1932:
Major retrospective (236 works) in Paris and Zurich. Lives and works at Boisgeloup: Biomorphic metamorphic
style. Zervos publishes the first volume of the Picasso Catalogue