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A Tender Distance: Adventures Raising My Sons in Alaska
A Tender Distance: Adventures Raising My Sons in Alaska
A Tender Distance: Adventures Raising My Sons in Alaska
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A Tender Distance: Adventures Raising My Sons in Alaska

Rating: 3 out of 5 stars

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Written with wit, wisdom, and a grateful heart, A Tender Distance presents fifteen finely-crafted vignettes that explore the perils and joys of raising two fearless boys from toddlerhood to young men. Mothers everywhere will relate to the hard, familiar choice between holding close and letting go.

"Presents parenting on a 'high-voltage tightrope' between adventure and safety in rugged conditions."
--Foreword Footnotes

This is a mother's story about raising her two boys in Alaska were wilderness is just out the back door of their home. Written with wit, wisdom, and a grateful heart, A Tender Distance presents fifteen finely-crafted vignettes that explore the perils and joys of raising two fearless boys from toddlerhood to young men. Mothers everywhere will relate to the hard, familiar choice between holding close and letting go.

LanguageEnglish
Release dateMay 1, 2011
ISBN9780882408507
A Tender Distance: Adventures Raising My Sons in Alaska
Author

Kaylene Johnson

Kaylene Johnson is a professional writer and longtime Alaskan and the author of the New York Times bestseller Sarah: How a Hockey Mom Turned Alaska's Political Establishment Upside Down. Her award-winning articles have appeared in Alaska magazine, the Los Angeles Times, Spirit magazine, and other publications. She holds a BA from Vermont College and an MFA in Writing from Spalding University in Louisville, Kentucky.

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Rating: 2.9107142678571427 out of 5 stars
3/5

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  • Rating: 5 out of 5 stars
    5/5
    Like a brilliant fall day, Kaylene Johnson's A Tender Distance has a gorgeous ache of melancholy coursing through its pages. This lyrical book about raising children, set against the vast uncompromising landscape of a primeval country, shows us well that with every coming there must be a leaving, that from the moment they're born our children are ebbing from us. A Tender Distance is written with a calm, deep grace. It is a poem of a book, suffused with courage, sadness and beauty. --Richard Goodman, author of French Dirt: The Story of a Garden in the South of France and The Soul of Creative Writing
  • Rating: 1 out of 5 stars
    1/5
    Not for me. I abhor guns and hunting. Although the author had one beautiful passage at the beginning of the book as it processed to teaching them to hunt I was done.
  • Rating: 3 out of 5 stars
    3/5
    Kaylene Johnson's A Tender Distance, a series of vignettes about raising her sons outside of Anchorage, is an honest, coherent, and insightful look at the relationships between mothers and sons, as well as an atmospheric account of life in Alaska. I was concerned that she might be capitalizing on her earlier successful puff-piece on Sarah Palin ( Sarah : How a Hockey Mom Turned the Political Establishment Upside-Down, 2008) but she has a story of her own to tell and it's worth reading.A major theme of the book is the position of women vis-a-vis men in a wild environment. Women need to be strong to live such a life, and Johnson is, but she seems to have a more spiritual approach to the life than her sons and husband have. A devoted mother (I loved the account of her first son's birth), Johnson, like any mother of sons, must delicately calibrate the balance between protection of her children and letting them go as they grow up. She writes thoughtfully about her feelings on buying her first gun and on the routine hunting and killing of animals. Her writing is more than adequate, with some beautiful passages (the birth of salmon, an encounter with a bear). I was interested enough in her stories to wonder how she and her sons are doing as time goes on.
  • Rating: 3 out of 5 stars
    3/5
    This wasn't bad. I requested "A Tender Distance" from LibraryThing's Early Reviewers program because it was about a family living in Alaska. I personally would never want to live in Alaska as I do not like being cold, but I'm fascinated by people who choose to live in cold areas. I like nature and knew there's a whole lot of it up in Alaska. Since Kaylene Johnson had written an uncritical book about Sarah Palin, I figured I would probably not find a kindred spirit in her, and I didn't. She wrote about the Bible and God but not to such a degree that I would throw the book across the room. I thought the anecdotes were interesting and well-written. Some have stayed in my mind: the boys' pushing their boundaries and finding the cave, the boys' mountain biking at Devil's Pass when they were teens and Kaylene's not being able to be in touch with them for hours, and the trip Kaylene took with female friends and without the boys on Kesugi Ridge.I think I'd recommend this to Christians who were interested in reading about families, hiking, and the (cold) outdoors.
  • Rating: 3 out of 5 stars
    3/5
    Kaylene Johnson's nonfiction account of raising her two sons in Alaska centers around a series of essays. Her writing style is quite readable but I was often left wanting to know more about an episode, only to find myself in the next essay and a different time in their lives.Johnson's early years and experiences with her sons easily hooked me in. I was fascinated by this woman who was raising her children in an environment completely foreign to me and fraught with danger and possibilities. however, as her sons aged, I was turned off by their obvious disregard for parental rules and limitations and Johnson's apparent acceptance of those behaviors. After several such examples, I began to no longer be as concerned about her sons' well-being or her responses to their escapades. Perhaps it takes a woman with the ability to let her children experience life on their own terms to live successfully in such a wild country. Since I am not that type of woman, I could not identify with Johnson's life as much as I had hoped.
  • Rating: 3 out of 5 stars
    3/5
    A Tender Distance brings us into the lives of Kaylene Johnson and her 2 adventurous boys as they grow and venture out into the wilderness of Alaska. In Alaska, Kaylenes role as parent in helping her fearless children move forth into the world takes on a balancing act that has been described as walking a tightrope. This was not a fast book to read, but a good one. It was a combination of beautifully crafted descriptions of the scenery, philosophy of parenting, and adventure that made me suck in my breath. I put the book down in the beginning to process the pictures in my mind, later I read it more for enjoyment. I wished for photos, but later thought maybe my mind pictures were good enough. I could put myself in her shoes as she worried about the problems the boys could be getting into, and the boys as they strayed further afield. All in all an enjoyable read.
  • Rating: 3 out of 5 stars
    3/5
    I had a special interest in this book because I also raised my son for many years in Alaska. I found the descriptions of setting accurate and enjoyed revisiting my old home through the stories. I also related to the author's concern about mothering a boy and delicate balance between wanting to hold on and needing to let go. I didn't relate to the some of the family values but overall I found it an interesting book to read and would recommend it to anyone who enjoys books that can transport them into a new setting.
  • Rating: 3 out of 5 stars
    3/5
    This book was equal parts a parenting memior and a look at the wilds of Alaska. The central themes of the book related to letting go, control, danger and nature. Certainly, Kaylene has to deal with some parenting choices many parents never have to cope with (bring a gun on the hike or not....how to handle aggresive anglers) but at the heart of it all -- many of the issues relate to the common challenge of protecting our children from danger, while trying to give them rich opportunities. Kaylene is often poetic and relates much of her parenting observations back to nature. If you are looking for a "How to parent in Alaska", this might not be the best choice -- but if you are looking to wonder what Alaska might be like to parent in, what challenges the environment presents -- this might be a great read for you.
  • Rating: 2 out of 5 stars
    2/5
    I had not expected this book to be a series of essays, so I read the first few chapters waiting for a "story." But it soon became clear that in some ways Johnson's story is every mother's story: "Alarm. It was becoming a familiar sensation growing in proportion to the boys' independence." It is hard to let go of your children's hands when crossing streets on the scale of Alaska's wildness. I wish I had liked the men in her life more - sexism, particularly when justified by religious beliefs, is a huge red flag. Overall, I enjoyed many of the vignettes of Alaskan life, but this isn't a book I'd re-read.
  • Rating: 5 out of 5 stars
    5/5
    Like a brilliant fall day, Kaylene Johnson's A Tender Distance has a gorgeous ache of melancholy coursing through its pages. This lyrical book about raising children, set against the vast uncompromising landscape of a primeval country, shows us well that with every coming there must be a leaving, that from the moment they're born our children are ebbing from us. A Tender Distance is written with a calm, deep grace. It is a poem of a book, suffused with courage, sadness and beauty. --Richard Goodman, author of French Dirt: The Story of a Garden in the South of France and The Soul of Creative Writing
  • Rating: 3 out of 5 stars
    3/5
    Kaylene Johnson's A Tender Distance, a series of vignettes about raising her sons outside of Anchorage, is an honest, coherent, and insightful look at the relationships between mothers and sons, as well as an atmospheric account of life in Alaska. I was concerned that she might be capitalizing on her earlier successful puff-piece on Sarah Palin ( Sarah : How a Hockey Mom Turned the Political Establishment Upside-Down, 2008) but she has a story of her own to tell and it's worth reading.A major theme of the book is the position of women vis-a-vis men in a wild environment. Women need to be strong to live such a life, and Johnson is, but she seems to have a more spiritual approach to the life than her sons and husband have. A devoted mother (I loved the account of her first son's birth), Johnson, like any mother of sons, must delicately calibrate the balance between protection of her children and letting them go as they grow up. She writes thoughtfully about her feelings on buying her first gun and on the routine hunting and killing of animals. Her writing is more than adequate, with some beautiful passages (the birth of salmon, an encounter with a bear). I was interested enough in her stories to wonder how she and her sons are doing as time goes on.
  • Rating: 4 out of 5 stars
    4/5
    Early in their marriage, Kaylene Johnson and her husband moved to Eagle River, Alaska a suburb of Anchorage. But Eagle River isn’t your normal sprawling suburb familiar to those of us who live in the lower 48. From their home, it was a short distance to the natural beauty and challenges that Alaska provides. As her boys grew up, Kaylene was beset with the normal fears a mother has as she struggles to let her boys grow and begin to enjoy the independence that they will need. She began early, taking them for long hikes in the mountains berry picking, all the time keeping an eye out for bears who also enjoy that particular activity. As she set boundaries, the boys pushed the limits of those boundaries in following their curiosity—finding a cave high up in the rock face of a mountain, careening down the hills on their mountain bikes, training to run the Mountain Marathon. And all the time, Kaylene was in wonder at the growth of her small babies into young men and in the beauty that surrounded their lives. A lovely tribute to mothers, sons and the beauty of nature.
  • Rating: 1 out of 5 stars
    1/5
    A Tender Distance: Adventures Raising My Sons in Alaska is hawked as a loving memoir of motherhood on America’s last frontier, but emerges as a maudlin collection of essays penned by a martyr who relies on clichés. From her first-chapter anguish of being excluded from her college-bound son’s scrapbook to simmering anger at her oft-absent husband, Kaylene Johnson overlooks no insult or opportunity to whine, and her tendency to haul out God at every turn grows tiresome, especially when the reader hasn’t been warned of religious content. Johnson bears striking emotional resemblance to Sarah Palin, about whom she penned an admiring biography, and this shallowness erodes this collection of any significant meaning or value.

Book preview

A Tender Distance - Kaylene Johnson

RENDEZVOUS PEAK

I did not intend to walk three hundred miles this summer. The miles just seemed to pass one after the other without my realizing how far I had hiked. In the valley where I live in Alaska, the folds and ridges of the mountains around our house are as familiar to me as the shape of my sons’ ears. This summer I traced, by foot, the horizons of Eagle River and adjacent valleys. I began in late spring when tree branches held only a distant promise of green and continued through the flame of autumn. In the midst of a season in which so much had changed, I was searching for solid ground. Looking for someone I wasn’t sure I would recognize.

Except for the company of an aging Labrador retriever, I hike alone—breaking my own rules for our two sons’ travels in the backcountry. But the boys are off on their own adventures during this, the last summer before Erik leaves for college and life independent of our family. He will leave behind a childhood shaped by the seasons, the sculpture of the land, and the ancient pull of migration. Erik will leave during caribou season—a time after the spring calves have grown strong, but before the fall rut—when mating season will perpetuate another generation.

I have been awash in memories during these summer hikes, memories of the past eighteen years with a boy whose life has so clearly shaped my own. And my thoughts drift back to a crisp afternoon in October when a friend brought us an unexpected gift of fresh game.

Fall is both a season of brilliance and a season of death—and this day was no exception. The sun blazed through the birch trees. Leaves seemed to glow translucent from the inside, the last burn of color before the season settled into the gray and white of winter.

The entire caribou, its eyes glazed, lay in the bed of our friend’s pickup. My husband Todd and I set aside what we were doing, scrubbed the countertops, and sharpened knives. Erik, who was then ten years old, watched with his younger brother, Mark, as the men hung the caribou from a tree in the backyard. The boys helped skin the animal, pulling at the hide while Todd pressed his knife blade against the membrane that fastened the fur to the caribou’s body.

It takes time to put a four-hundred-pound caribou in the freezer but the work is fairly straightforward. After skinning and quartering the animal, we cut the meat into roasts, chops, and steaks. Smaller chunks were tossed into a container to be ground later for burger. The only time the job gets messy is at the site of the bullet wound. If the hunter is a sharpshooter and lucky, the shot will lodge in the animal’s lungs or heart causing a quick death and minimal damage to the meat.

This animal, however, had been wounded in the hindquarter and it was this damaged section that I was first given to process. Clotted blood and bone fragments darkened the meat. The femur was broken, the bone shattered and the marrow exposed. I fought back images of the animal trying to flee in shock and pain, its broken leg dangling. I have gotten better at this over the years—separating the concept of a living creature with the very un-living meat it provides upon its death. Our family eats fish and game year-round—an alternative to hormone-enhanced meat packaged in Styrofoam trays. Still, I cannot help but imagine the caribou alive with ears flicking one moment and then the slam of a bullet that changes everything the next.

I picked up my knife and began cutting. I had done this often enough and usually, after finding my way past those sad images, the job became an interesting lesson in anatomy. But this time, the animal’s injury drew me inexplicably, deeply into the chaos of broken bone and damaged cells. The only thing separating the blood coursing through my hands from the still flesh of this animal was the fragile layer of my own skin. The wound suddenly became something more than a bloody hole in a caribou’s hindquarter. It was the picture of all things broken and wounded.

Carefully I laid my knife aside and leaned against the edge of the counter. Blood throbbed in my ears like the drumbeat of time, a march toward something inevitable and true.

I took a deep breath and looked out the kitchen window. Across the valley, the mountains looked like the hunched backs of ancient mastodons, gray and weathered. Earlier in the week, snow, like powered sugar, had sprinkled their backs with termination dust, the first snow that signifies the end of summer. The dome of blue sky seemed endless.

The back door slammed as Todd came inside carrying a roasting pan piled high with meat. Startled, I realized I was falling behind at my task. I picked up the knife and began cutting at the ragged caribou flesh, trying not to cut myself on the sharp edges of my thoughts.

In the coming weeks, as the caribou move toward their winter feeding grounds, our family will change dramatically. We will set three plates at the table instead of four. The phone will ring, at most, half as much. An eerie quiet will descend upon the household as competition ceases for the bathroom, the car, girls, and best physique. What will become of the fragile filaments that weave our family together? As one thread of our fabric pulls away I wonder how we will manage to keep from unraveling.

A first-time parent told me recently that his three-month old baby is growing cuter by the day. I mean, he said, he’s so cute it’s almost sickening.

I could tell him that this lovesickness does not diminish over the years. Children dance through our lives with wonder and joy and unholy aggravation until our spirits grow pliant and ever so tender. Children trespass and trample and try our hearts. We allow this because we love them beyond all reason. I could tell him that watching his son leave home will hurt like little else he has experienced—that the pains of childbirth never end. But I said none of these things. I just smiled and congratulated him and wished them well.

While Erik works his summer job, I find myself in his room a lot, looking at the posters on his wall, the books on his shelves, the notes he leaves lying around. The perpetual disaster area of his personal space has become very dear to me and I wrap myself in it—probably more often than is healthy. I am looking, looking, looking. Erik would, if he knew, accuse me of snooping. While I bathe in the memories of our past together, I am also searching for a glimpse of the man he is becoming. I page through the scrapbook that he plans to take to college with him. He’s been working on it over the summer and it is full of pictures of friends, his brother, his dad, grandparents, girls he’s known, the Alaskan landscape and his many adventures backpacking, biking, and mountaineering. I carefully place the scrapbook back in its place. In this volume of photos, amongst his friends and family, there is not one—not a single picture—of his mother.

I am looking, looking for the man he will become—without me.

Flying over caribou country for the first time in a small airplane, I was awed by the distance between horizons. A tapestry of red and gold and green undulated across a stark landscape. Marshy lakes spotted the tundra, mirroring a slate sky. It was difficult to gauge size or distance. The only trees were those along the canyons and gorges of the churning Mulchatna River. North beyond the river an odd pattern of lines began to crisscross, merge, and separate along the ground. The further north we flew, the more distinct the braided lines became. These meandering marks—like stretch marks over the belly of the earth—were the migration trails of generations of caribou. Hundreds of thousands of animals had marched across this fragile land, leaving behind paths for other generations to follow. The land that nurtured them as they traveled between their summer calving and winter feeding grounds could not completely recover from the caribou’s call to ceaseless movement. The animals left behind a crosshatch of scars—not so unlike children who leave indelible trails upon our lives.

A small contingent of a larger herd grazed below us. On a hill alongside a dozen caribou stood an enormous bull. His white ruff glistened against the red-stained tundra. His thick gray-brown body reflected a summer of abundance. Bloody flaps of velvet hung from his broad antlers. As fall progressed, his antlers would become pearly and polished, weapons to brandish during the fierce and manic mating season. An emblem of strength and vigor, he was an animal near the zenith of maturity—muscular, healthy, and self-assured.

I went looking for a relic of Erik’s elementary days in the woods behind his old school. His fourth-grade teacher and classmates had built an amphitheater in the forest. They designed it to fit into a pocket of landscape shaped like the cupped palm of a hand. It lay fifty yards downhill from the playground between the school and the banks of Eagle River. The class measured, then bought and cut lumber. They learned about math and ecosystems. They learned about tools and construction. They learned about teamwork. At each new development, Erik invited me to come and look at their progress. The benches were a bit lopsided, the stage was a simple clearing of the trees, but overall the amphitheater was impressive. Best of all was Erik’s enthusiasm and his eagerness to share it.

So just weeks before his high school graduation, I took the dog for a walk and brought my journal to sit and write on the bench that Erik had helped to build. The upper part of the trail was nearly overgrown with alder. Further down, it disappeared into a slope of thick moss and ferns. Spring’s first violets hung shyly around rocks and stumps. An underground creek trickled beneath our feet. Much to the dog’s delight, the stream surfaced now and then offering fresh drinking fountains along the way. We had gone some distance before I began to wonder if I’d taken a wrong turn. I knew the amphitheater wasn’t as close to the river as I had come. I backtracked carefully and at last, near the playground, the familiar form of the palm-shaped pocket of land emerged, immersed in greenery. This was clearly the place. The amphitheater, however, was gone.

I couldn’t believe it. Erased were all signs of fourth-grade intrusion. I looked for the remains of benches, a wooden podium, any evidence of Erik’s project. Finally I found the broken edge of a board. I turned it over, brushing moss away from the damp wood. The small remnant of memory crumbled in my hand.

Erik’s departure is hardly a mortal wound. It only feels, for now, like something broken, like marrow exposed—a kind of amputation. In reality it may only be a skin flap, cut from a fingertip by the careless knife of time. I can’t tell yet. For now I am studying the science of reclamation. Books about the environment, cellular biology, and healing litter the floor next to my bed. A book about caribou lies in the mix.

Erik, in the meantime, has grown a beard with surprising red streaks, possible rogue strands of DNA from his Viking ancestry. He has pierced his ear. He is broad-shouldered, healthy, and self-assured. His laugh rumbles from some deep place inside and when he is thinking, his eyes narrow and his head tilts ever so slightly. He is utterly comfortable in the wilderness, confident in wild surroundings, and fearless. Along with his scrap-book for college, he is packing his climbing gear, ice ax, and helmet. Erik is on the move, traveling migration trails of his own. He is heeding an ancient call to other lands, to feeding grounds, and places to spend the summer and winter of his life.

I took one last hike before sending Erik off to school. I could not turn around in our home without being confronted by memories and a searing sense of loss. So late in the afternoon I grabbed my pack and the dog and headed for the hills. The skies had begun to clear after a week of rain and I decided to climb Rendezvous Peak. The boys and I had attempted to climb it once when they were small, but the mountain had proven too steep for their young legs and too jagged for my maternal sensibilities. This time I decided to climb it from the other side beginning in Hiland Valley. I would climb to the top of the mountain ridge and then follow the ridge that eventually connected to the base of Rendezvous Peak.

The first part of the hike was steepest. I climbed quickly until my heart pounded and my lungs ached. I did not slow down until my breath came in ragged gasps. Plump blueberries grew on the

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