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Orphan #8: A Novel
Orphan #8: A Novel
Orphan #8: A Novel
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Orphan #8: A Novel

Rating: 3.5 out of 5 stars

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In this stunning new historical novel inspired by true events, Kim van Alkemade tells the fascinating story of a woman who must choose between revenge and mercy when she encounters the doctor who subjected her to dangerous medical experiments in a New York City Jewish orphanage years before.

In 1919, Rachel Rabinowitz is a vivacious four-year-old living with her family in a crowded tenement on New York City’s Lower Eastside. When tragedy strikes, Rachel is separated from her brother Sam and sent to a Jewish orphanage where Dr. Mildred Solomon is conducting medical research. Subjected to X-ray treatments that leave her disfigured, Rachel suffers years of cruel harassment from the other orphans. But when she turns fifteen, she runs away to Colorado hoping to find the brother she lost and discovers a family she never knew she had.

Though Rachel believes she’s shut out her painful childhood memories, years later she is confronted with her dark past when she becomes a nurse at Manhattan’s Old Hebrews Home and her patient is none other than the elderly, cancer-stricken Dr. Solomon. Rachel becomes obsessed with making Dr. Solomon acknowledge, and pay for, her wrongdoing. But each passing hour Rachel spends with the old doctor reveal to Rachel the complexities of her own nature. She realizes that a person’s fate—to be one who inflicts harm or one who heals—is not always set in stone.

Lush in historical detail, rich in atmosphere and based on true events, Orphan #8 is a powerful, affecting novel of the unexpected choices we are compelled to make that can shape our destinies.

LanguageEnglish
PublisherHarperCollins
Release dateAug 4, 2015
ISBN9780062338310
Author

Kim Van Alkemade

Kim van Alkemade is the author of the historical novels Orphan #8 and Bachelor Girl. Her creative nonfiction essays have appeared in literary journals including Alaska Quarterly Review, CutBank, and So To Speak. Born in New York City, she earned a BA in English and history from the University of Wisconsin-Parkside, and an MA and PhD in English from the University of Wisconsin-Milwaukee. She is a Professor in the English Department at Shippensburg University of Pennsylvania, where she teaches writing.

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Reviews for Orphan #8

Rating: 3.744444477777778 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    Fascinating topic, however the author tried to cram too many issues into this story. Reading this felt like being in a classroom and not in a good way. The writing was stilted and the author spent much of the time "telling" rather than "showing". I did not become engrossed in the story at all.
    That being said, there are many great points here for book club to jump on, discussions could be quite lively!
  • Rating: 4 out of 5 stars
    4/5
    I appreciated the switching of time periods in order to gain a full understanding of the characters within this story. I find myself awed by the events of this story and further intrigued by the experiments conducted on young orphans for medical advancement.
  • Rating: 3 out of 5 stars
    3/5
    This is an interesting, flawed work of historical fiction about an orphaned girl who is subjected to unethical medical experiments in the 1920s while living in a New York City orphanage. As an adult, she finds her herself the nurse of the very doctor who experimented on her. It's an interesting premise, ready-made for book discussions, yet the moral dilemma posed by the situation isn't really the center of the book - indeed, the book has so many different threads that there doesn't seem to be any center at all. The prose and especially the dialog is often clumsy and unconvincing. It was a fast read, and I liked the main character, Rachel. I'm guessing that the author will polish her craft a bit and give us a better book on her second round.
  • Rating: 4 out of 5 stars
    4/5
    A great historical fiction read, this really drew me in with the change of narrative through time. An orphan that was used in scientific experiments is now confronted with the offending doctor, who is under her care in a hospice ward. The journey of acknowledging and trying to heal the young girl inside who was abused, is an interesting look on the things that haunt us, while giving a historical perspective.
  • Rating: 2 out of 5 stars
    2/5
    Orphan Number Eight I stopped at page 100. I loved how it started - her childhood, how she ended up at the orphanage, and her experience there, but then it changed directions and I lost interest. Once the story changed to her adulthood and her nursing career, it got boring. Maybe it got interesting again and I missed it. I don't know. What I do know is that this wasn't what I was expecting and it left me feeling disappointed.
  • Rating: 4 out of 5 stars
    4/5
    Very well written novel based on historical facts.Over the course of about 80 plus years the Hebrew Orphanage in NYC housedand took care of 1,000 children at any given time. They were very wellprovided for in material ways. However,their methods for treating sick children seem quite cold by today'sstandards. In 1919 x-rays and radium were all the rage in medical circles.A very,very rare for the time female doctor decided to make a name for herselfby using x-rays to shrink tonsils to prove it was a better treatment than surgery.She used healthy children in this experiment. One was exposed the most and thatwas Orphan #8. This experiment left most with no hair,brows or lashes for life.This book is the story of Rachel's life,Orphan #8's,the child exposed to the most radiation.The book moves fast back and forth in time opening with Rachel a 40 year old nurse at theHebrew Old Folk's home. There she encounters as a patient the doctor who conducted thex-ray "treatments" on her. This encounter opens up the memory banks and Rachel does researchand finds out that she was not sick at all but used for no good end.I found the historical details in the afterword to be as interesting as the novel. There is a personal,family connection to the Orphanage with the author so there were personal photographsof real people some of the characters were based on.
  • Rating: 3 out of 5 stars
    3/5
    Although I liked the premise of this novel, it didn't satisfy me as much as I had hoped. I loved the moral dilemma that Rachel was facing and I really enjoyed reading about the life Rachel had lived before, during, and after the experimentation that led to this culminating point in the novel. The complexity of the situation was aptly described and it made me rethink my own views on the situation. Revenge always seems simple when you first encounter a situation where you have been wronged, and it's not often that one gets the chance to really delve deeper into the emotions and morals associated with revenge. This novel gives you that chance. That being said, the ending was too bittersweet for my taste. I felt like I wanted more for Rachel. The author had done such a good job portraying her character that I felt a kinship towards her and wanted everything to be absolutely perfect. And even though life doesn't work out that way, I wanted it to. In a way, that's a sign that this novel is fantastic in its ability to capture the reader's attention and draw the sympathy of the reader for the protagonist. If you are looking for a good historical fiction, I would definitely recommend this one!
  • Rating: 4 out of 5 stars
    4/5
    This is a heartbreaking, beautifully written book centered around a woman named Rachel, a nurse at Manhattan's Old Hebrews Home. When a new patient is brought in, Rachel recognizes her as the doctor who performed medical experiments on her in an orphanage when she was a child. Faced with this knowledge, Rachel looks back over her life, reckoning with the decisions she made and the decisions that were made for her.
  • Rating: 5 out of 5 stars
    5/5
    Kim van Alkemade has written several articles in magazines that have been described as "creative non-fiction", whatever that may be. While researching her family genealogy, she came across a reference to a Medical Journal article that shocked her and she felt compelled to tell the story, but in a fictionalized novel. Some of the people in this book are actually real. Some are actually her relatives. While the girl, Rachel Rabinowitz and her brother Sam are works of fiction, what happens to Rachel, is not. This is an important book that raises questions about science and its practice, and whether you can forsake justified vengeance and forgive the unforgivable.In 1919 the Jewish family, the Rabinowitzs, which consists of Harry, the father who works in a shirtwaist factory, who is saving for the chance to have his own contractor business, goes to Society meetings to make contacts, and is hoping to move his family up to the nicer neighborhood of Harlem; Visha, his wife, who wants another child and dreams of moving out of their three room tenement, where she looks after two borders and the two children, Rachel, four (who is known for her temper tantrums that only her brother can seem to stop) and Sam, six, who just started school. When Harry forgets his lunch, Visha and Rachel go to the factory, which Harry has forbidden them to do. When they return home, an angry Italian mother and her eighteen-year-old daughter show up at her house telling her that Harry, who met the girl at work, has been courting her daughter and has gotten her pregnant. It's hard to tell which ticks her off more: that her daughter is pregnant by a man already married or that he is really Jewish. Visha realizes that he has lied to her. There is no money being saved up. When he returns home, the two get into a fight and Harry accidentally cuts Visha's neck, in front of the two children. While she bleeds to death on the floor, Harry quickly packs up and runs away.The children end up going to social services, where a nice woman is determined to find a foster home for them. Unfortunately, the two will have to be split up for now due to their ages, until she can find a home. Sam goes to the Hebrews Orphanage Home and Rachel goes to the Infant Hebrew Home. When she gets there, the social worker is told that Rachel will have to spend a month in isolation to make sure she does not have any diseases. This was 1919. Many of the diseases that we have vaccines for now, could kill children back then. A month later when the social worker returns with the news that a nice Jewish couple in Harlem is willing to take them both, she finds that Rachel now has both measles and conjunctivitis and will not be well enough to be taken in by this couple anytime soon, so she looks for another placement for the couple. The Infant Home would be seen as perhaps, hellish, to those of us today, and I have to admit it rather is. The nurses do not believe in touching the babies. Dr. Hess (a real person, who was the son-in-law of Strauss, the founder of Macy's, which is where the Home gets its money for fancy equipment) runs experiments on the children. He sees them as no better than lab rats, in that they are actual human subjects whose situations, such as home life, background, diet, etc...are the same and therefore variables can be controlled, which is a rarity in scientific research. Rachel's life changes when she meets Dr. Mildred Solomon a female doctor, an oddity of the time, who is there to do her residency and wants to run her own experiment, get published, establish herself, and get out of there.This book goes back and forth between Rachel's past growing up and her present as a nurse in the Hebrews Home for the elderly. Rachel has many secrets. One is that she is a lesbian whose partner is away in Miami, for some unknown reason. When Dr. Solomon arrives on her floor, the hospice ward, terminally ill with bone cancer, she recognizes her and talks to her and finds out that she was a doctor at the Infant Home when she was there. She has always wondered what disease she had that necessitated some form of treatment. When she goes to the Medical Library she uncovers the horror of what happened in the Home and to her. She was "material # 8". She also discovers that because of that she is in grave danger of developing a serious disease that could kill her.After leaving the Infant Home almost two years later, Rachel goes to the Hebrews Orphan Home, where she meets Mrs. Berger at reception, who works there while her son, Vic, is housed there. Vic's best friend just happens to be Rachel's brother Sam. While finally reunited, Sam has become hardened by his years in the Home where the bells ring constantly for every possible thing and the orphans respond like Pavlov's dogs sensing exactly when the bell is going to ring and making sure they are where they are supposed to be so they don't get slapped by the monitor (an orphan who is in charge of level and is usually two years older) or worse. There are 1000 kids in the home [my alma mater Catawba College, in Salisbury, NC, only had a little over 800 students and much more space], which is a large castle that takes up a whole city block in New York City. The book has a photograph of it. It may seem really bad, but actually, a state home is so much worse. At least here they receive dental care, medical care, three meals a day, and decent clothes and shoes to wear.Sam, determined to look after his sister, bribes one of her monitors, Naomi, to look after her. Naomi gives her an "acceptable" nickname because it's better to pick what others call you then to have them call you something worse. Naomi is good to her and treats her almost like a friend and it's not just because Sam bribes her. The years pass and more things happen in Rachel's life, some good and some bad. [Reviewer's Note: a character in this book, Amelia, is given special treatment because she has long, beautiful red hair. I, too, have always have had long red hair, but I have not received special treatment for it. From fifth grade to middle school, I was teased for it, until I took a hardback book, corner-side pointed out, punched Scott Baker in the stomach with it. Guys wanted to date blondes, not red-heads. In college, I discovered men who felt differently, and I admit, that now, I am a bit vain about my hair. But I have never forgotten the teasing or the seeming obsession by the world for blondes].This is an incredible book. Is Dr. Solomon a Dr. Mengele? She thinks a bit like him, but what she does (and Dr. Hess for that matter), while inexcusable, is nothing compared to what Mengele did. Rachel wants an apology, but it does not seem that she is going to get it. She is given an opportunity to work the night shift where it's just her and one other nurse and she has already been holding back on the amount of morphine she has been giving Solomon for days. Now she is in control. She has the power. She can cause Solomon to suffer and then kill her for what she has done to her. But is Rachel capable of such an act? Can she really do this? The question you find yourself asking is what would you do. And the answer is not an easy one.QuotesGloria wrote in our shifts, twelve hours on every other day, extra days off popping up as unpredictably as Jewish holiday.--Kim van Alkemade (Orphan # 8 p 30)“You listen to me now,” Mrs. Giovanni said… “Nothing is your fault. Never think that again. God can see inside you, right into your soul, and He knows you did nothing wrong. Remember that, Rachel, if you ever feel alone or afraid.” Looking at the C-ray images, Rachel imagined this was what God saw when he looked at her. Where on the radiograph, she wondered, did it show right from wrong?--Kim van Alkemade (Orphan # 8 p 90)When Rachel hung her towel and stepped under a showerhead, the new girl realized with a thrill she’d spotted something more valuable than an equal: someone worse off than herself.--Kim van Alkemade (Orphan # 8 p 146) We snorted in unison, the universal sound of nurses who know better than the doctors whose orders we follow.--Kim van Alkemade (Orphan #8 p 168)That’s what it was like for me, killing myself to be first just so I’d be in a position to capitalize on the stupidity of others.--Kim van Alkemade (Orphan #8 p 172)Delayed reaction most likely. You had a very upsetting experience. I’ll keep you here for a couple of days so you can rest up. We’ll say its mononucleosis if anyone asks.--Kim van Alkemade (Orphan #8 p 176)She worked through the glossary letter by letter, abscess to xanthin. In bed at night, she’d run her finger down a column in the index and choose a disease to read about: bilious fever, creeping pneumonia, hookworm, mumps, palsy, typhoid. Bacillus tuberculosis, at twenty-six pages, put her to sleep for a week.--Kim van Alkemade (Orphan #8 p 181)Rachel remembered reading in Nurse Dreyer’s copy of Essentials of Medicine that treatment for the disease consisted of rest, rich food, fresh air, sunlight, and, if possible, freedom from worry. She wondered how someone with tuberculosis could not be worried.--Kim van Alkemade (Orphan #8 p 288)The white people, they think Indians and Chinese are both dirty, no matter how clean we make their shirts.--Kim van Alkemade (Orphan #8 p 306)If good only came to those who deserved it, the world would be a bleak place.--Kim van Alkemade (Orphan #8 p 336)
  • Rating: 5 out of 5 stars
    5/5
    I received this book through Librarythings Early Review and so glad that I did. While this book is fiction, it is based on fact. This becomes horrifying as Rachel Rabinowitz, at age 4, is placed in the Hebrew Infant Home when her mother dies and her father disappears. While the orphans' physical needs are taken care of, some of them are also used in experiments. This doesn't take place in Nazi Germany but in New York City on the early 1920's. There are multiple layers to this story which moves between the early years of Rachel's life and 1954 where she works on the hospice floor of the Old Hebrews Home. I have 7 books that I needed to be reading to return to my library. However, when I picked up this book that had just arrived from the publisher, William Morrow, I never put it down until I finished it late last night. Definitely recommended and can't wait for Kim van Alkemade's next book!
  • Rating: 3 out of 5 stars
    3/5
    This is a fictional story based loosely on actual events that occurred in New York City in 1919 and beyond. Rachel and her brother Sam, children of Jewish parents, are traumatized early in the story when their mother dies suddenly and their father deserts them, leaving them in the care of the Jewish orphan system. At a young age, Rachel is subject to a series of experimental x-ray procedures, resulting in some long-lasting effects. Fast forward to the 1950's, where Rachel is working as a nurse in a Jewish hospice home. There, she comes face-to-face with the doctor who subjected her to the x-rays she had as a child. She then must decide if she wants to take revenge.This was an interesting historical fiction novel in and of itself. The author has some familial ties to the real events of this book, and the afterward following the story is enlightening, highlighted by some actual photographs of the time period. But while it was interesting, I didn't feel it was written in a way to really capture the reader. Additionally, there was a side plot exploring Rachel's eventual self-discovery of herself as a lesbian, and while I can give or take plots such as that, in this case, it really didn't seem to add anything to the main story and was a distraction, not really fitting in with the main story. Had that been excluded & had the writing been a little more engaging, I would've rated this higher.
  • Rating: 3 out of 5 stars
    3/5
    Based on a real life story, this tale ping pongs back and forth from 1919 - 1950's. Tragically, four year old Rachel and her six year old brother became orphans when their mother discovered their father's indiscretion and impregnation of a young , unmarried co-worker. As their mother confronted the father, a knife and anger brought about an accidental slit which led to the death of their mother.The children are taken to the Hebrew Orphans Asylum in New York City. Deloused and hair cut dramatically, Rachel's experience worsens as a new female radiologist Dr. Mildred Solomon is bent on becoming at the top of the ranks in breakthrough techniques using a newly discovered mode called radiology. Originally, unknown consequences occurred as a result of repeated exposure; the sin is that Dr. Solomon continued these radiological experiments long after children lost their hair and experienced compromised immune systems. Rachel was told to be a good girl and to allow Dr. Solomon to strap her to a table while exposing her to large doses of radiation.Fast forward to 1954 when Rachel has survived, bald, and cancer ridden, and since leaving the home, became a nurse. Fate placed Dr. Solomon, now elderly and filled with cancer, in the hands of Rachel Rabinowitz. When confronted with the repercussions of Dr. Solomon's callous treatment, there is no apology. Insisting on calling Rachel Orphan #8, Dr. Solomon notes that she too has cancer and Rachel should feel sorry for her.Now that Dr. Solomon is in Rachel's care, she turns the table and slowly, intentionally deprives her patient of the necessary Morphine needed.This would have been an excellent book except that the sub plots and stories seemed to have so very little to do with the primary story. The book started well, but mid way meandered into boredom. I kept putting the book down with the intention of finding another. Yet, I was drawn to finish the story of Rachel and Dr. Solomon.I wish this debut novel would have been tightly written. Following the path of Rachel and her sexuality wasn't germane to the story. If there was a connection, the author failed to clearly make a case for it.Two and 1/2 stars.
  • Rating: 3 out of 5 stars
    3/5
    I had this book for a while and just now got around to picking it up and reading it. The beginning started out really good. It grabbed my interest and I was ready for more. To be honest when I read the summary for this book I thought that the experiments that Dr. Mildred Solomon was conducting would be like Dr. Arthur Arden from American Horror Story season two, Asylum. Thank goodness it was not that horrible but still I can't imagine having to endure the things that Rachel did at such a young age. The even greater challenge was how Rachel reacted when the tables were turned with Dr. Solomon as her patient. The flash back moments where good and I thought the transfer from the past to the present was smooth. They were brought up at the right moments within the story. However the story itself grew somewhat stale for me about midway and I stayed middle of the road the rest of the way until the end. Yet, reading about the true events that inspired this book and seeing the pictures at the back of this book was very sad and had me intrigued.
  • Rating: 4 out of 5 stars
    4/5
    Really enjoyed this book. We follow Rachel a 4 year old orphan placed in the Hebrew Infant home . She grows up there becoming orphan #8 in X-ray experiments where she looses her hair and it never comes back. She is looked after at a distance by her brother and a few good people like Niomi.We follow Rachel as an adult where she is a nurse in the Old Hebrew Home and winds up with Dr Soloman as a patient, the woman who had experimented on her. The novel brings young Rachel up to date with adult Rachel as she discovers and learns to deal with her cancer diagnosis.
  • Rating: 4 out of 5 stars
    4/5
    Interesting story based on the Hebrew Orphans Asylum of New York set in the 1950's. The story is based on the jewish ran home for orphans where her grandfather and uncle were raised and her Great Grandmother Fannie Berger ran the Reception area of the home. Fictional characters Rachel & Sam Rabinowicz, orphaned by the murder of their mother and abandonment of their father are sent to the Hebrew Orphans home and separated where Rachel is sent to Infant home as she was under 6 years old. At the orphans home Rachel was subjected to experimental X-ray treatments which left her with a life long case of alopecia marking her for life. Once Rachel is old enough to join Sam, they are still separated within the community of over 1000 children and Sam's promise to protect Rachel becomes more difficult as they mature to teenagers and an incident at the Purmir Dance causes Sam to run away. Rachel eventually discovers where Sam has gone and thinking he has found their father, steals money and flees the orphan home to join him in Colorado. As her expectations of a happy reunion with her father and family unravel, once again Rachel finds herself alone and fending for herself. Meeting up with the Cohen/Abram Family she finds a new purpose and begins her medical career as a nursing aide with help of Dr Abrams. Fast forward to her return to New York to find Naomi and make amends for taking her savings, she ends up working at the Hebrew Nursing Home where a Doctor Mildred Soloman, the docotor who administered the x-rays on her so many years before becomes her patient. Memories flash back and she learns that the treatments administered to her were not for a disease she had but as experimental, coming to terms with her current medical issues and the woman who was responsible for her life long health issues, she is faced with seeking revenge or forgiving the woman who shows no remorse for what she has done. Very interesting story, the back of the book gives details on the author's family and how she was inspired to write this story.
  • Rating: 5 out of 5 stars
    5/5
    Beautiful and tragic. This book reminded me of The Sunflower: On the Possibility and Limits of Forgiveness by Simon Wiesenthal . Both bring up the question of forgiveness. Can Rachel forgive Dr. Solomon for what she did to her as a child? The narration of the book switches back and forth from 1919 when Rachel is a young girl in a Jewish Orphanage and years later when she is a nurse taking care of elderly patients one of whom is the Doctor who experimented on her as a young child. Complex and riveting this book submerges you and makes you think about humanity and what might be your capacity for forgiveness, love and evil. There is also a subplot of lgbt rights, the troubling reality that hospital visits, and being out were not allowed. Very good book.
  • Rating: 3 out of 5 stars
    3/5
    ORPHAN #8 by Kim Van AlkemadeWhen the book opens Rachel (orphan 8) is a tantrum throwing 4 year-old. At the end she is a middle- aged spinster disappointed with life. Rachel has the misfortune soon after her mother’s death to be the “material” for a woman doctor seeking to make her way in a man’s world. The repercussions of the experiment color all of Rachel’s life. Told in alternating chapters switching between the young Rachel and the middle-aged Rachel, we understand why she is disappointed. We also know that she has had many opportunities most orphans never have and Rachel has failed to appreciate. Rachel is creatively and skillfully written, unfortunately, we see all the remaining characters through the prism of Rachel. These other characters remain flat throughout and the book ends too early. I would have liked another chapter or two to see the “redeemed” Rachel if, indeed, she is. Book group will find a number of topics – orphanages, betrayal, family loyalty, medical care/experimentation, women’s opportunities, assisted suicide, lesbianism, charity, revenge – to discuss. 3 of 5 stars
  • Rating: 4 out of 5 stars
    4/5
    I chose to request this book from Librarything's early reviewers because I had read The Orphan Train and I was interested to read more along these lines. There are multiple story lines in this book that help keep the story moving along quickly. For me it is important to learn new things while reading and this book did not disappoint there. Kim touches on several controversial subjects that if you are open minded keep you wondering what you might do in the same situation. Orphan #8 is a thought provoking book that will make for a great book club discussion.
  • Rating: 3 out of 5 stars
    3/5
    There is a hell of a lot going on in this book. In the early twentieth century, four year old Rachel and her brother are put in a Jewish orphanage after their father "accidentally" kills their mother. In the orphanage, Rachel is subjected to a series of x-ray tests that will have significant effects on her life, the most obvious being her permanent baldness. Despite all the odds, she does pretty well for herself eventually becoming a nurse. Rachel had pretty well blocked out her childhood, but when one of the patients she's treating turns out to be a doctor that tested on her, it all comes rushing back. She is forced to confront her past and come to terms with how it is affecting her future. This book does a great job illustrating problems that minorities (Jews, orphans, women, lesbians) faced in the first half of the twentieth century and does a great job of outlining the historical basis for the book in the afterward. Dark, but enlightening.
  • Rating: 4 out of 5 stars
    4/5
    What did I think?I wanted to give this book more stars but I had a few issues. While someone else said, the book was well researched and the story was told well enough, I just got bored a bit somewhere around the middle. I believe the characters were developed just enough although there was room for improvement there too.I have a problem with "her". This big secret through the whole book. At one point I wondered who "she" was and thought I knew but was wrong according to the story only to find out that a small paragraph had me all screwed up. And there were a few typos.I will say the first 25% of this book was so hard for me to read probably because it was written the best; I was appalled.I will recommend.Thanks to LibraryThing and William Morrow for giving me a chance to read and review it.
  • Rating: 4 out of 5 stars
    4/5
    Hurt and fear, are not things we want children to experience. We don't expect healthy children to be test subjects in medical experiments that can physically harm them for life. Kim Van Alkemade's ORPHAN 8, an historical novel, is based on New York City's Home for Hebrew Infants and the Hebrew Orphan Asylum, where in the mid-1900's into the 1920's children were used as test subjects for a number of medically questionable studies. Radiation exposure left some children bald for life and probably gave them serious physical side effects that may have caused other issues in later life.The author's Great-Grandmother worked at the Asylum and raised (or at least saw) her two sons while she was employed at the facility. Van Alkemade was fascinated by the stories. When looking through the Home's records she found a reference to buying wigs for children who'd had x-rays, and thus it became the basis for her novel.The novel is fascinating for it's writing and the journey the reader takes with Rachel, the main character who goes from terrified child to adult. From little Rachel at home, to a scared child in an overwhelming institutional environment, to an adult suddenly faced with the woman who experimented upon her body.Now the tables have turned and Rachel is the medical professional. She has the opportunity as the nurse assigned to a case to see the physician who scarred her for life - what will Rachel do to the elderly woman now in her care? The ethics at play are almost unbearable - the psychological nuance between the two women, one elderly, quite ill and unrepentant, the other still emotionally fragile from her childhood.It's a book that is as intriguing as it is readable. Well written and fascinating, it draws the reader into the shadows of Rachel's thirst for revenge and her opportunity for forgiveness. How she chooses, and what she chooses make for a captivating novel. I was pleased to review this novel thanks to Harper Collins for the free book!
  • Rating: 2 out of 5 stars
    2/5
    The dark story of a young girl and her brother who were placed in an orphanage after their father kills their mother and then disappears. The girl is used for experiments along with other children and as a result loses her hair. She was never grateful for the small things and even stole money from her only friend and ran away. She was filled with self pity most of her life and never counted her blessings. Did not care for the book and it was a very slow read.
  • Rating: 3 out of 5 stars
    3/5
    I didn’t feel like either the current or past storyline was fleshed out enough, at times it felt disjointed and I think it was because of not knowing enough about the characters. However I did find the story fascinating I never knew anything about these test done at orphanages’ also after reading some stories on the authors website I really wish she would have went deeper into these characters I feel like she just brushed the surface and I wish I knew more.I hated the “romance” aspect of this book every time she grabbed someone’s face and pulled them into a kiss I was no longer in the story and Rachel’s sexual orientation had absolutely nothing to do with it , if she had been grabbing men’s faces I would have felt exactly the same. To me there was no reason for these it added nothing to the story and in fact detracted from it.I can’t put my finger on what it is I don’t like about the narration, I’m not sure if it’s the tone, cadence or accent that I don’t like but there were times when the narration really annoyed me and other times I didn’t mind it. I am not sure who narrated what either so it may be that I like one narrator over the other but I am just not sure.This book was okay; I liked the storyline about the Orphans Home even though I wish I knew more. I guess in the end this book just fell flat for me.2 ½ Stars
  • Rating: 3 out of 5 stars
    3/5
    Orphan Number 8 is a fictional account of the life of Rachel Rabinowitz. When they were very young, Rachel and her brother, Sam, witnessed the death of their mother in an altercation with their father. The father fled to avoid prosecution, leaving them officially labeled as orphans and remanded to the custody of the Orphaned Hebrews Home in Manhattan. Through a series of unfortunate events, Rachel and Sam ended up spending the next ten years in an institutional environment. Rachel and other children were the subjects in a series of experiments by Dr. Mildred Solomon, which left Rachel with alopecia and, as an adult, diagnosed with cancer from massive radiation. As an adult, Rachel became a nurse and worked in a nursing home where Dr. Solomon arrived as a terminally ill patient with bone cancer. Ironically, Dr. Solomon's fate lay in Rachel's hands as Rachel was forced to make life-altering decisions that vacillated between revenge and compassion. Rachel's life is filled with heartbreak and moments of courage that most of us will never be able to comprehend. One Hebrew phrase struck me as particularly meaningful: "tikkun olam", which is the belief that it is everyone's responsibility to help someone else, for the good of us all. That is the message I will take from this book.
  • Rating: 4 out of 5 stars
    4/5
    The disturbing story of a Jewish-American orphan told in alternating timelines, one during her childhood (post-WWI) and the other in the 1950s, when she comes face-to-face with the doctor who did radiation experiments on her in the orphanage. After her father kills her mother and disappears, 4-year old Rachel and her brother Sam are institutionalized and separated, with Rachel being sent to the Hebrew Infants Home in Manhattan. While in isolation as a newcomer she is spotted by a young doctor yearning to make her way in a man's profession, and Rachel becomes the subject of several experiments, one of which leaves her body hairless for the rest of her life and puts her at risk for early cancer. As a nurse years later, she finds herself with a new patient: the very same doctor, now elderly and dying. Rachel has always believed the radiation was a treatment for an illness she had, but comments the doctor makes sends her to the medical library, where she learns the truth and plots revenge. Intertwined in both timelines is Rachel's' lesbianism, which is an interesting story in itself but unnecessary for the main drama and, because of that, feels forced. The most difficult aspect of this book for the reader is that the experiments on the children are based on actual events, and it was sickening to read. The main character doesn't shy from the obvious comparison to Nazi medical "research", while the doctor is given a chance to state her case, which is partially to see the experiments as the children's way of repaying society for caring for them. Jeez....tell that to a terrified 4-year old who has lost all she held dear in life.Well told, but perhaps not for the squeamish.
  • Rating: 4 out of 5 stars
    4/5
    I received this book from Early Reviewers and was drawn to it because it was based on true events. The author used historical data from her family and historical data from the Hebrew Orphan Asylum in New York City to weave a completely believable story based on fictitious orphans, Rachel Rabinowitz, and her brother, Sam, who are orphaned in 1919 when their mother dies and their father runs off.Chapters alternate between Rachel as the child in the orphanage and Rachel as an adult nurse in the Old Hebrew Home. Rachel as the child was experimented on (based on actual events) with X-rays when she entered the home, and as a result of the experiments loses her hair and has to deal with this condition her whole life. Rachel as the adult is faced one day with a new patient at the Old Hebrew Home. This patient just happens to be the woman doctor who administered the experiments to her as a child. Meeting this doctor causes Rachel to relive her past and the ordeals she suffered and to grapple with the power one person can wield over another, and to what extent one should go to seek retribution for circumstances that can't be changed. Engaging story line and thoroughly recorded details bring life in an orphanage at the turn of the century to light and all add up to a satisfying read.
  • Rating: 4 out of 5 stars
    4/5
    Before the orphanage (1919), four-year-old Rachel and her older brother had a rather normal childhood. In the flash of a knife, Rachel and Sam‘s situation drastically changed. Their mother was dead; their father wiped his hands of the matter; they were separated and placed into a system in which children had no rights. Instead they were treated as ‘material’ for experimental purposes. The meat of the novel comes into play when Rachel grows up and becomes a nurse at Manhattan’s Old Hebrews Home. Dr. Solomon is admitted to her ward. Dr. Solomon was her doctor at the orphanage. Rachel had blocked out what actually happened and chose to believe that the radiation treatments she’d received as a child were to cure her of some disease. A friend suggests that she do some research into this doctor and the orphanage. Upon opening the studies, the memories flood back in. Now Rachel is an able-bodied adult and Dr. Solomon is old and sickly. Rachel has the power to make life for Dr. Solomon very unpleasant. Will she?Orphan Number Eight makes good fiction, except the orphanage is not only fictional. The author did extensive research to bring us face to face with the history of orphanages in the early 20th century. The story is more than captivating. It makes us mad. We want to go back in history and wake these people up. We want to shake them and tell them, these children are human beings; they have feelings; they have the right to grow up and live normal lives. So that the reader gets the full picture, the novel swings between Rachel’s childhood at the orphanage to her in 1953 as a nurse.Rachel and Sam were fictional characters. A real character in the novel is Kim van Alkemade’s great-grandmother, Fannie Berger, who had been hired by the Hebrew Orphan Asylum in 1918 and was tasked with shaving the heads of newly admitted children as a precaution against lice. Much of the adult story of Rachel focused on her relationship with her girlfriend. I don’t feel that this added anything to the story. I would rather have seen more character development in both Rachel and Sam. Rating: 4 out of 5.
  • Rating: 5 out of 5 stars
    5/5
    This is the story of Rachel and her brother Sam who live with their parents in NYC in the 20s. Through a tragic happening, they are sent to the Jewish orphanage in New York (that really did exist) and separated from each other. Because Rachel is only 4, she is put in the area for babies and during the time that she is there, a doctor uses her for medical experiments. The story is well told with alternating chapters taking place in the orphanage and the other chapters take place in the 50s when she is a nurse at the Jewish Nursing home. By presenting the story this way, we learn her past as we are learning about her current life. She is stunned when the doctor who performed the medical experiments on her becomes her patient. Rachel wants an apology from the doctor but is she capable of inflicting pain to get that apology? This is her ethical dilemma. This is a fantastic book and the characters, especially Rachel are well drawn. This is a novel that will stay with you for a long time.
  • Rating: 5 out of 5 stars
    5/5
    At the age of four Rachel Rabinowitz was placed into the Hebrew Infant Home, an orphanage for Jewish youth. In the Home it is decided that Rachel will be used for medical experiments; orphans make perfect test subjects where everything in their life can be controlled. Headstrong and unyielding, Dr. Mildred Solomon appears at the Home, breaking through a male barrier to the placement that she wanted. Dr. Solomon decides Rachel will be the best subject for her X-Ray experiments. A year after being relentlessly X-rayed, poked and prodded, a now bald and stunted Rachel is sent to the Orphaned Hebrews Home for older children. At the Home, she is ridiculed for her baldness, but finds friends and eventually comes to find her place as a nursing assistant. Thirty-five years later, a grown Rachel works in the Old Hebrews Home, taking care of hospice patients. Her memory is stirred one day when a new patient arrives with a name from her past, Mildred Solomon. Forced to remember the lost details of her cruel past, Rachel decides that it is time for Dr. Solomon to answer for her actions of the past and for setting Rachel’s life on the path the she now must take. This is an emotionally packed journey that ended up being so much more than just historical fiction. I was intrigued by the Jewish Orphanages, and was surprised about how much the author took straight from history including some of the characters stories and the medical testing done on children. The descriptions of the home were vivid and brought the castle-like structure to life. Told through Rachel’s point of view as a child growing up in the Children’s Home and Rachel as an adult working at the Old Hebrew’s Home, there is a unique experience of seeing Rachel’s past confront her present and seeing the affect that her childhood has had on the actions that she is taking. Most of all though, I was entranced by Rachel and Dr. Solomon’s intertwined stories. These are both fiercely strong women who faced amazing adversity in their lives to get to where they are. At first I thought that this would be a story of revenge and redemption as the tables were turned on the two women; but it is really a story of growth, acceptance and love. In addition to Rachel facing Dr. Solomon, there were many other facets to the story that made it rich in history. Rachel’s sexuality and seeing how lesbians were treated in the 1950’s and her brother Sam’s involvement in the War and liberating a concentration camp added historical context. Overall, Orphan #8 is an intense emotional journey that blends historical fiction, coming of age and suspense. This book was received for free in return for an honest review.
  • Rating: 5 out of 5 stars
    5/5
    Orphan Number Eight is actually Rachael Rabinowitz’s story from beginning to the last page. We follow her from the age of four until she is facing a life threatening force, and you will empathize and feel for her all the way through, no mater if she is doing right or wrong.Rachael is living with her family, her mother, father and brother in a tenement on New York’s lower east side. When tragedy strikes, this little girl’s world is turned up side down, and will never be the same. Rachael and Sam are sent to the Hebrew’s Orphanage Home, and her life takes a terrible turn.We are with Rachel as she suffers from one injustice to another, and want to help, but the fact that this story is fiction, but based on fact, does not make it any better. To think that a Doctor could get away with giving numbers to children rather than names, hence number eight. It is brought out in the story, but I couldn’t help thinking that this place wasn’t much better than Hitler’s Nazi’s.I couldn’t put this book down, once I turned the first page I had to read it to the end and it was less than a day, that I turned the final page. I wanted more, yes, but I wanted peace for Rachael.I recommend this read as an eye opener; life can be very tough, especially for vulnerable children.I received this book through Harper Collins Publishing, and was not required to give a positive review.

Book preview

Orphan #8 - Kim Van Alkemade

Chapter One

FROM HER BED OF BUNDLED NEWSPAPERS UNDER THE kitchen table, Rachel Rabinowitz watched her mother’s bare feet shuffle to the sink. She heard water filling the kettle, then saw her mother’s heels lift as she stretched up to drop a nickel in the gas meter. There was the sizzle of a struck match, the hiss of the burner, the whoosh of catching flame. As her mother passed the table Rachel reached out to catch the hem of her nightdress.

Awake already, little monkey? Visha peered down, her dark hair hanging in loose curls. Rachel nodded, open eyes eager. You’ll stay put until the boarders leave for work, yes? You know it makes me nervous when there’s too many people crowding in the kitchen.

Rachel stuck out her bottom lip. Visha tensed, still afraid of sparking one of her daughter’s tantrums, even though months had gone by since the last one. Then Rachel smiled. Yes, Mama, I will.

Visha let out her breath. That’s a good girl. She stood and knocked on the front room door, two sharp raps. After hearing the boarders’ muffled voices assure her they were awake, she crossed the kitchen and let herself out of the apartment. Going down the tenement’s hallway to use the toilet, she allowed herself to think their trouble with Rachel was really over.

It had started with the colic, but she couldn’t blame the baby for that, though Harry seemed to. For months, it wailed at all hours of the night. Only if she held it in her arms and paced the kitchen did the cries settle into sobs that at least the neighbors could sleep through. They hadn’t been able to keep boarders then—who would pay to sleep next to that racket?—and Harry started working late to make up the income. To avoid the baby, he took to spending more nights at his Society meetings. Sundays, too, he’d managed to escape, taking Sam up to the Central Park or down to the piers to watch the ships. Visha might have gone crazy, boxed up in those three rooms with an infant who seemed to hate her. It was only Mrs. Giovanni coming by every day, for a visit so Visha could talk like a person, or to take the baby for an hour so she could rest, that got her through those long months.

Back in the kitchen, Visha poured boiling water into the teapot and also into a basin in the bottom of the sink before filling the kettle again and setting it back on the flame. She tempered the water in the basin with a splash of cold and set out a hard square of soap and a threadbare towel. She put the teapot, two cups, a jar of jelly, a spoon, and the slices of yesterday’s bread on the table. In the front room, furniture scraped across the floor, then the door opened, and the boarders, Joe and Abe, emerged. The young men were bare chested, suspenders drooping from the waists of rumpled trousers, their untied laces slithering as they walked. Visha settled two damp shirts on the backs of the kitchen chairs. She’d washed them out late the night before, and at least they were clean if anyone complained. Abe went down the hall while Joe leaned over the sink to wash up. Visha edged past him into her bedroom and shut the door.

She lifted off her nightdress and hung it from a nail in the wall, then buttoned up a white shirtwaist over her shift and stepped into a long skirt. Her husband yawned when Visha sat on the bed to pull up her stockings. Harry’s arm still stretched across her pillow from last night, when he’d stroked her shoulder and whispered in her ear: Soon, my Visha, soon, when I’m a contractor with my own business, we’ll move out of this tenement and up to Harlem, maybe even the Bronx. The children will have their own bedroom, we won’t have to take in boarders, and you can sit all afternoon with your feet up like a queen, my queen. As he spoke, Visha pictured herself in the quiet bedroom of a new apartment building, windows open to the cool outside air. She imagined filling a tub in a tiled bathroom with hot water just waiting for her to turn the tap.

Visha had turned to Harry then, inviting. He moved over her quietly, the way she liked, not like Mr. Giovanni next door, whose grunts echoed in the stinking airshaft. She kept him inside her to the end, her heels pressed into the backs of his knees, the prospect of his success stirring her desire for another baby. Rachel was four years old already, the sleepless nights a long-ago memory, the tantrums apparently over. After Harry rolled off of her, Visha dreamed of the feathery weight of a newborn in her arms.

Rachel was getting restless as the boarders sat in the kitchen, stirring jelly into their tea and soaking their bread to soften it. From under the table, she reached out and tangled Joe’s shoelaces.

What is this now happening? Is there rats chewing on my boot strings?

Rachel laughed. She nudged her brother beside her to wake up. Tie them in knots, Sam, so he falls down, she whispered. I can’t tie knots yet.

Joe heard her. What for you want me to fall over, to break my neck maybe? Be careful I don’t pull you from under there and make trouble with your mother.

Sam wrapped his arms around his sister. Don’t start now, Rachel. Be good and quiet and I’ll teach you what number comes after one hundred.

Rachel let go of the laces. "There’s more numbers after one hundred?"

Do you promise to be still until Mama says we can come out?

Rachel nodded vigorously. Sam whispered in her ear.

Say it again. He did. Rachel laughed like when she tasted something sweet.

"One hundred and one hundred and one hundred." Sam put his head down on the newspapers and listened, satisfied, to his sister’s chanting.

Back in September when he started first grade, Rachel had gotten it into her head that she would be going to school with Sam. When he walked out the door without her, she had thrown a fit that was still going on when he came home for lunch. Rachel’s screaming had driven even Mrs. Giovanni away and Visha was beside herself. See what you can do with her! she said to Sam, then shut herself up in the bedroom.

Sam had managed to calm his sister by teaching her the first five letters of the alphabet. Before he went back to school for the afternoon, his stomach rolling with hunger, he’d struck their bargain. For quiet and goodness, Sam paid Rachel with letters and numbers. It was April now, and already she knew as much as he’d been taught. That first day, Visha made up for his missed lunch by preparing for Sam his favorite dinner, pasta with tomato gravy just like Mrs. Giovanni’s. You saved my life today, she’d told her son, kissing the top of his head.

Visha, dressed, came in from the bedroom to make the boarders their lunches, wrapping cold baked potatoes and fat pickles in newspaper. Chair legs scraped and cups rattled as Joe and Abe got up from the table. Hoisting suspenders over damp shirts and grabbing jackets, they tucked the food into their pockets and stomped out the door.

Come out from there now, you little monkeys, Visha said. The blanket flew back and Rachel scrambled up, followed by Sam. Visha gave them each a kiss on the head, then Sam grabbed his sister’s hand and pulled her out of the kitchen and down the hall. While they took their turns at the toilet, Visha made a second pot of tea, refilled the kettle, rinsed the teacups, and put them back on the table.

When the children raced into the kitchen, Visha caught Rachel and lifted the girl onto her lap while Sam stood on his toes to reach the washbasin in the sink. He was tall already for a boy of six and seemed to Visha a small version of the man he’d one day become. His light brown hair was Harry’s for sure, as were the pale gray eyes that made Visha’s father doubt Harry was really a Jew. But where Harry was smooth and sweet-talking, Sam was sharp and quick, already getting in fights at school and tearing his pants playing stickball in the street.

Rachel put her hands on Visha’s cheeks to get her mother’s attention. Visha gazed at her reflection in her daughter’s dark eyes, so brown they were nearly black. When Sam was finished, Visha dragged her chair to the sink so Rachel could stand on it to wash herself. After both children were at the table sipping tea and soaking bread, Visha dropped a whole egg into the kettle to boil and went in to wake her husband.

His breath still thick from sleep, Harry murmured in Visha’s ear, So, did we make a baby last night do you think? Visha whispered back, If we did, he’ll need a papa who’s a contractor, so get yourself out of bed already. Visha came into the kitchen with a shy smile on her face, Harry following her.

Papa! Rachel and Sam chorused. Their father dropped his hands onto their shoulders and pulled them close so he could kiss both of their cheeks at once.

You give him a minute of peace, Visha clucked. She lifted the lid of the kettle to check on the bobbing egg while Harry went down the hall. It was a luxury this, every morning a whole egg just for Harry, but he said he needed his strength. If Visha had to get a bone with less meat for their soup or buy their bread already a day old to afford the eggs, well, it would all be better once Harry made good.

When he got back, Harry lifted Rachel onto his knee and took her seat. Visha put a cup of tea in front of him and some more bread, then fished out the egg with a fork and set it on Harry’s plate to cool. She leaned against the sink, her hand absently resting on her belly, watching her husband with their children.

So, Sammy, what did you learn from school yesterday? Harry hadn’t seen the children since breakfast the day before. He’d worked late, then gone directly to his Society meeting, coming home after even the boarders were asleep to whisper in Visha’s ear. She used to resent these Societies of his, the dues so hard on their pockets, until Harry convinced her the Society would back him when he went into business for himself.

Sam squinted. "B-R-E-D, he said. T-E."

And what’s this? Harry asked, looking at Visha with sparkling eyes.

"That spells bread and tea, Papa! We learned the whole alphabet already, and now every day we learn spelling for new words. C-A-T. That spells cat, Papa!"

Already such a genius, Harry said, rolling his egg on the plate to shed it of its shell. Sometimes he saved a bite for Rachel, pushing the rounded egg white between her lips with his finger, but this morning he popped it whole into his mouth.

What are you cutting today, Harry? Visha asked. Rachel echoed her mother. Yes, Papa, what are you cutting?

Well, he said, addressing himself to his daughter, we got patterns for the new shirtwaists yesterday, and I had to figure how to lay them out. The contractor, he likes my cutting because I don’t leave much scrap, but the material for the new waists has a little stitching running through the weave, and I had to lay out the pattern so the little stitch matched up at all the seams. It took me some time, that’s why I missed supper last night. He glanced at Visha. But I got it all figured out, so today I do the cutting.

Can I be a cutter, too, when I grow up? Rachel asked.

What for you want to work in a factory? That’s why I work so hard, so you don’t have such a life. Besides, girls aren’t cutters. The knives are too big for their little hands. Harry put Rachel’s fingers in his mouth and pretended to chew on them until she laughed.

Harry turned to Sam. You’d better get going now, little genius, or you’ll be late for school.

Sam jumped up from his chair and dashed into the front room to dress. When he returned, Visha handed him his jacket. And don’t waste the whole lunch hour playing in the street, come straight home to eat! she called as he banged out the door and clattered down the two flights of stairs.

Visha went into the front room to open the windows. The April morning was clear and fresh. Leaning out, she saw a policeman still wearing his influenza mask, but Visha felt they were safe, now the winter was over. She knocked on wood as the grateful thought passed through her mind. Then she saw Sam burst from the front of the tenement, dodging vendors’ carts and motorcars and the milk truck’s old horse. It amazed her that such a small boy could charge so headlong into the world.

Turning away from the window, she sighed. The boarders had left the room a mess, blankets tossed over couches, dirty clothes on the floor, their trunk gaping in the corner. She spent a few minutes setting the room to rights before coming into the kitchen. Harry had gone in to dress. Rachel was at the table, dropping pieces of stale bread into her cooling cup of tea and lifting them out with a fork. She pressed the dripping chunks of bread against the roof of her mouth with her tongue, squeezing out the tea and savoring the bread’s softness.

Visha was wrapping Harry’s lunch when he called to her from the bedroom. Come in here a minute, would you?

You stay there now, Rachel, Visha said, leaving the wrapped potato and pickle on the drain board. I’ll be right back.

Yes, Mama.

Close the door, Visha, Harry said. She did. He caught her before she could fully turn around, his hands sliding down her hips.

Harry, no, I’m already dressed. He grabbed a fistful of fabric in each hand and lifted her skirt to her waist. You’ll make yourself late. He steered her toward the bed, bending her over, pulling at her bloomers. Rachel will hear! Holding her down with one heavy hand, he guided himself into her with the other. It was Visha now who had to stifle a grunt. She turned her face into the mattress as Harry moved behind her. You want another baby, don’t you? The mattress swallowed her answer of yes, yes.

In the kitchen, Rachel finished her cup of tea, but there was still a piece of bread on the table. The teapot was empty. There was the kettle on the stove, the chair still pulled up to the sink. She looked at the bedroom door, knowing she should wait for her mother, but she wanted the tea now. She took the teapot from the table and, standing on the chair, set it on the drain board, lifted its lid, and put in a pinch of tea from the tin. Then, with two hands, she picked up the kettle like she’d seen her mother do a thousand times.

The kettle was heavier than she expected. When she tilted it, the spout hit the teapot and knocked it over. Her two hands still clutching the kettle, Rachel watched, helpless, as the teapot fell and shattered. Dropping the kettle back onto the burner, the water spit and sizzled in the flame. Startled, Rachel lost her balance. The chair teetered over, toppling her to the floor. For a second she felt like she couldn’t breathe. Then she gulped in some air and out came a scream like falling cats.

In the bedroom, Visha tensed at the sounds of breaking and falling. She pushed up against the bed to stand, but Harry, not finished, held her down. Their daughter’s high wail carried over the transom. Harry, enough, she’s hurt! With a shudder, he pushed into her even deeper. When he finally pulled back, Visha stumbled to her feet, tugging her clothes into place over her slippery thighs.

Visha found Rachel on the floor, the chair on top of her. Harry, come in here!

Harry followed, buttoning his pants. He lifted up his screaming daughter and kicked aside the fallen chair. What happened here? Is anything broken?

Visha ran her hands over Rachel’s legs, bending knees and ankles, then lifted each of her arms, checking elbows and wrists. Rachel kept up a constant scream that never wavered in pitch as Visha examined her joints. I don’t think so, Harry, she fell down is all. Visha saw the shards strewn across the floor. And look at my teapot! What did I tell you, to stay in your chair!

Harry stroked his daughter’s hair, but now that she was in one of her fits nothing seemed to calm her. He handed her to Visha. I got no time for this, already I’m gonna be late, he shouted over Rachel’s screams.

As if it’s not your own fault!

Harry scowled as he yanked his jacket from its nail and shoved his fedora on his head. Visha, sorry for the harsh words, lifted her cheek to be kissed, but he turned away and headed into the hall.

When you coming home? Visha called after him.

You know I got to finish all the cutting. He paused in the doorway. You just take care of this here. I’ll be home when I’m home.

RACHEL WAS GROWING heavy in her mother’s arms, her screams unnerving. Visha carried her daughter into the bedroom and sat her in the middle of the bed. You calm yourself now. She looked around for something that might distract Rachel, thinking of how Sam managed to settle her. Visha reached for the money jar on the dresser.

Rachel, can you count these out for Mama? Then you can come do the shopping with me. I’m not angry about the teapot, I promise. Please?

Miraculously, Rachel seemed willing to calm down. Stifling her sobs, she took the jar and dumped it on the blanket. Rusted pennies, dull nickels, sleek dimes, even a few quarters. She began to make little piles, matching like to like.

Visha backed cautiously into the kitchen. She sat down and took a few minutes to settle her nerves. Mrs. Giovanni peeked her head in from the hallway, a flowered kerchief tied over her hair.

Can I help you, Visha? she offered.

Thank you, no, she’s quiet again. Visha looked mournfully at the broken teapot. See what she’s done.

You need a teapot to borrow?

Visha shook her head, gesturing to a high shelf over the sink. I’ll use the good one from my seder dishes.

I’ll come back to visit you later, yes?

See you later, Maria. Visha swept up the broken pieces of crockery and put them in the scrap bucket.

Look, Mama! Rachel called from the bedroom. Can we get a rye bread today?

Visha went in and glanced over the sorted coins, totaling their value. Not today. Tomorrow when Papa brings home his pay we’ll get a fresh rye and some fish. But today there’s still the insurance man coming for his dimes, and a nickel for gas to make the soup, and another saved for tomorrow morning. Visha dropped coins in the jar as she recited the list of obligations, then looked at what was left on the bed. There’s enough for a yesterday’s loaf, some carrots, a meat bone. I’ve got still an onion. And some nice pickles, isn’t that right, Rachel? On the first floor of their tenement was a shop where the pickle man tended barrels of brine and took in deliveries of cucumbers from a Long Island farmer; all the hallways of the building smelled of dill and garlic and vinegar.

Visha pocketed the coins and lifted Rachel down from the bed. Come, let’s get you dressed so we can do our shopping.

Passing through the kitchen, Rachel stopped and pointed at the wrapped bundle on the drain board. Papa’s lunch!

Ach, see what you made him forget with your crying! Now what’s he gonna eat? Instantly, Visha regretted the sharp words. Rachel’s lip pouted and began to tremble. Soon the wailing would start up again. I’m not angry, Rachel. Don’t cry, please. Listen, how about we take it to him at the factory?

Rachel clapped her mouth shut. She had never been to the factory. Can I see where the buttons come from? Most nights, Harry brought home an assortment of buttons twisted into a scrap of fabric, and it was Rachel’s job during the day to sit on the floor of the front room and sort them into piles by color and size.

Yes, and the sewing machines and everything. Now, can you dress yourself do you think? Rachel skipped into the front room, yanked open a drawer in the dresser she and Sam shared, pulled stockings up her legs and a jumper over her head.

Visha smiled at her plan, then hesitated. Harry had told her he didn’t want her coming to the factory. A cutter is above the operators, Visha, you know that, he’d explained. I got to keep my respect. I can’t stop work just to show off my pretty wife. But after last night, and this morning in the bedroom, wouldn’t he be happy to see her?

So, Rachel, she said, buckling the girl’s shoes, you’ll be good?

Yes, Mama, I promise.

All right, then, we’ll bring Papa his lunch, and we’ll do our shopping on the way home. The factory was a good walk from their tenement—Harry took the streetcar in bad weather—but today was a fine morning that promised winter was over for good. Visha held tight to Rachel’s hand as they pushed their way through the people crowding up to the pushcarts. They turned the corner and waited for the streetcar to pass, its hook sparking and snapping along the wire above. Crossing Broad Street, Visha lifted Rachel over a pile of horse droppings, then pulled her close as a delivery truck rumbled by, its big rubber tires taller than her little girl. Eventually Visha pointed to a brick building much bigger than their tenement. There it is. They hurried across the street as the policeman at the intersection whistled for traffic along Broadway to stop.

In the building’s lobby, Visha led Rachel to a wide door and stood still in front of it. We have to take the elevator, she explained. The door opened, sliding sideways, revealing a young man inside. Made to haul freight and workers by the dozen, the elevator car was bigger than Visha’s kitchen.

What floor? he asked as they stepped in.

Goldman’s Shirtwaist.

Factory or offices?

Factory.

They’re on seven. The young man pulled the door closed and the elevator began to tremble and shake. Rachel let out a little cry.

First time in an elevator? he asked. Rachel looked at Visha, who nodded for her. Well, you did good! The car gave a last shudder. Goldman’s.

Visha led Rachel into the din of the factory. The open floor was punctuated by iron poles that reached up to the ceiling. Without walls to block the big windows, the space was bright, dust and threads floating through streaks of sunlight. Long tables stretched across the floor, one sewing machine yoked to the next, at each a woman hunched over her work. Runners were moving around the factory, delivering pieces of cloth to the operators and picking up the baskets of finished goods at their feet. In the corner, some little girls sat on the floor, the younger ones threading needles and the older ones, eleven or twelve, sewing buttons onto the gauzy blouses piled around them.

The machines clattered and buzzed so loudly Visha had to shout in Rachel’s ear. There’s Papa! He was standing at the cutting table, his back to them. Above his head, pattern pieces edged in metal hung from the ceiling like peeled skin pressed flat. Rachel leaned forward, ready to dash at him, but Visha kept hold of her hand. He’s cutting! The knives are sharp, we can’t surprise him. Rachel shrank back; she’d already caused trouble once that morning. Together, they walked carefully past the sewing machines to the cutting table.

Harry looked around and saw them coming. His eyes darted over Visha’s shoulder to one of the operators, a pretty girl with a lace collar buttoned up her neck. She met his gaze, hands frozen at the machine, her cheeks gone white. Seeing he’d put the knife down, Visha let go of Rachel’s hand. She ran a few steps and jumped into her father’s arms. He picked her up absently, watching the girl stand up from her machine. Moving as fast as she could down the crowded row, the girl ran across the factory floor and disappeared behind a door, the foreman chasing after her.

Visha was now standing in front of Harry, her mouth lifted for a kiss.

What are you doing here? he growled. She lowered her chin.

We brought your lunch, Papa. You left it at home this morning.

She was so upset you left it, I thought she’d have another fit. I told her if she was good we’d bring it to you. Visha offered the wrapped package.

That’s fine, Visha. Harry shoved the lunch into his pocket, grabbed his wife’s elbow, and steered her toward the elevator, carrying Rachel. But I told you I got a big order, I don’t have time for this.

Rachel’s lip began to tremble. Aren’t you happy to see us, Papa?

I’m always happy to see you, little monkey, don’t get yourself upset. I just got a lot of work to do today. I’ll see you at home later.

He set Rachel on her feet and left them to go back to the cutting table. When the elevator opened, it was crowded with crates full of wispy bits of cloth. Maybe you could walk down? the young man asked. Scrap man’s here.

Visha and Rachel went over to the stairwell and pulled the door in. On the landing of the stairs, a sewing machine operator was leaning against the wall, sobbing. She was merely a girl, Visha thought, seventeen at the most, and Italian from the look of her. Visha wondered what tragedy had brought on her tears. She placed a hand on the girl’s shoulder but she threw it off with a shudder and ran back up the stairs. Visha shrugged and grabbed Rachel’s hand, guiding her down. It was dozens of steps, with a turn between each floor; by the time they reached the lobby, Rachel’s head was spinning.

Rachel’s arm hung heavily from Visha’s hand as they did their shopping: the butcher on Broad Street for the meat bone, the bakery on the corner for a yesterday’s loaf. From a pushcart in front of their tenement, Visha haggled over a bunch of limp carrots and some potatoes with sprouting eyes. Only when they entered their building and stopped at Mr. Rosenblum’s pickle shop did Rachel perk up.

Look who’s here for brightening my day. Mr. Rosenblum’s smiling eyes crinkled his face. He spoke Yiddish with most of his customers, but with the children he practiced his English.

Mr. Rosenblum, we went to the waist factory!

You did? Did you like the factory? You going someday to work there with your papa?

No, I don’t want to work there. It’s too noisy, it makes the operators cry.

Ach, pickles never make for crying. Pick a pickle, Ruchelah. Mr. Rosenblum lifted the wooden lid from a barrel of brine, and Rachel chose a big, fat pickle.

Taste it, he said. She took a bite, puckering her lips. The more sour the pickle, the more better it’s good for you.

So good, Mr. Rosenblum, thank you.

And for you, Mrs. Rabinowitz? Visha asked for half a dozen pickles. Mr. Rosenblum gave her seven. One for the boy, he said, winking at Rachel. So he shouldn’t be jealous of his sister.

In their apartment, Visha gave Rachel a slice of the newly purchased bread. Look here, the middle’s still soft. Take it in front and work on your buttons. I’m going to make the soup now.

In the quiet room, Rachel dragged the jar of buttons over by the window, where warm light stretched across the patterned linoleum. She reached into the jar and brought up a fistful of the little disks. She spread them out on the floor, then began sorting the buttons by color, dividing black from brown from white. Then she grouped them based on what they were made of: mother-of-pearl separated from ivory and bone, tortoiseshell from jet and horn. Last would be size, though Harry mostly brought home tiny shirtwaist buttons. Sometimes Rachel would find a burly coat button mixed in, so big she could spin it like a top. While she worked she recited the letters of the alphabet that Sam had taught her, all the way from A to Z.

Visha smiled at the sound of her daughter’s chanting while she cut up the vegetables. Leaving the knife on the board, she dropped a nickel in the gas meter, struck a match, set the pot on the burner. In a smear of fat skimmed from the top of her last soup, she fried chopped onions, adding the sliced carrots and minced greens and a little salt. She put in the bone and let it heat through until she could almost smell meat, then wrapped her hands in towels to hold the pot under the tap while it filled with water. Setting it heavily back on the burner, she added the cut-up potatoes and put on the lid for the soup to simmer.

Not much of a meal, but it was almost payday. Tomorrow, after paying his Society dues, Harry would fill up the coin jar again. Once he’d saved up enough to buy the fabrics and the patterns and hire a few piece workers, he’d get a contract for himself, deliver the finished goods for more than he’d spent on supplies and labor, reinvest the profits. He’d be a contactor of waists, and she’d be his wife, a new baby warm in her arms, its greedy mouth circling her nipple.

Sam came clattering up the stairs and into the kitchen, startling Visha from her daydreaming. Home already, she said, getting his lunch. Rachel left the buttons in their little piles and climbed up on a chair beside her brother. While he ate his cold potato and pickle, Rachel told him all about going to the factory. When their mother stepped out to go down the hall, Sam said, One of the boys, he got a real baseball. We’re gonna get in a game before afternoon school and I’m the catcher. Sam was already on his feet when Visha came back. Gotta go early, Mama, so I can practice my spelling. He winked at his sister then dashed out the door.

Rachel went back to her buttons. Soon after Sam left, it was the insurance man who came, a loose coat hanging down to his ankles despite the warm afternoon. Visha went into the bedroom and came back with the two dimes. He took a little book from his coat pocket and noted her payment.

Still no insurance on the little ones? he asked, peeking in at Rachel.

God forbid anything should happen, Visha said, rapping her knuckles on the wooden table. For now all we got money for is their Papa and me.

God forbid, he agreed, shutting the little book and dropping the dimes into another pocket. They clinked against the coins he’d already collected on his trips up and down the stairs of tenements. Visha saw him out, then went back to her soup, thoughts of family stirring in her mind.

Rachel counted out ten mother-of-pearl buttons—one for each little fingertip. They were all the same size, round and flat with two tiny holes bored through the lavender-swirled shell. Whenever she had ten the same, she wrapped them together in a bit of cloth to give to Papa. On Saturdays when he got his pay, he’d give her a penny for sorting the buttons, and Sam a penny for going every day to school, and Sam would take his sister to the sweet seller’s to spend their fortune. Rachel sorted buttons until she felt sleepy, then curled up on the couch for a nap. Visha came into the front room and sat in the light by the window to mend clothes. The afternoon would be quiet for a while now, the hush in the room made more special by the noise seeping in from the street below.

A HARD KNOCK on the kitchen door startled Visha and woke Rachel. Voices from the hallway penetrated the apartment even before she answered. A woman, fleshy and sweating, swept into the room, pushing Visha back against the table.

Where is he, that bastard, that liar?

What are you talking about? Who are you? Visha thought it must have something to do with the neighbors—the woman talked like Mrs. Giovanni, but louder, meaner. Visha wasn’t upset. Not yet. Then she noticed, hanging back in the hallway, the pretty girl from the factory, the one who’d been crying in the stairwell. A sick feeling flowered in her belly.

Hah-ree Rah-been-o-wits, that’s what I’m talking about. You come out here, you lying bastard! The woman took a look around the room, crossed the kitchen to the bedroom door, pulled it open, peered in, slammed it shut. Where is he hiding?

He’s at work, at the factory, Visha said.

"We already gone to the factory, what do you think? He got outta there quick, didn’t

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