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The Trouble with Goats and Sheep: A Novel
The Trouble with Goats and Sheep: A Novel
The Trouble with Goats and Sheep: A Novel
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The Trouble with Goats and Sheep: A Novel

Rating: 4 out of 5 stars

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“I loved this book. It's one of those books that you just want to give to everybody.” —Nancy Pearl on NPR’s Morning Edition

“An astute, engaging debut” (Publishers Weekly), The Trouble with Goats and Sheep is a quirky and utterly charming tale of a community in need of reconciliation and two girls learning what it means to belong.


England, 1976. Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced, and decide to take matters into their own hands.

Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover more than they ever imagined. A complicated history of deception begins to emerge—everyone on the Avenue has something to hide.

During that sweltering summer, the lives of all the neighbors begin to unravel. The girls come to realize that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was starting to peel back just before she disappeared...

“A thoughtful tale of loyalty and friendship, family dynamics and human nature” (Kirkus Reviews), this glorious debut is part coming-of-age story, part mystery. The Trouble with Goats and Sheep radiates an unmistakable warmth and intelligence and is “rife with tiny extraordinaries” (The New York Times Book Review). “Joanna Cannon is an author to watch” (Booklist, starred review).
LanguageEnglish
PublisherScribner
Release dateJul 12, 2016
ISBN9781501121913
Author

Joanna Cannon

Joanna Cannon is a psychiatrist with a degree from Leicester Medical School. She lives in England’s Peak District with her family and her dog. She is the author of Three Things About Elsie and The Trouble with Goats and Sheep, a top ten bestseller in the UK.

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  • Rating: 5 out of 5 stars
    5/5
    The Trouble with Goats and Sheep by Joanna CannonDuring a particularly span of hot, arid weather, two 10 year old best friends decide they will investigate the disappearance of one of their older neighbors. Grace and Tilly just know there has to be more than “people do strange things in the heat” to Mrs Creasy’s sudden departure.Using a cover of being Brownies, out to “lend a hand” or to get a specific badge, they go door to door seeking answers and God, who Grace was told is everywhere to keep you safe. If they find God, then they will find Mrs Creasy.The story line skips time frames, which I have always found annoying, giving clues and backstory. It gets a bit confusing.The small estate, where 6 families live, numbered in a cluster, is a long clique with its own cache of secrets. Some shared, conspiracally, while others in confidence. None with Walter Bishop, the oddball outsider no one cared to know, but all blamed for any and all misfortune or mystery. It is he they target. It is he they punish.I truly appreciate her writing, the turn of a phrase and invoking metaphor. Quite poetic. And the best “scene” was the two girls in the garden, “earning a badge” with neighbor, Eric Lamb. From this point on, I absolutely love the book. I’m in its rhythm, digging its style, feeling the characters.Grace and Tilly continue their search for God and Mrs Creasy, finding so much more on their quest. The adults are all a bunch of racist, unforgiving islands that can’t accept anything outside their realm. (Except Mr Lamb)It’s as much a book on acceptance as it is a mystery. How they blatantly call out their own rawest faults in 3rd person denial while quoting bible verses. Sounds like current affairs, but let’s not go there.Let’s say it’s a story of friendship, written in enviable prose, that may make you look into your own soul and question your last action and plan a better future.
  • Rating: 4 out of 5 stars
    4/5
    So frightfully English.
  • Rating: 4 out of 5 stars
    4/5
    1976 in a small neighbourhood in England. Mrs. Creasy has gone missing. She left and told no one. Not even her husband. It is the hottest summer in England's history. Perhaps that is what made Mrs. Creasy leave.Ten year olds, Grace and Tilly, decide that maybe they can find where Mrs. Creasy goes. They will visit each house under the premise of looking for God. The vicar has told them 'He is everywhere.' Grace is a bit bolder and Tilly quieter but one who maybe sees a bit more?As the two girls go from house to house, during their summer break, they don't necessarily find clues of where Mrs. Creasy has gone, but they stir up the secrets that the families are hiding. Some are known to one another and some are still private.There are the Forbes, Harold who is domineering and blustering, Dorothy who appears to be a bit unfocused and used lists to be sure she gets all her tasks done each day: Eric Lamb, a widower who spends most of his time working in his garden: Sheila Dakin, the single mother of two children who spends a good portion of her time sunbathing: Brian Roper, age 42 and still living at home with his Mam, May Roper: Sylvia and Derek Bennett, Grace's parents: Mrs. Morton, a widow who has babysat Grace since she was a baby: and John Creasy, who seems to have come unraveled since his wife's disappearance, but firmly believes that she is still alive and will soon be home. A cast of characters all with secrets.This is a book not to be rushed through, but to be savoured. There is mystery, humour, sadness and instances that make you do some thinking. I think it could be read more than once and you could find out more and more.
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed The Trouble with Goats and Sheep, which reminded me of Michael Frayn's Spies. Both books follow a pair of young friends as they play amateur sleuth, solving a mystery but simultaneously uncovering secrets the adults around them would have much preferred to remain hidden. In fact, the cover copy from my 2002 hardcover of Spies serves equally well as a summary of Cannon's novel:"In gripping prose, charged with emotional intensity, [The Trouble with Goats and Sheep] reaches into the moral confusion of youth to reveal a reality filled with deceptions and betrayals, where the ties of friendship, marriage, and family are threatened by cowardice[.] ... [Cannon] powerfully demonstrates ... that what appears to be happening in front of our eyes often turns out to be something we can't see at all."This is not to say that Cannon's book is derivative; her pre-adolescent girl protagonists, particularly Grace, the first-person narrator of the story, have their own voices and their own sets of foibles and blind spots. Cannon's decision to present events from the viewpoint of ten-year-old Grace (rather than as the recollection of an adult Grace) is a wise one; while at least one reviewer has noted that Grace is smarter, more observant, and more well-spoken than your average ten-year-old, her point of view keeps the reader in the moment, puzzling out clues at the same time as Grace and Tilly and being carried along by their youthful momentum.There are other pleasures to be found here as well. Cannon writes perfect descriptions of such varied phenomena as early widowhood ("forced her to weave a life from other people's remnants"), terraced houses ("handcuffed families together through chance and coincidence), and the saccharine taste of certain childless older women:"I stared at the room. It looked as though someone might have served it into the house with an ice cream scoop. Even the things that weren’t pink had a mention of it, as if they hadn’t been allowed through the door without making a firm commitment."Fans of both literary fiction and mysteries (not that those categories are mutually exclusive) will find The Trouble with Goats and Sheep appealing.I received a free copy of The Trouble with Goats and Sheep from the publisher in exchange for an honest review.
  • Rating: 5 out of 5 stars
    5/5
    Brilliant debut novel
  • Rating: 3 out of 5 stars
    3/5
    Ms. Carson's debut novel is thoughtfully written with what appears to be a singular purpose. Her principal narrator, Grace is imbued with the opinions and tenacity of a precocious ten year old child who has been left on her own to figure out adult issues. Grace and her friend Tilly take the reader on an adventure to "Find God" and the missing Mrs. Creasy. Along the way we meet the neighbors who live on The Avenue. The most profound aspect of Ms. Carson's book is her ability to clearly depict each character and allow the reader to form their opinions and reactions. The ending was just a bit too perfect in leaving everything you wanted to know unsaid, but perhaps that is the perfection of it all.
    Thank you NetGalley for an advance copy.
  • Rating: 5 out of 5 stars
    5/5
    The Trouble with Goats and Sheep by Joanna Cannon was brought to my attention by watching this video by one of my favorite BookTubers, Mercedes. It was the cover that initially grabbed my attention (Honestly, are you even surprised anymore?) but it was the quick blurb which she read that truly won me over. (PS The UK and US covers are vastly different and honestly I prefer the cover from the UK.) Cannon's debut novel is set on a small road in England during the summer of 1976 and the winter of 1967. Two seemingly disparate events from these two time periods seem to be converging during what turns out to be one of the hottest summers on record. The reader follows several narrative threads from the inhabitants of this road but the central character is 10-year old Grace. We see her neighbors, family, and friend (Tilly is a delight) through her eyes while also getting to peek behind the shuttered windows and closed doors of their homes where secrets lurk in every corner. It started with a disappearance of a woman...or was it a baby? Maybe it was a fire that started things. It's sometimes difficult to determine just what started a chain of events, isn't it? The Trouble with Goats and Sheep explores that and much more. I don't want this novel to sound distressingly gloomy or dark because that's not accurate. It's difficult for me to convey just what it was that instantly drew me in and had me savoring it like a delicious treat. I think it's that Cannon was able to move seamlessly between the different characters and two time periods and create a story that was both believable and poignant. The people on the avenue felt real and tangible. Their foibles and fears weren't inconceivable or written with a melodramatic air. These were real people who had made mistakes but were too stubborn to admit them. It's a study of humanity and how two little girls tried to reconcile what they were seeing with what they desperately wanted to believe. I knew within 30 pages that this was a book that this was going to have high re-readability for me and I daresay for many others as well. 10/10 highly recommend.
  • Rating: 5 out of 5 stars
    5/5
    It's all a matter of belonging.I really loved the voice of the author in this book, she had a wonderfully quirky view on life and I highlighted a number of phrases and observations that appealed to me.The book also rang a memory bell, set in a Britain that I clearly remember from my childhood, during the endless hot summer of 1976.The characters are all residents of The Avenue, part of an estate somewhere in England. Many have known each other from childhood and grown up together, a few are 'incomers'. They encompass a number of quirks that would be labelled in modern day societies, but at that time, Dyslexia, Asperger's and similar personality or learning disorders, were just accepted as different. The significant question was - how much different, and could you still fit in?Whilst there as a bit of a who-done-it, running through the narrative, the main theme was the disappearance of Margaret Creasey, who has vanished as the story begins. The residents thought they knew why she'd left and were worried that it might bring up long-buried secrets.Ten-year-old Grace and her friend Tilly, decide they are going to spend their summer vacation searching The Avenue for God as he would surely know where Mrs Creasey was.It really took me back, how conversation took place over a cup of tea and a packet of Custard Creams....and Angel Delight! I remember my mother discovering Angel Delight, it replaced Bird's Custard as 'afters' for quite a while!And I have to include just a few of the lovely quotes that I'd highlighted:"She has to call several times because his dreams are like cement." (Loc 618)"I still hadn't learned the power of words. How, once they have left your mouth, they have a breath and life of their own." (Loc 2887)"My mother looked at him and did loud staring" (Loc 3316)."My mother cornered her eyes" (Loc 3330)So, why didn't I give this book the full five stars? Well, I actually had a problem equating some of the things Grace and Tilly say with their age of ten, they seemed older than their years a lot of the time. Plus there is a slight lack of resolution at the end - why did Walter suddenly enter the conversation uninvited and what happened about the secrets that everyone was so scared of revealing?Still, it's a brilliant read, especially if you were old enough to remember that summer.
  • Rating: 4 out of 5 stars
    4/5
    Joanna Cannon’s debut novel is very accomplished, and utterly engaging. Set during the blisteringly hot summer of 1976 on a quiet avenue in a genteel suburb of an unnamed provincial town. All is not as it seems, however, and as the novel opens one of the residents of the street, Mrs Creasy, has gone missing. After church one Sunday, two young girls, Gracie and Tilly, decide to try to find out why and where Mrs Creasy might have gone. Being resourceful girls, they decide to combine this with a search for God.As Gracie and Tilly start to look for evidence, we are given glimpses into the lives being led in the various houses all around the avenue. It soon becomes apparent that there have been some strange goings on throughout the years. Cannon handle’s this masterfully, with each new conversation seemingly opening up a new twist on what might happened. The use of the two girls as the principal investigators is inspired as it allows Cannon to scatter comedic misunderstandings as the truth gradually emerges.I am not sure how to categorise the book. It displays elements of a whodunit, merged with some extremely funny episodes underpinned with some dark psychological themes, all wrapped up in an entertaining social commentary on the tastes and customs of provincial life in the England of the 1970s. I remember it all too well, and found myself alternately laughing and then shuddering with painful memories. Very entertaining.
  • Rating: 4 out of 5 stars
    4/5
    This is a charming story of a Council Estate in the 1970s. A woman goes missing, which catalyzes two young girls, misguided by taking their priest too literally, to search the estate for God, hoping that finding God will bring the missing woman back. Meanwhile, the adults in the estate worry that her disappearance might be related to some morally/legally questionable actions that happened a long time ago. The book slowly reveals the characters' histories.This book reads like a mystery, and as a reader, you need to pay attention to small clues and how they fit together, but it isn't a traditional mystery where a detective reveals the perpetrator of a crime, and the ending isn't as tidy as a normal mystery.Cannon's writing is excellent. The characters are vivid and believable, especially the children as we see the world through their eyes and understand things that the narrators don't. There is an extended metaphor with the unusually hot summer weather, and Cannon manages to find new ways to describe the heat in every chapter. Unfortunately, I listened to the audiobook, and this book does not work well as an audiobook. It skips between narrators, and jumps back and forth in time, and it's really confusing if you don't pay attention to the dates. I wish I had read this on paper, so that I could flip back and forth to compare dates to understand the chronology.
  • Rating: 4 out of 5 stars
    4/5
    [The Trouble With Goats and Sheep] by [Joanna Cannon] is a delight! Ten year old Grace and Tilly are on a mission. They decide to spend the summer break from school going door to door in the neighborhood looking for two things...God and Mrs. Creasy. They heard at church that God is everywhere but since they've never seen Him they decide to ask at each house in the neighborhood if He is there. If they can find Him, they may very well find Mrs. Creasy too. Mrs. Creasy just suddenly disappeared one day and the adults sure don't seem very good at finding her. They've been told by those same adults that Mrs. Creasy's disappearance is likely due to the heat wave but they don'y buy that either. A summer of searching proves they were right. A morality tale and a mystery with a unique writing style make this debut novel a winner.
  • Rating: 4 out of 5 stars
    4/5
    3.5***In the summer of 1976, in a particular neighbor in England, two young girls, Grace and Tilly, try to come to terms with the disappearance of one of their neighbors, Mrs Creasy. It seems everyone’s suspicions lie with the odd man who lives at Number Eleven, but none of the adults will say WHY, other than vague references to a missing baby some nine years previously. What an interesting and inventive way to structure this mystery / coming of age novel. Cannon tells the story in dual timeframes (Summer 1976 and December 1967), and with multiple points of view. Grace and Tilly are naïve but ever curious. Adults frequently talk around children as if the children can’t hear, and that is the way that the girls get much of their information (and misinformation). Of course, some of what they learn makes no sense to them, given their limited life experience, while this reader could put together clues far ahead of them. But in addition to the mystery Cannon gives the reader a coming-of-age story. Tilly is the quieter, shyer girl, somewhat in awe of Grace, who is, herself, trying to emulate the local teenager. Grace can be bossy and unfeeling. Tilly, somewhat sickly and sheltered by her single mother, is at a distinct disadvantage. Their relationship has its ups and downs through the book, with one particularly painful episode when Grace fails to give Tilly her due. But in the end the girls learn valuable lessons about friendship, responsibility and not being quick to judge. This is Cannon’s debut novel. I would definitely read another book by her.
  • Rating: 4 out of 5 stars
    4/5
    This was such a fun book to read for 90% of its length. A neighborhood in England during a hot summer in 1976 is thrown into a tizzy when a woman disappears from the street. Two young girls set out to determine where and why she went. Their investigations and declarations make for such an enjoyable story that I can almost overlook the strangeness that happens at the very end.
  • Rating: 3 out of 5 stars
    3/5
    It is June, 1976 in a small English town sweating through a record-setting heat wave. To the chagrin of everyone on The Avenue, Mrs. Creasy has gone missing. Where did she go? And why? Did she just up and leave? Has she been murdered? Is she coming back? These are the questions on everyone’s lips, and there is nobody more determined to solve the mystery than 10-year-old Grace and her friend and sidekick Tilly, who set out to uncover what happened to Mrs. Creasy, and in the process perhaps find God as well. Joanna Cannon’s poignant and cleverly amusing narrative follows Grace and Tilly as they pose as Brownies trying to augment their merit badge counts by helping out around the neighbourhood, and by means of this ruse gain access to houses up and down The Avenue in their search for clues. Not altogether surprisingly, what they mostly uncover are tawdry secrets and bad behaviour. Nine years earlier, in 1967, another disappearance shocked the neighbourhood, and a craving for quick justice led residents of The Avenue to take the matter into their own hands. Years later, enter Mrs. Creasy: a woman innocent of that piece of local history, but a familiar, helpful and nonjudgmental presence in every house on the street, someone in whom people suffering crushing guilt might find it easy to confide. As the novel progresses, the question that residents of long standing begin asking is How much does she know? Some are eager for her to return, others hope she’s gone for good. Joanna Cannon uses her psychiatric training to great advantage, populating an overheated English landscape with a group of ordinary people harbouring a terrible truth, some of whom are willing to go to great lengths to protect themselves from the shame of discovery. The result is a first novel that is psychologically astute and often very funny. Grace and Tilly are possibly the most guileless pair of amateur sleuths we are ever likely to encounter. The Trouble with Goats and Sheep (the title is of Biblical origin) demonstrates the danger of acting on the assumptions we make about each other. It also asks some fascinating questions, such as: When tongues start wagging, is any secret really safe?
  • Rating: 5 out of 5 stars
    5/5
    It's been a long while since I read a book all in one day without feeling the need to check every so often to see how many pages I had left. I really enjoyed this book.
    In this story two girls take to heart something their vicar tells them and decide they need to find God, to fix the bad things around them, in particular the suspicious disappearance of a neighbor woman. They encounter lots of helpful, patronizing grown-ups during their search for God, or at least for the truth about the woman who disappeared, but they learn that they cannot really trust the adults in their lives to tell them the truth. The book explores the ways people twist the truth when it doesn't suit them, and why they feel they need to. It also looks at how people seek out beliefs that let them fit in, rather than looking for what is real, or what is true.
    This is a lovely, complex novel, and I'd not be surprised if it is a popular, established classic in a few decades.
  • Rating: 2 out of 5 stars
    2/5
    Mrs. Creasey has disappeared and the neighborhood are quick with the causes for her odd behavior. Some blame it on the recent heat wave while others are considering the cause to lie with the occupant of #11, a suspected pedophile. The novel's ten-year old protagonist, Grace, and her best friend, Tilly are not sure. However, after hearing a homily by the vicar, the two believe that if they can find Jesus, the Good Shepherd, they will find Mrs. Creasey. The novel is set in the summer of 1976 and narrated by Grace and interspersed by other neighbors' dilemmas ten years early. Although I had no difficulty with Grace and Tilly's adventures, I became lost when reading about the various neighbors and their petty issues, so much so that at times I thought about putting the book down.
  • Rating: 5 out of 5 stars
    5/5
    We follow two little 10 year old girls, Grace & Tilly house to house on their street located in an upland area in England, as they investigate the mystery of a missing neighbour's wife. At their local church, they were told that God is everywhere, so they set out to find Him on their street in hopes that wherever they find God, they will also find answers to the whereabouts of the missing woman.

    The author has cleverly titled each chapter with the address of the house where the action is to take place. The story is a bit easier to follow in the beginning if you remember who lives where. The book also contains many references to old British tv shows, songs, treats, popular at the time, that might puzzle some readers unfamiliar with the era (late 60s-70s Britain). But no worries, lack of knowledge about these things will not spoil the story for you. Having lived through that time, it brought back many happy memories of my own childhood.

    Through Grace & Tilly's travels , the reader learns the secrets of each house on "the avenue", where everyone hides their secrets and shame, where keeping up appearances is paramount. A neighbourhood where people with differences are ostracized and outsiders are treated with suspicion.

    Joanna Cannon has a lot to say about judging others. This is part mystery & part morality tale. So beautifully written, I delighted in every word. Such a wonderful story, an excellent read.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this. Very clever at shining a light on friendship, honesty, wisdom and the perils of the herd mentality. And I really liked being taken back to life in the 70's!
  • Rating: 5 out of 5 stars
    5/5
    In the summer of 1976, as the UK suffers its worst heat wave ever recorded, Mrs Creasy disappears. No one knows why she left or even if she left on her own volition or something more sinister has occurred – regardless, they are sure that Walter Bishop is somehow behind it because after all wasn’t he behind the disappearance of the baby in 1967 even if it was never proven. In his latest sermon the vicar preached that God was everywhere and someday he would separate the goats from the sheep and the sheep would go to heaven while the goats would go elsewhere. Which of course raised the question for 10-year-old Grace, the narrator of this tale, and her best friend, Tillie, how can you tell the difference because perhaps if they could, they would be able to solve the mystery of Mrs. Creasy. So while the adults discuss the disappearance and what to do about Bishop, Grace and Tillie set out to find God to ask him. If God is everywhere, surely someone on the avenue must know His exact whereabouts. As the summer and Grace and Tillie’s investigation heat up, old secrets are revealed, interesting and surprising discoveries are made, some bad things happen, a cat comes back, and Grace learns that perhaps there’s a little sheep and goat in everyone. By making Grace the narrator of this debut novel, author Joanna Cannon gives the reader a quirky, fun, and oddly innocent kid’s eye view of the world of adults. Cannon has a marvelous eye for the complexities and flaws we humans carry around with us and manages to make mundane events interesting, suspenseful, and often wickedly funny as the pair of juvenile would-be sleuths interrogate their eccentric but mostly quite nice neighbours including the alleged villain and certain harassment victim, Walter Bishop. This is a beautifully written, clever, and deceptively simple novel about friendship, loyalty, prejudice, and the secrets people keep and the lies they tell both to others and to themselves to protect those secrets and the consequences those lies can have. The Trouble with Goats and Sheep gets a very high recommendation from me.
  • Rating: 5 out of 5 stars
    5/5
    4+ When Mrs. Creasey disappears, 10 year old Grace and her slightly younger friend Tilly decide to investigate. After learning from the vicar that God is everywhere they decide that while they are looking that they will also look for God.A heat wave, a cul-de-sac, a man who doesn't fit in, God in a drainpipe and secrets many, many secrets and two very entertaining young protagonists. The girls find out many things, not necessarily things that will solve the case, because in truth they do not have the ability to understand everything they hear nor able to put it in the proper context. They also do not have all the pieces, but individual people do. The dangers of judgment and banding together to deliver their own justice. Throughout the novel we hear a great deal about shame, because though everyone talks about everyone else here, their are those who are keeping something back, things they don't want known because it will shame them.This is a marvelous novel, written in a lighter toe but dealing with some very important and weighty subjects. The part when the girls are in church and the vicar is talking about sheep and goats was laugh out loud funny. I read some of that to my husband. Ultimately this is a novel about friendship and a heat laden summer when two young girls learn a far more valuable lesson than they ever expected. ARC from Netgalley.
  • Rating: 5 out of 5 stars
    5/5
    I'm profoundly impressed by this author's debut. It's well written, funny and yet so captivating that it's difficult to stop reading. The language is beautiful. I'm looking forward to Jonna Cannon's next book. The only flaw is that I find the ending a little confusing.
  • Rating: 4 out of 5 stars
    4/5
    England in 1976 experienced a very hot summer. For ten year olds, Grace and Tilly, the endless days of heat needed a distraction. That distraction was provided when Mrs. Creasy disappeared from their neighborhood cul-de-sac.The girls decide to visit their neighbors to ask questions about Mrs Creasy and to also look for God. The Vicar's Sunday sermon had been the impetus for the search and for a way to distinguish the goats among us from the sheep.It soon seemed that all of the neighborhood had a secret that went back to an event 10 years ago, an event that many are very uncomfortable about to this day.In the course of this wonderful first novel, we get to know each of the neighbors as well as Grace and Tilly. The characterization is superb. Humorous, poignant, with a message for all. I can not wait for Joanna Cannon to write another book.Thank you to NetGalley for the opportunity to read this book.
  • Rating: 5 out of 5 stars
    5/5
    I absolutely loved this book. It is the story of two ten year old girls who, when a woman goes missing in their street, decide that they will find out why she is missing and where she is. They go to church on a Sunday and hear the Vicar say that 'God is Everywhere' and that he will sort the goats from the sheep - hence the title. They decide that as God is everywhere he will know where the missing woman is, and so if they know who on their street are goats and who are sheep they will find out what has happened to her - rumours are rife. One resident in the street is deeply loathed by all the adults who suspect/accuse him of being a paedophile - though that word is not used. All the action takes place during the long hot summer of 1976 - and it was very hot and seemed very long even to me. A beautifully written book about secrets, childhood friendship, predjudice and fallibility. I recommend it most highly.
  • Rating: 5 out of 5 stars
    5/5
    I'm really surprised by some of the bad reviews for this book. I loved it! In the long, hot summer of 1976, two 10 year old girls, Grace and Tilly decide to try and (a) find out what has happened to Margaret Creasy, a woman from their street who has gone missing; and (b) God, who the vicar has said is everywhere. The cast of characters covers the whole street and a few others from the estate and each chapter is told from the viewpoint of a different household or character.I was only 1 in 1976 but I know about the exceptionally hot summer that year and I thought the oppressive heat was portrayed really well. Grace and Tilly are lovely characters, and I liked the small community feel of their estate of streets named after trees. I loved the bit where an Indian family moved in - you can imagine how a suburban community in the mid-seventies reacted to that.There was a real sense of nostalgia about this book. Mentions of the Kays catalogue, a pile of 2 pence pieces to make phone calls at the phone box and much more. I read this on my Kindle and there were no page numbers. I was very surprised to find out the print copy has 400 pages as it felt like a lot less - I raced through it. There were one or two twists in the tale that I didn't see coming. This book made me smile and was a joy to read.
  • Rating: 5 out of 5 stars
    5/5
    A brilliant bit of nostalgic reading which took me back to my younger days. A well written and crafted story with some brilliant and sad characters. Humorous with a serious thread running through. Loved it! Anyone for Angel Delight or Dandelion & Burdock? :-)Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Grace and Tilly are two indescribable girls who have a missing neighbor, Mrs Creasy, They are convinced that something sinister may be going on related to her disappearance, and begin sleuthing. After gaining no ground with their hunt, they decide to pull out their big gun, and search for God Himself, who surely will succeed in finding Mrs. Creasy. Just a great read.
  • Rating: 3 out of 5 stars
    3/5
    Blurb blindness strikes again - well, almost. The plot is promising - during the long hot summer of 1976, two young girls investigate the disappearance of a neighbour and the secret lives of the rest of the street - but the writing lacks polish. The whole narrative is just so disjointed and clumsy that I never really got into the story, and the characters are all cliched Little Englanders: the controlling husband, the lonely widower, the caring grandmother, the middle-aged man living with his mother, the skanky single mother. Are we supposed to care about any of these people? The most sympathetic figure was the 'weirdo' that the rest of the grotty little neighbourhood turned against - I'm glad that the author got across the point that the parents were to blame, not the victim of their abuse and accusations.The chapters narrated by Gracie, the ten year old protagonist, didn't flow very well either - the dialogue was highly improbable (too many philosophical soundbites coming out of the mouth of that babe), and I thought the whole religious angle was awkward. Why would they be looking for God in every house on the street, why not just be searching for Mrs Creasy? Bizarrely, the last couple of chapters finally captured my attention, drawing all the different threads and timelines together, but the damage had been done for me by that point. Borrow, don't buy (and especially not at full price!)
  • Rating: 4 out of 5 stars
    4/5
    I enjoy how Joanna Cannon writes.A novel told through eyes of a 10 year old as she investigates mysteries on her “ avenue”.she is looking for God”amongst her neighbors who all seem to have something to hide. Good read.
  • Rating: 5 out of 5 stars
    5/5
    The beautiful prose is so simple and perfectly descriptive of every day life and how we treat others and the “other” in our community.
  • Rating: 3 out of 5 stars
    3/5
    Reading this book reminds me why I'm not a big fan of mystery. The reader is drip-fed clues about the reason for a mysterious event and this is meant to keep us reading. I'd rather read because the characters are developing greater depth as we go on and I want to know them more. This book is particularly unsatisfying in that the reader isn't allowed to know what all the characters of the story know - it's not mysterious, it's just plot elements foreshadowed but withheld. I didn't find the writing at all subtle, and indeed many of the characters or more caricatures than real people. In case we don't get it, they're even given names to demonstrate what type of person they are (e.g. Mr Lamb). The children didn't appeal to me either as on one level they were too naive to be believable (in their search for God) and on another level they make adult-level comments and observations. The best aspect for me was probably the portrayal of people with varying degrees of mental disturbance, none of which seems to be frankly ill, but most of which have trouble fitting into their social world. I think I chose this book because LibraryThing reckoned is was similar to Carys Bray's work. Superficially that's true, but to my mind Bray's work is in a different class altogether.

Book preview

The Trouble with Goats and Sheep - Joanna Cannon

NUMBER FOUR, THE AVENUE

21 June 1976

Mrs. Creasy disappeared on a Monday.

I know it was a Monday, because it was the day the dustbin men came, and the avenue was filled with a smell of scraped plates.

What’s he up to? My father nodded at the lace in the kitchen window. Mr. Creasy was wandering the pavement in his shirtsleeves. Every few minutes, he stopped wandering and stood quite still, peering around his Hillman Hunter and leaning into the air as though he were listening for something.

He’s lost his wife. I took another slice of toast, because everyone was distracted. Although she’s probably just finally buggered off.

Grace Elizabeth! My mother turned from the stove so quickly, flecks of porridge turned with her and escaped onto the floor.

I’m only quoting Mr. Forbes, I said. Margaret Creasy never came home last night. Perhaps she’s finally buggered off.

We all watched Mr. Creasy stare into people’s gardens, as though Mrs. Creasy might be camping out in someone else’s herbaceous border.

My father lost interest and spoke into his newspaper. Do you listen in on all our neighbors? he said.

Mr. Forbes was in his garden, talking to his wife. My window was open. It was accidental listening, which is allowed. I spoke to my father, but addressed Harold Wilson and his pipe, who stared back at me from the front page.

He won’t find a woman wandering around the avenue, my father said, although he might have more luck if he tried at number twelve.

I watched my mother’s face argue with a smile. They assumed I didn’t understand the conversation, and it was much easier to let them think that. My mother said I was at an awkward age. I didn’t feel especially awkward, so I presumed she meant it was awkward for them.

Perhaps she’s been abducted, I said. Perhaps it’s not safe for me to go to school today.

It’s perfectly safe, my mother said, nothing will happen to you. I won’t allow it.

How can someone just disappear? I watched Mr. Creasy marching up and down the pavement. His shoulders were heavy and he studied his shoes as he walked.

Sometimes people get confused and need their own space. My mother spoke to the stove.

Margaret Creasy was confused all right. My father turned to the sports section and snapped at the pages until they were straight. She asked far too many questions. You couldn’t get away from her rabbiting on.

She was just interested in people, Derek. You can feel lonely, even if you’re married. And they had no children.

My mother looked over at me as though she were considering whether the last bit made any difference at all, and then she spooned porridge into a large bowl with purple hearts all around the rim.

Why are you talking about Mrs. Creasy in the past tense? I said. Is she dead?

No, of course not. My mother put the bowl on the floor. Remington, she shouted, Mummy’s made your breakfast.

Remington padded into the kitchen. He used to be a Labrador, but he’d become so fat, it was difficult to tell.

She’ll turn up, said my father.

He’d said the same thing about next door’s cat. It disappeared years ago, and no one had seen it since.

* * *

Tilly was waiting by the front gate, in a sweater which had been hand-washed and stretched to her knees. She’d taken the bobbles out of her hair, but it stayed in the exact same position as if they were still there.

The woman from number eight has been murdered, I said.

We walked in silence down the avenue, until we reached the main road. We were side by side, although Tilly had to take more steps to keep up.

Who lives at number eight? she said, as we waited for the traffic.

Mrs. Creasy.

I whispered, in case Mr. Creasy had extended his search.

I liked Mrs. Creasy. She was teaching me to knit. We did like her, Grace, didn’t we?

Oh yes, I said, very much.

We crossed the road opposite the alley next to Woolworth’s. It wasn’t yet nine o’clock, but the pavements were dusty hot, and I could feel the material of my shirt sticking to the bones in my back. People drove their cars with the windows down, and fragments of music littered the street. When Tilly stopped to change her school bag to the other shoulder, I stared into the shop window. It was filled with stainless-steel pans.

Who murdered her? A hundred Tillys spoke to me from the display.

No one knows.

Where are the police?

I watched Tilly speak through the saucepans. I expect they’ll be along later, I said. They’re probably very busy.

We climbed the cobbles in sandals which flapped on the stones. In winter ice, we clung to the rail and to each other, but now the alley stretched before us, a riverbed of crisp packets and thirsty weeds, and floury soil which dirtied our toes.

Why are you wearing a sweater? I said.

Tilly always wore a sweater. Even in scorched heat, she would pull it over her fists and make gloves from the sleeves. Her face was handkerchief-white, and sweat had pulled slippery, brown curls onto her forehead.

My mother says I can’t afford to catch anything.

When is she going to stop worrying? It made me angry, and I didn’t know why, which made me even angrier, and my sandals became very loud.

I doubt she ever will, said Tilly. I think it’s because there’s only one of her. She has to do twice the worrying, to keep up with everyone else.

It’s not going to happen again. I stopped and lifted the bag from her shoulder. You can take your sweater off now.

She stared at me. It was difficult to read Tilly’s thoughts. Her eyes hid behind thick, dark-rimmed glasses, and the rest of her gave very little away.

Okay, she said, and took off her glasses. She pulled the sweater over her head, and, when she appeared on the other side of the wool, her face was red and blotchy. She handed me the sweater, and I turned it the right way, like my mother did, and folded it over my arm.

See, I said, it’s perfectly safe. Nothing will happen to you. I won’t allow it.

The sweater smelled of cough medicine and unfamiliar soap. I carried it all the way to school, where we dissolved into a spill of other children.

* * *

I have known Tilly Albert for a fifth of my life.

She arrived two summers ago in the back of a large, white van, and they unloaded her along with a sideboard and three easy chairs. I watched from Mrs. Morton’s kitchen, while I ate a cheese scone and listened to a weather forecast for the Norfolk Broads. We didn’t live on the Norfolk Broads, but Mrs. Morton had been there on holiday, and she liked to keep in touch.

Mrs. Morton was minding me.

Will you just sit with Grace while I have a little lie-down, my mother would say, although Mrs. Morton didn’t sit very much at all, she dusted and baked and looked through windows instead. My mother spent most of 1974 having a little lie-down, and so I was minded by Mrs. Morton quite a lot.

I stared at the white van. Who’s that then? I said, through a mouthful of scone.

Mrs. Morton pressed on the lace curtain, which hung halfway down the window on a piece of wire. It dipped in the middle, exhausted from all the pressing. That’ll be the new lot, she said.

Who are the new lot?

I don’t know. She dipped the lace down a little further. But I don’t see a man, do you?

I peered out. There were two men, but they wore overalls and were busy. The girl who had appeared from the back of the van continued to stand on the pavement. She was small and round and very pale, like a giant, white pebble, and was buttoned into a raincoat right up to her neck, even though we hadn’t had rain for three weeks. She pulled a face, as though she were about to cry, then leaned forwards and was sick all over her shoes.

Disgusting, I said, and took another scone.

* * *

By four o’clock, she was sitting next to me at the kitchen table.

I had fetched her over because of the way she sat on the wall outside her house, looking as though she’d been misplaced. Mrs. Morton got the dandelion and burdock out, and a new packet of Penguins. I didn’t know then that Tilly didn’t like eating in front of people, and she held on to the bar of chocolate until it leaked between her fingers.

Mrs. Morton spat on a tissue and wiped Tilly’s hands, even though there was a tap three feet away. Tilly bit her lip and looked out of the window.

Who are you looking for? I said.

My mother. Tilly turned back and stared at Mrs. Morton, who was spitting again. I just wanted to check she’s not watching.

You’re not looking for your father? said Mrs. Morton, who was nothing if not an opportunist.

I wouldn’t know where to look. Tilly wiped her hands very discreetly on her skirt. I think he lives in Bristol.

Bristol? Mrs. Morton put the tissue back into her cardigan sleeve. I have a cousin who lives in Bristol.

Actually, I think it might be Bournemouth, said Tilly.

Oh. Mrs. Morton frowned. I don’t know anyone who lives there.

No, Tilly said, neither do I.

* * *

We spent our summer holiday at Mrs. Morton’s kitchen table. After a while, Tilly became comfortable enough to eat with us. She would spoon mashed potato into her mouth very slowly, and steal peas as we squeezed them from their shells, sitting over sheets of newspaper on the living room carpet.

Don’t you want a Penguin or a Club? Mrs. Morton was always trying to force chocolate on to us. She had a tin-full in the pantry and no children of her own. The pantry was cavernous and heaved with custard creams and fingers of fudge, and I often had wild fantasies in which I would find myself trapped in there overnight and be forced to gorge myself to death on Angel Delight.

No, thank you, Tilly said through a very small mouth, as if she were afraid that Mrs. Morton might sneak something in there when no one was looking. My mother said I shouldn’t eat chocolate.

She must eat something, Mrs. Morton said later, as we watched Tilly disappear behind her front door. She’s like a little barrel.

* * *

Mrs. Creasy was still missing on Tuesday, and she was even more missing on Wednesday, when she’d arranged to sell raffle tickets for the British Legion. By Thursday, her name was being passed over garden fences and threaded along the queues at shop counters.

What about Margaret Creasy, then? someone would say. And it was like firing a starting pistol.

My father spent his time stored away in an office on the other side of the town, and always had to have the day explained to him when he got home. Yet each evening, my mother asked if he had heard any news about Mrs. Creasy, and each evening he would sigh from the bottom of his lungs, shake his head, and go and sit with a bottle of pale ale and Kenneth Kendall.

* * *

On Saturday morning, Tilly and I sat on the wall outside my house and swung our legs like pendulums against the bricks. We stared at the Creasys’ house. The front door was ajar, and all the windows were open, as if to make it easier for Mrs. Creasy to find her way back inside. Mr. Creasy was in his garage, pulling boxes from towers of cardboard, and examining their contents one by one.

Do you think he murdered her? said Tilly.

I expect so, I said.

I paused for a moment, before I allowed the latest bulletin to be released. She disappeared without taking any shoes.

Tilly’s eyes bulged like a haddock. How do you know that?

The woman in the post office told my mother.

Your mother doesn’t like the woman in the post office.

She does now, I said.

Mr. Creasy began on another box. With each one, he was becoming more chaotic, scattering the contents at his feet and whispering an uncertain dialogue to himself.

He doesn’t look like a murderer, said Tilly.

What does a murderer look like?

They usually have mustaches, she said, and are much fatter.

The smell of hot tarmac pinched at my nose, and I shifted my legs against the warmth of the bricks. There was nowhere to escape the heat. It was there every day when we awoke, persistent and unbroken, and hanging in the air like an unfinished argument. It leaked people’s days onto pavements and patios and, no longer able to contain ourselves within brick and cement, we melted into the outside, bringing our lives along with us. Meals, conversations, arguments were all woken and untethered and allowed outdoors. Even the avenue itself had changed. Giant fissures opened on yellowed lawns and paths felt soft and unsteady. Things which had been solid and reliable were now pliant and uncertain. Nothing felt sure anymore. The bonds which held things together were destroyed by the temperature—this is what my father said—but it felt more sinister than that. It felt as though the whole avenue was shifting and stretching, and trying to escape itself.

A fat housefly danced a figure of eight around Tilly’s face. My mum says Mrs. Creasy disappeared because of the heat. She brushed the fly away with the back of her hand. My mum says the heat makes people do strange things.

I watched Mr. Creasy. He had run out of boxes, and was crouched on the floor of his garage, still and silent, and surrounded by debris from the past.

I think it probably does, I said.

My mum says it needs to rain.

I think she’s probably right.

I looked at the sky, which sat like an ocean above our heads.

It wouldn’t rain for another fifty-six days.

ST. ANTHONY’S

27 June 1976

On Sunday, we went to church and asked God to find Mrs. Creasy.

My parents didn’t ask, because they were having a lie-in, but Mrs. Morton and I sat near the front so God could hear us better.

Do you think this will work? I whispered to her, as we knelt on the slippery cushions.

Well it won’t do any harm, she said.

I didn’t understand much of what the vicar was talking about, but he smiled at me from time to time, and I tried to look sinless and interested. The church smelled of wax and old paper, and gave us shelter from the fat midmorning sun. The wooden ribs in the roof arched over the congregation, pulling heat and sweat into the cool, dry stone, and I shivered under a cotton dress. We had divided ourselves out in the pews, to make it look full, but I edged towards Mrs. Morton and the warmth of her cardigan. She held out her hand and I took it, even though I was too old.

The vicar’s words rumbled like distant thunder.

I will be found by you, declares the Lord, and will bring you back from captivity.

I watched a bead of sweat make a path down Mrs. Morton’s temple. It was easy to drift off in church if you angled yourself properly.

I will pursue them with the sword, famine and plague. For they have not listened to my words.

That caught my attention.

Those who love me, I will deliver; I will protect those who know my name and when they call to me, I will answer them.

I stared at the thick gold cross on the altar. It reflected every one of us: the pious and the ungodly; the opportunist and the devout. Each of us had our reasons for being there, quiet and expectant, and secreted between the pages of a hymnbook. How would God manage to answer us all?

Lamb of God, said the vicar, who taketh away the sins of the world, have mercy upon us.

And I wondered if we were asking God to find Mrs. Creasy, or just asking Him to forgive her for disappearing in the first place.

* * *

We walked outside into buttery sunshine. It had spread itself over the graves, bleaching the stones and picking out the names of the dead. I watched it creep up the walls of the church until it reached the stained-glass windows, where it threw splinters of scarlet and purple into a cloudless sky. Mrs. Morton had been absorbed by a clutch of efficient women in hats, and so I wandered around the churchyard in careful, horizontal lines, in case anyone were to be accidentally stepped upon.

I liked the feel of the ground beneath my shoes. It seemed safe and experienced, as though all the bones that were buried there had made wisdom grow in the soil. I walked past Ernests and Mauds and Mabels, now beloved and remembered only by the dandelions which grew across their names, until a neat, gravel path brought me to the chancel. The graves here were so old, lichen had eaten into who they used to be, and rows of forgotten people stared back at me from headstones that stooped and stumbled like drunks in the earth.

I sat on newly mown grass, behind a grave which was patterned with whorls of green and white. I knew the women in hats were inclined to be time-consuming and I began to make a daisy chain. I had arrived at my fifth daisy when the chancel door opened and the vicar appeared. The breeze caught the edge of his surplice, and he billowed like sheets on a washing line. I watched him march across the graveyard, to retrieve an empty crisp packet, and when he returned to the doorway, he took off his shoe and banged it on the church door to get rid of the grass cuttings.

I didn’t realize something like that would be allowed.

Why do people disappear? I said to him, from behind the gravestone. He didn’t stop banging, but slowed down and looked over his shoulder.

I realized he couldn’t see me, so I stood up.

Why do people disappear? I said again.

The vicar replaced his shoe and walked over to me. He was taller than he had been in church and very earnest. The lines on his forehead were carved and heavy, as though his face had spent its entire time trying to sort out a really big problem. He didn’t look at me, but stared out over the gravestones instead.

Many reasons, he said eventually.

It was a rubbish answer. I’d found that answer all by myself and I didn’t even have God to ask.

Such as?

They wander from the path. They drift off-course. He looked at me and I squinted up at him through the sunshine. They become lost.

I thought about the Ernests and the Mauds and the Mabels. Or they die, I said.

He frowned and repeated my words. Or they die, he said.

The vicar smelled exactly the same as the church. Faith had been trapped within the folds of his clothes, and the air was filled with the scent of tapestry and candles.

How do you stop people from disappearing? I said.

You help them to find God. He shifted his weight, and gravel crunched around his shoes. If God exists in a community, no one will be lost.

I thought about our estate. The unwashed children who spilled from houses and the drunken arguments that tumbled through windows. I couldn’t imagine God spent very much time there at all.

How do you find God? I said. Where is He?

He’s everywhere. Everywhere. The vicar waved his arms around to show me. You just have to look.

And if we find God, everyone will be safe? I said.

Of course.

Even Mrs. Creasy?

Naturally.

A crow unfolded itself from the roof of the church, and a murderous cry filled the silence.

I don’t know how God can do that, I said. How can He keep us from disappearing?

You know that the Lord is our shepherd, Grace. We are just sheep. If we wander off the path, we need God to find us and bring us home.

I looked down at my feet whilst I thought about it. Grass had buried itself in the weave of my socks and dug sharp, red lines into my flesh.

Why do people have to die? I said, but when I looked up, the vicar was back at the chancel door.

Are you coming for tea at the church hall? he shouted.

I didn’t really want to. I would rather have gone back to Tilly. Her mother didn’t believe in organized religion and was worried we’d all be brainwashed by the vicar, but I had to say yes, or it would have been a bit like turning down Jesus.

Okay, I said, and picked the blades of grass from my knees.

* * *

I walked behind Mrs. Morton, along the lane between the church and the hall. The verge was thick with summer: stitchwort and buttercups, and towering foxgloves, which blew clouds of pollen from rich, purple bells. The breeze had dropped, leaving us in a razor of heat, which cut into the skin at the tops of my arms and made speaking too much of an effort. We trudged in a single line, silent pilgrims drawn towards a shrine of tea and digestives, all strapped into Sunday clothes and decorated with sweat.

When we reached the car park, Tilly was sitting on the wall. She was basted in suncream and wore a sou’wester.

It was the only hat I could find, she said.

I thought your mother didn’t want you to be religious? I held out my hand.

She’s gone to stack shelves at the co-op, Tilly said, and heaved herself down from the bricks.

The church hall was a low, white building which squatted at the end of the lane and looked as though it had been put there whilst someone made their mind up about what to do with it. Inside, it rattled with teacups and efficiency. Smart heels clicked on a parquet floor and giant, stainless-steel urns spat and hissed to us from the corner.

I’m going to have hot chocolate, said Tilly.

I studied Mrs. Morton, as she ordered our drinks. Early widowhood had forced her to weave a life from other people’s remnants, and she had baked and minded and knitted herself into a glow of indispensability. I wondered who Mrs. Morton would be if she still had a husband—if Mr. Morton hadn’t been searching for the New Seekers in the footwell of his car and driven himself headfirst into the central reservation of the M4. There had been a female passenger (people whispered), who appeared at the funeral in ankle-length black and crimson lipstick, and who sobbed with such violence she had to be escorted from the church by an anxious sexton. I remembered none of this. I was too young. I had only ever known Mrs. Morton as she was now, tweeded and scrubbed, and rattling like a pebble in a life made for two.

Hot chocolate. Mrs. Morton handed a cup to Tilly. We all knew she wouldn’t drink it, but we kept up the pretense, even Tilly, who held it to her face until steam crept over her glasses.

Do you believe in God, Mrs. Morton? I looked up at her.

Tilly and I both waited.

She didn’t reply immediately, but her eyes searched for an answer in the beams of the ceiling. I believe in not asking people daft questions on a Sunday morning, she said eventually, and went to find the toilet.

The hall filled with people. It was far more crowded than the church had been, and pairs of jeans mixed with Sunday best. It appeared that Jesus pulled a much bigger crowd if He provided Garibaldis. There were people from our avenue—the Forbeses and the man who was always mowing his lawn, and the woman from the corner house, who was surrounded by a clutter of children. They clung to her hips and her legs, and I watched as she slipped biscuits into her pocket. Everyone stood with newspapers in their armpits and sunglasses on their foreheads, and in the corner a Pomeranian was having an argument with a border collie. People were talking about the water shortage and James Callaghan, and whether Mrs. Creasy had turned up yet. She hadn’t.

No one mentioned Jesus.

In fact, I didn’t think anyone would have noticed if Jesus had walked into the room, unless He happened to be accompanied by an Arctic roll.

* * *

"Do you believe in God?" I asked Tilly.

We sat in a corner of the hall, on blue plastic chairs which pulled the sweat from our skin, Tilly sniffing her hot chocolate, and me drawing my knees to my chest, like a shield. I could see Mrs. Morton in the distance, trapped by a trestle table and two large women in flowered aprons.

Probably, she said. I think God saved me when I was in hospital.

How do you know that?

My mum asked Him to every day. She frowned into her cup. She went off Him after I got better.

You’ve never told me. You always said you were too young to remember being sick.

I remember that, she said, and I remember it was Christmas and the nurses wore tinsel in their hair. I don’t remember anything else.

She didn’t. I had asked—many times. It was better for children if they didn’t know all the facts, she’d said, and the words always left her mouth in italics.

When she first told me, it was thrown into the conversation with complete indifference, like a playing card. I had never met anyone who had nearly died, and in the beginning the subject was attacked with violent curiosity. Then it became more than fascination. I needed to know everything, so that all the details might be stitched together for protection. As if hearing the truth would somehow save us from it. If I had almost died, I would have an entire speech to use at a moment’s notice, but Tilly only remembered the tinsel and something being wrong with her blood. It wasn’t enough—even when I connected all the words together, like a prayer.

After she told me, I had joined her mother in a silent conspiracy of watchfulness. Tilly was watched as we ran under a seamless August sky; a breathless look over my shoulder, waiting for her legs to catch up with mine. She was protected from a baked summer by my father’s golfing umbrella, her life lived far from the edges of curbs and the cracks in pavements, and when September carried in mist and rain, she was placed so close to the gas fire, her legs became tartanned in red.

I watched her without end, inspecting her life for the slightest vibration of change, and yet she knew none of this. My worries were noiseless, a silent obsession that the only friend I had ever made would be taken from me, just because I hadn’t concentrated hard enough.

* * *

The noise in the hall drifted into a slur of voices. It was a machine, ticking over in the heat, fueled by rumor and judgment, and we stared into an engine of cooked flesh and people’s feet. Mr. Forbes stood in front of us, sailing a cherry Bakewell through the air and giving out his opinion, as warmth crept into the material of his shirt.

He woke up on Monday morning and she’d gone. Vanished.

Beggars belief, said Eric Lamb, who still had grass cuttings on the bottoms of his trousers.

Live for the moment, that’s what I say. I watched Mr. Forbes sail another cherry Bakewell around, as if to demonstrate his point.

Mrs. Forbes didn’t speak. Instead, she shuffled her sandals on the herringbone floor, and twisted a teacup around in its saucer. Her face had worried itself into a pinch.

Mr. Forbes studied her, as he disappeared his cherry Bakewell. Stop whittling about it, Dorothy. It’s got nothing to do with that.

It’s got everything to do with that, she said. I just know it.

Mr. Forbes shook his head. Tell her, Eric, he said, she won’t listen to me.

That’s all in the past. This will be about something else. A bit of a tiff, that’s what it’ll be, said Eric Lamb. I thought his voice was softer, and edged with comfort, but Mrs. Forbes continued to shuffle, and she trapped her thoughts behind a frown.

Or the heat, said Mr. Forbes, patting his belly to ensure the cherry Bakewells had safely arrived at their destination. People do strange things in this kind of weather.

That’s it, said Eric Lamb, it’ll be the heat.

Mrs. Forbes looked up from her twisting teacup. Her smile was very thin. We’re a bit buggered if it isn’t, though, aren’t we? she said.

The three stood in silence. A stare passed between them, and Mr. Forbes dragged the crumbs from his mouth with the back of a hand. Eric Lamb didn’t speak. When the stare reached his eyes, he looked at the floor to avoid taking it.

After a while, Mrs. Forbes said, This tea needs more milk, and she disappeared into a wall of sunburned neighbors.

I tapped Tilly on the arm, and a spill of

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