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Ebook538 pages7 hours
Boston Noir & Boston Noir 2: The Complete Set
Rating: 3.5 out of 5 stars
3.5/5
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About this ebook
"Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys [Lehane] writes persuasively of the gentrification that has left people feeling crushed."
--New York Times, on Boston Noir
"The contributor list is delightfully quirky...The collection's unifying element is a deep understanding of Boston's Byzantine worlds of race and class--as seen terrifyingly in Andre Dubus's tale of milltown resentment and pampered preppies."
--Boston Globe, on Boston Noir 2: The Classics
Boston Noir & Boston Noir 2: The Complete Set combines all twenty-five stories from best seller Boston Noir, edited by Dennis Lehane, and its sequel, Boston Noir 2: The Classics, edited by Lehane, Mary Cotton, & Jaime Clarke; featuring Lehane's own "Animal Rescue," the basis for the motion picture The Drop, and twenty-four classic noir stories set throughout Boston.
--New York Times, on Boston Noir
"The contributor list is delightfully quirky...The collection's unifying element is a deep understanding of Boston's Byzantine worlds of race and class--as seen terrifyingly in Andre Dubus's tale of milltown resentment and pampered preppies."
--Boston Globe, on Boston Noir 2: The Classics
Boston Noir & Boston Noir 2: The Complete Set combines all twenty-five stories from best seller Boston Noir, edited by Dennis Lehane, and its sequel, Boston Noir 2: The Classics, edited by Lehane, Mary Cotton, & Jaime Clarke; featuring Lehane's own "Animal Rescue," the basis for the motion picture The Drop, and twenty-four classic noir stories set throughout Boston.
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Reviews for Boston Noir & Boston Noir 2
Rating: 3.6666666666666665 out of 5 stars
3.5/5
3 ratings2 reviews
- Rating: 4 out of 5 stars4/5Enjoyed the Chuck Hogan, Parker, Joyce Carol Oates, Hannah Tinti, Lehane, Barnes, Harrar, most of the stories, actually. Gave me a couple leads to follow up on (hadn't read anything by Kenneth Abel before), and I think that's one of the main jobs of a short story collection.
- Rating: 4 out of 5 stars4/5Although I have lived much of my adult life outside WBZ’s signal coverage, I still claim “Civis Bostoniensis sum” since the taxpayers thereof invested so much money and effort in my classical education on Avenue Louis Pasteur [for non-Bostonians: WBZ, Channel 4, was one of the three VHF stations during the 1950s and ‘60s; Boston Latin School -- the oldest public school in the country -- is housed on Avenue Louis Pasteur in the Fenway]. During an anti-Agnew demonstration I had my skull cracked near the corner on which Robert Parker’s Spenser had his first office and grew up with people who could populate a Higgins novel. Tourist shots make me mimsy although the city of my raising was more cold, dark, and gritty than sunlight and swept.Thus I looked forward to the arrival of Boston Noir 2. Dennis Lehane, Mary Cotton, and Jaime Clarke have assembled a tasty sampler of crime and sudden death in Winthrop’s City upon a Hill during the third quarter of its fourth century.Chuck Hogan’s The Marriage Privilege started well but felt rushed at the end, as if the author noticed his word count and needed to wrap up in some arbitrary limit.I would not class Joyce Carol Oates’ Night-Side as noir. While a very good occult psychological, it however lacks the criminality of noir. Similarly, George Harrar’s The 5:22 and Jason Brown’s Driving the Heart are diverting but lack the requisite criminality.Hannah Tinti’s Home Sweet Home gives a nice twist on domestic tragedy.I imagine the Spenser novels happening sequentially (unless Parker specified otherwise); thus Surrogate would fall somewhere between A Savage Place and Ceremony. As ever, the situation and resolution are extreme, the characters well drawn and the telling masterful.George V Higgins initially meant that mystery fiction didn’t have to be set in New York, Los Angeles, or San Francisco; because of duende, I later fell in love with the precision of his diction. The Balance of the Day nails the tribalism underlying the granite.Dennis Lehane looks around his native Dorchester in Mushrooms and catches the numbing banality of urban violence.Other bon bons (notably Barbara Neely’s excerpt Blanche Cleans Up and Andre Dubus’ Townies) also divert.