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Asymmetry: A Novel
Asymmetry: A Novel
Asymmetry: A Novel
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Asymmetry: A Novel

Rating: 3.5 out of 5 stars

3.5/5

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A TIME and NEW YORK TIMES TOP 10 BOOK of the YEAR * New York Times Notable Book and Times Critic’s Top Book of 2018

NAMED ONE OF THE BEST BOOKS OF 2018 BY * Elle * Bustle * Kirkus Reviews * Lit Hub* NPR * O, The Oprah Magazine * Shelf Awareness

The bestselling and critically acclaimed debut novel by Lisa Halliday, hailed as “extraordinary” by The New York Times, “a brilliant and complex examination of power dynamics in love and war” by The Wall Street Journal, and “a literary phenomenon” by The New Yorker.

Told in three distinct and uniquely compelling sections, Asymmetry explores the imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, “Folly,” tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War, “Folly” also suggests an aspiring novelist’s coming-of-age. By contrast, “Madness” is narrated by Amar, an Iraqi-American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends the last weekend of 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda.

A stunning debut from a rising literary star, Asymmetry is “a transgressive roman a clef, a novel of ideas, and a politically engaged work of metafiction” (The New York Times Book Review), and a “masterpiece” in the original sense of the word” (The Atlantic). Lisa Halliday’s novel will captivate any reader with while also posing arresting questions about the very nature of fiction itself.

Editor's Note

Terrific debut…

As you might gather from the title, this book contains more than one distinct story, but that’s just the tip of the asymmetrical iceberg. From age, gender, and class to nationality, race, and religion, this assured and allusive debut takes on some of the most significant issues of today even as its concerns remain more timeless than trendy.

LanguageEnglish
Release dateFeb 6, 2018
ISBN9781501166778
Author

Lisa Halliday

Lisa Halliday grew up in Medfield, Massachusetts and currently lives in Milan, Italy. Her work has appeared in The Paris Review and she is the recipient of a 2017 Whiting Award for Fiction. Asymmetry is her first novel.

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Reviews for Asymmetry

Rating: 3.5671641394029856 out of 5 stars
3.5/5

335 ratings26 reviews

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  • Rating: 3 out of 5 stars
    3/5
    The first of the three distinct stories was compelling, but the other two stories didn't seem to connect and didn't have characters that held my interest. Admittedly, I skimmed the 2nd two stories.
  • Rating: 3 out of 5 stars
    3/5
    I don't get it. I can't understand the connections among the three stories.
  • Rating: 3 out of 5 stars
    3/5
    I always feel a little bit dumb when I just don't get why everyone loves a certain book. But this one I just didn't get - too subtle for me, I guess.
  • Rating: 4 out of 5 stars
    4/5
    "Some of us wage wars. Others write books. The most delusional ones write books. We have very little choice other than to spend our waking hours trying to sort out and make sense of the perennial pandemonium. To forge patterns and proportions where they don’t actually exist..."This is an inventive, offbeat novel, that is broken up into 3 sections. The first is a quirky, May-September romance and the second focuses on an Iraqi-American man , being unfairly detained at Heathrow Airport. The similarities slowly begin to reveal themselves, as the narrative advances and it becomes even more interesting, during the unexpected coda. Obviously this one, is not for everyone, and that is reflected in the mixed reviews it has received. It did work for me and I did admire this author's ambition and craftsmanship. A talent to watch.
  • Rating: 4 out of 5 stars
    4/5
    Alice, a young low level editor goes down the rabbit hole entranced by a powerful older man, Ezra Blazer an award winning author. The books structure, three parts with a book within the book, and play on authors, passages from real books with a background of Ezra Blazer's music provide musing opportunities for the reader to ponder what it all means. There is a book within a book and then Ezra's Desert Island Discs playlist at the end. Is the music revealing? I'm listening to it now. Yes, it is asymmetric.
  • Rating: 4 out of 5 stars
    4/5
    Totally did not get this book. I had read such rave reviews of it and was dying to read it but it just fell short. I liked the first part the best, and could clearly see the asymmetry in the relationship between the old acclaimed writer and the young woman just starting out in publishing. But just as I'd formed a connection to these characters they were abandoned, in favor of an Iraqi being detained by British Customs and his memories of Iraq. It took me quite a while just to figure out what was going on, and I never really cared about him; and then all of a sudden Ezra, the Philip Roth-like character, is being interviewed. Writing fine, but nothing to write home about.
  • Rating: 1 out of 5 stars
    1/5
    I found it uninteresting with a dull theme. Somewhat predictable and I didn't care what happened to the characters.
  • Rating: 4 out of 5 stars
    4/5
    It was a compelling read. I enjoyed it immensely
  • Rating: 4 out of 5 stars
    4/5
    I wish the author would have made the first part longer, I would have liked more closure for Mary-Alice.
  • Rating: 2 out of 5 stars
    2/5
    Wow, this is a hard no. Something about the simple narration, the naif-like main character, and the much older and more powerful love interest made everything about this feel creepy. (She is literally named Alice. wtf.)
  • Rating: 4 out of 5 stars
    4/5
    There are some books you can recommend widely. This isn't that. I don't know how to explain this one or who I would possibly recommend it to, but it worked for me.
  • Rating: 3 out of 5 stars
    3/5
    I am nonplussed by this book. I liked the first part very much, though despite its length, it has the characteristics of short stories that I dislike: It seemed fragmentary, a vignette, lacking the development of plot or of characters that novels offer. I wouldn’t have caught on to how the three parts relate to one another if not for the “book club” questions at the end of my e-book edition. And while that seems like an intellectually clever little trick, for me it lacked the emotional resonance that would have given it substance and made it transcend being anything but a clever device. I am puzzled about what some readers seem to find so thought-provoking about it. I’m left feeling that I missed something very significant that would have given this book more weight if I caught it.
  • Rating: 1 out of 5 stars
    1/5
    Dull, not particularly insightful and although I enjoyed the bits about Iraq, I don't know how much of it is true. Nothing happens except that Ezra gets older and sicker and Amar, while his detention is undeniably unfair, still makes his flight. Quotidian details that don't add up to much.
  • Rating: 3 out of 5 stars
    3/5
    Great first section but ultimately didn't finish it
  • Rating: 3 out of 5 stars
    3/5
    2019 has not been the best for books so far. I saw this book on so many “best-of-2018” lists, but it just didn’t work for me. There are 2 novellas with very different characters and settings that are slightly tied together. If I hadn’t read a couple reviews I probably would have missed the vague tie-in. It also felt very overwritten, like the author had written a notebook full of philosophical sayings about life and then tried to discreetly place them throughout her novel
  • Rating: 3 out of 5 stars
    3/5
    3.5 stars. I liked all three parts of this novel, some better than others. I think at the end, I wanted more of Alice's story and more of Amar's story, but didn't get either.I received an arc through a Goodreads giveaway.
  • Rating: 1 out of 5 stars
    1/5
    Definition of Asymmetry: a lack of equality or equivalence between parts or aspects of something; lack of symmetry. This certainly defines the book, written in three parts, with only one character recurring (in Part 1 and Part 3). Honestly, I don't understand the hype for Asymmetry nor do I understand why anyone would write such a book. I do admit that I was captivated by the relationship between the older man and younger woman in Part 1. And then it was over. Not in a good way. Part 2 was as different from Part 1 as could be, with a different cast of characters. Part 3 was a BBC interview with the older man of Part 1 who I surely thought should have been dead by then. Just awful.
  • Rating: 4 out of 5 stars
    4/5
    Asymmetry comprises 2 novellas and a vignette which to me seem to each stand independent of the others, and by independent I mean they have no connection to one another. I got the feeling the vignette was intended to knit together the novellas, but still I could not discern the connection. This book is written by a very smart writer who has written about very smart people, and I am willing to accept that I may not have understood the connection. That said, I may not be a genius but I believe most people would consider me to be of average or better intelligence; I think it is fair to say that more than half the population would share with me the inability to connect these stories. If I was in a lit course and asked to connect them I could write a convincing essay on a post 9-11 world view based solely on people's reactions to Jews and Muslims, with that identity being of far less import to the Jews and Muslims themselves than to the White Christians who actually control what happens in the world. I would be stretching though. There are whiffs of that messaging but I don't think the author really makes that connection, and I am not entirely sure she was trying to make that connection. All this is to say that I decided to review the novellas independently because that is how they read to me.Both novellas are spectacularly well written. Halliday writes like an editor, and that is a good thing, The stories are perfectly crafted. There is not a spare word, no sentences that are beautiful as diamonds but which do not advance the story. It is clear that Halliday kills her darlings, and I love that in a writer. I love a painting or a sculpture because of how it makes me feel or see the world, but I can spend an hour enthralled by the brushstrokes or nontraditional perspective of a work that as a whole doesn't move me. I revere the work but I also (and nearly equally) revere the craft. The writing craft here succeeds like nobody's business. It is some of the best prose I have ever read, I can see why she and Philip Roth-one of my favorite literary craftsmen-connected. If it were simply about craft, this would have been for me a 5-star read..When you wield the editor's pen like a scalpel I imagine you leave more words in the bin than on the page. Maybe that is why Halliday didn't make this into two novels? Maybe the more she wrote the less stayed in the manuscript. There was more I wanted to know. Each novella could have been fleshed out (not padded) and would have been more fulfilling for it. I am sure she felt like she said everything she wanted to say with these in the shorter form, but as a reader she did not say everything I wanted to read. Both novellas felt like they had a spectacular beginning and middle and no end at all. I appreciate a writer who makes me do a lot of the work, but in this case I think she left too much open-ended.A couple notes about the stories themselves. The first, clearly a roman a clef about Halliday's years as Roth's lover, made me feel like a voyeur, and not in an entirely good way. I really enjoyed it, but I felt a little dirty. I know he gave the book his blessing, and God knows he has shared more intimate details about himself than Halliday does here, but it was still a bit squicky for me. It also bothered me that I never fully understood what drew Alice to Ezra. The basis for Ezra's attraction was clear (and not just because we all know Roth was a dirty old man, even when he was still a young man) as she gave him youth and humor and other things that dwindle late in life, and she was his legacy in a way (his not being a father-sort of - was mentioned a lot). I guess I felt like she was very revealing about him, but did not let us know Alice. If she had done that, she would have had that novel, and the story would have been more successful. One quibble, there is a scene where Ezra teaches Alice how to pronounce "Camus" correctly (she has pronounced it as rhyming with "Seamus.") Really? Alice went to Harvard and worked at a major publishing house. She would have heard Camus' name pronounced aloud dozens if not hundreds of times, and she would know how to pronounce French words even if she had never heard them. If Halliday wanted to convey that Ezra was an intellectual and literary guide to Alice, this was a silly device. I assume it was an inside joke, but it bugged me.The second novella was really intriguing. I love the idea of entering the memories of this brilliant man, Iraqi but not very, Muslim but not very, defined and limited by others' identification of him as no more than an Iraqi Muslim. I wanted more from this story too, more about Amar's family, more about his friends and his life in America, not just his connections to Iraq. What was here was exceptional, but it was not enough.The vignette -- I don't know. it was fine. The inside Scottish jokes and a rundown of what I imagine might really have been Roth's desert island disks were vaguely amusing. His stories of his father mirrored in some ways the immigrant tale of Amar's family. Again, I think it was supposed to tie together the stories, and that did not work for me. Actually, this rash of books with dual stories that do not connect at the end in a gratifying way, this book as well as the last Nicole Krauss and Jonathan Safran Foer books jump to mind, is starting to get on my nerves. (ETA: It has been pointed out to me that Alice, the character in the first novella is identified as the writer of the second in that final vignette and elsewhere. I completely missed that. Still, this felt like parts of two unfinished novels.)In the end I enjoyed the read. I thought about things is a way I have not done before. I liked the stories but felt they were incomplete. She left me wanting more, and there are much worse offenses for a writer.
  • Rating: 4 out of 5 stars
    4/5
    Liked the writing and the narratives, but very puzzled. There are two main stories, not intertwined, just one first and then the next. I’m sure the stories are supposed to relate to each other but I don’t understand how. But I enjoyed each of the two on their own merits, so no harm done. I think this is Halliday’s only book, I look forward to more. And I also look forward to my book club meeting in a couple weeks, when we can discuss how the two stories are related.
  • Rating: 4 out of 5 stars
    4/5
    When he first sees her, author Ezra Blazer falls for Alice, a young woman working at a publishing house. Their lives could not be more different, just as the age and the experiences they have. But nevertheless, their love develops slowly and again and again, Alice is astonished by Ezra’s generosity and affection. However, when it comes to his friends, Alice is not presented as his partner; she is just someone he works with, he even invents a new name for her. In Halliday’s second chapter, we meet Amar, a young American of Iraqi origin who is detained at Heathrow Airport and waiting to be released to spend a couple of hours with a friend before boarding anew and travel to his parents’ home country. In the very last chapter, we meet Ezra again, being interviewed and talking about his love for music and women.Looking at the novel as a whole is simply impossible. The three parts differ so much that I simply cannot talk about them in general. I liked the first part about Alice’s and Ezra’s love most. The way it develops is quite classy, you get to know Ezra as an elderly artist who downright courting Alice, on the one hand, by offering small and large presents and introducing her to his world of art. On the other hand, however, he is not only older but also more powerful, he dictates the rules of their partnership; they are never equals, she is dependent on his kindness and willingness to see her. When he comes up with the ridiculous idea of giving her a new name and resenting her just as a woman he works with but not as a friend, she obviously feels offended, but nonetheless accepts his wish. There is a clear asymmetry in their relationship.This asymmetry in power is also present in the second part where Amar is fully dependent on the British authorities who seem to act rather arbitrarily. He is kept waiting for hours, never knowing what is going to happen next, if he will ever be granted access to the country or what they accuse him of actually. If he started questioning their procedure, he’d only risk setting them against him and thus reducing his chances of leaving the airport. While waiting, Amar is left alone with his thoughts and memories, memories of long gone love stories, but also memories of Iraq and the war that has been raging there for years and the shifting powers depending on who is in charge.In the last part, Ezra reappears, now in the role as interviewee. Again, he shows his charms in talking to the young female journalist with whom he flirts openly. Interestingly, she has a plan for the interview but has to give it up and to follow his rules. Another case of asymmetry.Lisa Halliday really knows how to captivate the reader. Her story is exceptionally well constructed; the fine imbalances are never addressed openly but present throughout the narration. She easily enthralled me and kept me reading on.
  • Rating: 3 out of 5 stars
    3/5
    This is a clever book. I'm not sure my admiration for its cleverness quite overcame the disconcerting shift to an apparently disconnected narrative at the start of its second section (one makes the connection pretty quickly but the narrative is in any event less compelling) or the self indulgence of the third (although the tone of Roth from 'Operation Shylock' transposed to a 'Desert Island Discs' setting is fitfully amusing). I'd absolutely read Lisa Hallidays' next book though.
  • Rating: 5 out of 5 stars
    5/5
    "As soon as you are born the sand starts falling and only by demanding to be remembered do you stand a chance of it being upturned again and again."I think Asymmetry may have a tough time finding its audience. It’s a difficult book for the casual reader in some ways: the prose is simple enough, but the structure is entirely a different matter. I think most readers are going to say “what the hell was that about?” while other more astute but critical readers will say “that was hella pretentious.”The “problem” rests in that Asymmetry is three very distinct stories tied together by the thinnest of threads. “But there’s no thread at all,” many readers will say. There is and there isn’t. You see, it’s all very metafictional and I’m all about the meta. In Part I we have a young woman, Alice, from Massachusetts who works as an editor, dreams of living in Europe, and develops a romantic relationship with a much older National-Book-Award-winning author. The author of Asymmetry, Lisa Halliday, is herself a former editor from Massachusetts who now lives in Italy. Whether truly based on the author's personal experiences or not, it is logical for a reader to assume that Alice is autobiographical. And therein lies the brilliance of Asymmetry because we do not really know Lisa Halliday’s story, we only make assumptions based on the few facts we do know. But then Halliday goes in the opposite direction. In a time when we too often question the writer’s ability to write from any other perspective than their own, Halliday turns the book on its head and writes a very different story.A young friend of mine has written a rather surprising little novel about this, in its way. About the extent to which we’re able to penetrate the looking-glass and imagine a life, indeed a consciousness, that goes some way to reduce the blind spots in our own. It’s a novel that on the surface would seem to have nothing to do with its author, but in fact is a kind of veiled portrait of someone determined to transcend her provenance, her privilege, her naiveté.In Part II, we’re introduced to Amar, an Iraqi-American man who is detained by immigration officers for an entire weekend. He reflects on his back and forth relationship with Iraq and America and with his family, caught between two worlds. It’s natural for the reader to expect some sort of connection to exist between Amar’s story and Alice’s. The reader is busy looking for it and any direct connection that exists is so thin the reader is most likely to miss it: at the end of Amar’s story, we briefly see a woman who may or may not be Alice. That’s it. But the connection goes beyond that, because if that woman is Alice, then she’ll go on to be the writer who writes Amar’s story.Halliday nails the voice of Amar, proving that a privileged woman from Massachusetts can write from a perspective that she has no first-hand experience with. That's not to say Halliday doesn't understand Amar. Her story is reflected in Alice's as it is in Amar's....even someone who imagines for a living is forever bound by the ultimate constraint: she can hold her mirror up to whatever subject she chooses, at whatever angle she likes—she can even hold it such that she herself remains outside its frame, the better to de-narcissize the view—but there's no getting around the fact that she's always the one holding the mirror. And just because you can't see yourself in a reflection doesn't mean no one can.Yet Asymmetry is so meta that I'm wondering if there's not more to it. For instance, in the opening pages, the young editor is reading a book that itself bears similarity to the novel of Part II, a novel “made up almost exclusively of long paragraphs, and no quotation marks whatsoever, and what is the point of a book, thought Alice, that does not have quotation marks?” So is Alice reading the book that she herself has yet to write? Or is Alice not the author? Is the fictional Alice perhaps reading the book that her own creator Lisa Halliday wrote? Only now, as I write this, am I drawing the connection between “Alice” and her “looking-glass.” Am I looking too much into this? I'll just leave it at this and let the reader infer their own conclusion.As I read this novel, I occasionally caught glimpses of other works and authors I have read, all of them Man Booker nominees: Eleanor Catton, Kamila Shamsie, Ian McEwan, Ali Smith… There’s a strong similarity in the tone and structure of the works. I will not be the least surprised if Asymmetry is not on the longlist to be announced in a few months. It's not a perfect book and it may fail in conveying its message to the vast majority of readers, but Asymmetry is such an intelligently written and relevant book that I'm sure someone will take notice.
  • Rating: 4 out of 5 stars
    4/5
    3.5 I did not feel an emotional connection to this book, but I did find it intellectually stimulating. Something very different, very original and elegantly conceived. Two novellas, which are written very differently, the first a famous author, an older man, already successful, his life near the end. A younger woman, Alice, in her late twenties, an editor, still trying to find herself, her life just beginning to unfold. They have an affair, and keep in mind the title, it is very fitting, their she's and life experiences do not match, but they both love baseball, though different teams, it is a common denominator in their relationship. Many quotes from different literary novels, fill these pages. Love and art.The second novel takes a different turn, seems totally unrelated, though there are some common denominators. Alice and the looking glass, a mirror by which one sees oneself. But how do these connect? The third is an interview, the interviewee Ezra and it is here we find the connection, though one is never write sure if they are putting this together correctly. I liked the challenge of this. All sections are wonderfully written, the prose quite brilliantly conceived. Every once in a while I find it stimulating to read a book where one has to think, where everything is not apparent. That was this book.Of course it helped immeasurably to read this with my two amazing reading buddies, Esil and Angela, though our rating varied somewhat with this one. It was nice to have others to bounce ideas and thoughts off of, see if we were all putting this together the same. I think that like Ali Smith, and her writing, this is challenging but worthwhile. The funny thing is that if sometimes I feel frustrated with these novels, not sure where they are going, I also find that these are the novels that linger, that provoke new thoughts, new meanings, even the day after one has finished.ARC from Edelweiss.
  • Rating: 5 out of 5 stars
    5/5
    This was a very interesting book. I had seen this on some best of book lists so I decided to read it. I try to not know too much before hand about the books I read. As I found out after I read the book, there is a back story that many people mention in the book reviews. The book has 3 separate stories so being a novel I looked for a connection between the stories. The title Asymmetry (lack of equality) gives you hint that the thread might be hidden. In terms of the stories themselves, the first has Alice a 27 year old editor for a Manhattan publishing firm having an affair with 71 year old Ezra Blazer a world famous author. Suffice it to say that I was impressed with the Halliday's writing. The asymmetry of their relationship along with the parts that connected kept my interest. The ending of the story had me wanting to know more about them. The 2nd story was completely different. Amar an Arab-American is being detained at Heathrow Airport in December 2008. This is told in the first person and the story and writing were terrific. You really get a clearer understanding of the impact of the war on the Iraqi people told from the perspective of someone in both cultures. Of course as the reader you are looking for connection to the first story. Not very clear but because both stories((120 and 100 pages) are long enough to connect to the characters , I enjoyed each immensely. The 3rd story was short and brought the reader back to the Ezra Blazer character. At that point you saw the connection but unlike other books of this genre(metafiction) it was not so obvious. This is a book that you will enjoy for the writing and the stories but if you also read the reviews and get Halliday's background, you will see it from a different perspective. As with all art,(music, painting, sculpture etc.) you sometimes need a deeper look at what the author is doing. That is why there are reviews and discussions about artistic endeavors. I usually don't need this with fiction but in this case it added to my enjoyment of the book. Don't want to give too much away. For me it totally worked. Would definitely read her next book.
  • Rating: 3 out of 5 stars
    3/5
    This novel, divided into 3 parts, is interesting in its form. I just don't think that it quite met its potential. Now, perhaps I missed something, but I did not get much from any particular section of the book. Themes of chaos, connection, cultural divides are clear-cut. I just found myself reluctantly waiting for more to happen. Oh well.
  • Rating: 4 out of 5 stars
    4/5
    An unusual novel in three parts. The first focuses on the relationship of a young woman, an editorial assistant in a publishing company, with a much older, successful writer. One can see the imbalance in their relationship as he dominates her financially and intellectually and she gradually becomes his somewhat unwitting caretaker. The second focuses on a young Iraqi American academic and his relationship with his family and home country. The closing, which supposedly shows the relationship between the first two, is a radio interview with the elderly writer. Frankly, I didn't see the connection except that there are significant imbalances of power in each piece. Some beautiful prose.

Book preview

Asymmetry - Lisa Halliday

I

FOLLY

We all live slapstick lives, under an inexplicable sentence of death…

—MARTIN GARDNER, The Annotated Alice

ALICE WAS BEGINNING TO get very tired of all this sitting by herself with nothing to do: every so often she tried again to read the book in her lap, but it was made up almost exclusively of long paragraphs, and no quotation marks whatsoever, and what is the point of a book, thought Alice, that does not have any quotation marks?

She was considering (somewhat foolishly, for she was not very good at finishing things) whether one day she might even write a book herself, when a man with pewter-colored curls and an ice-cream cone from the Mister Softee on the corner sat down beside her.

What are you reading?

Alice showed it to him.

Is that the one with the watermelons?

Alice had not yet read anything about watermelons, but she nodded anyway.

What else do you read?

Oh, old stuff, mostly.

They sat without speaking for a while, the man eating his ice cream and Alice pretending to read her book. Two joggers in a row gave them a second glance as they passed. Alice knew who he was—she’d known the moment he sat down, turning her cheeks watermelon pink—but in her astonishment she could only continue staring, like a studious little garden gnome, at the impassable pages that lay open in her lap. They might as well have been made of concrete.

So, said the man, rising. What’s your name?

Alice.

Who likes old stuff. See you around.


The next Sunday, she was sitting in the same spot, trying to read another book, this one about an angry volcano and a flatulent king.

You, he said.

Alice.

Alice. What are you reading that for? I thought you wanted to be a writer.

Who said that?

Didn’t you?

His hand shook a little as he broke off a square of chocolate and held it out.

Thank you, said Alice.

You’re velcome, he replied.

Biting into her chocolate, Alice gave him a quizzical look.

Don’t you know that joke? A man flying into Honolulu says to the guy in the seat next to him, ‘Excuse me, how do you pronounce it? Hawaii or Havaii?’ ‘Havaii,’ says the other guy. ‘Thank you,’ says the first guy. And the other guy says, ‘You’re velcome.’

Still chewing, Alice laughed. Is that a Jewish joke?

The writer crossed his legs and folded his hands in his lap. What do you think?


The third Sunday, he bought two cones from Mister Softee and offered her one. Alice accepted it, as she had done with the chocolate, because it was beginning to drip and in any case multiple–Pulitzer Prize winners don’t go around poisoning people.

They ate their ice cream and watched a pair of pigeons peck at a straw. Alice, whose blue sandals matched the zigzags on her dress, flexed a foot idly in the sun.

So. Miss Alice. Are you game?

She looked at him.

He looked at her.

Alice laughed.

Are you game? he repeated.

Turning back to her cone: Well, no reason not to be, I guess.

The writer got up to throw his napkin away and came back to her. There are plenty of reasons not to be.

Alice squinted up at him and smiled.

How old are you?

Twenty-five.

Boyfriend?

She shook her head.

Job?

I’m an editorial assistant. At Gryphon.

Hands in his pockets, he lifted his chin slightly and seemed to conclude this made sense.

All right. Shall we take a walk together next Saturday?

Alice nodded.

Here at four?

She nodded again.

I should take your number. In case something comes up.

While another jogger slowed to look at him, Alice wrote it down on the bookmark that had come with her book.

You’ve lost your place, said the writer.

That’s okay, said Alice.


On Saturday, it rained. Alice was sitting on the checkered floor of her bathroom, trying to screw tight her broken toilet seat with a butter knife, when her cell phone beeped: CALLER ID BLOCKED.

Hello Alice? It’s Mister Softee. Where are you?

At home.

Where is that?

Eighty-Fifth and Broadway.

Oh, right around the corner. We could string up a couple of tin cans.

Alice pictured a string, bowing like a giant jump rope over Amsterdam, trembling between them whenever they spoke.

So, Miss Alice. What should we do? Would you like to come here, and talk a while? Or should we take a walk together another day?

I’ll come there.

You’ll come here. Very good. Four thirty?

Alice wrote the address down on a piece of junk mail. Then she put a hand over her mouth and waited.

Actually, let’s say five. See you here at five?


The rain flooded the crosswalks and soaked her feet. The cabs churning a spray up Amsterdam seemed to be traveling much faster than they did when it was dry. While his doorman made room for her by pressing himself into a cruciform position, Alice entered purposefully: long strides, blowing out her cheeks, shaking out her umbrella. The elevator was plated top to bottom with warped brass. Either the floors it climbed were very tall or the elevator was moving very slowly, because she had plenty of time to frown at her infinite funhouse reflections and to worry more than a little about what was going to happen next.

When the elevator doors opened, there was a hallway containing six more gray doors. She was about to knock on the first door she came to when another door, on the other side of the elevator, opened a crack and a hand came through, holding a glass.

Alice accepted the glass, which was full of water.

The door closed.

Alice took a sip.

The next time the door opened, it seemed to swing wide on its own. Alice hesitated before carrying her water down a short hallway that ended in a bright white room containing, among other things, a draughtsman’s desk and an unusually wide bed.

Show me your purse, he said from behind her.

She did.

Now open it please. For security reasons.

Alice set her purse down on the little glass table between them and unlatched it. She took out her wallet: a brown leather men’s wallet that was badly worn and torn. A scratch card, purchased for a dollar and worth the same. A ChapStick. A comb. A key ring. A barrette. A mechanical pencil. A few loose coins and, finally, three portable tampons, which she held in her palm like bullets. Fuzz. Grit.

No phone?

I left it at home.

He picked up the wallet, fingering a bit of stitching that had come undone. This is a disgrace, Alice.

I know.

He opened the wallet and removed her debit card, her credit card, an expired Dunkin’ Donuts gift card, her driver’s license, her college ID, and twenty-three dollars in bills. Holding up one of the cards: "Mary-Alice." Alice wrinkled her nose.

You don’t like the Mary part.

"Do you?"

For a moment, he alternated between looking at her and at the card, as though trying to decide which version of her he preferred. Then he nodded, tapped the cards into alignment, snapped a rubber band from his desk around them and the bills, and dropped the stack back into her purse. The wallet he lobbed into a mesh-wire wastepaper basket already lined with a white cone of discarded typescript. The sight of this seemed to irritate him briefly.

So, Mary-Alice… He sat down, gesturing for her to do the same. The seat of his reading chair was black leather and low to the ground, like a Porsche. What else can I do for you?

Alice looked around. On the draughtsman’s desk a fresh manuscript awaited his attention. Beyond it a pair of sliding glass doors gave onto a small balcony sheltered by the one above it from the rain. Behind her the enormous bed was made up so neatly as to look aloof.

Do you want to go outside?

Okay.

No one throws the other one over. Deal?

Alice smiled and, still sitting five feet from him, extended a hand. The writer lowered his eyes to look at it for a long, doubtful moment, as though listed there on her palm were the pros and cons of every handshake he’d ever made.

On second thought, he said then. Come here.


His skin was lined and cool.

His lips were soft—but then his teeth were behind them.

At her office, there were no fewer than three National Book Award certificates in his name framed on the lobby wall.

The second time, when she knocked, several seconds went by with no answer.

It’s me, Alice said to the door.

The door opened a crack and a hand came through, holding a box.

Alice took the box.

The door closed.

Lincoln Stationers, it said on the box, tooled smartly in gold. Inside, under a single sheet of white tissue paper, lay a burgundy wallet with a coin purse and a clutch clasp.

Oh my goodness! said Alice. It’s so pretty. Thank you.

You’re velcome, said the door.

Again, she was given a glass of water.

Again, they did what they did without disturbing the bed.

Over her sweater, he put a hand on each breast, as if to silence her.

This one’s bigger.

Oh, said Alice, looking down unhappily.

No no; it’s not an imperfection. There’s no such thing as a matching pair.

Like snowflakes? suggested Alice.

Like snowflakes, he agreed.


From his stomach all the way up to his sternum ran a pink, zipperlike scar. Another scar bisected his leg from groin to ankle. Two more made a faint circumflex above his hip. And that was just the front.

Who did this to you?

Norman Mailer.

While she was tugging up her tights, he got up to turn the Yankees game on. Ooh, I love baseball, said Alice.

Do you? Which team?

The Red Sox. When I was little, my grandmother used to take me to Fenway every year.

Is she still alive, your grandmother?

Yep. Would you like her number? You’re about the same age.

It’s a little early in our relationship for you to be satirizing me, Mary-Alice.

I know, laughed Alice. I’m sorry.

They watched as Jason Giambi slugged a three-two pitch into left center.

Oh! said the writer, getting up. I almost forgot. I bought you a cookie.


When they sat looking at each other, across his little glass dining table or she on the bed and he in his chair, she noticed that his head pulsed sideways ever so slightly, as though with the beating of his heart.

And, he’d had three operations on his spine, which meant there were certain things they could and couldn’t do. Shouldn’t do.

I don’t want you to get hurt, said Alice, frowning.

It’s a little late for that.

They used the bed now. His mattress was made of a special orthopedic material that made her feel as though she were slowly sinking into a giant slab of fudge. Turning her head to the side, she could see, through his double-height windows, the midtown skyline, looking huddled and solemn in the rain.

"Oh, God. Oh, Jesus. Oh, Christ. Oh Jesus Christ. What are you doing? Do you know… what… you’re doing?"

Afterward, while she was eating another cookie:

Who taught you that, Mary-Alice? Who have you been with?

No one, she said, picking a crumb off her lap and eating it. I just imagine what would feel good and I do it.

Well, you have quite an imagination.


He called her a mermaid. She didn’t know why.

Propped beside his keyboard was a tent of white paper on which he had typed:

You are an empty vessel for a long time, then something grows that you don’t want, something creeps into it that you actually cannot do. The God of Chance creates in us…. Endeavours in art require a lot of patience.

And below that:

An artist, I think, is nothing but a powerful memory that can move itself at will through certain experiences sideways…

When she opened the refrigerator, his gold medal from the White House, tied to its handle, clanked loudly against the door. Alice went back to the bed.

Sweetheart, he said. I can’t wear a condom. Nobody can.

Okay.

So what are we going to do about diseases?

Well, I trust you, if you—

You shouldn’t trust anyone. What if you become pregnant?

Oh, don’t worry about that. I’d have an abortion.

Later, while she was washing up in the bathroom, he handed through to her a glass of white wine.


Blackout cookies, they were called, and they came from the Columbus Bakery, which he passed every day on his walk. He tried not to eat them himself. Nor did he drink; alcohol didn’t mix with one of the medications he was taking. But for Alice he bought bottles of Sancerre or Pouilly-Fuissé and, after pouring her what she wanted, put the cork back in the bottle and the bottle on the floor next to the door for her to take home.

One evening, a few bites into her cookie, Alice took a sip and made a daintily revolted face.

What?

I’m sorry, she said. I don’t mean to seem ungrateful. It’s just that, you know, they don’t really go.

He thought for a moment and then got up and went into the kitchen for a tumbler and a bottle of Knob Creek.

Try this.

He watched hungrily as she took a bite, then a sip. The bourbon went down like a flame.

Alice coughed. It’s heaven, she said.


Other gifts:

An extremely sensible, analog, waterproof watch.

Allure Chanel eau de parfum.

A sheet of thirty-two-cent stamps from the Legends of American Music series, commemorating Harold Arlen, Johnny Mercer, Dorothy Fields, and Hoagy Carmichael.

A New York Post cover from March 1992 with the headline Weird Sex Act in Bullpen (Late City Final).


The eighth time, while they were doing one of the things he wasn’t supposed to do, he said:

I love you. I love you for this.

Afterward, while she sat at the table eating her cookie, he watched her in silence.

The following morning:

CALLER ID BLOCKED.

I just wanted to say that it must have been strange, hearing that from me; you must have been reeling—that’s R-E-E-L-I-N-G, not R-E-A-L-I-N-G, which isn’t a bad word, either. What I’m saying is that it was meant in the moment, but it doesn’t mean anything should change between us. I don’t want anything to change. You do what you want and I do what I want.

Of course.

Good girl.

When Alice hung up, she was smiling.

Then she thought about it a little longer, and she frowned.

She was reading the instructions that had come with her watch when her father called to inform her, for the second time that week, that not a single Jew had reported to work in the towers on the day they came down. But the writer did not call her again for many days. Alice slept with her phone next to her pillow and when she wasn’t in bed carried it around with her everywhere—to the kitchen when she got herself a drink, to the bathroom when she went to the bathroom. Also making her crazy was her toilet seat, the way it slid to the side every time she sat on it.

She thought of going back to their bench in the park, but decided on a walk instead. It was Memorial Day weekend and Broadway was closed for a street fair. Already at eleven the neighborhood was smoky and the air sizzling with falafel, fajitas, French fries, Sloppy Joes, corn on the cob, fennel sausages, funnel cake, and fried dough the diameter of a Frisbee. Ice-cold lemonade. Free spinal health exams. We the People legal document administration—Divorce $399, Bankruptcy $199. At one of the stalls peddling brandless bohemian fashion, there was a pretty poppy-colored sundress lolling on the breeze. It was only ten dollars. The Indian stallholder got it down so that Alice could try it on in the back of his van, where a watery-eyed German shepherd watched her with his chin on his paws.

That night, when she was already in her pajamas:

CALLER ID BLOCKED.

Hello?

Hello, Mary-Alice. Did you see the game?

What game?

The Red Sox–Yankees game. The Yankees won fourteen to five.

I don’t have a television. Who pitched?

Who pitched. Everyone pitched. Your grandmother pitched a few innings. What are you doing?

Nothing.

Do you want to come over?

Alice took off her pajamas and put on her new dress. Already a thread needed biting off.

When she got to his apartment, only the lamp on his nightstand was lit and he was propped up in bed with a book and a glass of chocolate soymilk.

It’s spring! cried Alice, pulling the dress over her head.

It’s spring, he said, sighing wearily.

Alice crawled lynxlike toward him across the snow-white duvet. Mary-Alice, sometimes you really do look sixteen.

Cradlerobber.

Graverobber. Careful of my back.

Sometimes, it could feel like playing Operation—as if his nose would flash and his circuitry buzz if she failed to extract his Funny Bone cleanly.

Oh, Mary-Alice. You’re crazy, do you know? You’re crazy and you get it and I love you for it.

Alice smiled.

When she got home, it had been only an hour and forty minutes since he’d called, and everything was exactly as she’d left it, but her bedroom looked too bright and unfamiliar somehow, as though it now belonged to someone else.


CALLER ID BLOCKED.

CALLER ID BLOCKED.

CALLER ID BLOCKED.

He left a message.

Who takes the greatest pleasure in leading the other one astray?


Another message:

Does anyone smell mermaid in here?


CALLER ID BLOCKED.

Mary-Alice?

Yes?

Is that you?

Yes.

How are you?

Fine.

What are you doing?

Reading.

What are you reading?

Oh, nothing interesting.

Do you have air-conditioning?

No.

You must be hot.

I am.

It’s going to get even hotter this weekend.

I know.

What’ll you do?

I don’t know. Melt.

I’m coming back into the city on Saturday. Would you like to see me then?

Yes.

Six o’clock?

Yep.

I’m sorry. Six thirty?

Okay.

I might even have some dinner for you.

That would be nice.

He forgot about dinner, or decided against it. Instead, when she arrived he sat her down on the edge of his bed and presented her with two large Barnes & Noble bags filled to the handles with books. Huckleberry Finn. Tender Is the Night. Journey to the End of the Night. The Thief’s Journal. July’s People. Tropic of Cancer. Axel’s Castle. The Garden of Eden. The Joke. The Lover. Death in Venice and Other Stories. First Love and Other Stories. Enemies, A Love Story… Alice picked up one by a writer whose name she had seen but never heard. Ooh, Camus! she said, rhyming it with Seamus. A long moment followed in which the writer said nothing and Alice read the copy on the back of The First Man. When she looked up he was still wearing a gently startled expression.

It’s Ca-MOO, sweetheart. He’s French. Ca-MOO.


Her own apartment was on the top floor of an old brownstone, where it caught the sun and stoppered the heat. The only other tenant on her floor was an old lady called Anna, for whom ascending the four steep flights was a twenty-minute ordeal. Step, rest. Step, rest. Once, Alice passed her on her way out to H&H and when she came back the poor thing was still at it. From the shopping bags she carried you would have thought she ate bowling balls for breakfast.

Anna, may I help?

Oh no dear. Been doing it fifty years. Keeps me alive.

Step, rest.

Are you sure?

Oh yes. Such a pretty girl. Tell me. Do you have a boyfriend?

Not at the moment.

Well, don’t wait too long, dear.

I won’t, laughed Alice, running up the stairs.


Capitana!

His doorman greeted her chummily now. He called the writer down and saluted them off as they set out for a walk. Swinging a bag of plums from Zingone’s, the writer asked whether Alice had heard about the city’s plan to rename some of its luxury residences after major-league baseball players: The Posada, The Rivera, The Soriano. The Garciaparra, said Alice. No no, he said, stopping her importantly. Only Yankees. They entered the little park behind the natural history museum, where, biting into one of his plums, Alice pretended to chisel his name under Joseph Stiglitz’s on the monument to American Nobel Laureates. But mostly, they stayed in. He read her what he’d written. She queried the spelling of keister. They watched baseball and, on weekend afternoons, listened to Jonathan Schwartz swoon over Tierney Sutton and Nancy LaMott. Come Rain or Come Shine. Just You, Just Me. Doris Day wistfully warbling The Party’s Over. One afternoon, Alice burst out laughing and said, This guy is such a cornball.

‘Cornball,’ repeated the writer, eating a nectarine. That’s a good old-fashioned word.

I guess you could say, said Alice, searching the floor for her underpants, that I’m a good old-fashioned girl.

" ‘The party’s over…,’ he sang, whenever he wanted her to go home. It’s time to call it a d-a-a-a-a-y…’ "

Then, going cheerfully around the room, he would switch off the phone, the fax, the lights, pour himself a glass of chocolate soymilk, and count out a small pile of pills. The older you get, he explained, the more you have to do before you can go to bed. I’m up to a hundred things.

The party’s over. The air-conditioning’s over. Alice would stagger a little, taking herself home in the heat, her belly full of bourbon and chocolate and her underwear in her pocket. When she had climbed the four increasingly steamy flights up to her apartment, she would do exactly one thing, which was to move her pillows down the hall to her front room, where, on the floor next to the fire escape, there was at least the possibility of a breeze.

So listen darling. I’m going away for a while.

Alice put down her cookie and wiped her mouth.

I’m going back out to the country for a bit. I’ve got to finish this draft.

Okay.

But that doesn’t mean we can’t speak. We’ll speak regularly, and then when I finish, we can see each other again. Should you want to. All right?

Alice nodded. All right.

Meanwhile… He slid an envelope across the table. That’s for you.

Alice picked it up—Bridgehampton National Bank, it said on the front, next to a logo of a sailboat regatta—and took out six one-hundred-dollar bills.

For an air conditioner.

Alice shook her head. I can’t—

Yes you can. It would make me happy.

It was still light out when she left for home. The sky had a stag-nant quality to it—as though a thunderstorm were due, but had gotten lost. The young people drinking on the sidewalk were just beginning their evenings. Alice approached her stoop slowly, reluctantly, one hand on the envelope inside her purse, trying to decide what to do. Her stomach felt as if she were still back in his elevator and someone

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