4.

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!"#$%&'()%*$'%+,-./0%1(#23%%DOCUMENTARY

The decision to build a Cultural Centre in Borotalpada was taken by the villagers on 31st Decem
ber 2010.After almost a year of talks usually in the form of assemblies, the construction started:
!" #$%&%" '(" )!*+" ,!-" &.'-%*/" 0.%" #)!&%" ,!-" &)%!*%+" !*+" !" 1!*0!)" 2$03!)" #%2('24%+5"6" 72-0" +2!(0" ,!-"
marked on the ground with strings and ashes. While the construction was going on, other things
were also being built: relationships, understandings, discovery of each ones desires.As the French
anthropologist Marc Hatzfeld wrote: !"#$ %&'($ )*&+$ *,$ ("-'$ .#/(&#$ -'$ ("#$ ,01&-2$ *,$ #3*(-*/4$ -/(#55-6#/
2#4$6#/#&*'-(7$0/8$8&#03'$("0($30+#'$("-'$5-((5#$9-#2#$*,$)*&58$'"-/#$:/8#&$("#$5-6"($*,$0$/#)$80)/.
editionJEANFRDRIC CHEVALLIER [FR] commentariesMARC HATZFELD [FR] !"#$
%&'()'* SUKLA BAR [IN] I HECTOR BOURGES [MX] I NATHALI BUENAVENTURA [CO] I JEAN
FRDRIC CHEVALLIER [FR] I FALGUNI & MOTILAL HANSDA [IN] I KANAI HANSDA [IN] I DOCTOR
& LADEN HANSDA [IN] I MARC HATZFELD [FR] I CHANDRAI MURMU [IN] I ALEJANDRO OROZ
CO [MX] I PAOLA OSPINA [CO] I CHAMRU SOREN I GIRISH SOREN I KALICHARAN HEMBROM [IN]

5.

4#2$#.%/#25(

For contemporary choreographers, Santal dances are fascinating. There is a force in them but it
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0.%" 2%#%0$0$'*" '(" 0.%" -!4%" -0%#-" 0.!0" 4!>%-" 0.%" -!4%" '0.%2<" :0" -%%4-" 0.!0" *'0.$*=" &.!*=%-" !*+" !0"
the same time eyes never get tired of watching the circle the women dancers draw with their slight
displacement. The group is composed of Borotalpada villager members of Trimukhi Platform.
coordination I KANAI HANSDA & TIBRU MURMU [IN] !+*#,#"$* KISUN
HANSDA I TIBRU MURMU I KANAI HANSDA I GANESH HANSDA I BASONTO SOREN [IN]
-"$,)'* DELKO HANSDA I MADO HEMBRAM I PARMONI MURMUI PARMONIHANSDAI KAJOLHANS
DAIPARBOTIHANSDAI MALOTIHEMBROMI PANISORENI PARBOTISORENISOMBARIHANSDA[IN]

6. !"#$!%&'"()"&!*+!,"-!,,"PERFORMANCE-LECTURE

BorotalpadaVillage
TRIMUKHIB
ORO
WestMidnapur
CULTURAL
WestBengal
:*+$!
CENTRE
www.trimukhiplatform.com
contact@trimukhiplatform.com

1.D-E"$%F%4-E"$%;;PHOTOGRAPHY

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kshoponcreativephotography.Theworkshopmovedontoacreativeterrainwheretheparticipantswere
$*C$0%+"0'"$4!=$*%"!*+"('2%-%%"!*"$4!=%"%C%*"F%('2%"$0",!-"F%$*="0!>%*/"%9#)'2$*=".',"0'"#!--"(2'4",.!0"
0.%;"0.$*>"0'",.!0"0.%;"&!*"&!#032%",$0."0.%"&!4%2!5"H.%"%9.$F$0$'*"#2%-%*0-"!"-%)%&0$'*"'("LS"#$&032%-5
coordinationALEJANDRO OROZCO [MX] translation%ARNAB BANERJEE [IN] pho
tographyGOPAL HANSDA I BHIMCHARAN HANSDA I GIRISH SOREN I ARNAB BANERJEE I FALGUNI
HANSDA I MOTILAL HANSDA I SALKHAN HANSDA I SUNITA SOREN [IN] I ALEJANDRO OROZCO [MX]

2.

6"(%$"-2E%$"#$%(G-)$)%H"(2%H(%#7(2I$%%$"(7(%
THEATRE

H.%" ?2%*&." 0.%!02%" +$2%&0'2" !*+" %9#%2$4%*0!)" 7)4" 4!>%2" A%!*@?2T+T2$&" U.%C!))$%2" &.'-%" 0'" &'4
pose his new stage work with diversity. His team this year is composed of artists from Ecua
+'2/" K%9$&'/" ?2!*&%" !-" ,%))" !-" (2'4" 0.%" R%*=!)" C$))!=%" '(" K'2!#!V" !*+" 0.%" 1!*0!)" R'2'0!)#!+!5"
He wonders how to inhabit Trimukhi Cultural Centre, what to do inside and outside the building.
:*" -'4%" #!20-/" .%" !)-'" $*02'+3&%-" %902!&0-" (2'4" .$-" ('20.&'4$*=" 7)45" R;" &'4F$*$*=" %)%4%*0-"
(2'4" -3&." +$((%2%*0" '2$=$*-/" .$-" 0.%!02%" &'4#'-$0$'*" #2'+3&%-" 3*%9#%&0%+" (%%)$*=-" !*+" 0.'3=.0-5"
text,video&directionJEANFRDRIC CHEVALLIER [FR] collaborationALE
JANDRO OROZCO [MX] & SUKLA BAR [IN] assistant CHANDRAI MURMU [IN] *&+$-. /.
!+*#,.,')"0#&$ BENOT MORY [FR] & ABRAHAM CALVACHI [EC] livemusicALEXAN
DRE JURAIN [FR] & SUKANTA BOSE JURAIN [IN] aditionnal music GOLDBERG VARIA
TIONS [J.S. BACH] BY KIMIKO ISHIZAKA technical assistant HIMADRI MONDAL [IN]
lighting
assistants
BHIMCHARAN HANDA I SALKAN HANSDA [IN]
actors FALGUNI HANSDA I GOPAL HANSDA I KAJOL HANSDA I MOTILAL HANSDA I RAMA
MONDAL [IN], CHANDRA MURMU I LORENA ROJAS [MX], CHAMRU SOREN I PINI SOREN [IN]

3.?.J-2E%+#KL''%%INSTALLATION

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barelyvisibletraceontheground,adifferentarchitecturehastakenplacewhichcontainstheactualmove
4%*0"(2'4"+$((%2%*0"=%'#')$0$&!)"&%*02%-"\W!2$-/"I'*+'*/"]')>!0!"'2"K%9$&'^"0'"!"-$*=)%"F'2+%2"\R'2'0!)#!+!^X"
aculturalcentreoutsidethecentre.Sucha':-;6#/#&-'"#2'E%&0")$0%2!));"&'*+%*-%-"0.%")$*%-",.$&."#2'C$+%"
0.%"&2%!0$C%"-023&032%"('2"0.%"$*-0!))!0$'*"0.!0"0.%"K%9$&!*"C$-3!)"!20$-0"6)%E!*+2'"P2'Q&'".!-"+%&$+%+"0'"F3$)+X"
ahugestructuremostlymadeoflocalbamboo.This-/;'-(:installation,developedincollaborationwith
localvillagerspresentsaspacetotransit,tostandforamoment,tosurroundandtovisuallyparticipatein.
conception&realisationALEJANDRO OROZCO [MX] assistance&advi
ceSUKLA BAR I GIRISH SOREN I CHANDRA MURMU I BHIMCHARAN HANSDA I SALKHAN
HANSDA I MOTILAL HANSDA I GOPAL HANSDA I HIMADRI MONDAL [IN] I LORENA ROJAS [MX] I
d":B"e":*+$!"d"?J"e"?2!*&%"d"cU"e"c&3!+'2"d"Kf"e"K%9$&'"d"UP"e"U')'4F$!"d"
|MC(9&#'#/(0(*&^"e"KALICHARAN HEMBROM |

1$9";%!2-"!='"0.%"?2%*&."-&2$#0@,2$0%2"!*+"#.'0'=2!#.%2"A3)$%*"B%*!3)0"-0!20%+"0'"C$-$0"6+.$C!-.$"C$))!=%-"$*"
B'20.":*+$!5"?2'4"A!2>.!*+"0'"D3E!2!0/".%"4%0"02$F!)"#!$*0%2-/"+$-&3--%+"!*+",'2>%+",$0."0.%45"G%"0''>"!"
-#%&$!)")$>$*="0'"0.%",!;"1!*0!)",'4%*"#!$*0%+"0.%",!))-"'("0.%$2".'4%-5"B',/"0.2'3=."!")%&032%"0.!0"$-"*'0"!")%&
turebutmoreaperformance,heshareshisfascinationforthebeautyandsensibilityofthispaintinggesture.
text, video, direction & performer JULIEN NENAULT [FR] musician
ALEXANDRE JURAIN [FR] guest performers GIRLS AND WOMEN FROM THE AREA [IN]

7.6-(77#%8'9#%%!"!#$"%&%%DANCE-THEATRE

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vited to a displacement, to be called to move out from ones own artistic habits and knowled
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ring of fusion dance, has taken up the challenge and designed with girls from Borotalpada, a
lovely choreographic piece blending fusion dance with theatre, tribal dance and daily life gestures.
direction LORENA ROJAS [MX] in collaboration withSUKLA BAR [IN] & ALE
JANDRO OROZCO [MX] music RADAID I GORKATA I TSG TRLB dancersSUMI SOREN I PAR
BOTI SOREN I PANI SOREN I PUNDGI SOREN I RAIMA MONDAL [IN] & LORENA ROJAS [MX]

8.M7(#$,7()%'N%?.()"%#2/%O#P(7
%
DOCUMENTARY

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Buenaventura shared original drawing techniques and strategies with the participants while Pao
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instructorsNATHALI BUENAVENTURA, PAOLA OSPINA [CO] musicBENOT MORY [FR]

9.%?,)-'2%67-L#.

DANCE
H'"&'*0$*3%",$0."%*%2=;"!*+"E';/"I'2%*!"J'E!-"-.!2%-"0,'"'(".%2"4'-0"(!4'3-"K%9$&!*"(3-$'*"+!*&%"-')'-5"
direction&choreographyLORENA ROJAS [MX] lightingCHANDRAI MURMU [IN]

10.

O#$"#7L#2/"(7%4#2/J#%O7#/-P%Q",K,7%:#5"
DANCE

Arup Mahato is a tribal choreographer from the Mahato village of Pathorbandh. When he
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ted to learn to play the Madol instrument. He is now 52 years old and for 23 years he has
been directing the tribal dance group he founded and developed. His Patharbandher Sand
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direction ARUP MAHATO [IN] assistant BHABOTOSH MAHATO [IN]
singers AMULYA & KETUKA MAHATO [IN] musicians GURUCHARAN MAHA
TO I BAHADUR MAHATO I BUJUL MAHATO I SUBHASH MAHATO [IN] leading dan
cer NIKHIL MAHATO [IN] dancers MAUSUMI MAHATO I PROTIMA MAHATO I PUS
PA MAHATO I JAYANTI MAHATO I PUTUL MAHATO I NILIMA & PUJARANI MAHATO [IN]

11.AR#7#S%%-2%.-T( MUSIC CONCERT

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singer SUKANTA BOSE [IN] composition, esraj & didgeeridoo ALEXAN
DRE JURAIN [FR] production
AZARAK lighting CHANDRAI MURMU [IN]

night
&theatre

It is now the sixth edition of our Night of Theatre festival. The

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