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Strewn across the hills where the three provinces of Fujian Jiangxi and Guangdong merge, the colossal
Hakka earth buildings (Kejia tulou) are a mesmerising picture of an ancient but slowly disappearing way
of life.
The Hakka are a ethnic group from the North belonging to the Han Chinese. They are today spread over
the whole of Southern China, concentrated mostly in the mountainous regions and have migrated further
into many other countries.
The Hakka (in Mandarin: Kejia, meaning guest people) - who live in scattered pockets across
south China and speak their own dialect - originally migrated from a central region of China around 1500
years ago. The name guest people suggests a tribe on the move, which was once the case, as the
Hakka were continually displaced by war, persecution or famine
During the last two thousand years mass migration has been evident in China, as the Han Chinese
influence spread towards the South, especially towards the then thinly populated and "wild" South /
Southwest China.
Clan cohesion was a important factor in the controlling of all activities - political, religious and economical.
This cohesion meant greater stability for the clan and the individual
In the fourteenth and fifteenth century there were many migrants from north China, including many
Hakka. As relatively late arrivals they were forced to inhabit mountainous and less fertile land such as the
Wuyi mountains.
Through the centuries there were many family feuds and conflicts between ethnic groups. The Hakkas
were often involved in these conflicts.
The ruling power was centred far away, in distant Peking, so that disputes had to be solved locally.
Consensus was not always reached. This resulted in far more feuding than is found elsewhere in China,
and that is the reason why the tulou was also a fortification, with outer walls of stamped clay up to 1.5
metres thick and 18 metres high, an iron-clad portal, weapon slits under the eaves of the large
overhanging roof, and a connecting gallery that enabled rapid movement of people and weaponry.
In times of need, the Chinese frequently intone 'A nearby neighbour is better than a distant relative'. The
earth-building-living Hakka have the best of both worlds, as neighbours are also relatives, as is the case
in many traditional villages across China.
Families live in rooms leading off from wooden galleries arranged over three to five levels in a ring-like
formation, which face onto a circular central courtyard.
Kitchens are all downstairs with living quarters and windows upstairs.
The courtyard - itself open to the sky and rain, sunshine and starlight
Further concentric rings and corridors contained ancestral shrines and halls, tucked away beneath tiled
roofs.
The bulky walls keep the earth buildings warm in winter and cool in summer
At harvest time, persimmons are everywhere, drying in the sun.
The floor plan of Chengqilou in Yongding county built in 1709, which used to house 80 families, totaling
more than 600 people
Ancestral altars
A rectangular tulou has the ancestral altar set into the building's peripheral range of rooms facing
the courtyard while in the case of the circular tulou it is a detached one-story building in the
courtyard.
The ancestral altar is where the founding members of the clan are honoured and guests are
received.
On the wall hangs a picture of the founding father of the clan - perhaps next to it a crane
symbolising a desire for long life. By the wall is a long narrow table on which is placed an incense
burner or a vase with flowers. It is in this chamber that the boys of the clan were taught reading
and writing etc.
In South China success in life is guided by supernatural forces, and this has consequences for
the building's orientation. The supernatural forces are to be channeled into the ancestral altar,
which therefore lies on the central axis opposite the entrance.
In China, as elsewhere, a family home is divided into zones, from the open and accessible
entrance and courtyard to the total privacy of the bedroom.
In the tulou guests have access to the ancestral altar and the familys living quarters, while
access to the rooms along the gallery is restricted to the inhabitants.
The rooms of a tulou are shared among its inhabitants in such a way that a single family unit uses
two or three rooms on each floor, in a vertical segment of the building.
One room on the ground floor is the kitchen and another is used for eating and daily living.
The stove in the kitchen is vented to the outside through small openings in the outer wall. Steep
stairs lead to the verandas that ring the upper three levels.
The sleeping quarters are on the first and second floor and food, clothes and valuables are stored
on the top floor, although in other yuanlou such as Zhenchenglou bedrooms are found on the
upper floors.
The preparation of meat and vegetables is done in the courtyard immediately in front of the
kitchen where the oven and firewood is to be found.
The tulou as a fortification
The ruling power was centred far away, in distant Peking, so that disputes had to be solved
locally. Consensus was not always reached.
This resulted in far more feuding than is found elsewhere in China,
That is the reason why the tulou was also a fortification,
o With outer walls of stamped clay up to 1.5 metres thick and 18 metres high ,
o An iron-clad portal,
o Weapon slits under the eaves of the large overhanging roof,
o A connecting gallery that enabled rapid movement of people and weaponry.
The portal is the most vulnerable point of attack and is therefore protected by an ingenious firedowsing system with an internal gutter above which is connected to a water tank situated on the
second floor.
The animal pens, a water well and food stockpiles in the courtyard provided for a lengthy conflict.
The tulou is probably the largest, and defensively most advanced, village residences known.
The circular tulou are something of a riddle, for apart from a few temples there are no other
examples of circular buildings to be found in China.
Some maintain that the shape was known in Fujian in watch towers and fortified villages, and that
these have simply developed into residences.
Others suggest that, they were the last stage of a long development, starting with more complex
forms and consolidating into the simpler rectangle and finally evolving into the circular form.
If additional vertical elements are built, such as fire walls (as illustrated in the case of the
Zhenchenglou) the rigidity and strength is further improved, as the cylinder surfaces are fixed in
all four directions.
4.The circular tulou has a more uniform room division - As the main source of light is from the courtyard, a
corner room would be poorly lit and without adequate ventilation.
5. Local superstition holds that evil spirits are everywhere, especially along roads and in brooks, streams
and mountain passes. Every corner in a rectangular building is an opportunity for evil spirits to enter the
building as the circular tulou have no corners, spirits are more likely to pass by
No contemporary sources explain why circular tulou were built. Most counties in China have local
gazetteers spanning hundreds of years but very few contain information regarding local building costums.
The local history for this part of the country does not contain any interesting information regarding the
localitys architecture and house form
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