Professional Documents
Culture Documents
MUS495
4/2/15
AssessmentCommentary
1.Whatassessmentstrategieswereusedandwhy?
Mygoalsforstudentassessmentinthisprojectwereforthestudentstodevelopthe
abilitiestoassessthemselvesandothers.Tofacilitatethis,Iusedaseriesofworksheetsthat
guidedstudentthinkingandallowedthemtobereflectiveandintrospectivethroughoutthe
project.TheonlyteacherassessmentsIimplementedwereverbalresponseanda
performancegradingrubricfortheirgroupcomposedsongs.Ratherthanspendingalotof
timeaskingquestionsofeachstudenttodeciphertheiramountofknowledgeofAfricanmusic
priortotheproject,Ihadeachstudentansweraseriesofquestions,onpaper,thatallowed
themtocommunicatedtheirpreviousexperienceswithAfricanmusic.Thesecond
assessmentIusedwasverbalresponse,inwhichwespentalargeamountofthesecond
classperioddissectingexamplesofAfricanmusicandlabelingtheparts.Thisallowedmeto
gaugehowmuchthestudentshadretainedfromourdiscussionthedaybefore.Students
werealsoaskedtofilloutarubricsimilartotheoneIused,duringeachoftheirpeers'
performances.Thisstudentrubricpinpointedwhateachstudentheardintheperformanceand
askedthemtoevaluateonanumberscaleaswellasusingprose.Finally,eachstudentfilled
outareflectionsheetwhichaskedquestionsthat,whencomparedsidebysidewiththefirst
worksheet,revealedwhatthestudentshadgainedfromtheprojectexperience.
2.Whatwereyourexpectationsforstudenttlearningandhowdidyoucommunicatethese
expectationstostudents?
Myexpectationsforstudentlearningcorrelatedtothelearninggoalssetupineach
lessonplan.Fortheprojectasawhole,studentswereexpectedtolearntheeightgeneral
elementsofAfricanmusicexpressedintheacronymDIGACAVE.Ontopoflearningthe
eightelements,thestudentswereexpectedtoidentifytheseelementsinvideoexcerptsof
authenticAfricanmusicaswellaseffectivelyincorporatethemintoanoriginalsong,writtenin
thestyleofAfricanmusic.Theseexpectationswerecommunicatedwithstudentsverbally,
duringclass,aswellasincorporatedintotheworksheettheycompletedeachday.Through
thesemethods,studentsweremadeawareoftheirresponsibilitiesandtheexpectationsIhad
fortheirlearningthroughouttheproject.
3.Howdidstudentsaccomplishtheobjectivesfortheseriesoflessons?Citespecific
evidencefromstudentworktosupportyourconclusions.
Studentswereaskedtocompleteeachtaskintheprojecteitherindividuallyorina
group.EachactivitywaslinkedtoaworksheetsothatI,astheteacher,couldseethateach
stepwascompletedinorder.Inalloftheexamplesofstudentworkprovided,itisvisiblethat
byfollowingtheworksheets,studentswereabletogofromknowingrelativelylittleabout
Africanmusic(seeexamplesofworksheet1),tobeingabletodescribetheeightgeneral
elementsofAfricanmusicaswellasexplainhowtheirownknowledgeandviewsofAfrican
musichadshiftedoverthecourseoftheproject.Forthecompositionportionoftheproject,
studentsworkedinsmallgroupstocreateasonginthetraditionalAfricanstyle.Although
eachgroupwasonlyrequiredtosubmitonecompositionworksheet,eachstudentwasasked
tofilloutthesheetasthegroupworkedasawayforthemtoprocesswhatthegroupwas
creatingandasamemorytooltoassisttheirretentionofmaterial.Thebiggestthree
objectiveswereasfollows:TolearnatraditionalAfricansong,whichisvisiblyaccomplished
inthefirstvideosegment.TolearnandidentifythegeneralcharacteristicsofAfricanmusic,
visibleinboththesecondvideosegmentaswellasthethirdandfourthworksheets.And
finally,tocreateasonginthetraditionalAfricanstyle,visibleinboththegroupcomposition
worksheetsandinthethirdvideosegment.