Architecture Competition 0008 sesaeet mise eeIai met ESCORT) Changwon Science Experience Center PortoLEs EE] en Crna nt Pre Dh Leas Patriot An Jung-geun Memorial Hall ene Pere etna cess Pose easalata Foxn-1-12-13%59 E-nal: ord@activaid-pocon api actvd-pacom | Introduction ‘Atitecture compettn 1 for selecting the mist sulable design for the chocte Projet trough competing with appicars. i is, n adton, to cheese an archect who understands and deals wih clon’ purpose ofthe construction. Real constuction bogins a5 the sutabe design and archtecture are selected after dverse competitions Achitecre compton a mand of achiectre which i conducted general n the wor Also, thas a et inftuece on cevepet of recent archtecture as we 25 curer, We pls vole Mand X of (ebtcture Competition Anus) wh vavius cata on archecure compan. It our ne annual boo and we pb ‘we vores every year. The mato of the book Is to promote the value ofthe data 35m the bass of comparing and arahaing awarded dson work and al appl esi wors with orignal. aso proves @ publ measure 1 ude te eel of contemporary architectures. ‘As the years pass, (Nehectre Compettion Amul) has @ hgh valuation in China, Southeast Asia, Europe, US.A. as well as Korea, and the result shows. the Improvement ofthe level of Korean architoctres, ‘Gcchtecure Compton mi), 2008 i desgnd to select excsent projects ofthe 8 wots, which were applied forall architecture competitors costed in 2407, by ‘acts and publ he works in vole and I. We hope to have a great view of architecture trough | als oFROHE ZN i Sto Hei} A, vio BaNRSO| RO) AS HAHA ic, fs ho eto 34 elm EE ER 72 EY Me DEE BSB il #2 FEW OFS O15 Belo lee ASH BEDE THESIS ot WAR! Wet 291 SOE alto Ziel Belo] ool Art 21 HRI AIS 9 SHOE 42 es BRE WEAABOI CHW me} ae BE Uehe| ew A > BIE 1/08, at, AASB, PID 9] NBO] FBR F LE logge AA 8 Mo ICL $2 I FU See OS, IY SECA) al HE aE 189, Re So Re Hed OBS | BEE TBO AOH 048917315 Yooge 7% Hef Rh TEL | ARS Be eo UBS $ 2 = AOE AYA Me Bel BOL =I wala, geo] Bch 3 =RNS aL hc. /Nuraic and Contemporary Art Museum >> ew Ne a oe 12a = GE AG Eeims| © SOME AN] SE BUS] De Wele-EBMID BH -42 9 BRO US HY BY EBSA 9rL OE Be, AM EEE Neha 91, DIS 9 ME akael RR ss we 4 Soe Hy site ola ABLOLAat EL SE BE ~ N82 HOG FASO oe) Bel OIG GOW SE BES IAAP] Ie) $20] APAL/ Alo] Upto 291 OHH AH BB eHBOHU Att ‘sole Susan aie Bot BB +28 AES COM BAS] SUE A AMO, TEE UAB EM BTA Ass Bue az Beis Boe Fach BE Ia asad gst 012 Be ABS HE, OIF Ra HS OB le eee 3a Seve 22 EIN WO ae Oe OF ARIA AO REI IE eh. 2H (Connecting carpet Eso HBR Hof 0 ae oo] 1, eh so ft ATE Hah MOEA fe Sc Lenghaal etn Longa econ 1Mca aC1a Prin Wier _ Tha currant festival hall in that only the the Passion Pays. isa distctive architectonic symbol mn but aso the exoalient nationwide repute represents An appropiate response to the existing building hes to consist in more rere replacament of the physical presence of the original this would nt do use tothe sculpture val hal by the new structure af the summer building, which had been planned as 2 solitary efi. ure of the 1960s sill has a significant able 10 maintain the space that i ts due. Old thay react to wach other, the The modern, powsrtl ar timeliness and should b and new face ea! ather as equal part strengthen each othr in their impact, and present themseh rent ensemble, without however interfering with public as jin the incvidul expression ofeach separate building, ‘The positioning of the new Winter Festival Hal is selected in such 2 way that generous and secure entrance area lis infront ofthe bul utdeor foyer under an open sky, offers 2 9, As ings, which Fue say of high quality, and refers te both structures in equal m 2 spatial at rect the two pers and thus serves urban planning purposes as wal es being a functional measure culation, ito The tectonic for ofthe sculptural architecture isa result ofthe char acteristics of th ‘Two movements, i ine bodies, interlock, are entangled with each other, and in this the inerior space and entrance like two sch other. The recess ofthe front view, which appears slmost ikea way ns cascing rock crevice, atcontuates the facade and allows the intrior to appear, simultaneously promising and mysterious from the outside. This not only imparts suspense tothe approach and entrance but also imbues a ‘momentous singuatity 10 the intrioe space. In the upper area, wee the crvioebreeks off horizontally, the targeted and poweruly famed view from the upper galley is focused towards the landscape, T authority of the exsing structure, whose origin from the landscape is Clery dscerible, is els picked up by the new archer to the site, The gol isto develop a building st ure that incorporates the lines of the environment of mountains forests and meedows, occupies its place with confidence ‘and stands in a sensitively lifferetiated relationship to the existing structure, That means thatthe new structure consciously distinguishes twelf in form end meray, without howover seting @ courtrpaat that is too forceful In this way it will appear not as building supp iment but 88 en urban design counterpart That is how the graceful light figure ofthe summer hall stands in a dynamic yet belanced afi ation withthe erytaline but physically grounded geometry ofthe win techall. spect ture 8s eporonrRp OH RHIAE OGRA} OLE) TRLAG HI Rel BHA aE SF2] BES Bop EBS wl AUN wee ee Ans Be SER CLO] UofA} eo, of f= Fue & ZSBS HEL Mo| WeSummer Buling) =2t ase AHS A Kt. 1USOUES| Ala IEE IRE EL 9100, 1 Sele BH SAI > Sto, Set EI He AROFFSO, Nz VGH, eS Me WapieH 2 Bel 2B pubis 2 Besiom Bua aE ASO Me BAMA -aa29) Ss Soh oe OLRM IE OFT, SE A 9 ol ol wt FRB oA: 2 Rol 27 ORO Al Al Bt ABC SU6| Wee RMORN, FER waa TIS ae JEN 4m BH 1 3 En Winter Festal Hall >> 272689) REBAEE BIRTA role, FF eM, TA a Fe Sale Mz ie 12), ofA W4OLM 2 IPR Ale Em OFFIE 2 nia Puls. 1 vil Ba ol ewe Sel ae a REM 22 1 US} ON SA Meo] BT ARIAS ee YE sg oFt 2 Se 9 Pol CIR Fe 2M OUR RE zl BCE IR HOSE ©), 2a] 2UOe Ue MEOW, 8 Welleee SAB FT Ute PEL Be BAGOE 240] eH gc}, Hz BAOR AE ket 90] BAA TL 4 ME 7B Eo AB 3. YALA ORM RES Be SH, Se d & 8 AA) Hel Ae tl, 2 mhicion 2 a8 Aho 28 F 280 ca SIG CIE BANE SE BATE WE Zod, oe AP 201 CESSES O(BA HAGIEN tel MES FREO| ICE gets i PRICE 28 Slee. oi WOR. ODke ZI Mateo OVE EAL 140) GREZM chy Aol, (NE PoreED 7h/@ S491 Mot Bo| BE Bel ‘Ageing BeIOR 7186 & 71s8| UID} SHOINR aA WAR CHA ‘e steole.1st Pre Wener 2% sonoEA Winter Festal Hall>> “Ts eran Ft te ln ston oe lnated, 2 Canopy, a Shape in Equilibrium ao!Pree Wener 92 Symbo! : Paris, The Region, Their Ground In the heart of Pats, a living shape rises from the ground. It is eae light, fluids Fgu’esthe face of new scale of ving space for Pats and the region, I isthe vtaly ofthis living space on @ metrapoitan Scale that makes comruty apparent where, befor, w= could se only discontinuity. An urtan culture free of segmentation has been born, ‘Shape In Equilibrium ‘The morphology of tne stchitecture isthe resul of balancing al the dynamics of the location. There ate the dynamics of all the public areas surrounding the projet, the dynamics ofthe pedestrian through traffic, the dynamics ofthe forum, of He ‘outside field of the park and that, no less alive of the impression left by Les Halles on the memory of this ri The complesity o these aiffaent goometies is organized and bal- anced inthe project acootaing to @ unique patlen, Athough it may recall plant mats i is rot truly representational architecture, Indood, the model here is nature's optimisation of ach af the shapes she lenganders in agven environment bourhaod A Canopy In tha art of the garden, ‘canopy’ refers as much tothe upper volume ofthe trees as to ne natural sting i pravies for human beings The park's enlarged bya cover reaching evar its ene atea and takes shape with an architectural canepy that contnuos that af th trees and fevtonds their value to 2 place ta tate shelter from hest or the elements © puble The oatk ie visually avtanded tothe rue Lest. nature oanetrates Seremate progam the patio and embraces its depths. From below, one is invited toward the perspective of the park, the commodities exchange and the church of sein euseche. ‘This setup allows for an urban play between public space and the sho 20 forum, as inthe past with the squsre and is boutiques under the arcades. Hore, the urban lnk has bas using ancthar measurement ‘made on another scele and Below Space is accentuated beyond the patio. The ight is soothing, there is sneter from the slamens, and sound is softens. But th sensation is one of open sir asthe cover has a clear operiacrk design aterating lines marking protective and vention festures, iis the simplicity of the principle developed by the old cover of Les Halles Its ike looking through @ tee canopy. The sky stands our below Uutban life is clear above, and urban perspectives ourlied shaaa, Actvty is percelved as a tombling, whatever ones visual perspective at the moment Above : Glass, Water And Light The ovetall materia aspect is @ glass composite nuanced by the sheer varity of arrangements among is transparent, trensicers oF opaque elements which multiply aut according to the activities they sheer This ot glass root, There is a visusl depth inthe vevation of mat {lets time take hod eath day asa resource and asa show the flowaL 4, 4 uaa HORE HED ARE Roize oe ZED Ha Fel WHE mR a 18 He Nes ANEH auBee Hg aa a A aAObiS a Bz| HOR HOSA RE Bol aE SoH ol Re SAeaP| elses eae 7 HAY Rol BSI BS OPE RHE NF A, Ze (SE BS Qe oe A} AAC, RE LSI Le Ba 24, 22 1 2, Hed} el to cas LY HL He GE > Ste o mae Ua] so} ASO atl 7H IPA eS 9/5 Hoke SPIEN 78 788 8, BRE AAD INT Ae HOME| HRA BM Al, MAME Aah 9 BANG AA EPI AC, Oe FE >} OPAOLE at BE | 385 Hol oFFOfe ARUPo|tna| BBC0 Ost eda Aols| 4B 7 ‘sel te, ae oF BU Ua oldoe UEC | Bold, 2ae Ean BBE FSC A ‘Bl Sok oN Sol CHGONA CF ele ODE. of 4 A So) WI ic, Ola ol $2, S| AE Hel a Soe 6 2-821 +2791 Mob ofall AE BLE er, ay: #2, #aeine OSOE AGH DBORINE We eH ROLE A OM OIE ce} 3. OF, SFE Mein Molo cats M2 So) IF oe FarIEO of ey Ro] Sod CE AP VO, Az} ol oN we} BE 2 BE, Mee AB oHSOfUetPhilharmonic Concert Hall of Paris DP] Bey B4Ee orparet al / Joan Nowe Micha Psi 2, 101 HLAONHarmonies and chords ln the word Piharmonic, one easy imagines » lave of harmony, We harmonies, in urban harmonies, The Paris ke # prestigious event which msintans the hermo- jonship with the Pare dela Ville, La Cité de le Musique and the Pari ing roa Priam Harmony with the light of Pai, the ray of aun inthe grey clouds, he ra An architecture of measured and composed tellectons crested by @ subtle ela of cat lumi patton paving thet draws Escheresque on the ground Harmony with the Parc de la Vilate, @ continut bonoath the bulding, pun tions of shade in the shiny architectural surtces, ie Viet hl lowing the example of the Butes-Chaumont cover the urban landscape. Harmony with the Cis pian Harmony with the ting 0 n of Tschumian themes, a horizontal sheltered garde ols, rf the creaton of @ ‘walkable tinal relief bch, fo! forms an observatory Musique th have already boon traced, and the suburbs by the eration af a sign sesle, an iluminated apparition thet punctures gh the drawing of obique on a dynamic, dita through the rele, dsplaying the concert programme. a aad cf ether chordnoeds to be struckwith contemporery music and porary listeners wo have become comfortable and lazy infront ef their HF systoms and CD collections, The Paris Phlharm open space, he all and the foyer hate, pass the time offer earthly pleasures, ding bistros with view ofthe garden 78 can meet fiend round th boutques, eat and eink il ead in the lounges The hal, evoking immaterial sheets of music and light, suspends th jes featuring wide, deep seats fal 1¢ suspended design, one has tl urounded, immersed in music and light. Th velumete is washed with thostica gh ing according to th repertete ing performed. In windows facing the park and the subu listers in @ space on long bala exceptional comfort, Thenks to imor has shal sion of being can be opened Its about restoring the lustre to the unique experience thet el nis, an experience not just sbout the raptute ol pleasure, about sharing tf esre that inhabits the most prestigious Phlharmonifl hall The Paris Philharmonic will bel 19 of this group helped byl calm yet powerful ‘monometaria’ sesthet of cast sluminium wil i hl delicate, peetly nuances, and with the mysterious presen softy glowing within the grey and siver folds of the edifice."Elevation & Section planasusse BOSHOR Hom ABBE tn ASUS alge, Fale egal HOH.A Sale| UE Oc. sel Heto4e eALA=BALParc dea Vite), 2% EAILa ie de fe Musique), BUSES RHEE BAB GAME Bale OEE EA HS, I FB Aol wt sa, | aLD ol OY jaka(Eechereaquel 8B 7 VEoIREBOS © UME 204 fa GAS! 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ZH CaM oth Sek ahisins AF WE He ela BSI sy 84 & ele BM tale ol AMAR ANE ABBY o| Fe og 201d,$s Prize Wher 185) National Kaohsiung Performing Arts Center 3H 7128 MED) ofS}1st ize Winer. leon ‘The We-W-ing Metropolitan Park, the sta of former military com- ‘lex, isthe locaton for the new National Performing Arts Center of Taiwan, The complex features a concert hal, an opars house, a the- ‘ter and an open air theater. Hosting a total of 6.800 seats and the ‘most techriologizall edvanced thester faites, the new cultural com- lex will draw word class performing artists and that ‘The National Performing Arts Center wil become the new icon ofthe city of Kaohsiung, the largest harbour city of Taiwan and one ofthe lafgest harbour cies in the world with 1.5 milion inhabitants, By bulding the Performing Arts Center, the city wl symbol lution from a harbour ct to 8 moder cultura iy ‘Tha highspeed tran between Taipei and Keohsiung was completed this year and the new cy metro system is slated for completion within {wo years. The surounding 66ha park isan integral pat ofthe design bret companies. Macanco designed the eurounding park with ght slopes, valleys and \water pools creating timate public spaces varying in sz, scale and proportion. Meandering paths lead to boteical garda, a bamboo ‘rove, a playground, a tea pavilion and a butetly garden, ‘The park design isa logical continuation ofthe theater complex with its puble open spaces snd roofscape. Busing end landscape merge naturally, forming a unified whol Banyan trees, ‘An important source of inspiration for Mecanoc' building design we the exiting fone of the word's largest trees, The crown of the Banyan tres can ‘grow so wide that according to legend, Alexander the Great 10k shel ter underneath it with his entre army. Mecanoc's buliing complex i 200m wide and 160m deep. Because of the openings inthe root, the passageways and open spaces, an almost porous building is created in which inferior and exterir but, The partially grass end plent covered roof eretes naturel and ecient building cooling inthe subtropical ‘mate. The large root also provides an informal public space where tl city residants ean sol, practice Tai Chi, mediate or just relax. Insp by old Grask thaster, an opera thester wes designed on the ros complex at the point where the roof dip to the ground, The surround ing perk in turn becomes a stage nturis-old banyan trees on location. The Benyan riatonal Kaohsiung Performing Arts Center >> Prrspacive | ojos esol BAAR Agel HOIFRIWorWi-Ying) MERE! S01 ch Fel 712 a 2 OSM} ROM ISR, Moe BAER, SHIRA, we -9| BBO FYE Zk 5 00>\s| Hin ines SEMIS QE OLE IOLE APNE +E SOTA oO eA {38 PAW Alok) olBM 15002) 9 FP 7H CR CS] PENI TOBA BASAL 1A Mel SAGA SSPE OR Zia, oMlls IosAE se TAME Bel BS Spon}, Me BOMAGo| 24 Yol BAe AIOE, csi Be O01 Shan Pai= BE aac, at opty ope HSH] 27), 72, BR Relbil WeTE, NA, BRO S dee dew BAAS UME, BEDEE UE ABH GUE 2 BES te Old > ae aN, UbIOE 21SEC. SAHIE 2H AMOIAD Sse 7H FOE PASO} BT MesBO| eae A SUSe WME! Ha elec woue He! il 7126 AES Oldest AWE 9UE FA BlelHROIE of MaKHPE MAMI 7 SUG ays 49 ROI ae At Be ltl SC a 3 20 2 ORD ACR PF OEE HAR OLENEHE & ZOOM, 20 160M HEE BOE S, $8, SEARDIAE ceo) AU] BIOH Seal Pee Bek BEAL. ‘yENog Non URe Gel ABE oad ROM MewoInE SBR RR YUE, S58, ACE SADIGO| AM, a 6, Me, FAB A 4 UE SEAROLAE MBE, “2d ale SOU oll ole Hol Xo Helos xz anal20a Pre Were National Kaohsiung Performing Arts Center AB 7126 HEY OSE} Zana Hatt ArctMocts / Zana Hab, Patrik Schumacher Rt IIE OF FA / at ICE HEE HL Bid soe vow (gh ny 2h Wag, ee 0, a argon, Tig 9 Zang Footing, Te | Funetion Ars cat | Sia aan 55050 | Design patipatin i Situated on the Koohsiung city in Taiwan, along the develop ng MRT public transportation line, and between the Zhongeheng Stadium and Fongshan Cy Sports Pak, the pic- posed site for @ National Kaohsiung Performing Ars Cente has the potential to eatalze the development of 2 more pub and intemational Kaohsiung City. As recognized baso of industrial commerce in Taiwan, Kaohsiung City's infrastructure is seady well estabished, With the inclusion ofthe new MRT station on the proposed site and the establishment of the Metropolis Cutural & Artistic Belt along the line's east / mes. trajectory, tho stuation of the National Kaohsiung Performing [ts Center, with & major pedestrian path connecting 10 the station, reflects the significance ofthe MAT as @ marie lie forthe project, Simultaneously the main pedestrian paths acjacencies with the proposed commercial district, as well a the open boundary around the sits perimeter serve not ony te establish an opan connection to the green scapes of the Zhongzheng Stadium t0 the North and Fongshan City Spars Perk to the South but as 8 mens of fitering traffic ino the sie along this public 9 n band 3417128 Ee OLENE CU) ISH atl 0| FAKE he o! MRT ciBaeIe We} BM Acicizat BAN AEA BANObS On, 1 EMOLA Sel HS ARIA sole ROI. 2 ‘GATE Ril w ate tae is elzeH 9 %0| eh slo Seo Se MAT AuHIO| EH S AOS met eee ‘eelakads7t else co] # BNE Alo| 78/9) AIO ol so] 39. MN I te, BA 9 afeAIHO| ae Fa ‘ano PH Ho Sol A= S| BA ASRS SA ee WMA] Ama BM OULD SB SMMEH cel Zn UE SOIRE! Sug ZEe¢ Fo] SPIE th‘2nd Pron Wenner _25% ‘Voronoi diagram Te achieve an open green connection while concurentyfitering pub- lc progression through the site, the Voronoi diagram was adopted as @ method of organization. The Voronal algorithm produces a close pack- ing of convex domains based one given point cistrbution. The pattern is akin to many se-organizng processes in nature and gives a strong sense of organic coherence, In evalusting the assignment ofthe local tweosured trees, historic buléings and site tounderes with Voronoi calculations and using the resuiting pattern as an organizational design ‘incpal, we are able to respect the curent situation of the site and cultivate @ strong ffliation between the building andthe surrounding peck-scape ‘Surface composition The overall form of the bulding itself seoms to grow out ofthe pak tained landscape, merging atthe top, to form 8 canopy that shades the public plaza below. By developing the form with nutbs surface geometry, based on the cluster of voronoi shapes that comprised the building. the voronoi pattern is expressed in al the elements of the facade system, Built around a structural system extracted from the UY geometry of a nurs surface, the structure / glass facade system inthe flements running up from the ‘and vertiation ed 578 OAD Aol 91 UE ESI AE =HSP sisi} Bel Voronoi Fabtioe Aigsine) Beol TARE FON a HHO13) -2s)0| 95 YB 7a REI, 0] ALE Mell NoHUE BE APPL AB) 3 #Aiso| U8 IE BAU Sey aco] AMA) Ase Ye wR 3M) rflon Ageol Molt et UF. 2h 2B, SPIRDIal EB ADO ‘Fale cave] om alae Behn Gas! Fy Ba Zl ae Pale ee ‘205 A] ARLES moe alo oA as fet SSE MeN Usd UE TAS BECO) wel ABA a rurbs(30 e7ate! Manohla BU Tee 715) HOPIHHOR 0) WEHE ojf02M Seo] HUE SHEAAUS| SE OAM) EAE, XE; ABS) fg, BEAM 90 TE nurs Halt UY 78h FRB # Boe oti Pa/PeUMISAAMe OF eexo| Sag etattcyatonal Kachsiung Performing As Center >> oe eee‘210 Pigs Weer 252 "Elevation planThe National Kaohsiung Performing Arts Center 3H 728 HEY ofS Ae}Groen acta ste ‘Architectural Concepts With its complex and extensive program, the NKPAC is inevitably large in scale, However, 2 monumental, singular and massive structure tht tates a universal containment ofall required programs run into the risk of alinating not only its users, but also from the surrounding ‘envionment, Thus, diven from the wish to create a friendly, weleor Ing and approachable space, our design forthe Performing Ars Cente is read in a series of sinvously elongated structures, These lative ly low and dispersed volumes merge into the natural landscape and allow the complex tobe perceived by the spectators os ‘A Pace inthe Park’ poe one can fel comfortable to move abou and eax with in, These forms on the landscape allow people to enter and penetrate easily, while its diferent parts of the ats working within, working togaher joined together- to mate @ meaningful whole ‘The design intends to ‘make sense’ -not only its form feeds the func tion- the building flows from the interplay of the theatre and ats furctions within, but aso is structure, services, construction and sus tainaility 0 make every rational senso in dealing with the local seis- ric, weather, exonomics end energy concerns, ‘Apart from providing functional and efficient performance spac ‘anather significant aspect inthe design concepts isto encourage pk lic paricipation and interaction with ot within the public spaces. intansion ofthese areas isto welcome and engage the public “nc ing those who may have no particular knowledge of or interes drama, opera or balla into the building. With spatial flexi support eiffrent gonres of aris and performances, the various fo auditor, together wit a series of public spaces through out the es plex, are ble to cater for events ranging from grand theater prod tions to smell or ven spontaneous street performances, ‘The complex wil not open tothe public soley for performing pura it wil be an_ exciting playground that is open and welcoming oi publ through out tha day. With supports from a varity of cata Fetal, end other recreational amenities, the pace ie where pea mest, mingle, shave diversified experiences, and create colle2 528 718 Fe 7126 mG Ole Oe of mnIHe BY F8Hein He YB, Sel BONNE eLA! 9) aoe oF ADE BE BH HBS ABE EO oY 220 Soke BP7i BH Weel) TAN weehas Ee fat Scie ET F=f Bel Ze mE OFS Mel Ri SOR OSS FASC IAM BOD} WORM we ax Bist dows BSD SASO| UalIGOl HBB EMCI Be $01 a NOON 2G UB Hel OLSsIOI #4 9153 t,o BAL Se 21 UES CHG + som ole co] ze fee Ho) sof Seis ol ae BN Pa + si 8 78h BS olAM He ole, | ab, 2 aris Susie 7A, Ae, A88 SAE National Kaosng Performing Ars Contr >> $9) SE ONES Me] EU (Ae XIEO| 9 WICKS B18, ae, UR, G/M IER teow sts: ole, rise SAS Oe Ae aol Boks Wee. = cE Bae AoE Bel told BSB SU use HofoLD os alae Hogi. aati ae 1B IEE 20] SOMEC, 0] BUG Seok 0, One, wet Sol SHH x4 | S784 BAO] SAE OFS HEH veo] MEY HEA 271 SHE 20) 1 a0] GE Bee a0 es 88 + HE BUN See Ie CUE ES] EA bl als! tel BERT AOL IE oe BAIS Belo lol Woinis 72 AB cle ONE ABH + Bc i728 te oleate Bet SAO S aleOb Ts # Ole SEB = 28a da ole, cle 2 wo} NS aE Re 7ID8 t= AISI GT, OFBELD, CN IB BRA ME eB SHROIE col wallet,Programs The NKPAC is composed by thes viualydstet sinuous forme : the “eli one, oF the stage domsin, te ribbad one arte auionen dei, and the “ctf one which houses the publ function. Thee thee forms intrweave “Tho sold ‘soy secon et 0 the backbone tothe complex, Tis enforced corte structure is designed wth minimum aumter of openings. eet to ‘ul ne echnical and operational requirements of he Beko the-housefune- tons suchas stages, shops, desing rooms, teal paces, ees come, te With serie aczes though the underground lvl the technica, stalls ‘te rss aorta proiiery and safely other work ples or det tons, Due fs coninsous frm, the vatou facies ve omvenenty shared teu managed by trent heaters. The ‘sulnc’sacion houses the ausanee functions auch as anes and fy rs foreach thas, intermission lounges, tlt, stairways and elevators bwinging people up an down, Te enhance the intrscons between the patrons td the era pubic, the winding promenade at round els designed fr ark: oars to move nan out rey thougheu the camplx, The structure of tis sections composes o seas of poral steel rames, eloning views to precy 87186 ME LEME ARO Hao] FANE Ba Hee DN BzIOR Fe, ‘elsteola) SAF Ge, Wokbed! BAM Ua, AERGOH! BBE wel OLN HERS Me a SHS OIRO l= BeHW HBO O| ole aMKE aE eas susan, ‘$US $0 94S mS oinenl So oS HC) Ha Bae EE Go gD Ao) SRI8E 7 SU, EY, WN, et Sal Be XLS as 2 (8 SA 7 MR tla Bll HH ae, Bal ast, 8m, BL WO Be Bia ROL at Below Hole, te Me eo CN ‘oz eas SW # Om aA BeIN PE ‘ay 98 4 ae SP aH, 2, Hag, A, IMO Bo De a ZI ‘pS Saha Me Be 3 ee RE Mors 2 Le gg Bd AA.OE 1 So FFE MST) BB EM RR HH HES led HAE aR wise, 4 de FEE wae 48 EanLOR Hse a MoRe =Be RL oleate a ae Boas ae MEE ‘he park and ve vr, The soft publ’ scion flows in and ou, stain aha othe tage side othe euderce sda and accommodates lobbies, cafe, ond srl goat ‘open sss that permit impromptu end infra performances. These thee unduant shapes itrweave wih sch cher end frm thee that contain th Concer al, the Lyte Tester, and he Playhouse, whi ‘Beckox These setae the suthrn an. The saps of hase pats ing halls are deed trom an Egg) shape dissecting isl witht oum 9 ‘ny, thus coating diferent volumes with outer ‘eruatsurfaaes end i ‘substanes! surfaces, These vlumes 10 vibe to the spectators trom th underground Toroughtere 2 wel as trough te posse frame ro side othe complex. Te ening its and paces from tne Egg a among the plaza and he park: tes fis ave ori acces 1 underground evel and co uty spaces Unquesionstiy, he tear cla, or pathaps the ew jel of thee le, isthe feu paforming hall, Situatd respectively from the nat t thoy ae the Concert Hal wih 2075 sets, the Lyre These with 2000 cots Poyhouse end the Sickbox These, bath te abet transform ito ta odes of arangement serve ferent yes of perfomance. ‘sa! BS OSE He OMOKH mH GIR she AME 7iiz OO, Bee WU 2 ee He Be BolOFRO St eh #8 92917 SHEE Ae SHB OIF BME 8, OB. (BY 335 BUS Wah. a SHHEA SEIBlabo« Taare 28 BO A ee Bue WRG LUT WM RBSIHE & ORR Rat AR FO ee Re Ce ee ‘BU SOAS A¥ Be Able @™ Eo Rc. WW =e FERAL AOE ‘Ba Bee 9717 Meso | BNC MRR #30 UN A Us a atc, 38 B ANIL BY, os es Ga a MRI BOR MISE Be “32 IC, WS 98 lll Betsol Me Ob BME Bz. 2) 3Iko00H), 3 NE, HAMA AOI, ofS FS TY SL aE 2 2a Bee HEME R BAT HAR GHA MH, N+ SR Wi,National Kaosiung Performing As Certer >>Heneale Meron 7 The National Kaohsiung Performing Arts Center RE 728 HE OEY Weber Hofer Pa set 233 Ste planHonorable Menton _ 782 "Design Concept ViPcivatr ——_olnctr forte aerce mm. ht /Obutrfor goad o very sl ee Paes mE sdece aes sage mm dewurforte suf = extn Vor ain panCorea etn for the Nations! Kaohsiung Performing Arts Centr is ibe simple concopt of uniting the various performance {One single roof. This oof, 250m long and 100m wide, ote between heaven and earth. itis supported by accass ng he tars and elvators, The building i anchored in ihe sage towers ofthe Lyric Thester and the Play House opan ground floor is secessble to park vistors as gus. Kaohsiung Performing Aris Conteris situated in the Scio f Weivwying Metropolitan Park. is easly accessi- fetsng Weinwing Metre Station and i readily seen a8 2 tha Fghwoy as wal as fram the Zongrhang Rad. The les is segregated to the eastern part of the property, and Guotsi Roads with an excslant conection to the fjce shouldbe used for public services, thus generating fees wih Weiauying Metropolitan Park and insuring & aighbarnoos Tho National Kasiong Performing Avs Center Lyrica san Architectural Concept The envoloping trenslucent roof not only. provides shede, but also nables variable lighting effects and framed views of the surrounding landscape. Athough the various usages ere intgrated under one raf, thay ae separated into different levels. The thraa basements contin parking, loading and technical services. They also assure # minimum of vehicular teatfc in Vicinty ofthe Performing Arts Cota. The ground flear is ticket contr, shops, retourans and 8 cafe. An axcade formed by the cantilevered root connects the two lakeshores. Two escalators lead to the foyer proper at a lovel of 12.00m, The entrances to the Concert Hall Lyric Taster and Play House ar located hor. The foyrs ofthe three Hells are clearly differentiated. The multstoried foyer with panoramic views of the lake is @ prelude to the variously coneived performence halls, The Black Box is rached through @ futher escala- tor at level 24m. The balconies of the Concert Hall end the Lyric. Theater have their ov lobbies overlooking the main foyer, This visual exchange among vistors at various lvelsenaures «delightful atmas- phere, A covered outdoor terrace atthe 24m lvel gives vistors an unrivalled view ofthe park andi doa for eolebrations 1 immediate esble for vistors on all sides and containsFH 7108 71908 mae OEM Solee MERCI HH), OIG BRIA} AIO shoo} SURO w OKe} TARO 4 AO 57] Bl SEAS 7B He, He FE A] Sol sel 25} P1027} pio BRN HA HEA gc, Ae PE BRD) a1 WAN 3 700) af 5 ‘91M 12m SolrR| ARSfogle, BE, Sate A, ‘42 12m Role HARI, SRS] AE Bere et Ball Atl ih 42 el Be 220) ist ce el Fae OS aeeS AeH= Zo oF-et ofa) Dm Sold 21204 1 OLABAOIEND WEBLoRE 221 287} Loo} O14 ofl zal 816 WARGO) 2H + SLE AHIel Brig #3 ite, 24m to 5= Pa ha Bi all1 Pn Wier _ 90% World Mammoth and Permafrost Museum AA USA 88S SABENA) BD Leeser Wrehitecture / Thomas Laser 2D OAK / OIA es, '= Messing concept Progam eosin t teste Fora toe epoch | Faneon: Museum, cai euch fait | Suusue: Sel Yan spruce fan, lane Parle, Seon Rl Ene ute Ko Fata Lecaton fest Sit ois Yoh Drslgnparpnton: Cavan Adon Jongh ana: ae, Pee | Ow OF a{Pron Weer 1 Environmental systems * Circulation diagram vaso sono eh ‘2 enna goeton cr opt tes re ar SamnareyanPoo 2s Ba sa Errore srr corre rete er oer Heo eam ne ON ABM IAM, BE CR IA IES SAox. Taking cues fom the upturned ground of ren the box the mast simple, compact, and ein in emulation of the angle of the hil. This box i rd programmatic coisas 2 over a peterned ground, The continuous fyer of the ground surface prone to fost heave wing cyte, sol and stones Shit ino sl-oge hich there are several quintessential and powertul eitroduced othe sia inthe fx of cals parted tes and tres, reflecting and erhancing the ei ng ite hyology _ ¢ geometries of he parmatcst uly 10 be cracking, ssi skin is paterned bythe pe bewoen pres. What appears esi Tenscene the by-product ofa super inulted ime eae gle skin eyter filed with Rerogel,»sam-vans BipePaor made from vitually weightless pores of slice sus ine id bencen ayers of gles, While fs dfouk state is one fs ervolone features no windows stil nc ta convo ono it in erated on logs tht channel the sructrl leads of te builing dow ard tots foundations, a gap between ground and bung seperetes the ‘Museum, and he heat ganerated within, rom the thermal sensitive pe st. Even the loetng dock floats 35 @ lage thermal cut fed in rack embedded inthe building's underside oporing to admit voi From within tis 98p the Museum vitor catad up a bank of escaltors sheathed in @ clmete controled tube wherein they float ito and the trough the layers of the Museum's volume, On this agonal pathway Glimpses are atferded, frst of tho inner workings ofthe building chanical level, then the hypercontoled envirarent ofthe research ‘nd labortoris level, and finaly the museum lov eseatch demonstrate cent, the welds of the museum end of scone thei coexstrce without contamination. Win the lofty end sty gleaming velume of the Museum lov, noth call bark grosents lt. This one lads downward, sing through the lururant garden and the underside ofthe building ito the dark recosses ofthe Permarest Galleries beneath the Tehoutshour Mo stor can ens of be had As an aternave to dascending to the peratrost galls, te reat tthe cafe etace, nested int the indoor garden the lage flexible temporary and permanent exibition spaces ci These 9866 allow for endless spatial reconfiguration asthe Museum's{ePrize Wenar_ 988 xt ton a4 ‘S4BBL LA BA WOE, Tehouchour Mouranel 4 MEIN CHB G8 7 2 Seek 2geol Rael ZHOU A + OE MA eo A tol 219 SB AofRet OL AE 714 me TAKEO AMIS Zl SBWE Aeo| SE Ae Aol w= SHOR Mle Mo OPA BF BE GX 2G BE MEAS gol ao WIE wo}gzle Hel B71 wo a etc, Sa Bal FOL we CI Be AAR ates EA! S12 OA UB ne & IPE OFF Sei WHER el. 0] SR WHER Xe A Co] 4, 4 G0 BM cr O18] o> 1 ele sot ADH SHS FR Sa lake SPS HCAALLA) Xt] (891 lol tet eto seh sit 2 2) PE MOEA OG ae eg Aol Bo Ie HS A/a, Sp wERO| wl 1S HC AL 5 O 820} HBSD|sEROKCo| ake oizwe 715 % EAH, aoh2zo| 2921 8 Als Szil We 01 971 Be Aer eR ISON WIS 3 eRe Lee NEE ole, He oA! 0| FA Iso akZO| a 2 tt a, ete So Peek FON FO] ABST tt iB SE ofa ROL AH a IEEE NSO AENS\QD1 atROL HI 34218 Aol Sol MBG FEEANLAAAL) A LOUK. AOE Al Norte ston (BAUS OF EAI Seok oe ole HSA aT ie gulmen B7S Ola! Bag ofa 3} sel Ao] Blot WEBS] $5 Se oLARlOIen| ete a ADIGE 718-28 RUAIE BAPt HAsO loot BBW z Boe ofa ‘BB S28 S2io| vo, GoI2EC) 7PAeo| H vl A, 71588! am ‘2S af, Ao oat aot sit. Ago SoM Sze! 8 a0 aD} a aN ee LP Sc ‘Bol 2 AA SUE MIB! 01M OFA ENaolefl we ale ee ARptOlete Ole Weta) AD) sel AS TIBI OR tt SPEEA) aeele ate ‘SAE ALA Im a alg Bet @ eh A OA 2 PSUR 7A >] Meo AF EBT) aH MWC) NG BU #18 ZoeMarina or lnst Prin Winer 2 | MCUR(Museum of Civilizations) | 23 wea X-TU Aries / Anouk Legendre, Nodlas Desmazeres 1-H OF IRE OFS BBE LIBRA HOLENOLS, Lectin : Sau, Fare | Funan : Must |S Che Beton Arte Buse, Noa Base. Pap Sa | Stores 4. | Sucre Wt | Design patelatie 0* Landscape plan — \ | * South facadeMCUR,Museum of Citations) >> \ Focr loa) Grund Ha: pln Fer slen( +)J J ] F oa14 Pc Wane ‘Formal plan Changuen's image as a city of hi-tech machinery industry, its slo- 9 ME87IM Wt last SS youn gen of young city, Changwon and the laticetype urban stuctre of the v, Changwon were import orate image ofthe the dynam an high saete & 2H ols we lols cai aso ee ne exparionce os ch image, | also had to sel aerials as wel 7 18 W014: Ae 2 5 designs with prudence, 5 | os 8 7H ero The engine, which is a dtving organ which had opened 8 new pars «ig since the indusvlrevolaion, ansforms various ene into kinetic: energy. The present concept of engine is evolving from a8 BAe] AlcHa} ols aR ROIRE SARIENE ws hysical energy transformation to information-based engine. The OKC image of such engine isin conformity withthe image of science city Changwon. In addon, the flow of visitors will work as an energy in vitality. Various types of cylinders and ass curtain wall which bind them into one will become & new d ing force of Changwon "Section plan (roe setaChangwon Science Experience Centr >> ‘vr vee Fre bse loop Sion toe in|Gimpo Yangchon Eco Center aE 98 OLRM} ‘Yea Nohtoats Planers & Associates / Kim Seon-iae OZR / ZH ‘Steplan 3B nel awnoe ui, 28 UE wastes Location Gg, Kt | Function Culture & esr ati Sh tea 9509 Beg tee: 1862 |Tta lor aon S8 | Steven 81,5. Stet: Reford ict See HA 7S eH BS | BE am EA A 9 RA: aE OAL SoBe BR mNE, Ne Fx: AGAR Bae |‘et Przo viner 928 As a landmark proclaiming to be an ecological residential complex in Gimpo, Korea, the Eco Center in Vangchon, Gimpo acts es an informa- tion hall and an office of business division of the Kores Land Corporation. The mein pont of the pan is to construct variable built ings to be a gsteway to eco tours by transforming the site into an eco logical center to experience and observe aquatic creatures and migre- ‘ory birds living in the brackish region ofthe Gimp plain in the future. ‘As Th Yanggok region in Gimpo where the Han River joins a wetland is tho largest destination of wintr migratery birds inthe Hen River ond has pln to restore the crescent wet land, the ecological vlue ofthe existing destination of migratory birds will be enhanced and the ste wil also act ese place for ecological education where nature and man coexist when the construction of Gimpa ecologies residential complex 's completed. Layout plan ~The mess which uilzed the form of the existing land reflects the imege ofthe elevated ground level sosting frm te plz to the Han Aver end is planned to affect minimum influence on the surrounding ecosystem. ~ As 8 land level plan corresponding to the crescent wetland north of the landlecological wot land, ecological grasslend and ecological \wateray following the land), a step-stvie outdoor space spanning ‘rom te roo gsrden tothe ecological wetland is eeate by utiliing the top floor ofthe Eso Canter. Elevation plan Borrowing the form ofthe ground flor elevate from the land, ‘onmentall-iendly loess blocks are stacked horizontally to cr image whore the land and the building ae united. Curtin wals ere used forthe edge of the mass which mets wil Han River to secure views over the Han River Section plan ~The rising ofthe lamp from the education, management end ‘diary fcity areas to the exhibition area along the elevating fa the bulaing induces the chango of visual experiences. ~The observatory overlooking the ecosystem around the Han ‘and Gimpo New Town conforms tothe form of the rising and ing bullaings and as a gradiont tower, itis planned as an ect ‘where intemal and external spaces cross across each othe iv by using naturesriendly material Floor plan ~ The to masses atcuate into the information hall inthe non the office of business division in the south are connected underground space and cculationsystams are created conte the lobby. ~The domain of the office of business division in the south renovated to be an exhiiton facility having two exhiiten around the lobby,impo Yangeton Eco Center >> UE GE oladete duel MOREE Wale Sema EMEY S¥s, eS RAS aE Och, 2 LEM poe GH MMOD a ALN kale PLSD ola 9] 20 Si welt BR see FRB Ftc, HE GRRE BI G2 GrBOD! SE Otel ARMING! ACH Set eHeHen Salea aio 718 BURGetr MOY 7} NOL, 1 MAREE 2A) Sok Yo CE OBA MEIGS ORAS oI ae sc ta 7H Coo WW MBE AE SUN HHI Bel BOE Bel MBS fon eat A 2 Fe aebiol aiss] Be OWE Be Aa, Us| 5S; vIEWENO| HBHRE Cm] WHINE SBake HN, AIAN, asz\CR, Lao HS WH SAAN AGZOL OLA A ShaC! we eat RPI 8718 NBS Ue NBelo lal Mae! HewS Pao aot rst ZBO| a Up se ola ~ eal US AS] OS ER Ao oe) 2H a aay ~ Wists BES WAR MEE MHBO| ag. ae RERREI AAI ans] Oe HOE APS RE et Fe Us 1s ASAle aie lO 4d Brie BSL MeL FONT, AA et Sie HRI AEB HSsol UB Sco wIwOR Die LAE AN sam 5 BEBO US Hie Re BME F dla STW Blok oD ao BS. ee euade te WS Ate ARS S98 Be GAWale clewsD| aulaIR Bow Zia Aas we1st Pe Winer "Elevation plan =>. Froreleston 7 ot eleston "Section plan Lint e as coe lunascavePR ie Te1st Pree Wer _ 288 Ulsan Metropolitan Museum enmenlgeigat1st Pree Woner_ $8 [A museum should be a cultural complex to anhance the awareness of cultures based on history and provides vistors with the opt Ulsan Metropolitan Museum is organized as 2 small cultural conte harmonized wth Ulsan Grand Park on the basis ofthe site condition, is designed to invent a brand that transforms Ulsan’ s conventional image as en industrial city into @ new image esa cutural and envicon ment teendly ety In order to symbolize Ulsan's cutue, industry and natura, © mass rp resents the history and culture on te ais of Bangudae Amgathwa(stone Picture), while @ mass represents the industy’on the axis of Deleheor theolchang, which isthe origin ofthe Iron Age. tis designed as an ferwironmen-clnaly museum vnited with neture by securing te con- tivation betwaan Ulsan Grand Park and te se, People advance into indoor spaces between the aperture of the stone picture through Teyeongmot(pond), which symbolizes Techwagang iver), They include storage, study, exhibition and education func ons. The explt functions ae closely linked by the centre courtyard in oder to provide vistors wih convenient passages, In addition, a varity of eutural places ara arranged on several outdoor pois, They ar expected to atact cites as open public places. MBSE AAS AN £2 ol beso 9] 828 Mo) of EAMLOI, Bala, $82 aon WCHBB UO BE SI OLE Teil ABE, ENG ORE BaBLOR =YSINC BBA] BUA] BER ololxol 9 ABOEAR Miele me SUE aBHE 20H AM] Fell 2421 28, W01, NOOIHE TINE AIMSEIN Be eUAtS ue 22ine| Re Ao hea] seine, ab Leste eta Zito St ‘Bol lhl Hoke elo OLA sfc. CR OH ol Gy RACER el OBS clases asio| Ne GIRS A oe eet fag Ae RRS Mu ACE Sl] Mot suni| Svfole A ED UE GO OFS, AAI, BRN Soe 2 Heol gE Of ch 221072 SUS SOE Zea WAM! AOD AS 2 He Nes 4a RAS Ac 50, Bat SY slash Role Ch! Bal 9 ASS ae ‘SAAIHO| ehaL 7 8 + ale el Ba ateien opait 22,Fron ew og| Patriot An Jung-geun Memorial Hall SBOIAL 7a‘ste Winner _ 28 ‘An xcite’ntertion sa necessary conditon of construction, not a sut- ‘cant canton of constuston, The arhiet's intial intention fs general raaiod ater undxgoing the loss o distortion of arginal mesring accord ing to given condions and inthe couse of scusion As | was propaing {or tis design competion, | came to have @ sincere reason not to change my original intertion. Eventhough itis not ees to maintain the original ‘concept he end, | had to keep tend now fal happy abou the journey in whieh contained eveything. ‘Symbols and ceremonies for commemorstion 1 specie meaning is given to 12 columns and a coromarial space is designe inbsrmony with the architecture, lend and nature. What i tobe commemorated ‘Should ite a memoria hall ony forthe pati, An Jungrgeun? This question reminded me ofthe 12 members of the Dongudang Union who cutoff ther ring fingers asa sgn to sive fo tho independence of Kote from the Japanese ru in 1908. The right approach to construct 2 bung to commenarat the pat An Jung-goun should stat from shod- {ing ght on these 12 members agen, The 12 columns which symbolize the 12 members of Donguidni Union is an architectural interpretation of patit An Jung geu's ideas and min, Namsan Park |imaginad a mamaria halo be erected in the largest central park in Seoul in an ea of 1 milion squee meters or more setchng ove the Jung-gu and Yongsargu districts. When | frst visited the ste, i was the end of February. Tin ard tal acacias wih straight rarches were abundant inside and outside the rectanguir sito of Em x Gm where the memorial hall was, to be sod. The tranquil and elegant memaria all to be seen through the ‘woods wl connec between the nature and lad of Narsan Park, How to commemorate ‘The consruston of buldings too commemorative of a speci subject © too holy oF solemn to strat pople should be avoided. Aren't homoge- neous and translucent materi cresting @ natura sihouete beter tan coarse conate fo the mami hal?” Art gh ond verte inten spaces in 12 boxes beter hans dark and crematc space for the memoria, hall” spe for worshi canbe crested in aight space or ouside space, ‘ich may expand the memorial space ulate, ‘Tha coremony o commemorate the building begins st the sunken entrance ich is one tp lower than the suoundings. The pond anclsing the land dels the seperation of the memorial hall from the suroundings sly. Vstors we slong the entrance rem, looking atthe ptot An lung gun's autographs and aalets inscribed onthe reveal. The long and ‘let journey into the main entrance onthe opposta sid of he buildings ro only tarstona pace fom the present othe pst but so @ meu ‘spice and extral exibition space ofthe mami al Inside the building i there a cota all of worship which s open throughout 4 stores where vistors pay homage toa lege porta of patio An Jung geun ‘a7iel aie 72] Maaely # Suze sx Reich 2 2719 tn ‘Bol HONE hve x2 Hole Mt go coe 3 wR MS ‘364 1871 oo, ves SNe ee OD RS SOF 2 7 7h Bn He IB a sin 2288 AO A. SE 248 Wolo We 3 80 714] ABN I i att a 2m2| 7180 IB HOD, 3 28D} ALD Mol OFFeH al Bee Ae, F948 71M 12} "Be ta 118 AB leeooft eho? 0] SE UA 19008 As Pane wz CREE ame SRD SURED Hach, BO NE 7s] A RES ole BoM TEE Renaehe ae! Slo fe. 120s Ste AEE ISO) BS Sil 04 UA whe ZgHal AOI Sc waae eZ} St sol 79} Po am eta eo act iS The 98 Nee wrt Cs 48 ESE 7} 79 Behe. 2b] 36m x 49M | a} Wl eine, 377+ Ba 3 tales ob OHS ‘94 Mola Sole OBA] Ba, HARUM aie, =ReID colt gaol Be webs my mm OAM & ZO olga zie et IMAP A HIRE Sea, cia BISA! LePiNNS ao, ee 8 BOISOMN Safe ARE NOY ole, BaPlEs aE +7) Bol OBOE Nate Ato, ofa sae BIMBECE 0 a cep ESO o| 780 Hoke BA0|obwNIP A dois He Selo, IMs: seo, BAe 7M4BzIO| ck 891 718 sie ie Sees oa We la all lal APE CUxjl 2 Sek So lao eno] eh Wa alti) a mel 200 Bal Fee ADE Oe Sol $0 Ob Hela dale # SUFM2| BED 2 2B OIE aH PIE Ak Blo sol egele| 5 BAIAZIO| le. UFO BOISE 4H Bol Ba AM Be ae BOI TRO ORS 1] ay 3 Blan aes ag Teal Mae 2 oto 9 2s a wera Monee ont 28 7188 oS eR Apsedenba coe faeaa sean Gres Dray s 10 Anson mown ot spouon ‘yess 2 a 29a) Gxagene sume resi 7a 483 Pttot An Jung - geun Memo Hal >> aking pe 201 CIE 7B RE A sn 2001 sam a4 a8 Rete Re aN nae voto Beco ga Rg He Ge nog e2ae Se Bago EN Bes Me ANB Exhibition circulation ry) pow ge nae) Faeaees ne owsa ese een maeoe og eames ae ao seunPatfot An dung - oun Memodal Ha >> second oor anPi The Museum of Namyangju History BORA DeAiat rn) Ay "Design concept & Formal plan oe wae ssa 9H, nea | PEWeer A landmark of the City of Namyangiu and the only epigraph theme musaum in Korea The design 1 assets containing the sprit of predecessors, provide an educational 3 the Namyangiu History Museum sims to preserve 12 for scondants, and make a represetaive tour sight ofthe City cof Namyang on the scenic Han riverside, #8 scenic view and favorable geographical conltions from the standpoint of the Chinese topographicel theory and is located soly tothe northern end ofthe Paldang Bridge. The site is easily sccessile to and from the Olympic Read, the Cy of Henam, Wabu up and Geumgok. In addition, because of the constructio Preongtaek Staton tis expected that more people wil Visit the site. 13 evorable geogrenhcalcondtions to be a landmark ofthe Namyangiu ‘he st: 2n administation building core building sponding to the Han River and front road, Exhiition Hall 1 core sponding to Paldang Staion end Exhibition Hal 2 corresponding tothe Jungang Reliway. They are sited to harmeni tonaly and visually with surroundings func- The front yard of the Namyangju Folk Museum is planned as an out door monument exhibition zone and folk plays zone. The outdoor monument exhibition zone materializes the tretional stone-wal ath which overcomes the lav diferan fan easy access of the di naturally thereby onabl bled, The folk plays 25 2 mult-pupose outdoor eourt to support and various other outdoor actives, vation plan Various facades are planned for the elevation, consi {rom the 6th national road, allway and Paldeng Sttion. The extra finshed with exposed concrete and glass, considering the mainana of the buildings. Floor plan The site is divided into 3 zones forthe convenience in use and m agement: an exhibition zene, sup The first floor accommodates the Exhibition Hal ‘om, multi-purpose room and administration of ond flor, the Exhibition Hell 2, ceteteria and r Exhibit #2 8582 gp23 ort and experience zone and ad a storage, exper 2, whereas the garden, Hals 1 and 2 ae connected to each other naturaliy ard storagais sited closely to the exhibition hal. F story used are sited to face south, lie which are considering @ working ev tment. The cafetaria'on the second floor is planned as separate ali al mass to prevent the spread of offen (over the Han FiverCrea Rone eae eee eg Cee eer Comprehensive Research Pavilion of Kyonggi University CELE Ries Pc eee see eed cose eer Michuhol Foreign Language High School DE hse 2d STR Ta egThe New Building of the National Library of the Czech Republic M3 Deo} SSN ATR |B Subject ne competion The subject oe aicioctues competion the doign ofthe un, ‘rchtectual. tecrrical end operational skins ote new bulcng oF ‘ne Nations Usa of he Czoch Repub rogue. 18 Purpose tthe compton The pupese cf ne arcectual compton isto chocee, onthe bas ot ‘© compatson of designs submited, the bes enty by o paripant capable of creating the most sutoble design in tutiment of me roroirs requtemonts os lad down n theo Tors, Conctons and Reon! Docent 18 1y0 ot compotion The corpstion announced as on open nematanal puble nay: mous 2 sage competion fo atte ters of erchects no meet ‘al eauroments fr Foran (pact n Ale & here. Tho competion wilbonn to sogot Al the end te st sage the iy wit ‘eke © maamum of & proses the auth of which wi be inaiod 0 ‘oveep ther epozsin he sacond tape 1B day members 2a Hd (reat Bt Domine Porat rancs) Uareprsertive tone Wese-von Oten (Gemary) UNESCO reserve 10 Sin6 (Geo! bear) Jo Ging (Mexico) Por lk (Czech Repub) Pavel Bem (C2och Repub) loro Moyerotthe Contact Prog. Vesting ek (Creme ct) Directories ce Nation Ua of he Czech Repubie an om aaaees eae etig, Sem ee te BEAR RHE CE, te Ie, 20 £20) Be Ra BANE 218 27 SONaS aa mE oN Smee mya 0) ROMs Aerie ise Fee HR OR Oa BERS Sg 32U98 BREE, x OM END RUZ wns AIG ABE, ante 207182 5 wa a TeLB ME HAE‘Pran Wirer 9 National Library of the Czech Republic Mm Bele} SEEMOrioral Litrary of the Czech Repub i situsted within leone Letra plateau in Progue, The 40,000ei building vt unpclshed marbe platform, wit miror finished hings ited up the pecimeter edges to reflect the bull at 398s 7 he proposed building is hres dimensional object rine he volume and to extend the views over the sur- ie ee. is unique form and curvature is a reference to ngs in Prague i coread with champag fom dark a the bottom to light atthe top. Generous lvels on buted ver the excernel sin cleured anodised aluminium bie spaces are provided by circular areas of the bulding include the tp level viewing plat ate with spectacular vistas over Prague, comfortable and feng ‘coms, the first lovel ‘seat which continues the though romps ond sare ed te edu {stimated volume of 10 millon boots stored under: Gierbuted by an automated storage and retrieval system sce in oss than 5 minutes i fs completion in 2011, tha New National Library ofthe om the street and park inside na vewing wal tothe automated book Ntonal Library of he Czech Republic >> BBS esto MEE s/o ena ogee a #8 He 4am Helene, SE BB BzNNa| a 204 2801 BSE, BRC 20, gous aa 2 FY SIE meiso| Sake BSE PW aU FE AE fon chize £0d), 12a BS PAE BS UW FRY SEEM AE ‘2 nh Sms Azo oz ahol at fel SoM + Hit. 100081 Bo] SADE All Wate aloo, Agel a 8 A sao 2) elsn SABO SEE Hol ESLER ac Ro] Be A A SEIS AO 78) AoE SAO]{Prin Wer 945 ‘Elevation & Section planNational Lisrary ofthe Czech Republic >> Sond foe an Ninth foe anNational Library of the Czech Republic MB Eelst SESMB Medal2nd Prize Winer 25% fii] LB em detlucan} Fst for ln ce Sond oanded Pen Winer 9652 National Library of the Czech Republic AZ Best SHSMB HEH archteka/ Petr Hk. Tomas Hragy Jan Sek Rl o1(4 ORE / HES, BIEL, gM} Ira yan ae ol Spc program Location: Pagu, Conch Reuic Function = Cute & Evento oly | Bld, aan: 5,736! | Stren 5, SFL | Design perlpation : Pat ara, alar Pras Wee Concept We ae curently at @ point of time where mankind has learned to read the gonomes of several organisms including ts own genome. We know the hereditary information that is contained in each and every ‘one of our cals. Thanks to this, the arngament and logic of @ call structure became the ingpiaton for aur propose, The center (cre) of the calls made up ofthe database of heredtry information, in our ave the central depository. Ther i @ zone around the core where the information is sorted, edinistered and passed on (pore) ~ the ami istrative zone. The serves spaces and partial operations (mitochon di) are lecated in the specious ares which surrounds the core end it casing. The entre space is then encased and protacted (call mem- brane by 2 glass membrane. Urban solution structure coresponds to the significance of the institution of the National Library wit its seale and ie proposed as @ single dominant building It ticks to the principle of emphasized otherness, the unusv- tines ofthe form. The distinct sihovstt ofthe structure on the Letna plain with regards to its roundness and smoothness does not compete withthe Prague castle or other historical structures. The ceflecing shiny shel inthe shape of a drop of mercury gives the building the ‘ppaarance of a mysterious stee! bubble relating ite surroundings during the day. the intensity ofthe erie ght insie the building ceeds the level of the luminous intensity of the exterior, ou eas its internal structure, Architecture, spatial relations The load-bearing core ofthe entre structure is the depesitory wih conservation collection, which is surrounded by « layer of seni offices, workshops and laboratories. The ‘national treasure’ is locates in the very heat ofthe building, The huge cylinder filed he collection of books is administered from offices and works that ate threaded onthe eylinderlite rings, In the remining int cof th cll he spaces open tothe public ee found under various of cess controls, Thanks to ths spatial stratification, the emp n the offices can easily operate with the enti contents of the da ory, a8 well as communicate withthe pubic pr. ‘Such a layout also enables the required detachedness of the incl ‘operstions at the same time. The transparent shell ensures hing ofthe erie spa the southern gallary it offers a view of the Prague costo panca ‘The tensparent dome gives you an impression of @ book cathe ans generous space. However, thanks to the cosines of thei or, readers can perceive the space intimately, simlarly to the brary by Hans Seharoun, 3 the library and in adton, in the aeNationa Libary of | REN tS A BEB AHH, | MER eh -ys00), Felt Bele FIO, ABA BE 8 Abeta dhet, ae Fal fe 921 MRIAS| 780 ite, 18 HEC, AUB BR, Best 2o}}2 048 leo Ea Ade #29 SELSMeole Baia Pasi ae 189] ns ee aoe Rt, AY Bo} ol AREF 2 iB) atl BEI ot x=OIY ea cate 28, Bea cen, 2B9| Buea SDA ec io, 40 ore on = SE SAEs 28 eet HF PERE ROR] Tele ete APD RIAL AeteP ores wale sat 2: 218 ot A MeNBO| HSE FH Ge obs ane g adsl Sue eel 4 US| ObN AIO ello RE Ojo] ANE oN AAO 7ASa Pras Wore 385%Four oan Fst basomor oon1 Pree Whe Yeungnam University Founding School 60th Annual Memorial Hall Sata Hal BOF 7B Taft an State aan 95 2161 | 8S: BAN | ABA 757000 | BABA 558681st rie Wena ‘The enalsis of functionality wes focused on two core issues, atic. within @ campus end the axcesibity in urban furetional aspect, andthe ‘mul-use forthe purpose of pecfornanee, gathering, exibition and exer- cise & fines. The answers to tho wo kay questions were to, in princi, sustsn the ste seperated into the two zones plan tha configuration of the buildings separated by function ‘Amain builing was the grand auditorium thataccommodete the exii tion room and finess cere. The second bulldng corresponds to the sac ondary audtorium that includes the small and medium-sized conference rooms, and another was planned as exhiiion bung, We experimented 10 identity tthe three buicngs could corrast and harmonize wit each ter, while cleing their thoughts, We interlinked the subjective and harmonized concept with @ core oriental ideology, heaven, earth and rman, The grand auditorium wes 8 hexchadral square-shaped, while the secondary auitorum started withthe round shape symbolizing the heay- 0, which was eventualy structured in @ drum shape, The exhibition ‘oom was designed in a form representing the man, which was bul in @ angular vate shop, ‘The core of oucanlsis in response to design guideline’ requirements ast emphasize the need for tracing he students and eds through ‘tthe yar, not to mention the duration fo the scheduled performance To thet end, eppesred 10 bo necessary to upgrade the function ofthe ‘utr fr the performance, coupled withthe consideration to max rae the uso of the audtriumfor the te whan the perfomance wes not scheduled. The building thus was designed with complex concent that wil give the prot 0 the mult-purpose function in an open stage ‘environment, and wil armonize wit a proscenium-type stage. A eaing ‘ove the seas, unlike usual theca roof was designed with a skylight {for ensuring the natural light in an etme to eroat an open perlormance without ailing (jst lke an eutdoor performance or rehearsal), ‘which il be led withthe sunlight, thereby boosting the use and reduc ing the maintenance cost as wel. Our effors to besk away ftom the a- > 8920) Sol S01M RRL HR] OBIE HI Se MERE! CHE A Chet ‘sol AHO[] a Full abil a2 OBO] le RENHE SISatte, WO) zele Suse BBE BHlB eH Role}. tel ee kB ahs oon Fake Rol ARI me a Heo eFC, 899) sie & Ba BA 2iBOl AIRS IES Eat OlIE Roe 9] 4A Aol Sc}, BEDS] AE O1 F BER AE Cel-AVIER Sal B cis BOR AMY + 0 Bo] SVEIG Vel PHOR Aelslo| BOR ‘SSI. IS, SO, HANGS) A BE waa OFRRIE Ol a WS Cte (S18 28 ANOIM| Sale, cle Ho] Sm COLA SEBS BMRA ABS awe BIg 20K 2S Avetok Hil ARIE O89] BANSE Reb ERaa| CIE, ae) 18 Hee Cesta G2ymQ exw Ico] BEI WE AIS! ME FE AT ofp ae ‘IRS eRe INAIe eh} Sol! ae Ae! lI eR OKI NBS Haste AAIMEO| Nel Rea Heol a} ROI FD A BPRS MRSOI elt eID} we IBE FOC, ‘Aniels| Se Sets A! IOI 1A Os 7H ONO NY uel BAAN OG] MBE AS Bolete low ola BAD 98g Ea, 308 78 RR: HORI Hag aRSEH ONIN SE HO) eoZN MORES oeM eS80 A BEEN JRE Be BwoR He dog: FF SNE Be QUE Fee nee! HONE ENE 202 FAN ET GEE OBE Gas anlaba asae ee am BUH) AtBEA)tat Pree Wer 385 "Elevation plan © ese > (lili > Ingen poss POSE AE AR fa‘Yeungnam University Founding Schoo! 60th Annual Memorial Hall>> itrium planPre Wen College Avenue Campus eI ofl I TEN Argos HOPIELEA feThe strategy for the site was threefold. The first proposal was to reorient the cempus by locating the majority ofthe new construction in tha areas that lacked not only historical reference, but also a coherent ‘or well thought-out design. For instance, ahough the university sts con the bank ofa rer. its completly isolated from ts shore, The st ting ofthe propose would redevelop tis area by establishing # mejor axis Collage Avenue that connects the various parts of the cempus {and wrminats at a park atthe cvs edge. “The second proposal isto change the urban character ofthe campus by inreosing its density, and introducing more medium-sized built: ings that re evocative of tadtonal academic typologies, Our ergy- iment was simple : rather than acquire new land, the university should fil in he low-density fabric within its current boundsries. Our anarsis found that ful 25% of the campus was given over to parking spaces, which served rather large buildings that sat on the site es isolated beets. This current carerented design would be addressed by con solidatng the parking, and lacating much of t underground, Bulging typology is ols msn factor in producing the campus environment ‘ur proposed inroduction of traditional U-shaped and courtyard bul ings provide the medium scale thst eases the dsjuncture botween small, leted houses. en lrge buildings wih deep, artificially cond tion interiors Finally, the third propoel in the planning strategy was to reorganize the redundant and unnecessarily looping bus transportation that links th afferent sections ofthe campus into a more ef cut The question of the university’ identity, iconiety, and appedt required « somewhat different approsch, Our decision was College Avenue int the main axis and pedestien-only proment the new development, and have i ross @ new mall that leds the river. This axis would be the site of 2 series of progam ‘episodes’ along its path, and would be given 8 specifics ident through the use of landscape cloments lik tees that brianty-olored rd in the fll. But what is perhaps the most important element in estab iemity of the university is the adton of a tower thats lost ge ofthe mal, and on the bank ofthe river, ‘The tower functions as 8 highly-visble symbol of the unive transformation, which cen be seen not only from the pedesti but also the river, the nearby highway, and the train line that the ety, Flanked by the pedestian promenade on one side, and 3 adminstative bulking on the other, i is @ mejor focal pit deliberate liberation from any tredtonal university typology. si ble-shnned fecede includes an iver, spitling cylinder, end an of aloss skinned layer that includes vegetation that changes cl the seasons,DHE iodo wim Supt Ba Cre We BRE HOL HAE ol W HARE BUCA UR RS OF ac MIRON BHAS we NE AOC aE & — ZuoKE Aol 2 Hoe, she Bee Balsoe. e, wA HA|S | 7g 22 U7] SHON DHE FR ROR HELA okt 2H ooeetEs ODE, aol oe RHE Set CIE BO] BWC 3a) A, 9215 Ben os QOW $2 doe olga ew Meee PIE g AC, HRI obne Me 28ME BB TIERED Iie SAC. geo ‘ols $0) 028 neh BAD Sof wats Ue za AER UgHORM 22} ORE HA BAA onrteety a BIBS fs 25071 FH SCR Wen Note AES HEN BoM US GO Bt, oes aa AF a PNEO]N aay + te, USB aAIE HS WHA Aa AIRE AMA akeMoldo| sc BOR A) 2 Sone # Zutie laa $2 ae)0, BS Gouez, ee TREE ENB ASAE HeME So GA HG. at #718 SEM! ABE Sola o elgol GBH A AE SRT, che He woke WE ola eet 0 SOME 7H A SSO Sloot 2 BE WI OYE} 718 BA] AAR Rae ol IME te. il 1B i Alo eta amit + ale SiS SRE YW 871801 SOM, HORE le AKC] ol OFT Ae Beta. {5 Oi | i tA BA SRY SOBA HE Bc ABHOR cja) 1 HOW 7H B80 2018 0 EDL ole, chThe Tatarstan National Library SEAR RE SB aia1s Pie Weer The library is stuated on a hil adjacent to a large square, Resembling ‘an open book, the libary's two main towers give a fae tothe prev ‘ously undefined space. In batween the towers, the main erence all acts as an interface between city and library. The light and spacious entrance hall forms the het of the design. loop elevated in the roomy lobby atracts the attention of vitor. I can be used for events, exhibitions and lectures. The loop is also @ metaphorical bridge ‘between the ouside and the inside, tha city andthe library, the library, the livaly public domsin and the eaim retreat of knowledge. This metaphor i oso reflected inthe contrast between atmosphere and substantiation ofthe design, While all coms feel open and inviting, the use of natural stone and wood give the building @ solid and trust worthy appearance Behind the tomers and the entrance hall, two rows af building volumes continue the slope of the lendscepe. In between the rows, a park-like path is slowly ascending on the roof of the building, Parts of the library are entirely embedded into the hl, ther are provided with day light via courtyards. The building does not only distinguish itself through the accessibility of its architecture, but also by facilitating access to tnowladga. Beside offering all tradonal library faclites, the building also acts es @ center for digital information in all ts cur rent and future forms Eien’ Ole ot ee ett ‘and at the some time invites cizen to explore and experience gen many ways The design of the Tertarsten Libary of Tartarstan goes beyond cient storing and meking availabe of information. Many though put into adding value tothe building, The bulcing is an ex the cty center, a new part ofthe public domain offering 8 rch fence of space, The bulding connects with its environment in wove, The entrance to the library is not @ more entrence: ibrar & portal to the city end a continuation of the new sa he building, inside, the 18m high atrium creates a light ‘atmosphere, Sitvated botwoon the actual library and the a entrance halls universe an its own, 2 place where the cole cultural qualities of downtown spaces are combined. The space canbe gall, living room, park, boulevard, meeting so cation reem or gardon tthe same time The park on the roof ofthe of the library continues the shape hill by embedding all paris ofthe building int te landscape though the brary is bu into the surrounding hill to make obtrusive, its design allows views daop into almost every pet building, The park is not only retreat for recreation but fal and transparency. While resped structure ofthe ety, the building offers @ new quality space to ans of Kazan library s natural openneCBB e2 SIGN oleae, ei may Sal Seo fe ESN 92 BUI ole WoFEC, F 7a| FH Aloe = Ine At Ae Nolo ia IS Ee. WAS Sune w+ tc} o| WE EdOL was FEE BA 221 B91 GA|OR AS 7ASsich © Sis) SH. eu unc Saal 280 4a BD Mor es ee) IES SNE olan WAIECH 2B AAT 2 HOM RAO Ml, AOE Bat PPE 20125 HBO 2A Be, Sa EE oI 88 Sel NeMee Woisdlc. ABE IAAI BAAD a Fon ARIS IS BAKE HIP Ojo] OBE WolLE B Bl Aw 7168 4HSte 7 ols BBE Cine BEB “The Tatarstan National Library >> 2 fe oe 7) oa yeag 3 Save AelGo| Al ae 45) RAS HHsIa ats BLP a, HigaAg SU SA CINele aes] eatiel WES Bi Boise 28 BOE Oe] 2328 reo] EUAN Cl, ARE EA] Beal aI Bei Be BS IGE ARs BECMORT BF cL ARE ofa WOR Fo eI SUE. SMSF OFT Cn 91701 iSot SME All OLR) EAE BE EAA] NSO BSI Oo} BL let. Bol Tems| oka 2H WE BODIs ell Sofa SA) Mol ae Bel Be a AA ae] SHON aes} BA} ae Stok! ae Be AAlEE sin, AE so, 3B, Heidel 22, me, RE a FC SHUS $4 BRE UES] SE #0) feo Be] HRA OI} IEEE joel S01 #8 eo Ba GO| Sal Y SB, Cr ay BL 2 ‘BBE ed Zee ICRC, awe OpIAl BF BF OKIE SMa 4 hata WANING, A728 BROOME, SABE IRIN AmFuture Buildingjtentative title), Pukyong National University HASH Olaf BH WALLALLLLPrice Wears loor plan fist 11 studen on is planned in way that nature deeply interpenetrtes the 1 through atrium and patio. iis penned to form a ‘green werk sbleto intercourse with nature in several places on the seton, links “@reen pond - green lounge green deck ~ green garden atium And 3 deck is designed to link main entrance on the und floor to tha rooftop garden of the upper part of the banquet hal, and enable to experiance thrae-imersional effect with feeling of radu ising love,48 fr convenience of susers and residents ofthe region are tnd the respective mein entrances to on both side ae located, And ser stants from the parking lot in the 2 coro for independent entrance to nd lodging fecities are separately inthe main building on the right side sie. A large conference room end & ne lecture room are located on the four, and a wating room and a lounge policy course and lecturers wil ‘And the large conferonee ‘09m is changeable to support various events ents ofthe are in the future. rd floor @ small lecture room and the el polisy course are located, and the onnection is planned in conference by the vertical connection of the large hal ad the arge conference room, on the second floor end third floor is into two buildings, however. itis fo ele! es ona building being con- [bf 8 bridge and an outdoor deck. On floor to ninth floor boarding and facies are located, and the fourth ened to connect outdoor garden and sand on the rooftop of the conference Fe NSE NOL BIE Ht AOL #1 is A1eR EASE OH 282 BODIE 77 Sst. 8, FRAO 98 3} MI G0] APIS, | RSF TN Nis SIO BUS A BOT WS 2a CFS Belo] 91 2M HE CIA) RAE 1A nat AF 8 XFEIB 1 A HER aegeiow Wei lsat asta Sail sol fe AIS Kalo FzRIOR eIvelo} i SOM Mesh. 2. 9851 BE 7h PEI Sn, BEI oI BREIO| 2}, BOM BOAT 714 Mat Sf), ASAIN ALA 7iset Qe OY 7} GNSS Mat Future Bung, Pukyong National University >> “i fer an Serratia1st Pi Winer 4 Chonbuk National University BIC Library BROT BIC SHR Trafic pin19 Pe Winner. 8 Digital cubs ‘leering cultural space open to the campus and community An open knowledge information center, Book & Information Center ‘An open knowledge lounge harmonized wih the green nature A grand vision toward the world beyond China on the wost Planned concept CChonbuk National University situated inthe site, with its history and tration, has lid the foundation as the carta uriversiy representing the region, The liber situatad in thee diffrent lotions across the campus has caused constrains in using the library. not to mention its inefficiency in providing information services. Thus, the need for buldng infrastructure that will accommodate the books and informe Parptva ion has been increasingly growing, end aso result, a BIC was consid- rd as an answe Planned direction The iar shall ke9p developing and growing to ment the users’ need {and be able to accommodate the changes inthe future. To daal with th chenges to the site to be affected by the relations withthe open g'stn and neighboring building blocks, the open space was considered with introducing the access. The open space will be expanded in three > a a it HAS etl el ees Hel AEM! SM & Beet SBS Matt offele Bel me tee! aimee B2cNS Mol MLE Sa Re BALE ama os oe ap He BACH ea} BR HiRLO® NORE cM sg 425) 3, Se BUMS ABA dl, eI SiS Ee, Easel ew 8D SMR 2 Og 9] AMAIA see eat SA Bela wing FE | SHS sc} LE gel BHM EB BE + ie Beale ae AE OF ‘#4 2212, Helel08 BIC Book and information Cortari7 MAC, Aue SABE 3 O18 eGo oe} aol Agehe ioe Seis FBU + LE ‘Bema BrAO ct SL Sm Ie AB Bahl AOI ete Ch =| Bs PRON! 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BORD) well SA,1 Pie Winer "Floor plan Book ska bast or lrCChonbuk Natona Univers Feurh lor pan Fist for pan1st Pre Winners Gyeongsang National University Marine Life Research Center ado aes el ‘Ste lan Ceeumferece ston ‘Ste sna a, m808 |1s rz Wine Leyout concept ~ Articulated masses are sted, considering the continuity of views end connection of green so ~ Visually void spaces are rested on tho right and left sides by the movement of two spaces sited according othe flow ofthe land. ‘A coursyle space is naturally crested inthe gap between tl spaces + Spatial and visual expansion through pilots sam ond ect ana uae 2 na eae wLsRR we Pus duoz ex S83 288 Sue Beer "Traffic line plan enter an ‘helt ta pedearen oaa cna fore sly ol ondeaan ane ange sy eusua yome a sua nes ee AS —auaa ous HE we 2G NESE BS 8a “anes #8 aa 28 merrier rr OA HRS Be RSI He eB AM 2m ‘wo Atal ee GS RBCS] SO Deol ES LA A cor] BOL wet as F BO] AOR 5, P| At Og - Wojl $ 3c} Ale mo aia Sat Ala! ad ~ BEES 0) APO Corsa 8 Caen te conny ene By are ~ wages mace Na aaa a 324 BAM wee NEES OR tee none a meting era a ect cnrec ore rt ‘Santa = 4G 16 3, OIE Ba CBN aan BY #E = ag.mogs aaa aes TSE PRG eI aM FAB 8 I 4 unde Sasa rola suneianM soaahN Se BH He Ree Be wore cefEbvation plan hss ouside is seen from the inside. Bove of marine leis reflected onthe scr Mis ransparent facade acts as a screen of the sea sid ono the elevation and transiting the inna un. 1g Natonal Unversity Marne FOU 9 te Be ~via ol 328 ig eleven‘Pre Wiener "Traffic line plan aT Cross ston Lenptsro! tenComprehensive Research Pavilion of Kyonggi University Aiata FHS (FIBA Steplon 6 SE: BRA: teats | ares Fe me, aEe FH ages