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Table of Contents
Preface......................................................... I-IX
The Elements................................................ 1
Beats with Everything............................. 121
Fills................................................................ 128
Breakbeat Transcriptions......................132
Review Phrases
What is a Breakbeat?
Foreword
Theres something inherently kinetic
about a drum break.
Maybe its the drummers intent to play the absolute tightest, funkiest, most revolutionary beat possible. Maybe its
the vibe of the studio session, or the drummers awareness that the break is his/her moment of glory. Whatever it
is, the inherent energy of the break carries over to the music that uses the break as a sample. As I began to analyze
popular drum breaks used in hip-hop, I realized that authentically replicating them on the drum set is more difficult
than it seems. The exercises, beats, concepts, and transcriptions in this book are things that Ive been developing
over the past several years. My intention has been to tighten up and take my own playing to the next level. I hope
this book will help other players as much as it has been helping me. I also hope it brings as much enjoyment to
drummers as other books have brought to me over the years. After all, thats what its all about.
Mike Adamo
...breakbeat drumming,
I feel, is an impeccable
art form.
Ahmir Questlove Thompson
(Modern Drummer, March 2005)
preface | II
e7
Track 70
Track 72
Track 71
Track 73
Make sure you allow the buzz stroke to last the full
value of that eighth note on the and of 2.
Make sure you allow the buzz stroke to last the full
value of that quarter note on beat 4. Again, you
may need to experiment with varying degrees of
pressure and release regarding your left-hand grip.
Play through the previous four example beats.
Notice the extra layers of color and texture these
buzz strokes add to the beats.
Chocolate Buttermilk
breaks
This song features the great George Brown on drums. The break starts at 1:24. Notice the buzz
strokes, including the one on the rack tom.
113 bpm
1:24
Beats sometimes contain five-stroke rolls. This beat features a five-stroke roll on the snare
starting on the and of 2. The right hand plays a double stroke on the and of 2, the left
hand plays a double stroke on the ah of 2, and the roll is finished off with the right hand on
the hi-hat on beat three:
These exercises will help you incorporate buzz strokes and rolls into your beats. Use these
exercises to focus on performing high-quality buzz strokes. Make sure theyre clean and
well defined. Remember to start slow and gradually increase the tempo. Dont forget to
record yourself practicing these exercises.
Track 74
breaks
With the exception of exercise 11, these are written with two slash marks (multiple bounces/
buzzes). You can also practice them as if they have one slash mark (double strokes).
This break features the incredible Steve Gadd on drums. It features a five-stroke roll between the
snare and kick starting on the and of 4 in the second bar, and ending on the 1 as the beat loops. It
also features a double stroke on beat 4 of the first bar.
1
Track 76
102 bpm
0:00
This break was replayed (by Karriem Riggins) for the Common song Forever Begins, from the
album Finding Forever (Geffen, 2007).
10
The Architects ::
Grandmaster Flash
Track 75
the back spin, and phasing. These helped the DJ create music
hop DJ does. Some say Flash was the first DJ to invite MCs to
rap over his beats. In late 1978 he formed the legendary group
were the first rap group to be inducted into the RocknRoll Hall
in order to mix back and forth between the same break. Some
Honors Award, the B.E.T. Icon Award, the Bill Gates Vanguard
say he was the first to actually manipulate records with his hands.
still releasing albums and has also put out a book entitled The
grandmasterflash.com)
11
12
13
Track 79
Track 77
10
11
Track 78
12
When youre comfortable with the eight-bar phrase, apply it to the following grid:
13
For the initial eight bars of groove, use any beat from the chapter, or make up your own.
This will make each beat into a two-bar phrase. Play each
new two-bar phrase 20 times, then move on to the next one.