Students are introduced to Lao mawlum singing through listening, analyzing, improvising, and performing Hua Ngawk Yawk Sao. Students will engage in the music through exploration of rhythm, tonality, harmony, and discussion of Thai music culture.
Students are introduced to Lao mawlum singing through listening, analyzing, improvising, and performing Hua Ngawk Yawk Sao. Students will engage in the music through exploration of rhythm, tonality, harmony, and discussion of Thai music culture.
Students are introduced to Lao mawlum singing through listening, analyzing, improvising, and performing Hua Ngawk Yawk Sao. Students will engage in the music through exploration of rhythm, tonality, harmony, and discussion of Thai music culture.
Music
of
Northeast
Thailand:
Mawlum
Singing
for
High
School
Choir
Summary:
Students
are
introduced
to
Lao
mawlum
singing
through
listening,
analyzing,
improvising,
and
performing
Hua
Ngawk
Yawk
Sao,
a
contemporary
composition
from
the
one
thousand
year
old
Mawlum
singing
tradition.
Students
will
engage
in
the
music
through
exploration
of
rhythm,
tonality,
harmony,
and
discussion
of
Thai
music
culture.
Suggested
Grade
Levels:
9-12
Applicable
Course(s):
Choir;
Music
Appreciation;
World
Music
Co-curricular
areas:
Social
Studies
Country:
Thailand
Region:
Southeast
Asia
Genre:
Mawlum
Instruments:
Voice
Language:
Thai/
Lao
Prerequisites:
Able
to
read
music
Material:
Recording
of
Lum
Glawn,
from
album:
Thailand-
Lao
Music
of
the
Northeast- http://lyrichord.com/THAILAND-LAOMUSIC-5.aspx
Recording
of
Hua
Ngawk
Yawk
Sao,
by
The
Flower
of
Isan-
www.acerecords.co.uk,
Picture
and
video
of
the
kaen-
http://dohn121.hubpages.com/hub/Khene- The-Mouth-Organ-of-Laos,
Map
of
Thailand-
http://www.mapofthailand.org/,
Map
of
Southeast
Asia
Video
of
Thai
dancing-
https://www.youtube.com/watch?v=ZhNoTzhzYHg
Objectives:
Listening
for
pulse,
repeated
rhythms,
and
tonality
Learning
about
culture,
history,
people,
and
music
of
Northeastern
Thailand
Vocally
improvising
over
a
drone
Performing
Hua
Ngawk
Yawk
Sao
Lesson
Segments:
1:
Rhythm
2:
Thai
music
culture
3:
Mawlum-
Improvise
and
Perform
Hua
Ngawk
Yawk
Sao
Rhythm
and
Tonality
1. Lum
Glawn
A
(0.50-1:25
sec.)
a. Listen,
feel
the
pulse,
and
move
your
arms
to
the
music
b. Listen
again
and
pay
attention
to
the
rhythmic
accents
in
the
voice.
Illustrate
these
accents
in
your
arm
gestures.
c. Write
on
board:
4
beats,
8
subdivisions.
Have
a
student
come
up
and
underline
the
accented
notes.
I. Identify/describe
meter
II. Identify
rhythmic
accents
d. Listen
again:
pay
attention
to
the
accompaniment
e. Tap
a
repeating
rhythm
pattern
that
you
hear
I. Discuss
rhythm:
Are
people
hearing
the
same
rhythm
over
and
over
again?
Do
you
hear
straight
or
dotted
note
rhythms?
II. Identify/describe
instrument:
Kaen-
show
video
and
pictures
from
http://dohn121.hubpages.com/hub/Khene-The-Mouth-Organ-of- Laos
Assessment:
Students
are
able
to
identify
meter,
rhythmic
patterns,
and
distinguish
between
straight
and
dotted
rhythms.
Culture
(Powerpoint
presentation)
1. When
you
think
of
Thailand
what
comes
to
mind?
Discuss.
a. Show
map
of
Southeast
Asia
b. Show
map
of
Thailand-
http://www.mapofthailand.org/
c. Identify
regions:
South,
Central,
North,
North-East
2. People
a. Demographics
b. Government
c. Religion
d. Festivals
e. Thai
boxing
3. When
you
think
of
Thai
music,
what
comes
to
mind?
Discuss.
a. Video
of
Thai
Piphat
orchestra
(Siam
Society)-
https://www.youtube.com/watch?v=ZhNoTzhzYHg
I. (Start
at
0:40
sec.)
Listen,
watch,
and
choose
an
instrument
to
emulate
and
follow
along
rhythmically
II. After
30
seconds,
switch
to
a
different
instrument
III. Stop
the
video
and
have
students
continue
to
beat
the
rhythms
a
cappella
b. Video
of
Thai
dancing
in
Isan
style
http://www.youtube.com/watch?v=rUQaVDJMEX4
I. Natasin-
classical
Thai
dance
II. Raban
phun
muang-
regional
Thai
dance:
Northeast
(Isan
style),
North
(Lanna
style),
and
South
(Nora
style)
c. Luktung-
Child
of
the
Fields
https://www.youtube.com/watch?v=YDeqqGFkU6g
I. What
does
this
music
remind
you
of?
II. Most
popular
style
of
music
III. Musical
origins:
central
and
northeastern
Thailand
(Lao
instruments
often
used),
international
influences
(jazz,
pop,
American
country,)
4. Northeast
Thailand:
Mawlum
Singing
a. Setting
the
stage
I. Lao
influence
II. Village
life
b. Genres
of
mawlum
singing
I. Lum
pun
(folktales
sung
by
one
singer)
II. Lum
glawn
(specific
poetic
form
sung
by
male
and
female)
Assessment:
Students
are
attentive
and
engaged
in
discussion
Improvise
and
Perform
1. Listen
to
Hua
Ngawk
Yawk
Sao
(30-58)
a. Hum
one
note
heard
throughout
b. Half
of
class
hum
drone
and
half
hum
along
with
melody
2. Write
pentatonic
scale
on
board
a. Have
students
identify
the
intervals
b. Practice
singing
a
pentatonic
scale
3. Split
class
into
groups
of
3
or
4
(use
practice
rooms
or
spread
out
in
classroom)
a. 2
students
sing
a
1-5
drone
while
other
student
improvises
(no
words)
using
the
pentatonic
scale
and
the
rhythms
learned
in
previous
lesson.
b. Switch
until
all
students
have
practiced
all
parts.
4. Hand
out
sheet
music
for
Hua
Ngawk
Yawk
Sao
a. Sight
Read
i. Clap
beat
and
speak
rhythm
ii. Sing
on
a
neutral
syllable
iii. Speak
through
text
rhythmically
iv. Sing
with
text
Assessment:
Students
are
able
to
improvise
mawlum
singing
over
a
drone.
Students
are
able
to
sight
read
and
perform
Hua
Ngawk
Yawk
Sao.