Professional Documents
Culture Documents
Definition of Terms
THEORY
Theory is a proposition or a system of concepts and ideas intended to
explain something, especially one based on general principles independent of
the thing to be explained. It is also defined as something like a set of principles,
analysis, a plausible or scientifically acceptable general principle or body of
principles offered to explain a phenomena, or used to account for a situation or
justify a course of action.
In theory, everything is interrelated with each other. Every part of a whole
gives emphasis to a certain concept or explains the details of a bigger picture.
PHILOSOPHY
Philosophy is the study of the fundamental nature of knowledge, reality,
and existence, especially when considered as an academic discipline. It can also
be defined as the study of the theoretical basis of a particular branch of
knowledge or experience.
Someone's attitude or idea about how to live or about how to do
something can be his own philosophy in life. This can act as his guiding principle
for behavior and stronghold in his decision making.
DICTUM
Dictum is a formal pronouncement from an authoritative source. It is
basically a noteworthy statement or expression of opinion on a point other than
the precise issue involved in determining a certain case.
It is a statement of ruling coming from a reliable source that expresses or
states an advice, general truth or a principle.
THEORY OF ARCHITECTURE
Alvar Aalto
Date of Birth: 3 February 1898, Kuortane, Finland
Date of Death: 11 May 1976, Helsinki, Finland
In 1936 the Aalto practice designed the entire interior of the Savoy, a
luxury restaurant in Helsinki, and with it the glass vase of the same name. From
1938 he produced the "tea trolley" with large wheels. By 1936 Alvar Aalto was
showing vases and tableware at the design competitions launched by Iittala,
through which objects of Finnish designs were chosen to be shown at the 1937
Paris Exposition.
Alvar Aalto also designed the Finnish Pavilions for the 1937 Paris
Exposition and the 1939 New York World's Fair. In 1938 the Museum of Modern
Art in New York mounted the first large-scale retrospective of Alvar Aalto's work,
followed by others in 1984 and 1998. Starting with the influence of the Arts and
Craft and the International Modern movements with overtones of Finnish National
Romanticism with its preference for natural materials, Alvar Aalto arrived in both
his buildings and his furnishings at an interpretation of functionalism that was
distinctively his own.
Concerned with "humanizing architecture" (Aalto), he rejected artificial
materials such as steel tubing for his furniutre. Wood was for him a "forminspring, profoundly human material". Alvar Aalto's organic formal language
inspired many designers after him.
THEORY OF ARCHITECTURE
THEORY
Alvar Aaltos ability to create rationalist architecture with an organic
language of form, and his way of combining materials and making the landscape
part of the building are unique. Aaltos architecture is still discussed by students
and lovers of architecture all over the world.
Aaltos design philosophy was inspired by nature and organic materials,
unlike other furniture of the same period with materials as tubular steel, which
were quite modern at the time. Before he became an architect, he designed
vases with curvilinear bases and straight sides for Savoy Restaurant Turku in
1937 which produced by Iittala glass work.
Aaltos early works was inspired by the neoclassic movement, but he
eventually adapted symbolism and functionalism of the Modern Movement to
make his plans and forms. Aalto's mature work embodies a unique
functionalist/expressionist and humane style, successfully applied to libraries,
civic centers, churches, housing, and other structures.
Aaltos vase
Architecture
A combination of rational with intuitive design principles allowed Aalto to
create a long series of functional yet non-reductionist buildings. Alvar Aalto
generated a style of functionalism which avoided romantic excess and
THEORY OF ARCHITECTURE
PHILOSOPHY
"We should work for simple, good, undecorated
things, but things which are in harmony with
the human being and organically suited to the
little man in the street."
- Alvar
Aalto
The design of artifacts took on a fairly important role in his office and he
designed pieces of furniture for various clients, tinged with the revivalist styles
that followed the spirit of the age. Already at the end of the 1920s, he started to
investigate the latest trends in the architectural field and modern international
furniture design. Paimio Sanatorium (1929-1933) was the first building Aalto
designed that was furnished entirely with his own factory-made furniture.
THEORY OF ARCHITECTURE
Paimio Sanatorium,
DICTUM
"Architecture must create
buildings which are
conceived as a total artistic
expression."
Alvar Aalto lived at the peak of expressionism and neoclassic movement.
He had a passion for symbolism, and applied these philosophy on architecture.
All of his works shows harmony in color, in form, in shape and with the nature.
THEORY OF ARCHITECTURE
Aalto was a fan of functionalism. All of his designs follow the function of
the structure. Also, he was one of the organic architects.
Once I tried to make a standardization of staircases.
Probably that is one of the oldest of the standardizations.
Of course, we design new staircase steps every day in
connection with all our houses, but a standardized step
depends on the height of the buildings and on all kinds of
things.
Architecture is innovative. It keeps evolving into a new style. Most
buildings keep on getting bigger and higher, so the standardization of staircases
is not permanent. It will keep on changing functionally and aesthetically.
The ultimate goal of the architect is to create a
paradise. Every house, every product of architecture,
should be a fruit of our endeavor to build an earthly
paradise for people.
Aalto stated that building a complex center is harder than making a house.
He did not only think of the structures functions. He also considered the comfort
of the clients and the ambiance of the architecture.
Architecture is not merely national, but clearly has
local ties in that it is rooted in the earth.
Architecture does not come in big scale. A country is not
defined by one architectural style. It has a mixture of different
cultures. From different cultures come the variations of architecture.
THEORY OF ARCHITECTURE
Famous Structures:
1. VILLA MAIRA
A house camouflaging among the countless birch trees in the Finnish
landscape, Villa Mairea, built by Alvar Aalto in 1939 is a remarkable house that
shows the transition from traditional to modern architecture.
It was built as a guest house and
rural retreat for Harry and Maire
Gullichsen in Noormarkku,
Finland. Aalto was given
permission to experiment with
his thoughts and styles, which
becomes clear when studying
the strangely cohesive
residence.
THEORY OF ARCHITECTURE
1
0
THEORY OF ARCHITECTURE
1
1
The dormitory is a
curving snake slithering on its
site and reflects many of Aalto's
ideas of formal strategy, making
it a dormitory that is both
inhabited and studied by
students from all over the world.
Plan
"The site runs along the
north side of the Charles River and from the very start Aalto's plans seek to find ways of maximizing
the view of the river for every student.
Early sketches
show clusters of rooms
facing south and,
because a simple singlesided slab would not
contain sufficient rooms,
several ways of
increasing the density: by parallel blocks in echelon, by fan-shaped ends, and by the "giant gentle
polygon" resolving itself into a sinuous curve, that was finally adopted." The building's undulating form
also does not subject the views of the rooms to be oriented at right angles towards the busy street.
The form established a wide variety of room shapes, creating 43 rooms and 22 different room shapes
per floor that although similar, still required distinct designs for the placement of built-in furniture.
THEORY OF ARCHITECTURE
1
2
The lower floor is lit with circular lights and the upper
floor has views of the river. Structural columns are covered in
plastered on the lower floor and as they rise up towards the
second level, timber cladding allows them to form a
relationship with the trees.
THEORY OF ARCHITECTURE
1
3
1
4
Aalto took great care in designing the total experience of Maison Louis Carr. In
order to reach the house from first entering the site, one must walk up the
sloping path to the top of the hill. This long path, as well as its distance away
from Paris, gives the house a private, sanctuary-like feeling. Aalto specifically
placed the house at the top of the site, providing ideal views to the south. The
main exterior feature is the gradual sloping of the roof, which almost appears as
an extension of the hill below.
1
5
Maison Louis Carr experiments with the technique of layering in a number of ways.
For example, behind the wall used for displaying art is the hallway that leads to the private
areas, including the bedrooms and guest rooms. The housekeepers rooms are located on
the second floor of the house. Aalto designed the home so that one must move through
multiple layers in order to reach the most private areas of the house.
Plan Drawing
THEORY OF ARCHITECTURE
1
6
Elevation Drawing
Section Drawing
REFERENCES:
http://www.archdaily.com/85390/ad-classics-villa-mairea-alvar-aalto
http://www.villamairea.fi/en/villa-mairea/architecture
http://www.aalto-alvar.com/
http://architect.architecture.sk/alvar-aalto-architect/alvar-aalto-architect.php
http://www.imdb.com/name/nm2043227/bio
http://www.alvaraalto.fi/architecture_design.htm
http://www.metalocus.es/content/en/blog/alvar-aalto-1898-1976-organicarchitecture-art-and-design
http://www.greatbuildings.com/architects/Alvar_Aalto.html
http://www.newworldencyclopedia.org/entry/Alvar_Aalto
http://www.designophy.com/designpedia/design-designer-1000000008-alvaraalto.htm
http://www.metalocus.es/content/en/blog/alvar-aalto-1898-1976-organicarchitecture-art-and-design
http://www.azquotes.com/author/2-Alvar_Aalto/tag/architecture
http://quotes.lifehack.org/quote/alvar-aalto/just-as-it-takes-time-for-a/
http://www.archdaily.com/61752/ad-classics-mit-baker-house-dormitory-alvaraalto
http://www.archdaily.com/356209/ad-classics-maison-louis-carre-alvar-aalto
GreatBuildings.com
THEORY OF ARCHITECTURE
1
7