Prolegomena to Tibetan Folk Literature and Popular Poetic Idiom: Seope and Typology Per K, Savensen te eb hing det ap Pa, Wang Ya. si lie er ie coin Tag er ‘ht een re en nto ey et eh I sn beh. ged ny of oie ph ‘ig Tenet eng tn at el Tn te a ‘hy ent md ye ie eet ade gs ffl hg pe a mae ‘Sty, Tones tal el rm ly ty ei ‘nein lela sept ll ia lg ri ‘atin, itn ry dpe a iy ae + Bit ios we) a he rt a ey Ten re smth nen hah se etn lg eae, wr ei ily ri on eet at Ta thr ‘tte eo ra ea ine un i ae toy ich at wns fu a ne fl ee iy we bn en, fri ry aera Tosti, el i mt ee, lls, al pa ee entender in tment gh om tok ce nia wanContinuity and Change in Tibetan Literate ‘mn hk ee sl ps) ast by pl cessed et Tel eet ge trig enn ogy nl ri cast ee lb ewe il en oe het ap a eh wig tenes en eta aa teed Sit ‘ef pial an dt! Sat ai, ie namin hr Ton he etn Te tae i gh ii ein in a a wi ‘i tls iin mos ning by i a ‘reigns syn ht oe Ae hi in oye tl gy, ati ta Uns iene! yu of tn, St a ed ck (he) al ay en ‘lng ma Te tly ial ite leggy, iy ‘Soro icon, at ety al ‘a ite nay sete tne nh rig i, aa, tly, en ‘conn at eer (8 a) nl a era aang ‘tie india te tn, ving le al ed opr ‘Setar gegen 9 ne i shan ema pe ‘tm on di tear mil Tete ph iene ce tae th «ply pga delet aed et He he na elt wich wt fe sal “ns owt patie le of nin ag, an ht ee igh ‘sh nn hat nh we ey tn a pt nae sy of Bnd er 2 he te bh jc man sl sey td yh ne Sey in wen pra! ep He ately ar aes me pe piel came nr Hay sl inn ym mig mp ih nl ai rin, ee nt he al tral ey nd lal Se ies se i hte eninge see om kd anne ai stk sa in, snes mtg, ne er the pl end Sita wy Stn. Ug he Stn an me ee tn shes, emer hs demu nll thal, Ae sl, sa eeenn a ign sage kan ea on St bso le te ancy nt fan Sole and Genre rl ea a tht i il i ee et i tesla tg lattes ho yh he thing in he el ape Chia, pute TAR pp Tekel tnt garg Sean Aa aga oly tie eater opt aly an yw oh feng (pe, te pee) Sey matin and ate Sings (te de, ke he aad foe) Tse ba, sme tw gh, wl the ear pe 1) on yng ei pe tn tg) a ee Temi” por pe). Te legal wl hed eh ine oe ‘rete elm i anit he ey ping Ain a ot eh a he nn ppl Iy he mae ty pln, ‘nar i ir sate ne ete Toe Pal Le (in mtn eg, BLA) on gi ‘rr tas (dong le te a (ion sh RB da [Algom 2 cal ila min pee RIE, deg hdl) a 3. pro id el pet ol emus iti mi ene RE VEIN dan [od em debe de). oid TAR pp (Ta Sumas Ren) aah le ft yen sae al eos a ft wo dal ine ot marl, Sal ee mt in a a ny, Te he ‘ert mag ent pr ce nly eed ri hig or it na sea tant oy at af pe (dat. at ee ‘cata nine te, state han trl fl te, np ev ‘ete die ein, ait ep eet mn de ag tee bt he, sha gn). dy nd ay a sr i hn ie mh a oh pte a —[ol i al a ts a, el le bed ke ‘yt tel wei omen i rgd Sh og. Spay, Ts etait iy ml ts ty he Chi, Main sion a ic ops he tonsil pin es ni a tn Bk Mfg ach ry niles pg ce cgi on sae heal, pene ie, ‘itl pal rh le an ih si ‘Sime Hehe nein sr epi he ste dal md pad tS, ed fl, pwd aca al ‘heat cot i eet go le el eb iy sn i ed a ew, ie ad sme teSat i tesg e seh (Sg i Bm , e Ety ee fae a ck een i ae hoe ang nh pty ey lg sae ed en) hn a a) et play ‘obi Rta neg, pia, ge i he ee ayn al he pe lg Asia pase ch eM he wg ef hn, fee, egal mie te Mann (amen a) re Koi on S159 4 1) ,6 nad ln ie wal neo i ti tn cael mt Ar Hing el ed by he ee lear apap ap (TELIRY AD, Hein Ogee ta, ac i on wri lang at (od nities, hye ti ae eed slg ee, fe ty he ri ig, poi rit ra is ae si, seen ce he ing a ome a gi es pe nen dee dyna ri por ihe pie lr en, tem ih # Rey le aon any cone ye a ae a tee ay Ths aren i sen i a ca te (ig) rie gma espn he an lee bly ed Raa til i rr (isd)A Dietionary of Folk Literatore: Lexicageaphical Criteria ‘sn yen hat den po ye ip—in re te sine stich en eo kame he en of pla fi el irl ry vp wed eps, nn do ‘enemy snl gn wer ge atl tes ead Sas matey ln nr), ah ee wl poses i the age tai cn, sles ly oh ane tee sens ny he et a eat ek of ee cee E. tana ue as ln de i wey Tht an ind pa Ind ein cl Yn so Oe capi ype ge Bet ell in a ‘eh tin The se gies ep yar em Smee i fe ia ee gti Shar, ot pean ep ea th ma 20% Tuy ds, net a = sty isi mae (ees th ine tk mel pin Ti ts a ei ‘he py tn alpen eat al yay ne sl ea Ste yan eda a (aed enn peck ms a yee, vet ala ron era nt ty el ns ag ine a i atin ow ts es ein shee Bor te om tte ie ly ‘area, sl Sem pede and a my wy ae Bee "ce tigen ay my my nr ie ‘hon hinge hg nin ine oe ton aie 8 ft te re ing vt ny ps ae ch rented (eae cri ces bn ie at ‘nn vee! ses ge mt ty gre ‘hh yt nd ek ee nad wtp te pies, tin be tl se re a ay ig ‘i ey ede ef eit pce nen des ‘ie Tan el, ih i inl ry er ‘hy oer ha ie sd me kn ag (a dl aa) ‘even mp ean ck tn pe gc ‘ian go lle a dm na yi(he lhe ty din Ie npn ot mein dd ‘lot Sty (aman han. cme! violet ‘ect in ssp i, vn betes Bk Gt At Seg am use 2 rm so (am sects (Aiba oe) tri ee na te Dh (Sein, nin ie 7 1836.9 We ee i me at Bok ei, mh a ange, gel nt Ahintny sions he pan heh hae ne sot ey en ne is iets hm th th cy in te ana 1 nr Me Ma al 4 gle 6 lees ane een Thing,“ Hi id hak” Cy hg ly ir) er tl ei od ig tpt wl el ch the il uy Res Pn sg) a dp (Gi nee) han uly nt ct ih me le se pe option ep Tt wt bi ve tive oe tr prt Sting ny ihc. easel el est, bt Si met, envy te ati i iy oe seen Uh Ts sc, hg ny oe ‘nl wid ede te led pd wm (anew) bp ns a as tae an (in ee) a, ys ei sissete of bine i ae ey al pt) wa, (a ‘evo hn, rae al eroienylgl a ‘rl si gen om ition ene i, a le hs tea pi he hh sith pe omg ‘nica, ing ie a se, ft he an nie tg ahs ep el) ge ne ge orn oe one “Can pl) ei,” “aie pn ing a ng ing) el, “wr "a i ot Gaon, ty", "cain np Fp lm lin lla a el a ak te i fm Saha sie, (a a i wth ‘ernie on yr elt wet Sep hn the a Fon alo by sae age hte, ype ie inate i (a anno al cmap i ga gs ay rad ping ris Ae em Ae di, imac, ahines"| npn dS me hn to wg” es Bt sega is ctv wnt ct nes am ga, rte, ent” =" (i) eggs a ca ite emg," ah, dal ge” = ne tn i i Pi Sol py sie aloe” "Bt te" ean de, sat ee ge je a hy i ‘me ain ht Whiley whe shee ae es hj ea a la tn ep ‘ye Tita snot io ty he ees gee Co oe "eed be? ad ba ap (HS sad ee nn ge) 1 le sat wll pte prs oasis aig, Te teh pe dun eit an ev pan hl ae tees: Fay ha aaa ie 3 ae al, 5 emg i ase i, lk cy ha ya rio salsa by cman rte Wh emg oe So ee heed ti ct ‘ne Sins Ag) 2 Whether af efi aie ee an on, pen al vw ann gh ed) eagle sd ‘et ty my moa tn tl eel oleic, mie a (ga ye i i) ale sie ules ei oat (SAD. te ae (aro spun se) 8 Yh spy ol pe Bae, ah to mei ge a ose pn alhsm i ae st nisin, yng ‘empty plan cet mon opt on, sl lig i, tele ‘sn ie hes inde fo many dp aps) al ‘Swe td tly ih se ign eel fa i at palrtyel, "van hems, St mt wig te te” simple seme gin tr" whe ae a ot te,” he fei, me fe, eine ag (rt) al sd swe, al el ep meeps oa a ye ps hs ps pein, gp th a gh io peste pee tbo Trey cn il hgh rt oe tin a . a ps Sop 8 am er, de ey (aa pg) ap x ml eo hm ee), Bond mg Iiomatie Style and Popular Diction in Writen Sources ot Literary Discourse othe ie ieee eee ea a re. Ro oe mi a nen! pea Td cmp mae a hot hte set ala in an ee ae ind pa erm, ce sti ety ad hi ii, lm de png he bi lhe ed pr ‘leh me pape a aes ny ing, Th eae te ine ti a aha ran ae ee ———iee th alee a ty he, Bg ey Se ay la eae he, Hw ls ‘erin dn, gt bene gr eee 1 saat mln fp ihn Bere Tien yea 10017904), eh gy wn ee of Det Sng ste ipa an ad Be dnl mt (gh) en, ict, as ng, 6 emp Titan wen mal deem ‘ioe in ete ite col gb we ft ‘The ny erotic, te Et Tint Cg ag di eg aan sgn (12 HES 4287, a eum Seif le, ‘ehsapae wie ih be cel nit im el gah te et SS nmr tg gl i a i el Lp Sd Shing a dC ber He a oe hing gd 4 oc hy es Cahn nine Ase Se © ‘emt th hn il ee Mech Drai Bl ae ing (1721S A) hag ar dd ne po ain i a 8 eh Bt we ( er, Dhan ans ele lal ae qe gt a

sta ein arg! (1D 1) a a he ei me {i a anes mpl gue, nt st oti Tet i i nk eee eget” aid” Te Te he pte Pie (ation nt nding) Sep eer 8 a 172 A. Dy ead Mg jd th gy (wien PRA) th pt te ig ot, Mn Sena serps (IST 10.) a kn then, ay we ‘Aoki mig Bipinde bl po nmi, nag e-em oan dcr veing (1803), ahs i ama a we ra Su in 9 ean Me aii esq pe eb ap na yd he ‘he cnn Ate eesti i a ey Ta, he gael wins mpc eed hwo lite ed ‘Hema te io ak te dh st ah et er ‘het mtn the gus il by he hr te, fe ab ey sun nt rl He ee tl Br gn tn gl. Th Bn ‘0 amb Kae pe Kaan ay og ii oe nn Seo ta mp lb phe Bang eps eh (138<0. 90 {0 ) 8a wt Ra bel dra iy eM Po hes arp im (TRIS AD, ity wt sha be mest of ih i daa yt ie (ohn) th oD ny dr, Pd a hs a ht a hr Ba mg ak a hang a “mma, nh hy a cl th ie ng ear heiro os tmp pi), mn it be iid ti mg ‘te Cru ne) Rot, re He te ght ti cnet lain ee Black Magic in Tibetan Buddhism’ Pater Schwieger 1. Introduetion te! ye ne ate st he delet a cet ee Inti dine pment alee eal on gen ma le te eer ay te the ie hf enn tor less blo be pt of poy nig ome ne ‘cr vein hon a Ulin ec aii be ‘Monee ely arr ge he tf" and“ 0 ‘So ih pt ew nm ih ae i pt a he ‘oe wih urs alr at a he fil pn Thi, wee, St fy eth ade tc nn, ti ty sys ae ey A