Professional Documents
Culture Documents
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Media Objectives
l High reach strategy (Reminders, easy to understand product)
l Low frequency strategy (Well known brands, simple messages)
l High Frequency strategy (Complex product, build excitement, counter
competition)
Media Mix Strategies
l Media weighting
l Size, Length and position
l Media Optimization Modeling
l Scheduling strategies
l When to advertise?
l How long?
l How often?
l Flighting strategy
l Pulsing strategy
Cost Efficiency
l CPM = cost of message unit/gross
impressions x 1,000
l CPP = = cost of message unit/program or
issue rating
l Media budgeting
l IMC and Contact point planning
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Media Buying Basics
l Provide inside information to media planners
l Select specific media vehicles
l Negotiate and contract for time and space
l Bargain for preferred positions
l Secure extra support/value-added media services
l Monitor media choices during and after the
campaign
l Handle billing and payment
l Ensure make goods
l Perform post-campaign evaluation
The Dynamic Media Landscape
l Unbundling Media planning and buying
l Online Media Buying
l New forms of Media research
The Creative side and Message
strategy
l The art and science of advertising
l The role of creativity
l Creative Strategy
l Creative (Novel, Original, Different and unexpected)
l Strategic (meets advertising objectives)
l What the ads says?
l How it is said?
Key Points in a Creative Brief
l Problem that can be solved by communication.
l Target audience and key insights into their attitudes and
behavior.
l Brand position and other branding decisions, such as
personality and image.
l Communication objectives that specify the desired response to
the message by the target audience.
l Proposition or selling idea that will motivate the target to
respond.
l Media considerations about where and when the message
should be delivered.
l Creative direction that provides suggestions on how to
stimulate the desired consumer response. These aren’t
creative ideas but may touch on such execution or stylistic
direction as the ad’s tone of voice.
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The Road crew creative brief
l Why are we advertising at all?
l What is the advertising trying to do?
l What are their current attitudes and
perceptions?
l What is the main promise we want to
communicate?
l What is the key moment that we tie to?
l What tone of voice should we use?
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Message objectives
l See/hear
l Feel
l Think/learn
l Believe
l Connect
l Act
Creative Strategy Approaches
l Head and Heart
l Hard sell and soft sell
l Frazer’s Six Creative Strategies
l Generic, Preemptive, Unique Selling
Proposition, Brand Image, Positioning,
Resonance, and Affective
l Taylor’s Six Segment Strategies
Strategic formats and formulas
l Lectures
l Dramas
l SellingStrategies
l Rational-Customer focused strategies
l Message formulas
l Matching messages to objectives
l Selling strategies
l Premise, appeal, feature, claim and support
l Rational customer-focused strategies
l Benefit, Promise, Reasoning and USP
l Message Formulas
l Straightforward, Demonstrations, Comparisons, Problem
solutions, Slice of life, Humor, Spokesperson and
teasers
l Matching Message to Objectives
l Get attention, create interest, Resonate, Create
believability and are remembered
The creative leap
l Divergent
l Thinking out side the box
l Taking creative risks
l See the problem in novel and unexpected way
l Characteristics of Creative People
l Assertive, self-sufficient, persistent, self-disciplined.
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l Creative motives
l Problem solving, Ability to visualize, Openness to new
experience and conceptual thinking
The Creative Process
How to get an idea:
l Web Writing Basics
l Banners Ad
l Offering a deal like a discount or a freebie
l Using an involvement device like a
challenge or contest
l Changing the offer frequently, even daily
l Keeping the writing succinct for surfers
short attention
l Focusing surfers’ attention by asking
questions or offering knowledge they can
use
l Use the ad to solicit information and
opinions
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Thank You