Paula Scher & Andrew Freeman

Anamorphic text for Grey Group with the goal of an exciting interior. Made from wood, glass,
metal, polymer using reflection, transparency, lighting and pattern for the optical illusions.
Jerome Corgier
These letters were made entirely out of cut paper.
George Michael Brower
This guy has dissected the process of creating anamorphic type. He does so through plotting and
manipulating the forms on the z axis.
Stella Battaglia and Gianni Miglietta
These two have spent their entire carees researching and creating anamorphosis.
Joseph Egan & Hunter Thomson
These guys are graduate students from the Chelsea College ofArt Design (UK) studying the
relationship of architecture and graphic design via anamorphic typography. This is a collaborative
experiement for their final major project exhibition.
Axel Peemoeller
This designer from Australia won several design awards for the three-dimensional directional system
he created inside the Eureka Tower Carpark in Melbourne, Australia
Felice Varin
Although not relating to actual type, in 1979, Varlin began studying anamorphosis in France.
Colin Wilbourn
This isn’t typography, but it shows the process of ceating anamorphic sculture on a flat surface.

Historical Anamorphic Use

This isn’t a new idea. It relates to trompe l’oeil (French for deceiving the eye) Used at St. Ignazio in
Rome from Andrea Pozzo and functional purposes such as road signs using foreshortening.
Isaac Salazar
Book origami has a similarity to spatial typography and how the eye sees the image/text.
Kyosuke Nishida
“Still Life Comes Alive” is a typographical installation by creative director Kyosuke Nishida, art direc-
tors Brian Li and Sean Yendrys, and other team members: Dominic Liu, Stefan Spec, and Duc Tran
that use three dimensional letterforms and light created from paper.