New Palladians

N E W PA L L A D I A N S
I
am delighted that the five-hundredth anniversary of the birth of Andrea Palladio has
provided an occasion for The Prince’s Foundation for the Built Environment and the
Traditional Architecture Group to join forces to mount a major exhibition of work by
the world’s leading practitioners of traditional and classical architecture.
The support of this event by INTBAU and the Institute of Classical Architecture in the
United States has meant that, for the first time, the four major organisations that champion
the values of humanism, tradition, continuity and environmental stewardship come together.
The exhibition reaffirms the goal that we share together of establishing a credible counterpoint
to the constant erosion of cornerstones of traditions in architecture and building that have
resiliently lasted for generations after Palladio.
It is very encouraging to see that at the outset of the twenty-first century so many leading
architects across many generations and countries with different traditions have come together
in celebration of values that transcend borders, age and indeed cultures.
The Prince’s Foundation, through its activities and network, has been instrumental
in providing a platform for, as well as a link between, education and best practice. I am
particularly pleased that so many of the architects who are part of our network and membership
programme are represented in the exhibition or are part of the supporting organisations.
Palladio’s legacy and his buildings will continue to educate, delight and enlighten future
generations. It is therefore vital that we capture the spirit and essence of his legacy and use
his wisdom to shape our own environment. This will, in turn, allow us to build buildings
that endure and create towns, cities and places that inspire future generations who may cast
a critical eye on the legacy we leave behind.
I congratulate the New Palladians; through their work they continue to enrich and
make relevant Palladio’s principles, which imbue their buildings with a sense of history
and continuity. Their endeavours preserve a rich tradition that has illuminated the path of
architects of many generations into the future we inhabit today.
Hank Dittmar
Chief Executive
The Prince’s Foundation for the Built Environment
The organisers express their gratitude to the sponsors of the exhibition, • - - , for their generosity.
The exhibition would not have been possible without the help encouragement and support of the
following individuals and organizations:
Symm
Aidan Mortimer
The Traditional Architecture Group
Jan Maciag, David Watkin, Nigel Anderson
The Prince’s Foundation for the Built Environment
Hank Dittmar, Ben Bolgar, Steve Parissien, Michael Wetherell
Gareth Davies, Philip King, Sarah Baleiza, Edith Platten
The Institute of Classical Architecture & Classical America
Victor Deupi, Jessica Ouderkerk
International Network for Traditional Building, Architecture & Urbanism
Matthew Hardy, Aura Neag
And
Baba Hobart, Jan Hauger, Rupert Crossley, Zuber Debar, Amy Spraggs
All illustrations copyright of the respective individuals and practices.

Cover drawing reproduced by kind permission of Francis Terry.
Contents of the exhibition and catalogue may not be reproduced except by permission of
the Traditional Architecture Group and the Prince’s Foundation for the Built Environment.
II
T
he Traditional Architecture € rou‚ (TA€ ) is a society linked with the Royal
Institute of British Architects. The group was established in 2001 with the aim of
promoting and celebrating the achievements of architects who are inspired by and
follow the principles of traditional and classical architecture as a living source of inspiration
for creating contemporary buildings, towns and cities.
The five-hundredth anniversary of the birth of Andrea Palladio has provided a fitting
occasion for the TA€ and The Prince’s Foundation for the Built Environment to gather
the exponents of traditional and contemporary classical architecture in a single event in
celebration of the legacy of Palladio and his indelible inƒ uence on their work.
We are particularly encouraged by the support of INTBAU and the Institute of Classical
Architecture and Classical America; their support reaffirms the common goal of a return to
fundamental and transcendental humanist values in the art of architecture and the craft of
building. The exhibitors represent an avant-guard of commercially successful and ƒ ourishing
practices whose inƒ uence is rapidly spreading around the world and helping to shape the
twenty-first century’s towns, cities and environment in a sustainable manner.
Unfettered by the contingencies of transient technological paradigms, the New Palladians
continue to build on and enhance his legacy within the contemporary practice of classicism
and traditional architecture. With the belief that modernity is a qualitative and not a
chronological category, their body of work continues to reƒ ect Palladio’s sustainability and
integrity in a new ecological humanism and urban civility.
The architecture of the New Palladians is inventive, innovative and part of a continuum,
but always and fundamentally inseparable from the fabric of a tradition that itself is
thoroughly alive and very changeable.
Alire„ a • agharchi † ucien • teil

• ecretar… The Prince’s Foundation
The Traditional Architecture € rou‚ for the Built Environment
III
ROBERT ADAM
VICTOR ALLEN
NIGEL ANDERSON
JOSÉ FRANQUEIRA BAGANHA
JULIAN BICKNELL
PIER CARLO B ONTEMPI
RALPH B O OM
MIEKE B OSSE
JAVIER CENICACELAYA
PIOTR CHOYNOWSKI
GONÇALO CORNELIO DA SILVA
JOSÉ CORNELIO DA SILVA
VICTOR DEUPI
PETER DRIJVER
RICHARD ECONOMAKIS
ANNE FAIRFAX
CHRISTINE FRANCK
CRAIG HAMILTON
MAT THEW HARDY
LÉON KRIER
MICHAEL LYKOUDIS
JAN MACIAG
DAVID MAYERNIK
DUNCAN MCROBERTS
ROBERT PATZSCHKE
HUGH PET TER
JAQUELIN T. ROBERTSON
ALIREZA SAGHARCHI
IÑIGO SALOÑA
RICHARD FRANKLIN SAMMONS
JOHN SIMPSON
GEORGE SAUMAREZ SMITH
THOMAS GORD ON SMITH
LUCIEN STEIL
ROBERT A.M. STERN
DUNCAN STROIK
FRANCIS TERRY
QUINLAN TERRY
SAMIR YOUNÉS
ROBERT ADAM
NEW OFFICE BUILDING, PICCADILLY, LONDON NEW HOUSE, SURREY NEW HOUSE
2
VICTOR ALLEN
3
NIGEL ANDERSON
NEW HOUSE, HAMPSTEAD
NEW HOUSE, ULSTER RESIDENTIAL DEVELOPMENT, BENTLEY PRIORY
NEW HOUSE, DORSET NEW HOUSE, SUSSEX NEW HOUSE, HAMPSHIRE NEW HOUSE
4
JOSÉ FRANQUEIRA BAGANHA
5
JULIAN BICKNELL
6
PIER CARLO B ONTEMPI
7
RALPH B O OM
8
MIEKE B OSSE
& PETER DRIJVER
9
JAVIER CENICACELAYA
& IÑIGO SALOÑA
RURAL CENTRE AT LA RIGADA MULTIPURPOSE HALL SAGRADA FAMILIA BUILDING OF APARTMENTS

MUSKIZ. BIZKAIA, SPAIN, 1985-87 DERIO. BIZKAIA, SPAIN, 1987-89 BRUSSELS. BELGIUM, 1992-95
OFFICE BUILDING
BERLIN. GERMANY, 2002
RAILWAY STATION
SANTURTZI. BIZKAIA, SPAIN, 2003-2004
ATXURI HOUSE IZARRA HOUSE

BILBAO. BIZKAIA, SPAIN, 2005-08 IZARRA. ARABA, SPAIN, 2004-06
ASTARLOA HOUSE - CULTURAL CENTRE

ELEXALDE HOUSE ASTARLOA HOUSE - CULTURAL CENTRE
GALDAKAO. BIZKAIA, SPAIN, 1995-97 DURANGO. BIZKAIA, SPAIN, 1990-95
PROJECT FOR A UNIVERSITY LIBRARY
AMIENS. FRANCE, 1991
PROJECT FOR A UNIVERSITY LIBRARY
10
GONÇALO CORNELIO DA SILVA
11
JOSÉ CORNELIO DA SILVA
12
VICTOR DEUPI
13
RICHARD ECONOMAKIS
14
ANNE FAIRFAX
15
CHRISTINE FRANCK
Waterfront elevation of Chadsworth Cottage (above) is modeled on both Palladian and local North Carolinian precedents. Lower passage at Chadsworth Cottage (above) extends from the front to the back of the house, filling the first floor
View into Dining Room (below left) shows a portion of the interior column screen dividing the Living Room, Lower Pas- rooms with light from the stair hall and waterfront porch, as well as providing passive cooling during hot summers. Wa-
sage, and Dining Room. Master Bedroom (below right) displays the owner’s collection of French Empire and American terfront balcony railing (below left) reinterprets the bundled wheat railing design often found in American Georgian and
Classical furniture and decorative arts. Federal period architecture. Serlian window detail (below right) shows design possibilities using stock products.
Design & Decoration

C HRISTINE G. H. FRANCK is a designer and educator
based in New York City. Before establishing her
own practice, she interned with the office of Allan
Art of Building Cities, and A Decade of Art and Architec-
ture. In 2007 her debut residential project, Chadsworth Cot-
tage, shown here, was awarded the Palladio Award for Best
Greenberg, Architect in Washington, DC and served as New Residential Construction Under 5000 Square Feet.
the first Executive Director of the Institute of Classi- Designed as a show-house to demonstrate that correct
cal Architecture & Classical America (ICA&CA). Ms. and beautiful classical architecture can be created using stock
Franck currently serves on the Board of Directors of the products at a moderate coast, Chadsworth Cottage is embed-
ICA&CA and the College of Chapters of the International ded in the Anglo-Palladian tradition underlying North Caro-
Network of Traditional Building, Architecture, and Urban- lina’s Georgian and Federal architectural history.
ism (INTBAU). Her design sensitivity was developed at Situated at the northern tip of a coastal barrier island,
an early age in her hometown of Williamsburg, Vir- Chadsworth Cottage was required to meet stringent building
ginia. She holds a Bachelor of Science in Architecture codes related to the hurricane and flood prone area. For ex-
from the University of Virginia and a Master of Ar- ample, the entire lower level of the house was designed to
chitecture from the University of Notre Dame. break-away from the structure during flood events and win-
Her award-winning residential design work in- dows and doors had to meet high performance standards.
cludes such diverse projects as the design and decora- Though the site imposed many challenges, these challenges
tion of custom residences, the renovation of apartments created opportunities for unique design solutions.
and lobbies in New York City, and market-rate housing Ms. Franck’s work on Chadsworth Cottage also in-
design for New Urban developments. Her work has cluded the full decoration of the new home and design of
been published in Architecture, New Old House, Period the landscape. Occupying a prominent position within the
Homes, Residential Architect, Wrightsville Beach Magazine, landscape, the home has become a recognizable landmark to
Wilmington Magazine, In Style Magazine, The Classicist No. 6, local mariners and was recently recognized as Wrightsville
A Decade of Art and Architecture and exhibited at The Beach Magazine’s Home of Distinction.
Detail of the pediment at Chadsworth Cottage (above). Ms. Franck discusses the Campidoglio with an ICA&CA Rome The landside elevation of Chadsworth Cottage (above). Ms. Franck instructs an ICA&CA Summer School student in
Drawing Tour student (below left). Study of a window at the Campidoglio (below right), ink and charcoal on paper. rendering techniques (below left). The ICA&CA’s Rome Drawing Tour students enjoy a daily review of their work at
New Old House Magazine Building Blocks illustrations (center of page). the Tempietto (below right) prior to a guided walking tour.
Education & Writing

Developing and directing educational programs for profes- the Pythagoras School, a new traditional building crafts
sional, student, and public audiences is an essential compo- school. For this group she has created a program develop-
nent of Ms. Franck's practice. After serving a teaching ap- ment plan now being implemented.
pointment in Rome for the University of Notre Dame Writing commissioned books and articles is another
School of Architecture in 1996 and 1997, she was ap- outlet for Ms. Franck’s educational mission, as these re-
pointed the first Executive Director of the ICA&CA. Ms. sources educate professionals and the general public alike
Franck now serves on the Board of Directors of the about good architecture and its history. She is the author
ICA&CA and the College of Chapters of the International and designer of Jose M. Allegue: A Builder’s Legacy, commis-
Network of Traditional Building, Architecture and Urban- sioned by Mr. Lloyd Zuckerberg. Nearing completion is the
ism. In addition to her volunteer work for these organiza- ICA&CA’s Handbook of Classical Architecture, of which Ms.
tions, she also speaks regularly on topics related to Classical Franck is the editor and a contributing author. Her column,
architecture, both old and new, and has become a recog- Building Blocks, appears in each issue of New Old House Maga-
nized expert on traditional American domestic architecture. zine. For each column Ms. Franck contributes an article and
Since 1996 she has developed, directed, and adminis- an original hand drawn sketch.
tered educational programs such as the Institute of Classical Recognizing her leadership, in 2002 the Prince's Foun-
Architecture & Classical America’s (ICA&CA's) Certificate dation awarded her the first Public Service Award for "her
in Classical Architecture for Design and Construction Pro- outstanding contribution to architectural education and de-
fessionals, which she created for the American Institute of sign." In 2007 she was appointed Harrison Design Scholar
Building Design (AIBD); the ICA&CA’s Summer Program at the Georgia Institute of Technology College of Architec-
in Classical Architecture, its Rome and Naples Architectural ture. And in 2009 she will serve as visiting critic at the Uni-
Drawing Tours, and its Continuing Education program versity of Notre Dame School of Architecture. In all her
which now reaches over 250 professionals each semester. educational work Ms. Franck strives to improve the literacy
Prior to her volunteer work at the ICA&CA, she adminis- and skill of designers and builders, whether they work in the
tered the only two American Summer Schools of The high-end custom realm or in the mass market, and the appre-
Prince of Wales's Foundation. She has recently consulted to ciation and literacy of the general public.
16
CRAIG HAMILTON
17
MAT THEW HARDY
18
LÉON KRIER
19
MICHAEL LYKOUDIS
20
JAN MACIAG
21
DAVID MAYERNIK
22
DUNCAN MCROBERTS
23
ROBERT PATZSCHKE
24
HUGH PET TER
NEW COUNTRY HOUSE, SURREY
NEW COUNTRY HOUSE, BERKSHIRE NEW COUNTRY HOUSE, HERTFORDSHIRE
MILLENNIUM ARCH, ATLANTA, USA
NEW COUNTRY HOUSE, GLOUCESTERSHIRE NEW HOUSE
25
JAQUELIN T. ROBERTSON
26
ALIREZA SAGHARCHI
27
RICHARD FRANKLIN SAMMONS
28
JOHN SIMPSON
29
NEW HOUSE, HAMPSHIRE

GEORGE SAUMAREZ SMITH
NEW SUMMERHOUSE, HAMPSHIRE
30
THOMAS GORD ON SMITH
31
ROBERT A.M. STERN
32
DUNCAN STROIK 3(2).%/&/52,!$9/&'5!$!,50%

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33
FRANCIS TERRY
34
QUINLAN TERRY
35
SAMIR YOUNÉS
36
Symm employs a dedicated workforce of
over 200 apprentice trained craftsmen.
Supervised by professionally qualified
management, Symm has the expertise to
SYMM No ordinary builder complete any project, whether it be a castle,
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SYMM Osney Mead Oxford OX2 0EQ
www.symm.co.uk
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New Palladians

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N E W PA L L A D I A N S

All illustrations copyright of the respective individuals and practices.

Alire„ a • agharchi † ucien • teil

NEW HOUSE, HAMPSTEAD

NEW HOUSE, ULSTER RESIDENTIAL DEVELOPMENT, BENTLEY PRIORY

JOSÉ FRANQUEIRA BAGANHA

PIER CARLO B ONTEMPI

RURAL CENTRE AT LA RIGADA MULTIPURPOSE HALL SAGRADA FAMILIA BUILDING OF APARTMENTS

ATXURI HOUSE IZARRA HOUSE

ASTARLOA HOUSE - CULTURAL CENTRE

GONÇALO CORNELIO DA SILVA

JOSÉ CORNELIO DA SILVA

Design & Decoration

Education & Writing

MAT THEW HARDY

NEW COUNTRY HOUSE, SURREY

NEW COUNTRY HOUSE, BERKSHIRE NEW COUNTRY HOUSE, HERTFORDSHIRE

MILLENNIUM ARCH, ATLANTA, USA

NEW COUNTRY HOUSE, GLOUCESTERSHIRE NEW HOUSE

RICHARD FRANKLIN SAMMONS

NEW HOUSE, HAMPSHIRE

NEW SUMMERHOUSE, HAMPSHIRE

THOMAS GORD ON SMITH

ROBERT A.M. STERN

DUNCAN STROIK 3(2).%/&/52,!$9/&'5!$!,50%

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This neoclassical house was completed in just 15

For our new brochure call 01865 254900

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