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A Moontagu Book
Power Tai Chi Chuan Book Three Pauchui Solo Form & Two Person San-Sau
By Erle Montaigue
Introduction: Page 2
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Copyright 1984/2000 Moontagu Books Australia First Published in Australia Electronically October 2000 All Rights Reserved ISBN: 0-949132-07-11
CONTENTS
Preface
Pauchui & San-sau....................................... 6 How to Use This Book ................................. 7
Chapter One:
Solo Form A ................................................9 Solo Form B...............................................24
Chapter Two
Putting it all Together 2 Person Set ................39
Preface
Preface: Page 6
and become just a brawl as we see in so many of the full contact tournaments today.
The translation of many words from Chinese sometimes gives a wrong meaning, for instance. Most people say that Chee is to press. This is wrong as Chee means to squeeze. Most people say that Arn means to push, this is also wrong the word Arn means to press. There are no pushes or pull sin Tai Chi chuan.
Preface: Page 8
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PUNCH TO BODY
Sit back on the left leg and block to the right with your left palm as you turn slightly to the right and pull your right fist back to your hip. See Photo No. 15. Now put the weight onto the front foot and punch to the solar plexus. This is a Fa-Jing movement Photo No. 16
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BEND BACKWARDS
Take a small step diagonally to the S.E. as you block in with the left arm. Photo No. 17. Pick up the right foot and do an arc out to the left and back to the right as if stepping behind someones leg. At the same time the left palm pulls to the left as you turn the torso to the left. The right arm crashes down across the opponents body and draws it over your right leg to the South. This is a sweeping movement. Photo No. 18.
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Turn the right toes to the S.W. and step forward with the left foot to attack with Chee. This is a fa-jing movement. Photo 21.
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BEND BACKWARDS
Turn your right palm over to palm up to block and pull the weight onto your left leg. As you do this, push to your right shoulder with the right palm. This is a sweeping movement. Photo No. 24. Now step in an arc as before forward with the right foot as if stepping behind around to the South and turning the torso to the Left, the right arm crashes across the chest Photo No. 25.
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ELBOW STROKE
Sit back onto the left foot and graze the top of your right forearm with your left palm as the right elbow does a counter-clockwise circle and attacks as you roll forward. Photo No. 45.
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Grab your own left wrist with the right palm, turn right toes 45deg step to N.E. with left foot and do shoulder stroke with the with left shoulder. Photo No. 49. This is an easy movement.
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for-ward), and as you do this, strike up diagonally with the left palm Photo No. 56. To the N.E.
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Swivel toes back around to N.E. and block to the left with the left palm upward. Photo No. 59. Step to the N.E. with the right foot and punch with the right fist. Photo No. 60. The block is a sweeping movement while the punch is a fa-jing movement.
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the East. Photo No. 62. The palm and foot are done as fa-jing movements.
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TRIPLE PUNCH
Lift the left foot and strike with the right palm to the S.W. Now immediately strike with the left palm as you pull the right palm back. As you place the Left foot down to the S.W. and place the weight onto it strike to the heart area with your right fist. Photo No. 65. The triple punch should be performed as quickly as possible without losing power.
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SINGLE WHIP Block to your right with the left palm then push to the left while holding a hook with the left. Step forward to the N with the right foot and attack to the heart with the right palm. Photos No 71 & 72. The attack is a fa-jing movement. 72
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PULL DOWN SPIN AROUND AND CONCLUDE Throw both hands upward then step back with the left foot to the S. Pull down with both hands. Photo No. 74. Spin the right foot to the rear and turn the body around to the South. Photo No. 75. Turn both hands up and do two large circles from down to up in opposing arcs and bring them down crossed in the front. Photo No. 76. Touch the both knees and bow. All of the last movements are performed with a sweeping motion. This concludes the first part of the Pauchui form. The next part is started as soon as this one is finished with no stopping. When it is performed as the san-sau, one partner takes this first part and the other takes the next one. It is advisable to practice the first part and to know it very well before going on to learn the second part. Be able to perform each movement with great balance, speed and power, as well as being able to perform the slower movements with great balance and power.
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PAUCHUI FORM No 2
STEP LEFT AND LIFT HANDS
Start by facing to the South, which is where you should be at the end of the first form. Carry straight on from the bow and take a diagonal step to the left and slightly forward. The toes are at 45deg. At the same time, block across to the right at your center with the left palm. Now bring the right palm up to in front of the left one to bring you into a lift hands posture. The right heel kicks to the knee or shin. The kick is a fa-jing movement. The Right fist can be used to punch at the face but is not executed, just know that it can be done. Photo No. 78. Now turn your torso to the Right which pushes your left palm to the right and pull your right fist to your right hip. Step forward to the South. and punch to the heart area. Photo No. 79. The punch is a fa-jing movement. NB:// There is no Photo number 77!
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Sit back onto the left foot and block under your right armpit with the left palm. At the same time bring your right foot back to equal the left one, turn to the S.W. Photo No. 82. Take a Left step to the S.W. and phoenix punch with the right fist. Photo No. 83. The punch is fast.
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Sit back onto left foot and bring both arms up in a C.W. circle to the left and over in front as you press forward with both arms. The press is a powerful body push. Photo No. 90.
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before but this time kick to the shin with Left heel. This is a fast movement with the pull downs being slow. Photo No. 119.
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with Right foot and from underneath slant upward with the Right forearm. Photo No. 133.
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Right foot as you attack with cobra palm to the neck. Photo No. 138.
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The next section deals with putting the two pauchui forms together in a choreographed but real fighting situation using the two pauchui forms which will now be called san-sau. This section uses all that you have learnt from the beginning of your training; push hands, da-Lu and the form. You will need a partner who is at the same level of learning as you. At first only practice one movement per week and get it right until it can be used without thinking. The most important thing is to remain relaxed with every muscle and joint loose and use the whole body as a unit. I will refer to the photos as E & J meaning Erle and Jeni. I have taken the photos at the best angle to see what is happening so read the text to find out exactly what direction to fact etc. I will not include all of the finer details as they have already been covered in the Pauchui.
BEGINNING
E & J face each other feet parallel and shoulder width. E faces N and J faces South. E holds a fist as shown in Photo No. 148.
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Right and down. Right palm comes up underneath left arm and strikes to Es face with backfist. Photo No. 154.
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PRESS
Jeni now brings both of her arms up in a counter C.W. arc and blocks Erles right forearm with her right forearm as she sits back. Photo No. 164. She now completes the circle and presses forward onto Erles chest with both palms. Photo No. 165.
PUNCH TO BODY
165 Erle sits back and blocks Jenis punch by turning to the Right and pushing her Right forearm to his Rt. As he does this he makes a
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Right fist at his hip and strikes Js heart as he sits forward. Photo No. 166.
BEND BACKWARDS
Erle now blocks Jenis right punch by blocking under and out to Left with his Left palm. Photo No. 168. Picks up his Right foot and places it behind Jenis Right leg. He now holds her Right wrist and turns to the Left thus throwing her over his Right leg. Photo No. 169.
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leg and strikes up under Erles Right axila with the Left arm. Photo No. 170.
pushes forward towards Erles heart with both palms. Photo No. 174.
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BEND BACKWARDS
Erle, his Right kicking foot to the rear, and puts his weight onto it as he blocks to the Left with his Right forearm Jenis fist. Photo No. 179. Now
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Erle turns his Right palm over so that it is palm up and pushes Jenis Right arm to his Rt. Photo No. 180. Erle now pushes Jenis Right arm with his left palm and steps around to behind her Right foot with his Right foot and slopes his Right arm across her neck to push her over his leg. Photo No. 181.
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RETURN CHEE
Jeni moves her Left leg to her Right, and neutralizes Erles Chee to her L. She then uses Chee onto his Left shoulder to the S.W. Photo No. 207.
ELBOW STROKE
Erle now grabs Jenis Left wrist with his Left palm and picks up his Right foot, placing it down on the out-side of her Left leg as he strikes to her Left triceps with Right elbow. Photo No. 210. 210
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ward, to the Left side of Erles right foot and strikes his axila with shoulder. Photo No. 222.
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TRIPLE PUNCH
Erle now blocks Jenis Right arm with Right palm in a knife-edge strike. As he does, he picks up his Left foot and places it forward on the outside of her right leg. As he does this he attacks Jenis Right arm again with a Left knife edge palm as he pulls his Right fist back to his R hip. Photo No. 236. He now does a third punch to Jenis heart. Photo No. 237.
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SINGLE WHIP
Erle now makes a hook with his Left palm and brings it over to his Right to lock onto Jenis Left fist Photo No. 250. He now pulls the fist over to his Left and as he steps forward to the N.W. with his Right foot attacks Jenis axila with his Right palm. Photo No. 251.
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IN CONCLUSION
Although I have been talking about things like poking eyes out and punching at vital points etc., it must be remembered that we only learn these techniques so that we are able to transcend just the fighting part of this great martial art. Once we are able to defend Families, and ourselves we are then free to go beyond the physical and enter the mind intent. Once we have reached this level we can truly say that we know Tai Chi. Only the person who is unafraid to turn away from a fight unless life is threatened and who will not enter into contests of strength really knows the martial art of Tai Chi Chuan. I wish you peace and happiness within and hope that we all someday find our masters from within. Please go out and join your local anti-nuclear group now. Erle Montaigue 28th of May 1984.