Neus Beneyto - Architect

CURRICULUM
n e u s b e n e y t o f a l a g n
a r c h i t e c t
PERSONAL INFORMATION
Name: Neus eneyto Fa|agn
Date of birth: 26th, June 1979
Place of birth: Valencia, Spain
E-mail: neusbeneyto@gmail.com
Cell-phone: +34 660322663 | +32 477452037
Address: Ca||e P|rlor v||a Prades, r8 pla. Z, 1008 - va|erc|a, 3pa|r
Rue du Midi, 95. 1000 - Bruxelles, Belgium
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EDUCATION
2011-2012 HA8TER UN|VER8|TAR|0 EN PLANEAH|ENT0 URAN0 Y TERR|T0R|AL [ HA8TER |N URAN AN0 LAN0 PLANN|NC
Department of Urban and land planning of the Technical School of Architecture of Madrid (ETSAM) | Polytechnic University of Madrid (UPM)
Vasler Tres|s: ulop|a ard rerory ol lre |ard. Co|or|zal|or processes |r 3pa|r al lre |ale XlX cerlury.Tulor: 0r. Jav|er Ru|z 3rcrez
2007 ARCHITECT by the Technical School of Architecture of Valencia (ETSAV) | Polytechnic University of Valencia (UPV)
Special field: Building
F|ra| Projecl: Lu|s v|ves l|gr 3croo|, va|erc|a, 3pa|r. Tulors: v|cerle 0orz|ez-Vslo|es - lr|go Vagro - Varue| Porlace||
LANGUAGES Spanish and Catalan as mother tongues
Advanced level of English and Portuguese
Intermediate level of French
SOFTWARE AutoCad - Revit - Rhinoceros - Photoshop - Word - Excel - GIS
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EDUCATION
ADDITIONAL TRAINING
2013 3l3TEVA3 0E lNF0RVACl0N 0E00RAFlCA j 0E00RAPllC lNF0RVATl0N 3Y3TEV3. 0r-||re course. lrsl|lulo 0eogrl|co Nac|ora|.
CuR30 0E CERTlFlCACl0N ENER0ETlCA 0E E0lFlCl03 EXl3TENTE3 (CE3X) j EXl3TlN0 8ulL0lN0 ENER0Y CERTlFlCATl0N C0uR3E (1r.)
AvEN - Agerc|a va|erc|ara de |a Erergia, va|erc|a, 3pa|r.
AUTODESK REVIT (50h.) Ensenyem Technical Academy. Valencia, Spain.
RHINOCEROS (25h.) Ensenyem Technical Academy. Valencia, Spain.
2010-2011 ANAL00 AN0 0l0lTAL Pl0T00RAPlY. Cerlro de Arle e Corur|caao AR.C0 - L|soor, Porluga|.
2007 WORKSHOP WITH THE ARTIST DAN GRAHAM. IVAM (Valencian Museum of Modern Art)
2006 "PENSAT I VERD". BOTANY COURSE FOR ARCHITECTS. CTAV-COACV-Arquitectes pel paisatge.
EL E3PACl0 uR8AN0 C0NTEVP0RANE0 EN LA C0VuNl0A0 vALENClANA. uroar ser|rar. CTAv-C0ACv-Arqu|lecles pe| pa|salge.
LA PlNTuRA EN EL ClNE. uNA APR0XlVACl0N. 3er|rar aooul pa|rl|rg ard c|rera. ulVP-FlAV
2005 ARCHITECTURAL WORKSHOP IN BENICASSIM. UPV
2004 3D STUDIO. UPV
2003 TE0RlA 0E LA V00ERNl0A0 Y PR0YECT03 0E AR0ulTECTuRA. 3er|rar aooul lreory ol roderr|ly. C0ACv
C0N-Ju0AR AR0ulTECTuRA. wor|srop W|lr N|elo & 3ooejaro Arcr|lecls. uPv-Cledra 8|arca
DIGITAL IMAGE PROCESSING WITH ADOBE PHOTOSHOP. UPV
2002 LA vlvlEN0A 0uE AuN N0 TENEV03. 3er|rar aooul rous|rg. uPv
2001 "UNA MIRADA SOBRE EL CABANYAL". Urban workshop. UPV
TECNlCA Y AR0ulETCTuRA. Arcr|leclure ser|rar. Furdac|r ur|vers|dad Rey Juar Car|os
2000 AR0ulTECTuRA Y C0NTEXT0. E3TRATE0lA3 C0NTEVP0RANEA3. Arcr|leclure ser|rar. ulVP
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WORK EXPERIENCE
2013- RESERVOIR A (www.reservoira.org)
0rard lp|la| de Crar|ero|. 8e|g|ur
2011- Neus Beneyto Architect . House for a photograph.
2010-2011 ARQUITECTOS SEM FRONTEIRAS PORTUGAL . Volunteering at Architects Without Borders.
2010 (sept) Curatorial assistant . Ru| lorla Pere|ra: 0eserros. Ale|| F|da|ga - 3ao Pau|o. 8raz||. Curalor: Lourero Egreja.
2007-2011 AIRES MATEUS & ASSOCIADOS (www.airesmateus.com)
Alhambra Atrium. Granada, Spain.
Parque de |os Cuerlos - Ta|e Vuseur. V|aga, 3pa|r.
Lisbon Cruise Terminal. Portugal.
Mayer Park and Botanical Garden. Lisbon, Portugal.
EDP New Headquarters. Lisbon, Portugal.
2006 6ARHEL CRA00L| & ARTUR0 8ANZ AR6h|TE6T8
Rambleta Cultural Center. Valencia, Spain.
2004 WESTERN PENNSYLVANIA CONSERVANCY (www.paconserve.org)
Educational Intership. Fallingwater House, Pennsylvania, USA.
2003 SALVADOR PERIS & IGNACIO SANCHIS ARCHITECTS
Cu|lura| Cerler ol L|ir|a. va|erc|a, 3pa|r.
WESTERN PENNSYLVANIA CONSERVANCY (www.paconserve.org)
Educational Intership. Fallingwater House, Pennsylvania, USA.
2000-2001 JUAN 0ELTELL & 6LARA HEJ|A8 AR6h|TE6T8
EUROPAN 6. Nazaret. Valencia, Spain.
Youth Center for Quart de Poblet. Valencia, Spain.
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FURTHER INFORMATION
PUBLICATIONS 8ereylo Fa|agr, Neus. Utopia and memory of land. Colonization processes in Spain at the late 19ch century . 5th International Seminar of
uroar Researcr. uroar P|ar 0eparlrerl uPC. 8arce|ora, Jure, 13-11 ol 2013, p. 101-10ZZ [l33N:2339-598|
8ereylo Fa|agr, Neus. The colony of Santa Eulalia as a territorial utopia. Interior colonization processes in Spain in the late 19th century.
0eo0rapros [or ||re|. A||carle, Varcr 2013. vo|.1 r1, p.322-353 [l33N: 21Z3-12Z|
Projects mentions EL CROQUIS 154 - AIRESMATEUS 2002-2011. Croquis Editorial. Madrid, February 2011
CIAB 4. IV CONGRESO INTERNACIONAL DE ARQUITECTURA BLANCA. General de Ediciones de Arquitecrtura. Valencia, 2010
D'ARCO MAGAZINE 07 - AIRES MATEUS MONOGRAFIA. Porto, March-April 2009.
PROJECTES D'ARQUITECTURA PER AL SEGLE XXI . Mostra dels millors Projectes de Fi de Carrera, desenvolupats per alumnes de l'Escola
Tcr|ca 3uper|or d'Arqu|lecrlura de va|erc|a. Curs 200-200Z. Ed|lor|a| de |a uPv. va|erc|a, 200Z.
TC CUADERNOS 44. Concurso Quart Jove. General de Ediciones de Arquitectura. Valencia, 2001.
LECTURES 5lr lrlerral|ora| 3er|rar ol uroar Researcr. uroar P|ar 0eparlrerl uPC. 8arce|ora, Jure, 13-11 ol 2013. Utopia and memory of land.
Colonization processes in Spain at the late 19ch century .
EXHIBITIONS PROJECTES D'ARQUITECTURA PER AL SEGLE XXI . Galeria Edgar Neville, September 2007.
SCHOLARSHIPS LEONARDO DA VINCI Program. Intership at Aires Mateus & Associados. Lisbon, Portugal. 2007-2008
WEB-SITE dossierdearquitectura.blogspot.com
dossierdedossiers.blogspot.com
PORT F OL I O
a r c h i t e c t
MY OWN PROJECTS
Project developed at my own office.
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El The sub-tropical climate of 3ao Paulo fosters a house with large openings in the living
spaces. The housing program is simple: on the ground floor are the main rooms, with direct
access to the garden and pool, while the top floor is dedicated to the guest rooms and the
photography laboratory of the client. Two concrete blocks overlap perpendicularly separating
the patio into two different areas.
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HOUSE FOR A PHOTOGRAPHER
Location: 3ao Pau|o, 8ras||
Date: 2011 (proyecto)
Author: Neus Beneyto
Client: Frarc|sco Aragao
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House for a photographer - Neus Beneyto
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planta baja
0 2 5 20 (metros) N 10
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planta primera
0 2 5 20 (metros) N 10
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AIRES MATEUS & ASSOCIADOS
Selected projects developed at Manuel Aires Mateus office in Lisbon, Portugal.
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Confronted with an unquestionably dignified historic legacy, it was decided to preserve it and
make it the feature of the programme and the image. The 17th century convent holds all the
exhibition areas. The project designs the entrance, the route and all the zones preceding the
actual tour. The entrance is dug into the base of one of the existing buildings, on a long,
narrow plan. A narrow passageway penetrates the precinct, distancing us from commonplace
shapes. The corridor culminates in a dome-shaped reception space, the center of this
reception area. This dome is perforated by another running in the opposite direction, providing
views of the convent from a lower level. This large, empty, secret, sheltered space is also
shaped by the presence of the auditorium, the media library and the entrance to the top floor
This entrance, which brings us into contact once again with the reality of the old convent,
leads to the access point used historically to enter this universe of construction and voids.
"PARQUE DE LOS CUENTOS" MUSEUM
International competition - 1st prize
Client: Jurla de Arda|ucia
Location: V|aga, 3pa|r
Date: 2007 (competition) - 2009 (basic project) -
2010/2011 (execution project)
Authors: Varue| A|res Valeus Jav|er Lpez
Rarr P|co
Project team: Jorge P. 3||va, Neus 8ereylo, Car|os Varlirez,
Jav|er Acedo, vr|a Ferrardez, Ardr Passos.
Museography: Izaskun Chinchilla
Engineer: AFAconsult
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"Parque de los Cuentos" Museum - Aires Mateus & Associados
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NEW ATRIUM FOR THE ALHAMBRA
International competition
Location: Granada, Spain
Date: December 2010 - February 2011
Authors: Manuel Aires Mateus + Antonio Tejedor
Consultant: 0ora|o 8yrre
Project team: Jorge P. 3||va, Neus 8ereylo, 0errr Pr,
8|arca Vora|es, Val||de 0|rao, Joao Esleves,
Olga Sanina, Ania Aguilar, Elod Glocza,
Ezio Siciliano, Luz Palacio, Alexandre Branco,
Francesca Lupo.
Landscape: Joao 0ores de Cosla, Joao Nures
Engineer: AFAconsult
The main goal is to transform the sequence of arrival, the reception and initiation of the visit
on a topographical, architectural and landscape device: the Atrium. Intervention is
topographical, not a building that fills the landscape. Playing with terraced areas, a
entry-world to an inhabited space is created, with no external consequences. It goes without
imposing a new presence where the weight of history had already written its long existence.
The wide ramp lateralizes the new Atrium and the narrow crack in the ground progressively
reveal a powerful tectonic that builds landscape while announcing an appellate interiority.
Two penetrable cyclopean walls converge in an improbable vault. As the roots of a hanging
garden, a sensitive spatiality is sensed, which grows from that specific ground in search of the
sky. In the limit of memory, space and light are caved, and with it, the thickness of time.
Freely projected from spaces of centrality, designing a precise space.
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New Atrium for the Alhambra - Aires Mateus & Associados
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LISBON CRUISE TERMINAL
Competition - 2nd prize
Location: Lisbon, Portugal
Date: 2010
Client: Crara Vur|c|pa| de L|sooa - L|soor ToWr la||
Authors: Varue| A|res Valeus 0ora|o 8yrre
Jorge P. Silva
Project team: Neus 8ereylo, Rosr|o Vascarerras,
Mizuo Anzai
Engineer: AFA-consult
The history of the city could be told through its own relation with the river. The evolution of the
city urban form adapts itself to construction and public space molds, which alternates between
the longitudinality parallel to the river, and the transversality perpendicular to it. On this
proposal, interests are in favor spatiality to the detriment of form. In the project the
architectonic shape is a kind of temporal reminiscence of the cultural memory of the city. At
the boundary of the memory, space and light, and with it, time, are excavated. More than a
mimesis of the formal system of the harbor warehouses from the beginning of the past
century, interests the contemporary interpretation that goes from the system character of that
presence. Coming from a legacy more cultural than tactile, the new perpendicular architecture
is caved, pierced, delimited, defining a spatiality and temporality that contain some of the
diverse spheres which travel between a 'ship-city', strongly fictitious, and the real city.
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Lisbon Cruise Terminal - Aires Mateus & Associados
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The initial gesture was designed by history. The city's remote history, or the history of this
land, wrested from the water, decided that these bodies would be set perpendicular to the
river's edge, which embraces a square, a public space, an a mass of air that signifies the
building. The design is based on vertical elements: modulation, structure, infrastructure and
sunshading. The whole complex is resolved by this means. Variable profiles subtly shape a
gentle, continuous design in which the planes are insinuated delicately. A design that varies
with the changing light, shadows and shade. The viewer's perspective also makes it seem
prominent or flatter, more opaque and mysterious, or more transparent and revealing of the
life that throbs inside. This gesture resolves the project, protecting the work-spaces on the
vertical plane with patios, and installing the public functions in the horizontal space.
EDP NEW HEADQUARTERS
Competition - 1st prize
Date: 2008 (competition)
Client: EDP Group
Author: Manuel Aires Mateus
Co-authors: Jorge P Silva + Frederico Valsassina +
Jos Var|a Ass|s
Project team: Neus 8ereylo, R|la Corce|ao 3||va, F|||pa
Ferre|ra, Frarc|sco Case|ro, Ardr Passos,
Catarina Bello, Humberto Fonseca
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EDP New Headquarters - Aires Mateus & Associados
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The project meets the main needs within this area: protecting the Botanical Garden, urban
links between the lower and upper levels of the city, and making use of the space within the
Parque Mayer as having regeneration potential for the area. The wooded area goes from the
garden to the rough wall of the built-up boundary. The projected garden area covers the
resulting spaces under the large, continuous planes that mould the platform to the upper level.
It continues as a concept, this new green surface: it is open, permeable to streets and
squares, crossed within and open to the sky. This fabric of pedestrian public space links the
varying levels and surroundings in this area. The Capitol is re-centered within a new square,
where all routes meet. Within the paradigm of the historic city, a dense occupation of the
ground and low altitude, the solution etches out urban public spaces as key players in city life,
on a scale appropriate to its center.
MAYER PARK AND BOTANICAL GARDEN'S AREA
Competition - 1st prize
Date: 2008 (competition) - 2009/2010 (urban plan)
Client: Crara Vur|c|pa| de L|sooa - L|soor ToWr la||
Author: Manuel Aires Mateus
Co-authors: Jorge P 3||va Joao Nures (Arq. Pa|sag|sla)
Project team: Neus Beneyto, Ardr Passos, Humberto Silva,
Frarc|sco Case|ro, vr|a Ferrardes.
Consultants: Dr. Ricardo Pais Pedro Moreira, Carlos Martins,
Delfim Sardo
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Mayer Park - Aires Mateus & Associados
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OTHER COLLABORATIONS
Student internship at different architectural offices.
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RAMBLETA CULTURAL CENTER
Competitions - 1st prize
Location: Valencia, Spain
Date: 2006 (competition)
Authors: Arluro 3arz Carre| 0rado|i
Project team: Neus Beneyto, Alberto Castillo, David Estal,
Carrer 0orz|ez, le|ge larser,
lerr|rg K|ourarr, Csar Truj|||o
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Raro|ela Cu|lura| Cerler - Arluro 3arz & Carre| 0rado|i
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QUART YOUTH CENTER
Competition - Honorable mention
Location: Quart de Poblet, Valencia, Spain
Date: 2000
Authors: Juar 0e|le|| Err|que Ferrrdez-v|varcos
C|ara Vejia
Project team: 0aor|e| 0orerecr. Ardrs Puerlas,
Neus Beneyto, Eduardo Soria.
The building is organized around a system composed of double height voids, open patios and
terraces through which southern light penetrates into it and help to organized the different
levels. Functional flexibility required by the proposed program is obtained by the neat spacial
organization of the building, the projected access system and the establishment of a rigorous
structural modulation. A peaceful appearance contrasts with interiors treated in a much more
dynamic way, understanding that the virtue of these spaces might lay on its ability to let itself
be occupied by the countless temporary users that may come to visit the center.
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0uarl Youlr Cerler - Juar 0e|le|| & C|ara Vejia
E86UELA TE6N|6A 8UPER|0R 0E AR0U|TE6TURA 0E VALEN6|A - ET8AV
Selected projects developed at Valencia School of Architecture - Polytechnic University of Valencia.
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SCHOOL OF ARCHITECTURE FINAL PROJECT - PFC
PFC - Luis v|ves l|gr 3croo|
University: School of Architecture of Valencia - ETSAV/UPV
Date: 2005/2006
Author: Neus 8ereylo Fa|agr
Tutors: v|cerle 0orz|ez-Vslo|es, lr|go Vagro de 0roe,
Manuel Portaceli.
Score: 9/10
The thesis of this Final Project is abstract: to suppose that, there where nowadays and back
in the 16th Century is a convent building, exists the emptiness. There is then the
extraordinary opportunity of creating a new architecture at the historical center, keeping the
current function of High School. The location is interesting both from the historical point of
view (on the inner boundary of the layout of the old city wall), and from the contemporary
point of view. Thus, the proposed building raises from the floor, letting the public space to flow
at ground level, allowing the city to extend itself beyond the limits given by the city lines. The
program is divided in order to offer a semi-basement open to the city, with its sports and
cultural facilities, focusing the academic spaces on the privacy of the upper levels. The school
is organized within a system of patios and corridors that both illuminate and isolate the
classrooms from the exterior. The laade is thought based in reinforced concrete self-bearing
elements that create a scale and a rhythm that respond to the importance of the context.
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3rd YEAR PROJECTS
Research Center in Biar | Glass Kiosk
University: School of Architecture of Valencia ETSAV/UPV
Date: 2004/2005
Author: Neus 8ereylo Fa|agr
Tutors: Miguel del Rey + Antonio Gallud
Score: 9/10
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COMPETITIONS
Selected architecture competitions developed in different teams.
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KIOSK FOR THE UNIVERSITY AGORA
Competition
Date: 2005
Authors: Neus 8ereylo Araya Varlirez
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VALENCIA PORT TERMINAL
Competition: ACSA-OTIS Elevators
Date: 2000
Authors: Neus 8ereylo Jesus Varlirez l|er 3olo
Tutor: Juan Deltell
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Valencia Port Terminal
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Valencia Port Terminal
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n e u s b e n e y t o @g ma i l . c o m
a r c h i t e c t

Neus Beneyto - Architect

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