Home | Digital Mags | Podcasts | WIN Prizes | Subscribe | Advertise | About SOS | Help

Tue 16 Apr 2013

Have an account?

Log in

or Register for free

Sound On Sound : Est. 1985

Search Issue Selector

News

Articles

Forum

SOS TV

Subscribe

Shop

Directory

Readers' Adverts

Information

Blog

Search Sound On Sound

Keyword(s)
Find all words Find any word Show results: with summaries titles only New search Only show articles with PDFs available

>> Access ALL ISSUES How to search

Category Selector: All Search Tips Past Issue contents lists

Search Results
64 item(s) found Page 1 2 3 of 3 Show more items per page

Article The Secret Of The Big Red Button

Technique : Synthesis

July 2004

Synth Secrets After over five years, Synth Secrets reaches its conclusion (and conclusions!). Will we ever look at synthesis in quite the same way again? More Creative Synthesis with Delays
Technique : Synthesis

June 2004

Synth Secrets In the penultimate instalment of this long-running series, we delve deeper into what can be achieved with just a few delays and some creative routing... Creative Synthesis With Delays
Technique : Synthesis

May 2004

Synth Secrets Effects can play just as important a role in sound creation as the elements in a synth's signal path provided you have access to their constituent parts. We take a closer look at effects synthesis using simple delays. From Analogue To Digital Effects
Technique : Synthesis

April 2004

Synth Secrets When synthesizing sounds, the effects you place after your synth's output are often as important as the synth itself (just think of last month's Leslie). As we near the end of Synth Secrets, we consider how a digital effects processor works. Synthesizing The Rest Of The Hammond Organ: Part 3
Technique : Synthesis

March 2004

Synth Secrets We conclude our analysis of the fabulously complex beast that is the Leslie rotary speaker. Synthesizing The Rest Of The Hammond Organ: Part 2
Technique : Synthesis

February 2004

Synth Secrets As with so much surrounding the Hammond organ, there's much more to the Leslie rotary speaker than meets the eye, and synthesizing its effects involves considerably more than just adding vibrato, as we find out this month... Synthesizing Hammond Organ Effects: Part1
Technique : Synthesis

January 2004

Synth Secrets So, you can synthesize a Hammond's tonewheel generator -- but what about its all-important effects? This month, we look at recreating the Hammond's percussion, vibrato, overdrive, and reverb -- and find that it's harder than you might think... Synthesizing Tonewheel Organs: Part2
Technique : Synthesis

December 2003

Synth Secrets If you followed last month's advice, you'll know how to synthesize a basic Hammond tone on a Roland Juno 6. But can the same technique be applied to any other synth? Synthesizing Tonewheel Organs
Technique : Synthesis

November 2003

Synth Secrets Long before Bob Moog built his first synth, there was the Hammond tonewheel organ; effectively an additive synthesizer, albeit electro-mechanical rather than electronic. So emulating a Hammond with an analogue synth shouldn't be too hard, right? Well... Practical Flute Synthesis
Technique : Synthesis

October 2003

Synth Secrets As we saw last month, there's much to synthesizing a convincing flute sound and yet basic analogue monosynths have offered reasonable flute patches for 30 years. Surely the process can be simplified? Synthesizing Simple Flutes
Technique : Synthesis

September 2003

Synth Secrets The Monty Python team once famously claimed that being able to play the flute was a simple matter of 'blowing here, and moving your hands up and down here'. But there's a lot more to it than that... Synthesizing Pan Pipes
Technique : Synthesis

August 2003

Synth Secrets The characteristic sound of flute-like instruments is complex but fortunately not so complex that it can't be emulated fairly successfully with a synthesizer... Synth Secrets
Technique : Synthesis

July 2003

Articulation & Bowed-string Synthesis The skilful articulation of a synthesized string patch can improve it no end, even one created using very basic building blocks, as we saw at the end of last month. But we can take this approach much further... Practical Bowed-string Synthesis (continued)
Technique : Synthesis

June 2003

64 item(s) found Page 1 2 3 of 3 Show more items per page

Why not try Googling SOS ?

How To Search
This version of the SOS search engine interrogates only the Title, Subtitle, Summary and Keyword fields of our database records, not the actual content of each article. Specify at least one thing to search on, using the drop-down menus to select Month/Year, or type your search text into the top Keyword box. Click the [Search Articles] button. Month = January with Year = 2012 displays the full Contents lists of the January 2012 magazine. Click the RESET SEARCH link to clear out previously-entered text/selections and begin your New search. Bookmark your favourite searches to build up your own reference library of useful SOS article links.

Using the CATEGORY SELECTOR:

SOS PDF Articles list

This allows you to browse the list of Subjects/Topics in a popup menu which appears when you move your cursor over the dark grey CATEGORY SELECTOR box. To find ALL Mixer reviews SOS has ever published, choose Reviews and Mixer using the CATEGORY SELECTOR. To find only Tascam Mixer reviews, choose Reviews and Mixer, then type Tascam into the Keyword box and click the Search button. To find all our Cubase Notes articles from 2012, for example, choose Techniques, Cubase Notes and Year = 2012.

Buy + Download PDF Articles

How to use the KEYWORD box:

Each word is treated individually. To search for a phrase, put double quotes around it, eg. "Akai sampler". If Find all words is checked, entering Triton workstation would find articles containing both Triton AND workstation. With Find any words checked, entering Triton workstation finds any article containing EITHER Triton OR workstation a huge list! Combinations of part/whole words and/or phrases may be used, but narrow down choices for optimum results. For example, typing "building a studio" in quotes generates no results, but building studio [Find all words] delivers useful results. Typing 2012 into the Query box will not find the 2012 articles, but setting YEAR = 2012 will work.

Now direct from SOS we sell downloadable Acrobat PDF versions of SOS articles (from 99p each).
If an article you want is not currently available email the article filename to us and we will do our best to add this PDF to our Shop items. more info

Home | Search | News | Current Issue | Digital Editions | Articles | Forum | Subscribe | Shop | Readers Ads Advertise | Information | Links | Privacy Policy | Support

Current Magazine
Email: Contact SOS Telephone: +44 (0)1954 789888 Fax: +44 (0)1954 789895 Registered Office : Media House, Trafalgar Way, Bar Hill, Cambridge, CB23 8SQ, United Kingdom. Sound On Sound Ltd is registered in England and Wales. Company number: 3015516 VAT number: GB 638 5307 26

News Search
New Search Forum Search Search Tips

Forum
Today's Hot Topics Forum Channel List Forum Search My Forum Home My Forum Settings My Private Messages Forum Rules & Etiquette

My SOS
Change Password Change My Email Change My Address My Subscription My eNewsletters My Downloads My Goodies

eSub Edition Buy PDF articles Magazine Feedback

Digital Editions
UK edition USA digital edition

Articles
Reviews Technique Sound Advice People Glossary SoundBank

Podcasts Competitions Subscribe

Subscribe Now eSub FAQs

SOS TV
Watch exhibition videos, tutorials, interviews, masterclasses

Information
About SOS Contact SOS Staff Advertising Licensing Enquiries Magazine On-sale Dates SOS Logos & Graphics SOS Site Analytics Privacy Policy

Readers Classifieds
Submit New Adverts View My Adverts

Help + Support

Home

SOS Directory

All contents copyright SOS Publications Group and/or its licensors, 1985-2013. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. Web site designed & maintained by PB Associates | SOS | Relative Media