Professional Documents
Culture Documents
i^aS
COLLECTED
FM"RE
BY
PURCHASED
G-
EXHIBITED BY
]70
STREET
LONDON. W.
May -June 1910.
Harry Lenart
Corporation
http://www.archive.org/details/collectionofrareOObenniala
A COLLECTION OF RARE
OLD CHINESE PORCELAINS
COLLECTED
BY
PURCHASED
5-
EXHIBITED BY
170
STREET
LONDON. W.
May -June 1910.
l^A V9
1921 711
Frontispiece.
CATALOGUE.
I.
large
size
deep Famille-Verte
Dish
decorated
with
;
figures
on his
green and
head-dress black.
The remaining
is
Above on the
The robes
are black.
The
floor is tessellated
emblem
of
border
Early Kang-He
period
2.
which are mounted warriors, and hiding behind the rocks two other figures, the object of their attention appearing
to be the
man
full
of life
in
all
and character.
These
panels are
enamelled
Kang-He
3.
peach (longevity).
The robes
are in pink.
green, and yellow, all most exquisitely drawn and enamelled. The remainder of the design is a large
blue,
the foliage of which is in pink; chrysanthemums also in pink. Surrounding the neck is a formal band enamelled in pink and blue this is separated with four reserves, each containing chrysanthemums in colours on a white ground.
tree,
hawthorn
is
The and
is
covers,
figures,
main
design.
It
tall,
generally known as The whole enamelled in all the beautiful colours of the Famille-Rose. The interior glazed with a light green enamel. Kien-Lung period.
Mille-fleurs.
upon
a cloth of brocade
which are
shown,
is
design in green
The border
is
Surround-
and
The centre
of the plate
background, on which
shown a
coming over
it
is
kakamona
partly unrolled.
The
Kien-Lung
28
6.
pair of
in
fine
Egg-shell porcelain,
The whole terminating in a border with a trellis design in black on pale blue. The cups are treated in a precisely
similar manner.
7.
Yung-Ching period.
tall,
straight neck.
The body
entirely covered
the lip
is
and
is
enamel.
Pekin.
8.
Kien-Lung period.
From
Vase
in the
form
of a large gourd,
the
body
entirely
and
is
Kien-Lung period.
expanding
lip.
The
body
entirely
covered
with
numerous chrysanthemums, peonies, magnolia blossom, may-flower, grasses, etc., etc., the w^hole formed together
to represent a bouquet.
The edge
lines
of the lip
is
also
two gold
going round
the base.
The
interior covered
Kien-Lung
10.
period.
in rich
and
combs
the breasts
vSupported
and
feet in yellow.
Yung-Ching period.
11.
tall
with white.
similarly
treated.
Round the lip is a band of Joey heads The body has four panels, three
all
most
in various Rose-
12.
and attendants enamelled in various soft colours on a white ground. The remainder of the vase has chrysanthemums and foliage in gold on coral. Yung-Ching period.
are figures of court ladies
13.
An
design in various
is
On
the reverse
a medallion
Sur-
lip are
Yung-Ching period.
14.
Kien-Eung period.
15.
neck, the
and
background.
Yung-Ching period.
16.
set
the
floral
fruit in various
and blue interspersed are beautidrawn butterflies enamelled in various colours. The lip is ornamented with a running band of Joey heads
57
in pale blue
the foot
is
Kien-Lung
From
17.
small, square-shaped
Bowl and
forming a
the
whole
bouquet
the
inside
Kien-Lung
18.
Tea-pot,
brilliantly
entirely
a bouquet
enamel.
Kien-Lung period.
gourd-shaped Vases in
19.
is
a formal design of
in
chrysanthemum
flowers
and
foliage
white.
The
Kang-He
period.
design in white
Kang-He
21.
period.
emblems in yellow, green, etc., suspended from a broad band of formal design, whilst the upper portion, and
going right
rouge de
fer,
in
exquisite,
Kang-He
period.
22.
greenish glaze
her skirt
is
of the
bamboo pattern
in
aubergine,
yellow,
to the waist
a jewelled girdle.
The eyes
hands
and
are
tipped
with
base.
green
enamel.
period.
Supported
23.
on a
square-shaped
Ming
its
model
tall
of a
back
a
is
square-shaped Vase.
of the animal
brilliant green
mane
hawis
and
tail,
the shoulder
of
surmounted by a band
on a pale background.
aubergine
Ming
period.
24.
is
a green glaze.
is
The teeth
a bell
is
Ming
period.
25.
hand extended over the head a folded black and Her robe is brilliant stippled green enamel covered with flowering hawthorn branches, the blossoms
in the
yellow fan.
of
which are
in
The
under-garment
sleeve are
aubergine,
and black.
The
hair
is
is
in
black
the petal of a
The figure
is
is
Attention
may
which are
in biscuit.
Ming
period.
26.
A model
green
of a
leaf,
relieved
and
Ming
period.
27.
and pine
trees,
The under portion of the vase has a geometrical design in aubergine and blue, whilst the upper portion has a broad band of chrysanthemum and foliage in similar colours to the rest of the vase. The neck has clouds in the same colours. The cover, which is of wood, is finely carved and pierced, and is surmounted with a knob of carved amethyst crystal fashioned to represent peaches and foliage. Ming period.
28.
very
tall,
above are
court robes.
The
is
on a flowered ground.
On
two
the neck
children,
is
This
of
known example
type,
and
is
remarkable for the variety of the colourenamel, and the exquisite finish
period.
{See illustration
Kang-He
facing page
2.)
29.
scene,
an important feature
aubergine,
of
which
is
a boat in which
are two figures, one propelling the craft with a large oar,
enamelled
foreground
in
is
green,
and black.
In
the
;
by the
side of this,
and on a
rock,
is
a small shelter
with a thatched
in aubergine
roof,
and black.
The
rest
of the decoration
lake, over
which
is
extended
hills in
aubergine,
all
a small
trees
house
is
seen in aubergine
in front are
numerous
in green.
Early
Kang-He
30.
An
upon rocks
are
and aubergine
of a very rare
shade
in the
same
which a bird
is
perched
and aubergine.
Round
31.
background
on
sprays of coral,
etc., in
white.
32.
rouge de
Ming
33.
An
with two large panels containing figures of lovers on these panels surrounded with a broad either side,
33
foliage
drawn.
The remainder
fer,
of
the
green,
Above the
large medallions
on either side
The handle, which springs from the yellow head of a fabulous monster, has a
a cheou character in gold.
pencilled design in rouge de fer on a white ground,
and
below
foot,
this
is is
chrysanthemum
in rouge de fer.
The
which
a continuous
band decorated with black lines on a green ground. Under the spout, which is decorated with clouds in blue,
aubergine, and other colours,
in
is is
a large
chrysanthemum
with
fer.
reserve.
The neck
decorated
cheou
The
is
on a
for
brilliant
green ground.
is
The form
of this
ewer
Persian
market.
Kang-He
period.
{See
illustration
on opposite page.)
34.
of
which
is
fashioned as
alternately
green
and
The spout
is
also
represents
bamboo,
and has
Round
hexagonal,
in black
on a green ground
fer.
is
divided
and
each containing a
;
a raised band
;
fer
edges
from
this
bamboo
yellow,
reserves,
and rouge de
separated
The lip is divided into eight fer. by two narrow red lines, each
colours.
The top
of the cover
is
fashioned as a chrysan-
themum
flower.
in green, aubergine,
35.
bamboo
tails of
The
From
On
the right
is
a bold design
hawthorn
;
on the branch
a pheasant with
vase
is
and enamelled.
from the back
gine,
of
At the base are rocks in various greens, which are springing fungus in aubergrasses.
is
and various
lines,
the
body
of the vase
narrow band
and
black
and from
yellow
this springs a
continuous
circle
on a
period.
brilliant
background.
Early
36.
panel
containing a
Ho-Ho
in
bird
surrounded
various colours on
background
chrysanthemums and formal floral design in darker green and aubergine. Between the two handles on
either side
lines.
is
in form,
have
various
Early Kang-He
37-
is
an
aubergine
branch
in
The back
rim
is
in
Kang-He
period.
{See
illustration
on opposite page.)
38.
are in j^ellow, white, and aubergine, with green foliage. The birds have each a white breast with green plumage and aubergine heads. On the back are seen two small flying birds with yellow bodies and aubergine wings,
and white.
The necks
emblems
in various
ground.
Kang-He
period.
39.
pair of oviform
Sweetmeat
Jars, tapering
towards the
peony
the foliage
is
which
is
The whole on a
fine quality
to the
bamboo
;
trees,
and
the rest
of the decoration
flying birds.
Early Kang-He
41.
from
this,
and springing
all
round
it,
soft
enamel.
Early
Kang-He
period.
{See
illustration facing
page ii.)
42.
The
and under-portion
of the stand
have a formal
on aubergine.
Early Kang-He
43.
rare
five
cheou charac-
ters in red
aubergine,
all
yellow,
Ming
period.
in the
foreground
in
two
figures of pilgrims
mounted on donkeys,
which
blue.
is in
On
56
and black.
gine ground.
in with a
narrow margin
is
enamelled to repre-
Ming
period.
is
45.
Two
in relief,
is
and
enamel partly
which
46.
is
and one
in pale green,
and aubergine.
In the background
lines. At the two rabbits in
bottom
white,
are hills
night.
47.
An
Kwan
is
Yin,
supported
on
hexagonal
pedestal,
which
The
front
and divided by green The centre one has a large the middle containing flowers and rocks in
lines,
and green
foliage
on a stippled
green ground.
of flowers
On
and
and
bamboo
The
trees
and
on white.
openwork panels
of each ter-
alternately green
biscuit.
The
petals of the
13
lotus
are
is
and yellow.
is
The
green
goddess
brilliant
enamel,
on which
are
Ho-Ho
birds
in
medallions
The cape
green
is
yellow,
foliage
foliage in white
and green.
The head-dress
is
in biscuit,
the
and hands
in soft
white glaze.
Late Ming
period.
48.
and
each supported on
of
which
on a seeded green
ground, which
other colours.
and
The
in yellows,
and
in
on a yellow ground.
The
manes and
;
tails are in
lines
movable eyes black, and the teeth in biscuit, as is also the the ball suspended from a band round the neck breasts are yellow, the feet and paws yellow, blue, and
;
aubergine
ears
the cub
is
and
49.
Ming
period.
A Wine-Ewer in the
entirely
either side of this
differing
51.
On
the figure of the immortalised beggar standing on clouds, the whole enamelled in green, yellow, aubergine, and
black,
on a white background
14
figure of the
God
of
Wisdom
is
similarly treated.
The
50.
rare Pot
various colours on a
background
these
is
The cover
in biscuit.
worked up
is
to represent clouds,
fashioned also as
a cloud
bank
Ming
period.
51.
A Wine-Ewer
in the
form
of a
to represent waves,
amongst which are shown marine plants and flowers The sides are in heavy green enamel, and aubergine.
brittiant
in various colours.
Each
ground.
52.
Han
the
with which he
is
supposed to
is
The base
;
repre-
mat with
this,
the
feet, fly-whisk,
in biscuit.
Ming
53.
fine
quality seated
Figure of the
is
God
of
Learning,
His robe
is
a beautiful soft
enamel yellow,
covered
with
etc.
this is
bow.
flowers
and
foliage
on a
background
this,
and are
in white.
Kang-He
54.
green,
the mane and tail in yellow, the and the saddle in black with green
pink borders
is
by
and hands
Supis
Ming
period.
55.
A very
Buddha Ameida
seated on a lotus
sacred
yellow,
emblem with
this
on
either side in
back ground
is
narrow bands
the
of aubergine.
The robe
is
of the figure is
In
hand
is
a shell on which
The peculiar head-dress is black enamel terminating in a knob in blue to represent a large sapphire. The legs, which are crossed, also the hands, arm, breast, and face, are in soft white enamel, the eyes and eyebrows in black. Early Kang-He period.
of the double fish.
56.
The body
tracery
of the vase in
is
gold
design
remarkable
branches
Between the
are
small
reserves
containing
various
flowers
ground, with a
are
border
repeated
gilt
with
flowers.
12.)
Kang-He
period.
{See
illustration,
facing page
57.
An
oviform, hawthorn-spray Blue and White Ginger-Jar and Cover of unsurpassed quality, the rising and falling sprays most exquisitely drawn in white with pale blue
;
lines
is
marbled
which
is
of
is
page
4.)
58.
drawn and
enamelled on the
finest
quality
Egg-shell porcelain.
The decoration
of
consists of
foliage
aubergine,
and green.
The panels
she has a
;
contain,
on one, the
on the right
of this
is
before
them on a
table
is
a present. The background is red surmounted by green drapery. The gentleman's robe is
containing
in
green
The remainder
is tall
trees in black
and
green.
just
The reverse contains three figures, one a lady coming from the house on to the terrace, which is
in black, the architecture
shown
a lady
in red,
and aubergine.
seated on a chair
is is
by the
side of a table
in
shown
gift
before her
;
an attendant
evidentl}^
an attitude of
su]')plication
she
deputed to make a
in
the rear.
The panels
background
on a mosaic
gentlemen
in the
in the
God
of
this
supported
In
by two
in gold
drawn
trees
and
foliage.
robe
a lady evidently
weeping
in the
At the back
of this is a terrace in
deep
black
Kang-He
59.
period.
rare,
long-necked Bottle
The base
soft
of
the
bottle
is
fashioned
to
represent
lip
is
a
a
is
chrysanthemum, the
green
to
interior of the
neck and
peach.
represent
the
unripe
This
bloom.
Kang-He
period.
6o.
in
form.
Each
section
is
and buds,
a
and black, on The necks are similarly treated, but from the base are chrysanthemum leaves in high relief alternately enamelled in white and aubergine, with black lines. Early Kang-He period.
in aubergine,
yellow, white,
Note.
vase,
It is interesting to
know
was
which completed
this set,
who
sold
it
6i.
God
of Light seated
of
The
sides are
in
design,
hawthorn blob
in
white.
of various greens,
one
The capes
The whiskers
enamel.
wands
in soft
white
Ming
period.
62.
Goddess Benton.
The
in various colours,
;
the underis
showing,
are in
and
and
hands
in
a semi-glaze biscuit.
19
of brilHant yellow
ornamented with medallions containing peonies and chrysanthemums in aubergine, green, and black the
;
border
is
The head-dress
the
face,
black, aubergine,
breast,
and yellow
hands,
the hair
feet
is
black enamel
biscuit.
and
in
Ming
period.
63.
An
and supported
is
and
is
feet.
decorated
hawthorn blossom
white
and
aubergine.
The
green.
The body
of
marbled green ground with hawthorn blossom in yellow and aubergine. Ming period. (5^^ centre illustration,
facing page 25.)
64.
An
This
is
is
chrysanthemum
Yung-Ching period.
65.
which a lady
logical palace
is
smoke
;
is
issuing
at her
and
in front are
two other
The
The robes
of the ladies,
who
are evidently of
all
the
is
the figure of a
monkey holding
period.
longevity.
Yung-Ching
66.
expanded at the
peonies, stems
lip
this
is
and
foliage,
white
illus-
Yung-Ching period.
{See
page 20.)
67.
lip,
Egg-shell porcelain.
From
up the neck
blossom
hawthorn
tree with
to some great nobleman, as is by the poem which is inscribed in black evidenced near the base of the neck. Yung-Ching period.
68.
fine quality
rocks, flowers,
and
on the reverse.
The cover
Yung-Ching period.
69.
])air
form of a
green
field
at the
foliage,
and flowers
plates with
there
are
four
;
borders
the
first,
pink with
trellis
design in black
and the
fourth,
leaf, is
The backs
Yung-
Ching period.
70.
Plates, the
is
centres
in
which
a court lady
as follows
First,
a gold
the
fourth with a
in gold
;
in
the
sixth having
;
trellis
design in black
and the seventh a shaped border of gold containing flowers and foliage in colours. The backs are ruby.
Yung-Ching period.
71.
An
and
foliage
on a white
enamel ground
in pink
this
The decoration terminates in a broad band of yellow with numerous chrysanthemums and small reserves divided into numerous sections, and relieved with three reserves, two containing peonies, and one, hawthorn on branches, on a white
on very pale green.
background
dragons
ruby.
in
The back
of rich
Yung-Ching period.
72.
A
.
Plate,
decorated
with
plumage
of
two
tails
One
is
in a field
on rocks
is
beautifully
and blue
of pale green,
The back
Yung-
Ching period.
73.
large
foliage,
in various greens
is
and
trellis
reserves
peach,
and
Famille-Rose on
white.
The backs
Yung-Ching period.
74.
An
on a brilliant white ground. The surround has a narrow band of greenish-blue enamel, on which is a trellis
design in black.
Issuing from this are six petal-shaped
panels, each containing a diaper design in pink, yellow,
which
is
The
Yung-Ching
period.
75.
set,
all
hexagonal
form.
Springing
23
from a formal
floral
band
in the centre,
This
is
bamboo
floral
leaves
in
This design
is
again used on
design
the
ground
this
The cover
terminating
is
a chrysanthemum flower
in
the
of yellow,
and
is
on the neck.
The beaker
is
divided
reserves of aubergine
76.
kylins
and
The base
is
surrounded with
underneath which
band containing a geometrical design, is a band of Joey heads in blue, the neck has a trellis design yellow, green, and white in green with black edgings and rouge de fer centres on
a
formal
on white.
Kang-He
period.
24
77-
this relieved
and white.
The cape
garment
in black tracery.
hair
is
brilliant black
enamel,
She
of
which are
is
green with
ilUistration
Ming
period.
{See
78.
Quan
hand an
;
altar vase,
and
Pui-Tao
her orbe
is
and sprays
in
various
The cape
;
is
clouds in yellow
face, hands,
is
and
feet in biscuit.
79.
very
fine quality
of
one of the
Gods
of
The
is
skirt
in a tiger
black
green
enamel.
Supported
on
curious
shaped
aubergine
{See
Ming
period.
on opposite page.)
25
8o.
Figure of
Quan
of
in
medallions, these
The
black.
coral
;
chrysanthemums in yellow, aubergine, and The jewels in biscuit partly coloured to represent
garment are
8i
in dull biscuit.
Ming
period.
a boy carrying
exquisitely enamelled in a
Dog
Fo, whilst
in red.
The
on the breast
is
Ho-Ho
The
under-garment
are shown.
The boots
of
both
and heads,
Early Kang-He
82.
is
a formal design in
panel
is
Surrounding the
lip
under which
is
Ho-Ho
is
birds
On
either side
is
the the
mask
monster
period.
26
in
yellow,
forming
handles.
Kang-He
98
83-
tall pair of
on branches
drawn
and enamelled in aubergine, green, yellow, blue, and dependent from the lip is a band of Joey roiige de fer heads. Dividing the two sections of the gourd is a band
;
Coming
which
pendalogues
of
contain
butterflies
brilliantly
De-
lines,
Kang-He
period.
84.
An
this
is
These
pearl
at the foot,
and other emblems. Separating the formal band which is in rouge de fer, is a brocade design
in rouge de fer, yellow,
and aubergine, these flowers being separated with a formal scroll design in black on a brilliant green ground.
of
the
vase
is
similarly
decorated,
and clouds in green and yellow. Running up the neck and supported by a formal band of rouge
de fer are leaves which are alternately green or rouge de
fer,
yellow,
and aubergine.
The
similar to that
period.
Kang-He
85.
set of three
each
in
the
neck,
and body
of the vase.
Some
right
of these panels
contain figures of
flowers,
is
men fishing,
and landscapes.
Running
Dividing
is
match the
Kang-He
period.
86.
rouleau-shape
this is relieved
and clouds in On the back and front are two large panels
foliage,
one
in
and rouge de
;
fer,
whilst
is
upon
is
perched
the other
is
similarly
the peony.
On
upper
enamelled in actual
have
is
on a white
ground.
At the base
yellow
green and
lines.
The shoulder
This
is
is
brilliantly
in
aubergine,
and green.
intersected with
The
neck, which
is
28
Hp
is
band
of the Grecian
key
This
artist,
Choo-Choo,
and
is
signed by
him
Kang-He
period.
87.
Dog
and
flowers,
all
most
brilliantly
executed.
a formal
and aubergine.
This
brocade
is
divided
with
four
an animal
in various colours
is
The neck
divided into
body
of the
Kang-He
period.
88.
An
extremely rare
Famille-Verte,
rouleau-shaped Vase
Ho-Ho
birds
and formal
flowers,
on a white ground.
vase
is
The remarkable
feature of this
:
two
in the
shape of a
fruit,
on the
form of a warrior's
On
these
On
the shoulder
a broad band
on the body
green and
is
of seeded
band divided by two oblong panels containing lotus flowers in one, and hawthorn tree with bird in the other,
these on a white ground.
Surrounding the
in
lip
is
black on a green
Kang-He
period.
large
mented with
of
29
Ho-Ho
man
propeUing
a sanpan on a lake, the fourth has chrysanthemums, the fifth fishes, and the sixth cormorants and ducks.
is
with dragons.
of the plate
is
are butterflies
and flowers
roiige de fer
on a white ground.
Kang-He
period.
90.
two
is
is
surmounted with Joey heads in green Running round the lip of fer.
and black, depending from which are Joey heads, from which depend sacred emblems. Kang-He period.
91.
club-shaped
figure of a
Famille-Verte
nobleman mounted on a yellow horse, and he is preceded by two courtiers each crossing a bridge with their wands of office, whilst behind him is an
;
is
enamelled
of
yellow.
Above
are
seen
three
figures
ladies
watching
his progress
In continuation
The
93
shoulder
is
ground,
which
in
is
further
de
jer,
ornamented
etc.
with
chrysanthemums
the neck
is
rouge
Half-way up
with four
this is relieved
yellow ground.
Joey heads surmounting a border of the Grecian key design, whilst on the white are cheou characters
of
band
in gold, blue,
and rouge
de jer.
Round
period.
of the Grecian
key
in rouge de fer.
Kang-He
92.
large
circular
Famille-Verte
Bowl
of
fine
quality,
and
is
foliage
respectively
running
a band
this
drawn on a green ground. In the inside at the bottom is a very large panel containing kylins at play. These are set up by a background of tropical plants, clouds, etc. The inside of the lip has a band similar to that on the outside,
flowers
and
butterflies
brilliantly
tails.
Kang-He
period.
93.
this is relieved
and black.
and children
playing
a dragon with
bifurcated
enamelled in
brilliant
On
3
in all,
two
of
which contain
butterflies
and flowers
brilliantly
enamelled on a stippled
green ground.
The neck has a diaper design containing the svastika mark in red on a white ground, and formal
Dividing
this
and on either
side are
on which a
base
is
man
is
key
in
is
rounding the
lip is
pencilled.
This piece
in
is
of
was formerly
period.
the Hamilton
Palace Collection.
facing page 31.)
Kang-He
[See illustration,
94.
with
is
Ho-Ho
birds standing
upon
rocks,
behind
full
which
bloom.
The
i"ocks
are
foliage
emerald-green,
and aubergine.
The plumage To
up the neck, as also do the others, having an aubergine trunk and white blossoms, whilst at the base of the rocks, by the side of this tree, a beautiful chrysanthemum flower
ing from the base of the vase and running
in yellow
is
seen to be blooming.
The
tree
with
is
The
no
less
large
red
peony
important
in
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94
The beauty
is
of the decoration
is
The whole
in the
on a
Kang-He
period.
95.
each
fully decorated
four seasons
peony for Summer, the lotus for Autumn, and the chrysanthemum for Winter. The blossom of the first named is enamelled in white with black and yellow
centres, supported
trees spring
on branches
of
deep aubergine
the
shown
in various
shades of green.
The
peony
from a rock
in similar
manner
are respectively in yellow, pale green, aubergine, white, the foliage in brilliant green.
and
the lotus
is
lilies
which
in the
;
foreground
is
a crane
in
in
top
The
last
panel
black
background.
diaper design
on each corner
in aubergine
of the shoulder
is
;
a Joey
these
head outlined
green
on a black ground
but
these on
Early Kang-He
96.
tall,
rouleau-shaped Vases
and
blue,
is
a bird of paradise
with yellow
legs, breast,
gine plumage.
on the
field,
this
is
On
;
branches
lower
is
in
brilliant
yellow
Underneath
is
another
peony on a branch
with yellow.
On
branches of white
birds.
On
chrysanthemum
fer,
flowers
white,
pale
green,
and rouge de
and by the
Round
the lip
The
whole on a very
light
covered with a
{See
frontispiece
greenish glaze.
Ming
period.
for illustration.)
97.
body supported on an
a
outspreading
foot.
This
is
very
extraordinary
neck
green
vase.
is
;
portion of the
the base also
is
The decoration
enamelled.
To form
repeated
lip.
unique specimen.
Ming
period.
98.
tall,
quadrangular
which
from
most beautifully drawn and enamelled in green, aubergine, and white. The foot has a formal diaper design in black on a green ground, and going right across this
is
in green,
fashioned
crouching dragons,
of the vase
is
these
in
aubergine.
The
entire
body
enamelled on a beautiful
period.
is
soft yellow
background.
Ming
The companion
to this vase
Salting,
pair of gourd-shaped
side
perched on the branch of a tree enamelled in FamilleVerte colours on a brilliant white ground.
side of the
On
is
either
a leafbril-
Kang-He
period.
99A.
with trees and branches of hawthorn blossom in aubergine and white on a very brilliant green background.
RARE CARVINGS
IN
HARD STONES.
loo.
An unique
brown
is
jasper Vase
and Cover
the
body
in light
entirely covered
on either
side
with green
Kien-Lung
period.
101.
pair of flat-shape,
exceptional
quality,
mutton-fat
which rings are suspended. The centre of the body of the vase has a broad band with a geometrical design
carved in high
high
relief is relief
tall
;
geometrical band.
The
lip
has a
The covers
period.
sur-
Kien-Lung
102.
foliage
suspended from
round
foot
this
showing that
this
carved as
poems incised in Chinese characters, was used for a presentation. The a large chrysanthemum. Kien-Lung
period.
103.
very rare, mottled agate Vase with Joey head handles, from which loose rings are suspended the body of the
;
vase
is
carved in
this
is
leaves,
is
A COLLECTION
OF NINE PIECES OF
large
Vase
in the
form
;
of
two
lilies
intertwined, lightly
in
the foliage
is
low
relief
the
105.
An ornament
in the
mouth
The covers
In
;
a standing
Ho-Ho
bird supported
is
upon rocks
the
back
of
the bird
high
relief.
106.
standing on a
Ho-Ho
its
beak a peony
on the other
tree extending
is
peony
partly
The cover
is
107.
a section of
the fronts
bamboo cane with branches of foliage on are Ho-Ho birds carved from the solid in high
;
relief in white.
108.
in the
form
relief
is
of a lotus flower
;
on one side
is
The cover
is
surmounted by a
109.
tall
with
crawling over
tail in its
no.
Vase and Cover lightly splashed with yellow the body ornamented with Ho-Ho birds, on one side of which one forms the handle, and on the other side is a large branch of a pine tree. The cover is surmounted with
;
is
a stem of
bamboo
leaves on a branch.
111.
small
flower
carved in high
handle.
All of the
Kien-Lung period.
12.
of a lady's finger-fruit,
is a smaller fruit and foliage in on the stem at the back of the base is a The whole carved from the solid stone.
Kien-Lung period.
113.
at the
in
leaves
period.
high
Kien-Lung
114.
with
acantha leaves, on which are carved Joey heads the neck has a Grecian key design, under which are four
reserves
The
tall
tipped with
period.
brown,
is
Kang-He
115.
An
slightly mottled
on one
side of the
body
is
is
a large
a figure of
Ho-Ho
bird standing
upon rocks
The cover
is
surmounted by a
kylin.
38
Kien-Lung period.
1 1
6.
A moss
centre,
agate,
diamond
is
shaped
Vase
with
raised
on which
coiled
this being
relief
and
Kien-Lung period.
117.
fine
Box carved
;
the
high
relief
is
formed as a large
lotus leaf.
Kien-Lung
n8.
The
cover,
which
is
of
similar
is
again a small
peach with
foliage.
Kien-Lung period.
119.
^These two people were Jo and Shi is as follows supposed to have lived for 999 years in complete happi-
and existed entirely on pine-tree cones, and, as shown in the carving, they are supposed to have lived
ness,
in a pine-tree
of connubial happiness.
Kien-Lung period.
120.
carved in high
with
lizards,
is
Kien-Lung period.
121.
in
of brilliant shades
is
and hues.
period.
The
cover
39
original.
Kang-He
122.
Box and
Cover, having
on the cover
period.
Under-
Kien-Lung
123.
form of a gourd
with
of brilliant
fruits
lapis
covered
foliage,
entirely
gourd
on
branches with
intersected.
amongst which
With the
Kien-Lung period.
124.
with
of
deities
intermixed
is
with
pine-trees,
solid,
clouds, etc.
is
Kien-Lung period.
40
100
97
FACILITY
'^m
-^