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Introduction
1. 2. 3. 4. 5. Under colonial rule, architecture became an emblem of power, designed to endorse the patron. Numerous outsiders invaded India and created architectural styles reflective of their ancestral and adopted homes. The European colonizers created architecture that symbolized their mission of conquest, dedicated to the state or religion. The British, French, Dutch and the Portuguese were the main powers that colonized India. British Colonial Era: 1615 to 1947 The British arrival in 1615 overthrew the Mughal empire. Britain reigned India for over three hundred years and their legacy still remains through building and infrastructure that populate their former colonies. The major cities colonized during this period were Madras, Calcutta, Bombay, Delhi, Agra, Bankipore, Karachi, Nagpur, Bhopal and Hyderabad.
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Madras
1. 2. St Andrews Kirk, Madras is renowned for its colonial beauty. The building is circular in form and is sided by two rectangular sections one is the entrance porch. The entrance is lined with twelve colonnades and two British lions and motto of East India Company engraved on them. The interior holds sixteen columns and the dome is painted blue with decorated with gold stars. The staple of Madras was Fort St. George, a walled squared building adjacent to the beach. Surrounding the fort was White Town settlement of British and Indian area Black Town later to be called Georgetown. Black Town described in 1855 as the minor streets, occupied by the natives are numerous, irregular and of various dimensions. Many of them are extremely narrow and ill-ventilateda hallow square, the rooms opening into a courtyard in the centre." Garden houses were originally used as weekend houses for recreational use by the upper class British. Nonetheless, the garden house became ideal a full-time dwelling, deserting the fort in the 19th Century.
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Calcutta
1. 2. Madras and Calcutta were similar bordered by water and division of Indian in the north and British in the south. An Englishwoman noted in 1750 the banks of the river are as one may say absolutely studded with elegant mansions called here as at Madras, garden houses. Esplanade-row is fronts the fort with lined palaces. Indian villages in these areas consisted of clay and straw houses, later transformed into a metropolis of brick and stone. The Victoria Memorial in Calcutta, is the most effective symbolism of British Empire, built as a monument in tribute to Queen Victorias reign. The plan of the building consists of one large central part covered with a larger dome. Colonnades separate the two chambers. Each corner holds a smaller dome and is floored with marble plinth. The memorial stands on 26 hectares of garden surrounded by reflective pools.
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Indo-Saracenic Architecture
1. designs were introduced by British imperialist colonizers, promoting their own sense of rightful self-glorification, which came to appeal to the aesthetic sensibilities of continental Europeans and Americans, whose architects came to astutely incorporate telling indigenous "Asian Exoticism" elements, whilst implementing their own engineering innovations supporting such elaborate construction, both in India and abroad, evidence for which can be found to this day in public, private and government owned buildings. 2. Public and Government buildings were often rendered on an intentionally grand scale, reflecting and promoting a notion of an unassailable and invincible British Empire. 3. Again, structures of this design sort, particularly those built in India and England, were built in conformance to advanced British structural engineering standards of the 1800s, which came to include infrastructures composed of iron, steel and poured concrete (the innovation of reinforced cement and pre-cast cement elements, set with iron and/or steel rods, developed much later); the same can be said for like structures built elsewhere, making use of the same design vocabulary, by local architects, that would come to be constructed in continental Europe and the Americas: Indo-Saracenics popularity flourished for a span of some 30-years.
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Notable, too, is that the British, in fact Europeans generally, had long nurtured a taste for the aesthetic exuberance of such Asian exoticism design, as displayed in innovative Indo-Saracenic style and also in their taste for Chinoiserie and Japanned. Supported by the imagination of skilled artisans of various disciplines, exoticism promulgated itself across a broad demographic of British, European and Americas citizenry, Adaptation of such design innovations spilled over into and determined the aesthetic direction of major architectural projects, expressing themselves in the Baroque, Regency and design periods beyond. Today, that spread of elaborate Asian exoticism design fulfillment remains evidenced in many residential and governmental edifices wrought of the masterpiece initiatives of the 16th, 17th and 18th centuries; much had initially been contributed by the stupendously rich and indulgent sea-merchant Venetian Empire, whose existence spanned nearly a millennium, and whose Gothic architecture came to incorporate a plethora of Asian exoticism elements, such as the Moorish Arch in its windows, related to the latter "harem window"
Mysore palace
Musee madras
General-Post-Office,-Bombay
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