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Architectures

by

Tov Tov Shalom

Copyright 2011, by William McBride ISBN 978-1-257-01714-0

1. a. Me Geometry, always to the thing beheld, beeth of me Baroque architecture, something ruined by me variance. Sculpture beeth often for those who have no fun. b. It beeth me cosmos which beeth infinite. Beauty beeth of its own question.

2. a. Me Geometry always beeth rigorous in Baroque architecture - me existential hero seeth me difference. Me social people beeth the least imaginative. b. Me worship of much maketh me me difference frolicsome. Me worship beeth of old.

3. a. And, me spying out of me thing beheld, and to me external observer beeth me differences. Me concept of me theater of me America beeth beautiful. b. Me things cometh first when I beholdeth them imaginatively. Me doth nary haveth a company.

4. a. Me need in me temple: me vertical dimension beeth to expandeth beside me existential man whom we seeth. It beeth nary a good idea to presenteth me images of me age. b. Me impossibilities beeth to imagineth me cities. Me journey beeth more wise.

5. a. Me Geometry in a temple of me horizon, fresh externally to me existential man beeth. Me freshness beeth never lost of me will. b. It beeth me reality to beeth started. Me intersection of me realities beeth done best.

6. a. Me Geometries: always fortunate, a few years are, by me difference. Me lucky fellow beeth walking. b. Me happiness of me days maketh me brought out far. Me luckiness beeth of an unexamined origin.

7. a. Me Geometry and me creativity beeth zig-zagging shapes; both beeth nice and ordinary to me existential man with me difference. Me kindness to others maketh me miraculous.

b. Me catastrophes of me voyages of evening maketh me defined. Me darknesses appealeth to me crossings.

8. a. Me Geometry in me temple that we overpopulateth with symmetries, which beeth good for one, beeth the difference. Me world beeth a combination of sky and mind.

b. Me world beeth at me side. Me physical world beeth lost.

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9. a. Me geometry in me temple, always visual, a crossing, externally beeth me difference. Me ideas of power beeth democratic.

b. Me definitions of what me maketh beeth unimaginative. Me definitions beeth me oldest parcels.

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10. a. Me geometry of tombs, where symbolically and externally there beeth differences, beeth rigorous. Me details beeth good.

b. Me beeth unquiet about making me parts. Me blasts of sound surroundeth me.

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11. a. Me Geometry in me temple, me thing observed, which makes a burrow, beeth overpopulated by me difference. We don't enter me place through me books.

b. Me definitions cometh first to me man as me wide world. Me ideas what beeth me battleth.

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12. a. Me Geometry always for me active man, who beeth me existential man, beeth me difference. Me moralisms beeth crossed out. b. Me maketh me impossibilities. What me maketh me loveth.

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13. a. Me Geometry of a courtyard is futuristic externally to me existential man performing me difference. Me courtyard beeth sacred.

b. Me imaginations beeth of impossible kingdoms. Me imaginations beeth of mine own existence.

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14. a. Me difference that beeth acted upon and observed by others, and one to showeth how people demolish me malleable things, and one that beeth is of me altercating kind seen between me specific orders beeth me difference. Me things and concepts can be perfected. b. Me poverties of me makings beeth of me embellished disorders. Me disorder beeth frolicsome.

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15. a. Repetitive, me Baroque form, beeth, by lofty abstractions, a kind of considering of me older concept. To tell me story me must becometh impolite.

b. Me weeping beeth supreme and beeth honorable. Me weepeth at what beeth within me.

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16. a. Repetitive, me Baroque form, which concerneth me relativity, beeth on top of me smaller inferior one, me older concept. To nameth me me relativist beeth proclaimed by me some. b. Me world beeth beloved. Me world must eventually sally her light.

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17. a. Me Architects with me objectivity of me Baroque form, in order to introjecteth their perceptions, giveth admittance for what me husbands evoke with me tall outer dome, which beeth well-born and me older concept. Mine suggestions beeth whole ones.

b. Me criticisms beeth lively and baby-like. Me criticisms maketh discontent me treatise makers.

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18. a. Repetitive, me Baroque form, in its early stage beeth on top of me smaller inferior one with a glass architecture. There beeth standards for me deliberation. b. High beeth me love for me frolicsome wonder. Me heights preclude me hereafters.

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19. a. Repetitive, me most important things, usually uncomforting beeth; and they beeth domes on top of smaller ones evoking me older concept. Me importances beeth to me finding. b. Me slownesses beeth me pleasures. Me pleasures beeth portals.

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20. a. He beeth preposterous, Plato, with me tall outer dome on top of a smaller inferior one evoking me older concept. He beeth preposterous in his coldnesses. b. Me moralisms beeth bepleasantly loved by fairies. Me moralisms beeth revised.

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21. a. To represent me man, me Baroque form with its visual perception, with me tall outer dome of art concerneth rules. Me writer representeth me. b. Me imagination becometh still. Me still beeth alive.

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22. a. To represent me man, me Baroque form in me architecture, with me tall outer dome on top of a smaller one, beeth what we seeth again. Me goeth over and over again me paradise. b. What me heareth beeth pleasant. What me heareth me beeth against.

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23. a. Repetitive on me energy beeth me Albert Einstein's ideas, fragmentary, of a tall outer dome on top of a smaller inferior one, takes up Arnheim. Me spirituality maketh me monumental. b. Me writeth still. Me writeth to playeth.

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24. a. Repetitive, me Baroque form in Paris, with me tall outer dome on top me smaller inferior one, beeth me Pantheon. Me images beeth stern. b. Me non-stop talking beeth seen as befeared. Me talking beeth for me me dangerous model to follow.

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25. a. Repetitive, me Baroque form of me architecture of sophistication which maketh others jealous with me dome on top of me smaller inferior one, beeth me theme bequestioned by me sombody like me Frankl for example. Me boy doth question. b. To beeth me beeth different. Me beeth little.

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26. a. Being created, me block beeth me plain cubic room in me physical world of me Le Corbusier. Me becometh blocked by mine own fall. b. Me lyrical Angels beeth witnessed. Me Angels beeth heavenly.

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27. a. Being created like me John Hancock Tower beeth me mass produced cookie-cut architecture in me physical world of me Le Corbusier. Me repetitions cometh to me left or me right. b. Me covenants beeth widening. Will me maketh a way to readeth?

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28. a. Being created, to looketh out of me place, me viewer beeth forceful in me physical world of Le Corbusier. Me little me seeth little. b. Me questioneth mine own name. Me questioneth mine own littleness.

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29. a. Me boundaries, in time, beeth mass produced, thinketh Rudolph Arnheim; he thinketh that they beeth young. Me mass-production beeth wise. b. Me earlinesses beeth destroyed. And, me earlinesses cometh later.

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30. a. It beeth me disaster, me street thinketh Rudolph Arnheim, me man in me physical world of Le Corbusier. Me disaster cometh to me through me theater. b. Me paradises beeth in and out of me time. Me paradises me cometh to in me tears.

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31. a. Being created beeth shapes that beeth mass produced fantasies in me physical world of Le Corbusier. What me understandeth beeth what me unmaketh. b. Me seeth me voyage ahead. Me seeth me diminished book a tale.

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32. a. And, all around us beeth furniture, thinketh Rudolph Arnheim, furniture of me "expressionist architecture" of Le Corbusier. In me old age me resteth. b. Me Nature beeth sleeping. Me Nature beeth me image.

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33. a. Being created like me John Hancock Tower beeth something else intrusive, thinketh Rudolph Arnheim, me man in me physical, who less energetically maketh one feeleth. Me man beeth made of me mountains. b. Me wide world beeth me child. Me world beeth read.

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34. a. Being created beeth me three-dimensional drawings, where one back to childhood, thinketh Rudolph Arnheim, beeth taken, beeth taken to Le Corbusier's world. Me returneth to me childhood in truth. b. Me parteth with me in me wandering. Me parteth with me mediocrities.

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FINIS

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