Professional Documents
Culture Documents
JUDO-RON 78- Judo is O.K. Judo can be a path of conduct for a better performance during a lifetime.
As I gather some notes to prepare a summary about my judo experiences, I came to realize that JUD is indeed !" Its teaching program is a path o# conduct #or a producti$e and enjoyable li#etime" %hether you ta&e Judo as a sport, see it as a #orm o# recreation, practice it #or the competiti$e experiences or study it #or its esthetic $alues, you 'ill #ind that all the components o# judo are ! because JUD (s ensemble is the )estalt o# all its parts" It is one o# many natural path'ays to learn ho' to better per#orm as a person"" *et me explain+ %hen Pro#essor Jigoro !ano trans#ormed the old Jujutsu techni,ues into his !odo&an Judo in 1--., he ensured that his in$ention 'ould conser$e the three principal attributes o# /artial Arts o# the past" 0hese 'ere #ound in the 1hinese, 2indus and Japanese philosophies that 'ere charted be#ore and during his li#etime" 2e diligently garnished his curriculum 'ith the triangular ideas o# S !N"!-#$!" 0hey represent the possible path to'ards a higher state o# accomplishment through the enhancement o# the spirit, the per#ection o# technical s&ills and the impro$ement o# bodily responses" A#ter 34 years o# being in$ol$ed 'ith the $arious judo spheres, either as a student, a competitor, a teacher, an administrator and as a manager, I am no' able to determine that Judo as an ensemble correspond to one o# the many natural paths o# learning and gro'ing as human beings" 5y being remo$ed #rom the daily mani#estations o# Judo on the tatami or in the Dojo, one can appreciate that these routes are a$ailable #or charting by all o# us 'ho ha$e the desire to #ul#ill an enjoyable and producti$e li#e" In retrospecti$e, I can emphasize that Judo is O.K. %ith the use o# this acronym, I 'ant to emphasize that the global Judo program teaches you to O%S&R'& 6 7 and to ac,uire the necessary KNO(- O( 6!7 that is therea#ter con$eniently trans#orming your beha$ior into a natural and harmonious )$# " 8uch #inality may last you a career and possibly a li#e time" *DO+
Keiko Shkon
$im of this presentation Using the analogy o# "!9D , this essay 'ill attempt to demonstrate the strength o# the original principles employed by Pro#essor Jigoro !ano 'ith his ne' Judo teaching program" Perhaps our demonstration 'ill go beyond the preliminary explanations that 'ere presented to most o# us 'hen 'e 'ere introduced to judo" 0here is a saying that goes: Let us try to think of the past in order to shine in the present:" 0his is condensed in the abo$e maxim o# Keiko Shkon as expressed by Pro#essor !osu&e ;aga&i"i 2ope#ully, the #ollo'ing discussion 'ill align us in that direction"
1|P age
E|P age
$cceptance or refusal %e surely recall the child that 'e 'ere once" It is the same one 'ho possessed the latent capacity to build upon gi$en in#ormation and 'ho relied upon its natural de#ense mechanism to easily appreciate 'hat 'as good or bad to its sur$i$al" In those early days, the decision to accept or reject 'as essentially biological as 'e lac&ed the mental agility to assess the degrees o# importance associated 'ith an e$ent" ;o' that 'e ha$e gro'n older, 'e &no' better" ur mental process 'as enriched 'ith past experiences 'hich permitted us to analyse potential impacts o# e$ents, situations or decision" 0his ability is re#lected in the youths and adults no' entering the judo circles 'ith di##erent mental and physical #rame'or&s" 0hey 'ill decide $oluntarily to #ollo' their introductory steps into to judo, cease all contacts 'ith 'hat it considered as non9essential or pursue a long term commitment to'ards it because they #ind su##icient pleasure and satis#action" !nfinit. of impulses captured instantl. %e ha$e to understand that the choices 'e ma&e to accept or re#use are partly in#luenced by the #act that 'e are constantly exposed to millions images or impulses captured by our senses o$er an in#initesimal time #rame" 0hose snapshots ta&e micro seconds to register in our brain and are ,uic&ly gone #rom their point o# entry as the initial conditions permitting their capture are constantly changing" Judo &no'ledge and demonstrations are no exception to this rule" %hat 'e see and hear is 'hat 'e #orm an opinion about" It is thus important to understand other #actors i# 'e 'ish to build upon these initial moments" 1re2uenc. of e0posures %e may ne$er be able reproduce those precise moments because the physical conditions and our mental state are in a perpetual mutation" 5ut 'e &no' that continual exposure to similar in#ormation or e$ents 'ill pa$e the 'ay to'ards a better retention and appreciation o# the in#ormation" 0o better gain #rom 'hat the judo program has to gi$e, 'e ha$e to #re,uently read about it, see it per#orm #re,uently, participate in the $arious e$ents and discuss its complementary elements 'ith others as o#ten as possible" 5ecause 'e &no' that all things are absorbed and #ollo' an internal and perpetual stream o# displaced elements, 'e can depend on their permanence" <or this continual #eed, 'e can be than&#ul to our senses o# hearing, smelling, tasting, $ie'ing and touching #or capturing and nurturing additional in#ormation" 0he ability to percei$e accurately all &inds o# physical objects depends on our senses, interests and on the habits o# obser$ation" It is easy i# 'e are indi##erent or untrained to loo& at a demonstration 'ithout really seeing it" 8imilarly, 'ithout interest in the subject, 'e cannot pro#it #rom its characteristics"
3|P age
H|P age
4|P age
-|P age
D|P age
1L | P a g e
11 | P a g e
1. | P a g e
!osu&e ;aga&i, 2yogo Uni$ersity, %amis International 4orum, 5udo %orld 8ymposium,".L1. !ano Jigoro and the =ditorial 1ommittee Illustrated Kodokan "udo, !odansha Publisher, 0o&yo" Japan,1D33 iii !ano Jigoro, ;ao&i /urata, .ind over .uscle, 'ritings #rom the #ounder o# judo, !odansha international, 0o&yo .LL3, page 1D i$ Alex 5ennett, Jigoro !ano 5iography$ Innovative 5esponse to .odernisation, !odo&an Publication, .LLD, page 4 $ >onald DIsormeaux, "udo 5on 67 68, Additional training tools9interpreting body language, @uihitsu, .L1. $i Alex 5ennett, 1itation of Professor Kano, page 1. $ii )eorge 2erbert 5etts, !he .ind and its /ducation, Princeton Uni$ersity, = 5oo&, Dec .LLH $iii Alex 5ennett and 5iographic 1ommittee, "igoro Kano and the Kodokan$ 0n Innovative 5esponse to .odernisation, !odo&an, /arch .LLD ix 2igashi !atsuma, Le "u"itsu Kano, 5udo =dition, 5udo =dition 1DL3, reprinted .LL., =ditions l(=$eil, page 11 x Daigo 0oshiro, Kodokan "udo !hrowing !echni#ues, !odansha International, 0o&yo, .LL3, page1L
ii
Note: !his document contains 9 copyrights and is registered with the electronic (ata %ank of the :ational 0rchives of ;anada. 5eproduction for non commercial use is permitted. 4or additional information$ please contact: 5onalddesormeau3<-mail.com
1B | P a g e