ON THE TOWN WITH GEORG SIMMEL: A SOCIO-RELIGIOUS UNDERSTANDING OF URBAN INTERACTION by Victoria Lee Erickson

VICTORIA LEE ERICKSON is Associate Professor of the Sociology of Religion (Graduate and Theological Schools), Associate Professor of Religion (College of Liberal Arts), and University Chaplain at Drew University. The connecting possibilities in the city -- bridges and angels, for example -- make it a liberating place. Georg Simmel (1858-1918) was a founder of the German Sociological Association and lived the majority of his life in the city of Berlin. One area of research to which Simmel frequently returned was the documenting of how our social, geographical and physical lives shaped our spiritual lives, and how our spirituality shaped our social and physical environments. He searched the urban landscape for the material and spiritual evidence of this interactive construction of everyday life. When he did not confine himself to a reporting of physical and sociological realities (data), and ventured into what he called "the soul" or the "inner life," his critics declared that he had no evidence for his claims. This sociological attitude still characterizes much of western sociology and prevents many religious practitioners from accessing the discipline. Fortunately, Simmel expanded his ability to reach under the documented facts of society and culture into the hidden realities that undergirded it; this skill eventually propelled him to the top of intellectual circles and preserved him forever as a lion-sized sociological treasure. Simmel's students went on to found the first department of sociology at the University of Chicago, a department well known for its theoretical contributions to the understanding of social interaction. The early days of the Chicago school of sociology were characterized by their concern for what is commonly referred to as the "everyday." Three of Simmel's internationally well known deliberations on the everyday were on "the bridge and the door" and "the stranger." A central concept in all three was "unity" and the process by which humans produce unity or let it escape from their grasp. In the following, I will suggest a way that religionists might allow social theorists to assist them in understanding urban experiences by inviting Simmel to walk with them around New York City. What would the voice of the urban practitioner sound like if we allowed Simmel to speak through it; and what would happen if we asked him, from the grave, to address a material reality such as urban angels? It may just be that urban ministry is the right

American venue to reclaim the work of a man who believed that playfulness was required of serious inquiry so that we might all be saved from what he called the coming formlessness, a kind of chaos that sends angels back to heaven and humans to nowhere at all.(1) Michael Kaern's new translation of Simmel's The Bridge and the Door (1994) provides fresh insight into his epistemology. For Simmel, truth is relational. He argued that people build society on everyday relational truths (Karen points out that this is a deeper insight than "all truths are relative.") Our social and physical environments reflect each other. Simmel argued this point through reflections on the "bridge." Our "will to relate," he said, pushes us into an empathetic mode that bridges our separateness and allows us to establish processes through which we create one society.(2) This process, Simmel argued, was like the bridge that overcomes obstacles by spreading its will through space. The human bridge that creates society must be firmly anchored and enduring. It must also, the bridge that transverses a natural divide, "submit to nature and transcend nature."(3) The perfected physics of the bridge comes through taking "measurements" so that distance becomes the unification of separateness. Bridges are ancient constructions. Early bridges were simple affairs, like logs, that were strategically placed over obstacles, like rivers. Humans eventually learned to build more enduring structures. The early Roman Alcontara Bridge that spans the Tagus River in Spain is still standing after nearly two thousand years. Many of the ancient bridges that are still standing were built on solid rock, but the history of bridge building tells us that the Romans made a lasting contribution to the method by finding a way to pour cement footings below the water. In time, Roman methods were impacted by Persian and Muslim influences which made bridges more artistic and beautiful to look at. Strength and durability alone are hardly enough for the human eye. Whether we are talking about the first century or the twenty-first century, stone bridges or steel, asthetically pleasing or not, bridges take years to construct. The human cost is often great. One of the most notable contributions of the United States to the world history of bridges was the Brooklyn Bridge, the first great suspension bridge, that was half again as long as any previous structure. It was built over fourteen years and used such new engineering techniques that little was known about the hazards that lurked beneath the water. Over a hundred workers died constructing what has become one of the world's most recognized landmarks. When bridges fail, they fail mainly during construction. Even though we mourn the loss of workers in these failures, there is always attached to our words a sense of relief that "innocent" lives were not lost. There is something about the bridge builders that

makes them not innocent of the suffering bridge building entails. They are supposed to know the dangers and sign up for the task fully prepared to risk their lives. This may be why humans have found it necessary to have bridges attended by angels who bear the light: the building of pure relationality is often done in the dark and suspended over a void. Bridges are seen by people as structures requiring the holy. It turns out that bridges are more than objects. They take on the characteristics of the divine-human relationship. Human beings are bridge builders. Bridges themselves take on a quality of the transcendent. We build bridges to transcend our separations. When we decide to take on this role, we know what we are doing -- we are risking our lives for the sake of interconnection. Simmel reminds us that we are the only one of God's creatures who make paths and when the paths are interrupted we are the only ones who build bridges so that the paths continue.(4) What then are we doing when we build bridges? Simmel would tell us that when we are uniting what is separated, we are creating relationships. Most histories of modern urban infrastructure explain the primary reason for building bridges in economic terms. As we will see regarding urban life and the stranger, material concerns for wealth are a significant factor in determining when and where bridges should be built. But, to reduce our analysis of bridges to the pursuit of material wealth impoverishes our overall understanding of urban life. Our ability to create pathways to relationships comes from within our mind and from within our hearts. Our minds take the empathy we have for others and construct a willful ability to feel the other's inner life, to identify, to empathize. Pastoral agents know that the mental bridge of empathy we construct between people is an element essential to urban life. The Brooklyn Bridge, the Manhattan Bridge, the George Washington Bridge, and the Verrazano Bridge connect all New Yorkers with each other and with the outside world. They also make us responsible to each other in ways we would not otherwise be obligated. We cannot construct a world without empathy. Not to empathize is to decide against oneness, society, wholeness. Just as a canyon without a bridge felt "unforgiving" to Simmel, the lack of empathy keeps humans separate and is a sign of an unforgiving heart, a self-centered denial of God, a lack of will for the survival of another. To put it succinctly, a lack of empathy is a sign of moral failure. Empathy changes one's inner life. Bridging happens in everyday life according to the Akan of Ghana, ". . . because one antelope will blow the dust from the other's eye so that two antelopes walk together."(5) Or, as Jesus said it, by loving your neighbor. The mind is capable of bridging the widest gaps for the sake of survival.

We construct wholeness by interrelating parts even though human beings do not see or understand the whole of anything, argued Simmel.(6) Wholeness then is a construction of the mind. To get wholeness the mind transcends the separateness of the parts. Bridging as a mental activity is the most common way we use the word "bridge" in human relations. Society is only possible through our will to relate. The will to relate creates a path that others can travel on. . . a path to connectedness, a path to healing. As Simmel theorized, the purpose of the bridge "exhausts itself when interrelation happens." The bridge has served its purpose when we cross over it. In making inter-relation visible, the bridge creates enduring concrete reality. We know that we can cross the bridge again. The bridge refers to the ultimate -- to something beyond our senses. The bridge submits to nature but it transcends nature. Simmel argued that when we step on the bridge we waft between heaven and earth and eventually through habitual use, we loose our fear of "hovering." The "strange becomes familiar" to us. The bridge is a visible sign of direction; it brings us from one finite point to another. Whether one is going or coming across the bridge does not really matter. What matters is the unity that is created as "we spread our will through space."(7) The bridge submits to nature (it pours its footings on each side of the divide) and it transcends nature (it creates a path where none existed before). When we walk across a bridge we feel the nervous reality of it, we know we are someplace where instinct tells us we should not be, but equally instinctive is our desire to cross over to the other side. Historically, the minister who celebrates the Eucharist lifts up the host for all to see and when breaking the bread/ the body of Christ, says, "The Fragment." There is an acknowledgment that what is holy is also broken. Bridges, like people, crumble. Even the children sing: "London bridge is falling down." There is an awareness that the unity we seek, the path to each other, the path to God, is visibly fragile. That is why children and bridges need angels to protect against the possibility of "slipping through the cracks." The picture on the following page is typically printed with a lovely verse taught to Roman Catholic children. Notice the shaky bridge over which the angel is guarding them. Rules and guides are meant to be bridges that save us. Even though we know it is risky business, we would never cross a bridge that we know would collapse under us. However, like children, we often disregard the rules and the guides or venture out into uncharted terrain and find ourselves on rickety bridges. I suspect the reason why there is a dense population of angels under the Brooklyn and Manhattan bridges is so that one or more of them are free to catch us if we fall through!

The city is also marked by doors with locks. Unlike the bridge, doors discuss our limitations, Simmel observed that doors shut out endless possibility.(8) People might come and go continuously but what happens behind a door is hard to document. Simmel argued that when we step out of a door, we step out of our limitedness into limitless possibility. The joy of this feeling disappears when limitless possibility finds its way in through the door and across the threshold. That's why we have locks. Locks keep trespassers out. Locks are not paranoia, they are a practicality. When locks are not enough, people call the angels in to protect the doors; they install them prominently to remind others that the protective capacity of the Holy is near. Urban architecture over the past several decades has been devastated as the previous generation's heavenly encounters have all but disappeared. New urban constructions rarely include any angelic figures -- be they in the form of the lion, the ox, the eagle, the human face. Without question, the most powerful angelic image that graces urban neighborhoods is the face. Such images are reflected in the countless lives of urban practitioners who help build bridges and guard the doorways of urban living. For several years I have been researching urban programs for people-at-risk in the highest crime neighborhoods of New York, Harrisburg, Cleveland, Indianapolis, Detroit, Boston, and other U.S. cities. I have met a host of amazing people who risk their lives every day to claim kids off the streets in America, to feed the homeless mentally ill, and a host of other social ministries. I have been told across this country that the bridge to moral living is a religious one constructed early in childhood. There is often little permanence, little available rock, on which to build in inner cities. Poverty, the lack of nutrition, dysfunctional schools, parents under stress, and the lack of opportunity cause a spiritual bridge failure to happen early in children's lives. When we do the work of God we transcend human self-centeredness and provide pathways that open others up into a wide world of love. The doorways become safe to cross through once again, and eternity reappears in material life. People who create bridges for others do so at their own risk. That is why we call it a vocation. It is our truth under the sociological data. If one is willing to walk the narrow ridge with children, urban violence will come to an end as they anchor themselves of the real rock of life: divine relationships that they can see and they can feel shape their lives. The window, Simmel observed, is only "a one directional path for the eye."(9) We arrest people who look in the wrong direction into windows or climb in through them. If people obeyed the limitations of the window, we would not see bars on them. In that doors signal movement, windows for Simmel referred to relationships between the inside and the outside. Bars on windows spell out relationships gone awry. Angels, in their many forms, are imported as

intervention agents into everyday life. An inner-city pastor told me of his baptismal sermon for his own daughter. He knew someday his sweet child would ask to walk home by herself from school. Some young man would certainly be ritualistically waiting on the street corner listening for the school bell and an opportunity to shoot her offers of drugs and attention. In his sermon he prayed that the memory power of her baptism would protect her when there was no lion to roar. Walking the streets of New York shooting angel pictures taught us much about urban religiosity. Angels holding baptismal shells were strikingly free of bars and grates. Wrapped around a building where the waters of baptism flowed, was a sense of divine protection of those living inside, evidenced by an open invitation to see life in the windows. Bridges, doors with locks, and windows with bars beg Simmel's analysis of the stranger.(10) Just as we cannot reduce bridges to their economic function, we cannot reduce the role of the stranger in urban life to the character who burns bridges, crosses doorways uninvited or who throws rocks at windows. The stranger is an important actor in city life. Most people who choose to live there enjoy anonymity while they complain about the alienation that sometimes comes with it. "The economic importance of the stranger," argued Simmel, was "his appearance everywhere as a trader." Traders enter and leave markets as they bring in goods and ideas crafted by others, circulating material and spiritual culture. If we examine our legal system we find courtrooms favoring urban locations where it is less likely that judges will be swayed by local ties. Simmel's pursuit of the details of the stranger's identity was concerned both with the negative relations of rejection and distancing and the positive relations these produced: freedom to be a critic of culture and at the same time its mirror. The stranger who appears to come from nowhere is actually a product of the interaction between the insiders. Insiders decide who is acceptable and who is not to be admitted into their society. In an effort to understand the reality of this interaction between insiders and outsiders, the stranger learns how to transcend otherness. Angels are stranger figures in human life. They appear from nowhere with messages about inclusion and embrace. They are, however, divine agents of transcendence who advocate the end of alienation and separateness. This is why cathedrals are the most common place we find them materialized into forms that remind us of our moral obligations to one another.

Cathedrals

A quick glance at pictorial representations of any European or American city prior to the nineteenth century is enough to suggest that churches once dominated the skylines of urban architecture. Beginning in the twelfth century in western Europe the urban environment came to be dominated by the great cathedrals. In North America, where churches continued to stand above the rest of the city in depictions of urban life up through the twentieth century when skyscrapers took over, the cathedral was not a common sight until the nineteenth century. Now, most North American cities host one if not more grand cathedral or cathedral-like edifices. One of the things Simmel noticed in Romanesque and Gothic cathedrals was the narrowing of the openings as you move toward the door. The narrow doors guide you into the world onto the right path.(11) Simmel asked us to think about what we are doing, saying, and becoming as we walk into constructed spaces. As we enter a cathedral from the outside, we come into a narrow door opening. As we enter, the space opens us up to a wide spiritual world that narrows again as we move to the altar. The end, it turns out, does not look very different from the beginning. The movement from the outside to the inside, Simmel argued, is always of a narrowing path that ends at the altar; for the faithful, it is the only direction that counts. The bridge shows us how we unify, how "we create wholeness out of separation." The door shows us "how we separate what is together in order to achieve unity." The cathedral offers a place to give these their full religious experience. The way to understand such separation in ritual life is through baptism. In baptism, we take the child or the adult out of society and mark them with a sign that makes them forever different. As a reminder that baptism comes first, many cathedrals still have the baptismal font stationed at the door of the church. When you leave the church you are reminded that you have been baptized. We expect from the baptized a holiness that prepares us to live one-for-the-other in the Real City. This new day in the city seems to require a fiercer set of angels. One of the recurring images that has greeted us around the bridges, doors, windows and cathedrals of the city has been of angels. We also saw that strangers often have been classified and even identified with angels. As I have meandered through the streets of New York City over the past several decades, I have been struck by the number of angels that grace its urban structures. Yet there has been little in the way of formal research, sociological or otherwise, that treats this angelic urban presence. Following Simmel's lead in investigating the common-place experiences of everyday urban life, I want to suggest a socio-religious way of understanding these urban angels. Angels in religious traditions of Judaism, Christianity, and Islam (the dominant religious forces of the last two millennia in the West) are spiritual beings who, like humanity, are a part of God's creation. Unlike

human beings, angels have no material bodies; nevertheless they are not unrelated to the material world; rather, they are agents by which the material creation is brought into relation with God. Angels are connecting agents of communicative practice. The Greek word (angelos) from which we derive the English term literally means "messenger." Angels are not phenomena open to investigation by physicists, like energy, gamma rays, or quarks. Unlike these unseen realities, angels are agents of hope and faith, as well as provocateurs of despair and evil. In other words, they are unseen moral actors. Angels, these religious traditions tell us, inhabit creation as members of creation who belong to it and at the same time relate it (for good as well as for evil) to that which is beyond creation (or God). Good angels perfect human ecology by teaching people how to develop a divine imagination; fallen angels destroy human ecology by leading the imagination astray. The great religious traditions of the world have not left our cities to their own devices. Much as strangers from other human cities have visited and lived among us, so angels -- heavenly visitors -- have been envisioned in our urban everyday life. In this way material creation has been spiritualized and spiritual creation materialized. The resulting cosmological traffic has provided urban life with a sense of adventure and surety. Religious traditions teach that angels appear singularly in various forms. But if the need is great, they come in groups of courage and compassion. They live nested in the cultural memories passed on from generation to generation across the centuries, teaching us not to fear the hierarchy of memory that gives a place of privilege to the truth and beauty expressed by many who are now dead. Angels are thus understood to be messengers sent to create community by connecting what has been separated: people from the Creator, the present from the past, human beings from one another in the city. As ministers sent by God, they are interventionists who enter into interpersonal relations calling for accountability, repentance, and truth. By materializing angels in stone, paintings, song, and poetry, human beings in effect return the favor. Such human representations have an enduring quality to them. Angels themselves, on the other hand, are often depicted as coming and going. There is no certainty in their religious appearance. Moreover, it is not even certain that they are going to be good. There is nothing certain about the evil intentions of those who exercise urban violence and who often strike at random like terrorists. Theologians through the ages have insisted that we find such evil in the form of moral hatred, unholiness, unbelief, inordinate pride, anger, envy, or revenge even in heavenly places because of fallen angels who once belonged to heaven and are always seeking ways to return to it. Because "they shook off goodness" (John Wesley), they cannot return. Their inability to grasp goodness therefore creates "a rage

that never ends." This rage can only be controlled through a greater angelic embrace that is empowered by praises directed beyond to God. For this reason, John Wesley, who was no stranger to the vicissitudes of eighteenth-century daily urban life, instructed his followers never to invoke angels. They were only to cry out to God, and God would in turn send the right angel to speak to them in a language they would recognize, one who have been divinely trained and was ready to deliver. Christians are not to forsake the Church and invocate angels. If any man therefore, be found to give himself to this privy idolatry, let him be anathema; because he hath forsaken our Lord Jesus, the Son of God, and betaken himself to idolatry.(12) In the urban architecture I have surveyed, angels represent moments of transcendence. They are not, however, representations of transcendence that leave behind the every-day realities of chaotic urban life. Angels, our religious traditions tell us, are autonomous moral agents whose engagement takes place at the level of our various moral, aesthetic, and intellectual spheres of urban life. Collectively they form a heavenly host or choir, but individually they act in concert with city councils, neighborhood associations, local business interests, major financial centers, and apartment building dwellers. This is why they are the favored representations of transcendence in the city, for they suggest a multiplicity of spiritual beings acting on the basis of different intentionalities and purposes, weaving together a great vision for urban public life out of trivial and commonplace events of everyday living. They represent an enduring spiritual affirmation of the kinds of urban practices that Chase, Crawford, and Kaliski call "quotidian bricolage."(13) The presence of angels in the urban environment marks sites of transcendence in the everyday life of connecting, passing, and entering. . . across a bridge, through a door, into a cathedral.

Cities in Social History

The connecting possibilities in the city make it a liberating place for many people. The country, towns, and suburbs can be too confining for some personalities that find comfort in being "lost in a sea of humanity." The sheer mass of people allows for personal autonomy and creativity that is often chased out of less dense environments. What is everybody's business in the country is nobody's business in the city where people must see everything while averting their eyes. The amount of stimuli that must be coped with paradoxically causes the urbanite to limit "surprise" to small amounts while maintaining a capacity to be surprised by everything. Simmel noticed that the urban eye must see fast and understand at a glance while walking among the crowd. The urbanite is often criticized for superficiality

and a seeming inability to be moved by anything, when in fact, he argued, the horizontal emotional landscape of endless spaces has been reshaped and pushed vertically into deeper expressions of specialized passion.(14) The critique of the urbanite from the point of view of the rural or suburban personality is in fact an historically predictable criticism. It is the self-critique of humans who have a vague memory of having left the country for the anonymity of the polis so that they themselves could participate in something exciting and pleasurable -- albeit painful and violent. When the urbanite is charged with having fabricated an identity out of nothing, created masks, corralled time and intellectuality, broken the balance of symmetry, and become ambivalent about belonging,(15) rest assured that it is all true, and that the charges themselves bear a silent and often unremembered truth.

The Blood Lamb Is a Sufficient Sacrifice

Walking with Simmel causes us to challenge too quick a dismissal of historic everyday theologies that explained violence. Humans at one time lived in agriculturally based societies that gathered periodically, usually following the planting and harvesting seasons, to engage in ritual practices that sought fertility and survival. Many of our folk dances originate in these festive times when we looked forward to being together, bathed, wove flowers into our hair, and anticipated each other. Into these happy moments that we looked forward to came a critical part of our being together: ritual sacrifice. It is the naked truth that humans sacrificed each other and their livestock in exchange for the favors of gods. We taught each other how to manage our fears by sacrificing our own flesh and blood. Our fears created the ritual victim. We humans would come back year after year to dance and to sing on the blood soaked ground of our victims. As the ritual obligations and the human community grew, so too did the need to have a priest who stayed behind and managed the ritual affairs. Markets grew up around the administration of the sacred site. As the urban center grew it never lost traces of this history. The city is built on the blood of our rituals and their victims. We remember, fundamentally from deep down inside of us, that violence and the city go together. A murder in the country or in the suburbs "shocks" us, but, we "expect" violence in the city. Going into the city with a feeling of safety betrays the nonurbanite's "common sense." So too is pleasure associated with the city. People like the thrill of lights, the pace, the ability to be a part of the crowd. Inscribed in our sociological memory is the joy of being together. The memory of violence and pleasure are intertwined. Urbanites not only think differently about safety, urbanites know how to create safe places

inside of each other -- a way of life often unknown by nonurbanites. The most difficult aspect of urban ministry is violence and pleasure and how we help our people understand both of them. Judaism remembers Isaac as the one who was saved from being the victim, Christianity begins with the experience of Jesus as the victim who refused to be a victim. Our sacred story tells us that He is the blood sacrifice to end all blood sacrifices. The faithful teach each other that they are to never again to pick up the knife or to build a cross. We are never to think that our ritualized violence comes from God. God's hand sent an angel to free Isaac from the knife and to announce the resurrection of Jesus from the dead. Our rituals of violence are the work of our own hands. So, the faithful tell each other that God wants our rituals to become like the worship of the angels. The ritual of Christian Eucharist (Greek for good gifts) from its earliest memory is a bloodless sacrifice taken from the agricultural offerings of the common people (bread and wine). God sent Christians into the world to be good gifts, to be bloodless sacrifices to end all blood sacrifice. The faithful do this by surrendering themselves, by withdrawing the power to create a victim. Police chiefs often are praised, and stolen away from other cities, precisely on this ability to regulate, diffuse, and dismantle the power to kill. Good ministers are sought after for the same reasons. Christians are sent into the heart of violence to labor unrewarded in this life.(16) We are to celebrate the giving of life and work to end the taking of life. When we see life threatened, we are to enter into violence as if we were angels sent by God with messages of peace. We are to exchange our lives for that of the threatened other. Believers call this substitution "suffering." Suffering is always unjust labor. It is rather unjust that angels must leave heaven to bring justice to the evil projects of humans. This is why tradition tells us that justice is divine. Because they are especially rare, tradition reminds us, the names of those who suffer in this exchange will be remembered forever before God as martyrs. Angels and martyrs line the pathway to heaven.

All Angels Hold Our Souls in Their Hands, City Angels Just Work Harder at It
Recently, as a group of students rounded a corner in Chinatown with me, we all stopped: standing stone-still in front of the Church of the Transfiguration, we were drawn into a holy drama. In front of us and behind the church wall, there was a beautiful Chinese woman with her arms stretched up and open. The harder she cried the higher her hands reached up for the hands of Mary. The arms of this beautiful statue of the Virgin Mary were open and reaching downward, ready

to grasp the hands of the one in front of her. There in that moment, we saw the Real City. When I see women on their knees crying out to Mary, I see them seeking the tender presence of another mother who can teach them how to give up their fears. She seems a rather trustworthy teacher, being such a good example herself.(17) If we look carefully around the city at the statues women frequent, we find in Mary's open hands, and at her feet, flowers. When I stand listening to the sobs of women, I often think that I hear the flutter of the angels who brought them to the Virgin -- and who are waiting, quietly, to walk back home with them. Tom, an urban priest and colleague, summarizes angels this way: "They protect us, give us strength, and take our fears away so that we are able to see who we really are." When we see who we really are, we see our faces, we see face to face with God. Some traditions call such a "face to face" experience when we see who we really are "salvation." In the urban setting, salvation comes to us when we see face to face in the homeless shelters in the basements of synagogues and churches, or the after school programs for youth. In soup kitchens, employment centers, affordable day care programs or summer camping excursions, everyday moments of transcendence can be found every day. Angels are under the bridges and over the doorways that these programs represent in collective urban life. They are behind our discovery of who we really are, nudging us to be brave and to hold each other's souls in our hands. In the city, we have to work harder at it.

Urban Angels Bring Flowers and Tough Assignments

I know my own students fairly well. Most of them are second career adults and many of them pastors, returning for advanced degrees. I have not yet met a city pastor who does not have a healthy respect for the spirit world. The evangelical pastors who ask me to talk about the city, at the end of a very heavy week of urban exposure, are, every one of them, ready to take on the demons of the city. They have been to the South Bronx on the subway, they have fed the homeless under bridges and they have sung praises in Spanish Harlem. Their less evangelical counterparts spent most of their immersion at the Metropolitan Museum of Art, Barnes and Nobles, Starbucks, and the cathedrals; they even petted lions that the locals would never think to distract from their guardianship duties in front of the New York Public Library. They tend to focus on the more spectacular aspects of the city. Among visitors, long-distance partners in ministry, and those who desire to become urban pastors, activists, and missionaries, there is an almost "natural" inclination to

specialize in the activities of the fallen or the nonfallen. There is another category of urban practitioners, those who need no exposure or immersion as they already inhabit the whole story of the city. For them, the demons and the angels are nestled into a densely crowed life. Urbanites, the local people, tend to be concerned about analyzing structures of power and finding new places to bury their dead. They tend to want to see the whole picture, they are continually remapping the terrain of complicated hierarchies. They seem to know that the Devil, the Archangel Michael and the Mayor all meet regularly for coffee. An encounter with any one of them alone hardly seems worth the time. There are important things to do with one's time, like worrying about other cities and finding people who can tell you plainly what fear terrorized Lenin into taking the angel statues down from the roof tops of St. Petersburg. What fear was it that convinced him to replace the angels with statues of his soldiers -- and himself -- as the new angelic guardian of the city of Leningrad?

The City Is a Strange Place: Angels Teach Math There

The cities we live in are often thought of as profanely weird -- as in too strange to be true. The faithful often speak of the city as if its redemption is something yet to be accomplished, as if its redemption has not already come. When the faithful speak of a "Holy City" they are most often referring to a future city, a city in our imaginations. It turns out that our sociological attitude about theological presuppositions makes all the difference in urban practice. How people think sociologically will shape whether or not they see the Holy City as the Real City. Inside the Real City, inside of the soul life of communities, there exists a natural discourse of complaint and reassurance. It is totally unclear to most urban mothers and fathers why more angels don't exist in their neighborhoods. In the city, where children's lives are all too fragile, urbanites are a bit anxious to bring angels to earth. If people think that the Holy City is yet to come, they will miss the angels who are standing right next to them and they will miss the call of the angels on our lives. If children are crying in the city it is not because the angels are not there, it is because people are not there ready to connect our passion and our resources with the child that needs us. They have not let the angels put the children's hands in theirs. The Child + The Angel + You = Ministry. God + You + The Other = Just Relationships. The faithful's interpretation of the Bible and the people's complaint allow us no room at all to slide out of our responsibilities to the city.

There is much teaching to be done. The people whose vocation it is to join the angels in teaching math to inner-city children might benefit from the companionship of theorists like Georg Simmel. Theory helps us "size things up at a glance." I encourage urban practitioners to locate and become familiar with a school of sociologists who have examined the social realities that shape their vocational contexts. Schools are helpful, in that what one fish is blind to, the other sees. And then, I encourage them to swim between the schools in order to "see things differently." Social theory is an engine that powers the angelic swiftness that urban crises require.(18)

Notes
1. [Back to text] See Bauman Zygmut, Postmodern Ethics (London: Blackwell Publishers, 1993). 2. [Back to text] Michael Kaern, "Georg Simmel's 'The Bridge and the Door,' " Qualitative Sociology 17, no. 4 (1994): 407. 3. [Back to text] Ibid., 409. 4. [Back to text] Ibid., 408-9. 5. [Back to text] As told by Professor Akintude Akinade, Highpoint University, N.C. 6. [Back to text] Kaern, "Georg Simmel's 'The Bridge and the Door,' " 402. 7. [Back to text] Georg Simmel, "The Bridge and the Door." Qualitative Sociology 17, no. 4 (1994): 412. Translated with notes by Michael Kaern. 8. [Back to text] Kaern, "Georg Simmel's 'The Bridge and the Door,' " 410-11. 9. [Back to text] Ibid., 410. 10. [Back to text] See Donald N. Levine, ed. On Individuality and Social Forms: Selected Writings (Chicago: University of Chicago Press, 1971). 11. [Back to text] Georg Simmel, Essays on Religion (New Haven: Yale University Press, 1997). 12. [Back to text] John Wesley, The Works of John Wesley (Grand Rapids: Baker Books, 1958), 10:105.

13. [Back to text] John Chase, Margaret Crawford, and John Kaliski, Everyday Urbanism (New York: Conacelli Press, 1999), 174. 14. [Back to text] Kenneth M. Brody, "Simmel as a Critic of Metropolitan Culture," Wisconsin Sociologist 19, no. 4 (1982): 7583. 15. [Back to text] Ibid., 78. 16. [Back to text] Charles Williams, The Decent of the Dove: A History of the Holy Spirit in the Church, introduction by W. H. Auden (New York: Living Age Books/Meridian, 1956). 17. [Back to text] Martin Luther claimed that the spirit that is unwilling to suffer for others, through the ultimate sacrifice of the body, cannot sing The Magnificat. An unwillingness to suffer and to be in the depths is an unwillingness to be with God and to do the work of God. The spirit that points to her/ him/itself as exalted agent cannot sing either. Had Mary exalted herself, Luther writes, ". . . she would have fallen like Lucifer. . ." Luther goes on to observe that Mary had never expected news like this -- much less from an angel. However, hers was the response that the angels are sent to pull out of us. When the news came, Mary knew what she had to do: she ennobled the angelic message as the Word of the Lord. Someone had to have taught her how to believe the angelic message and how to act. Luther never does tell the princes how to teach the raging beasts how to listen to the "tender Mother of God." (Luther's own lack of compassion for Jews does make one wonder how hard he had to work to ignore what must have been a host of angels trying to get his attention.) Luther's Works (St. Louis: Concordia Publishing House, 1955-86), 21:287-355. 18. [Back to text] Simmel, Essays on Religion, 1997. See also the following works by George Simmel: The Sociology of Georg Simmel (Glencoe, Ill.: Free Press, 1950); Conflict and the Web of Group Affiliations (New York: Free Press, 1955; Sociology of Religion (New York: Philosophical Library, 1959); Georg Simmel: The Conflict in Modern Culture and Other Essays (New York: Teachers College Press, 1968); On Individuality and Social Forms (Chicago: University of Chicago Press, 1971); Essays on Interpretation in Social Sciences (Totowa, N.J.: Rowman and Littlefield, 1980); Georg Simmel: On Women, Sexuality and Love (New Haven: Yale University Press, 1984). Photo credits: DSIE Douglas Steven Irvin-Erickson, photographer NYPL public domain photos from the Picture Collection of the Branch Libraries of the New York Public Library. A thank you to the NYPL librarians, to Dale T. Irvin and Tony

Carnes for early critique, to Joe Farias for pushing me to define the difference between dead myths and living mythic realities, and to Chris Troy and Boston's urban angels. Any lack of insight is truly my own.
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