UNIT

STUDIO ARTS CATCH UP

Everything that you should have completed in your visual diary by now

Mind Map, Moodboard, Drawings from observations - at least 4 pages using a variety of different mediums such as pen, pencil, pastel etc. David Hockney digital drawing task - all sections, Animated Gif project - your work and ideas (screen grabs etc) stuck in, QR code to the final work online, drawings, explain the process and how you did it, Self Portrait drawings: photograph/ photocopy your final version and stick in visual diary, Complete the digital version and stick a print of that in too. Self Portrait drawing using the pouncing method, stick in the actual photo you used, test out a variety of versions.

Everything should be annotated, explain if you think it is good / bad and why.

Pop Art

Pop Art Movement 1953 onwards

!

Prior to the Pop Art movement, Art was considered to be something serious and was concerned with serious subject matter such as portraits of important people, the expression of serious ideas, landscapes, classical scenes.

Artists had previously, always depicted important occasions, religious stories, portraits of important or wealthy people or scenes depicting images of the daily life of people. Images that were recognizable to the viewers of the time.

 The aim of the Pop Artists was to focus attention on, and tell everyone about, everyday things they looked at the values of ordinary people and commented on consumerism, mass production, newspapers, television, movies, comics, signs and celebrity. They wanted to show people that these subjects (everyday things) were suitable, important subjects for artworks.
!

 Pop artists took their inspiration from comic books, advertising, food labels, even food itself! Big advertisements, bill boards, famous name brand logos, TV, movies. They often actually depicted these items in their works.

 Pop Artists used large areas of flat colours, bright Primary Colours like those in cartoons and comic books.

Roy Lichtenstein

Coca Cola Bottles (210) Andy Warhol 1962

The coke bottles are depicted as if they were displayed in a supermarket. The Coke bottle is a symbol of contemporary society. Andy Warhol said there is only one Coke, and everybody from presidents and film stars to the poorest in society all drink exactly the same the same product.

Roll of Bills 1962 Pencil, crayon and felt tip on paper

When deciding what to paint, a friend of Andy Warhols asked him what he loved most and he said Money. The dollar bill is a significant symbol of material success.

Many Pop Artists worked as commercial artists at the time: designing advertising, window displays, comic books, painting billboards etc. Commercial art had been looked down upon by fine artists of the time but the Pop Artists used these processes to make fine art rather than advertising.
Andy Warhol

 Pop artists began to use the properties of commercial art as inspiration: mechanical sources of reproduction such as the silk screen printing process, newspaper printing process, airbrush etc to produce the look of mass produced imagery such as comic books, newspaper images etc. These things were familiar to everyone, part of the mass media environment.

Andy Warhol

Andy Warhol

Tunafish Disaster 1963 Andy Warhol ! !

Multiple frames adds to the tension. The repeating of the images forces viewers to concentrate on what is going in the work the two women died from botulism as a result of eating from the tuna fish can depicted. The images were originally in a newspaper article.

Andy Warhol

Andy Warhol

Animation Task This task is designed to utilise both computer skills and drawing skills. Either using a computer, or drawing using another medium, create 4 drawings to form an animation. Each frame should have a part that is different so that movement will happen when you animate them together. Once your drawings are done, scan or photograph the images and open in photoshop.

When you photograph your images (if not using a computer) ensure that you photograph them all from the exact same distance. Animated Gif Instructions. 1 Open Photoshop and create a new image file measuring 100 by 100 pixels. Set the resolution to 72 pixels per inch and the mode to RGB color. 2 Choose Show Layers from the Window menu. This will bring up the Layers floating palette. 3 Select the pencil tool. Use it to draw a picture. 4 Click on the Layer palette's submenu arrow and select Duplicate Layer. 5 Click on the eyeball icon to the left of the bottom layer on the Layer palette. Use the pencil tool to add to the image on the top layer. Select the erase tool to remove part of the image. 6 Under the file menu, select Jump to, and then Adobe ImageReady 2.0. Save when prompted. 7 Choose Show Animation from the Window menu. This will bring up the Animation floating palette. 8 Click on the Animation palette's submenu arrow and select Make Frames from Layers. 9 Use Save Optimized As to save the animation under a new name. Email a copy of your animated gif to me: Campbell.georgina.l@edumail.vic.gov.au

David Hockney

Self Portrait, 1955 oil on plywood, 24x18 in.

Self Portrait, 1954 collage on newsprint, 16 1/2 x 11 3/4 in.

Self Portrait, 1954 pencil on paper, 15x11 in.

Lawn Sprinkler, 1966 colored crayon on paper, 14x17 in.

De Longpre Ave. Hollywood, 1976 colored crayon and pencil on paper, 17x14 in

3 Trees With Rock, 1991 gouaghe, felt marker, uni-ball pen on foamcore 12x29 1/2 in.

Cyclamen, Mayflower Hotel, New York 2002 watercolor and crayon on paper, 20x14 in.

In a 2011 poll of more than 1,000 British artists, Hockney was voted the most inuential British artist of all time.

Rubber Ring Floating In a Swimming Pool, 1971 acrylic on canvas, 36x48 in.

Known for his photo collages and paintings of Los Angeles swimming pools, David Hockney is considered one of the most influential British artists of the 20th century.

Piscine Avec Trois Bleus, 1978 pressed paper pulp, 72x85 1/2 in.

Nichols Canyon, 1980 acrylic on canvas, 84x60 in.

Garrowby Hill, 1998 oil on canvas, 60x76 in.

OCCUPATION: Painter, Photographer BIRTH DATE: July 09, 1937 EDUCATION: Bradford College of Art, Royal College of Art, London PLACE OF BIRTH: Bradford, England

The Gate, 2000 oil on canvas, 60x76 in

In addition to pools, Hockney painted the interiors and exteriors of California homes. In 1970, this led to the creation of his rst joiner, an assemblage of Polaroid photos laid out in a grid. Although this medium would become one his claims to fame, he stumbled upon it by accident. While working on a painting of a Los Angeles living room, he took a series of photos for his own reference, and xed them together so he could paint from the image. When he nished, however, he recognized the collage as an art form unto itself, and began to create more.

Still Life Blue Guitar 4th April 1982 composite polaroid, 24 1/2 x 30 in.

Sun On The Pool Los Angeles April 13th 1982 composite polaroid, 34 3/4 x 36 1/4 in.

Prehistoric Museum Near Palm Springs, 1982 photographic collage, 84 1/2 x 56 1/2 in.

He also began incorporating technology in his art, creating his rst homemade prints on a photocopier in 1986. The marriage of art and technology became an ongoing fascinationhe used laser fax machines and laser printers in 1990, and in 2009 he started using the Brushes app on iPhones and iPads to create paintings.

8 iPhone Drawings, 2009

iPhone Drawings, 2009

Dr. Elizabeth Barton , 2008 Edition: 12 inkjet printed computer drawing on paper 49 X 33 1/2in.

Summer Road Near Kilham , 2008 Edition: 25 inkjet printed computer drawing on paper 48 1/4 X 37in.

Tujfjord Nordkapp II, 2002 watercolor on paper (6 sheets), 36x72 in.

Bigger Trees Near Warter or/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, 2007 oil on 50 canvases, 180 x 480 in. overall

Woldgate Woods III , May 20 & 21 2006 Oil on 6 canvases 72in x 144in

Portrait of an Artist (Pool with two figures), 1972 acrylic on canvas, 84x120 in.

Portrait of Nick Wilder, 1966 acrylic on canvas, 72x72 in.

Task: Create a self portrait or landscape image in the style of David Hockney. !
!

You can utilise any of his techniques and explore his style from any time period.
!

Think about what medium you prefer to use - collage, computer, iPad drawings, painting, photo collage etc.
!

You will do at least one double page of practice drawings etc in your book - stick at least 3 images by Hockney in your book and try to copy them to explore the techniques.
!

You will create one A3 size nal piece.

: t r A Studio
Media

and Mixed

Digital

Unit 1

What is New Media Art?

!
New media art, as dened by the Australia Council, is a process where new technologies are used by artists to create works that explore new modes of artistic expression. These new technologies include computers, information and communications technology, virtual or immersive environments, or sound engineering. They are the brushes and pens of a new generation of artists.!

!
http://australia.gov.au/about-australia/australian-story/new-media-art

Chris Henschke, Synchrotron Residency

New Media
New media art is a genre that encompasses artworks created with new media technologies, including digital art, computer graphics, computer animation, virtual art, Internet art, interactive art, video games, computer robotics, and art as biotechnology. ! New Media concerns are often derived from the telecommunications, mass media and digital electronic modes of delivering the artworks involve, with practices ranging from conceptual to virtual art, performance to installation.

George Poonkhin Khut, Australia b. 1969 | Distillery: Waveforming (Portrait of Estee) 2012 | Still from video portraits of sitters interacting with heart rate controlled composition software for iPad | Photograph: Julia Pendrill Charles | Courtesy: The artist

http://www.ekac.org/gfpbunny.html!

!
"Alba", the green uorescent bunny, is an albino rabbit. This means that, since she has no skin pigment, under ordinary environmental
conditions she is completely white with pink eyes. Alba is not green all the time. She only glows when illuminated with the correct light. When (and only when) illuminated with blue light (maximum excitation at 488 nm), she glows with a bright green light (maximum emission at 509 nm). She was created with EGFP, an enhanced version (i.e., a synthetic mutation) of the original wild-type green uorescent gene found in the jellysh Aequorea Victoria. EGFP gives about two orders of magnitude greater uorescence in mammalian cells (including human cells) than the original jellysh gene [2].! The rst phase of the "GFP Bunny" project was completed in February 2000 with the birth of "Alba" in Jouy-en-Josas, France. This was accomplished with the invaluable assistance of zoosystemician Louis Bec [3] and scientists Louis-Marie Houdebine and Patrick Prunet [4]. Alba's name was chosen by consensus between my wife Ruth, my daughter Miriam, and myself. The second phase is the ongoing debate, which started with the rst public announcement of Alba's birth, in the context of the Planet Work conference, in San Francisco, on May 14, 2000. The third phase will take place when the bunny comes home to Chicago, becoming part of my family and living with us from this point on. ! "

"Newskool" style Keyboard Art

Digital Mixed Media

Alberto Seveso

Karen Casey

!
Karen Casey, Australia b. 1956 | Dream zone 2012 | Technical collaborator & software interface designer: Harry Sokol | 3 channel projection exhibited from computer, audio-visual data rendered in realtime (production still, detail) | Courtesy: The artist

Karen Caseys Dream zone 2012 emerges from the artists fascination with the relationship between human consciousness and our experience of the world. Featuring a kaleidoscopic celebration of symmetry, colour and pattern, the work is projected on multiple walls in a series of duplicated, tiled animation squares. Casey creates an immersive space of hypnotic lines and intersecting points reflecting the geometry found in nature. Specialist software developed by the artists technical collaborator uses Caseys recorded meditating brainwaves to create the hypnotic rhythm of the work. Visually it dissects and reconfigures imagery by Caseys to generate, in real-time, ever-changing geometric patterns. An interdisciplinary artist with a broad and varied creative practice, Casey has challenged perceived notions of reality, time and space and our understanding of the physical and the spiritual. Since the 2000s her work has further explored scientific and psychological themes relating to our place in the universe and the interconnectivity of human consciousness.

Karen Casey, Australia b. 1956 | Dream zone 2012 | Technical collaborator & software interface designer: Harry Sokol | 3 channel projection exhibited from computer, audio-visual data rendered in real-time (production still, detail) | Courtesy: The artist

Glitch Art

Glitch Art
Glitch art is the aestheticization of digital or analog errors, such as artifacts and other "bugs", by either corrupting digital code/data or by physically manipulating electronic devices (for example by circuit bending).

Animated Gifs and Cinemagraphs http://www.michaelbetancourt.com/index.html http://en.wikipedia.org/wiki/File:Kodak_Moment_(2013)_sample_animation.gif

http://www.thisiscolossal.com/2013/07/hypnotic-animated-gifs-from-mat-lucas/

http://cinemagraphs.com/nyfw/

Stelarc

Time lapse videos,

Some stuff I have done recently.

Hrisey test work, Georgina Campbell, 2013

Scanner Self Portrait, 2008! Big Butt, 2010! Georgina Campbell,

Scanner Camera

Websites to visit
http://yearoftheglitch.tumblr.com http://www.anu.edu.au/digitalmedia http://www.ickr.com/ http://blog.qag.qld.gov.au/tag/national-new-media-art-award!

Apps to try
Snapseed Photo editing Stop Motion time lapse video Glitche digital glitch Flixel! cinema graphs

http://glitche.com/g/RMfzn3wXLsYE!

Pop Art & Andy Warhol

! ! !
1. List some of the key influences of Pop Artists and Andy Warhol in particular. Where did they get their ideas from? 2. What made Pop Art works different from the works of earlier artists? Think about their choice of subject matter and how they made their works. 3. What were some of the materials and techniques Pop Artists used in making their works?

4. Look at One Hundred Campbell Soup Cans, (below) by Andy Warhol. Write about Warhols use of repeated shape, pattern and color. Evaluate it. Why do you think it was made? What is your response to this piece of work - is it art?

! !

Pouncing involves pricking tiny holes into an image so that charcoal can be pushed through to create a dot-to-dot copy on another sheet of paper or canvas.! The original pricked drawing was laid over a new surface ready for the original to be transferred. The artist lled a small muslin bag with powdered charcoal, and this was patted over the holes in the drawing. The tiny holes in the original drawing would leave behind small dots on the new surface, and this provided a guide which could then be worked up into a nished painting.

Outcome 3:

Research an Artist Presentation

written response and

Discuss how artists from di!erent times and cultures have interpreted sources of inspiration and used materials and techniques in the presentation! production of artworks

Christian Marclay, Telephones, 1995, Video, Duration: 7 minutes 30 seconds

! !

Studio Arts - Unit 1!

Research an Artist - theory task.

You are to select an artist (a different one for each student) and research their life and work to present in class as a Powerpoint presentation of 8-10 slides. You will create a slideshow of your chosen artists work to show in class. You need to be able to discuss your artists life and work. Your images should have their titles and info with them. Show 5-6 examples of that artists work as digital images. !

STUDIO ARTS DIGITAL & MIXED MEDIA UNIT 1!

WRITTEN RESPONSE TASK #1

"1

!
Things to include:!

! ! ! ! ! ! !

Brief biography of the artist when did they live, where did they live, include key autobiographical information that is relevant to their lives as artists. !

What kind of art did they do? Why is it important? How is this artist relevant to your own work - what made you pick this artist to report on? ! Select one or two particular images that epitomise this artists work to discuss in greater detail. ! You need to present the information assuming your audience has never heard of this artist before (we might not have!) ! Use the library, internet and journal articles etc to inform your presentation.! Be prepared to answer questions during your presentation about what materials your artist used, style of photography, subject matter and the ideas behind their works.! Your research should be about 1000 words (equivalent to one A4 page typed but can be included in powerpoint slides).! DUE IN: ____________________________ . This task needs to be presented in class as a Powerpoint (or similar) presentation. Ensure your name is on the rst slide along with the title etc. This rst slide does not count as one of your 8-10 slides.

Tacita Dean, Disappearance at Sea [Still], 1996, 16 mm anamorphic film, 13 mins 9 seconds Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991

STUDIO ARTS DIGITAL & MIXED MEDIA UNIT 1!

WRITTEN RESPONSE TASK #1

"2

Year 11 Studio Art Unit 1

30 January 2014

STUDIO ART: DIGITAL & MIXED MEDIA

UNIT 1: Artistic Inspiration and techniques

This unit focuses on using sources of inspiration and individual ideas as the basis for developing artworks and exploring a wide range of materials and techniques as tools for communicating ideas, observations and experiences through art making.! Students also explore and research the ways in which artists from different times and cultures have interpreted and expressed ideas, sourced inspiration and used materials and techniques in the production of artworks.!

NEIL BROWN, DENNIS DEL FAVERO, JEFFREY SHAW AND PETER WEIBEL,!T_Visionarium, 2006, interactive installation with 100square-meter cylindrical projection screen. Copyright Shanghai eArts Festival, 2008. Courtesy the artists. http://artasiapacic.com/ Magazine/60/ BigAmbitionsForNewMedi aArtFestivalInShanghai
!1

Visual Diary Keep records of everything you create in studio arts, drawings,

Year 11 Studio Art Unit 1

30 January 2014

notes, gallery visits, and photographs all go in your visual diary. Keep all your images and test drawings etc. If you work on the computer you must do screen grabs as you go showing each stage of your process. These, printed out, will go in your visual diary. !

Saving your work If you plan to work using the computers in anyway - I suggest you set yourself up a Google Drive. It is free and very easy to set up. This means that you can save your work to a spot on the internet and you can access it on any computer anywhere. this is handy if you need to work at school and at home and means you don't have to worry about remember USB drives, or only working on one computer. It is also a good way to keep a backup copy of any of your les. It is private and only you will have access to your information - it is not visible to anyone else. If you already have a similar set up - such as a drop box or website then that is ne to use also. I would save your work online as well as in your drive at school. Losing les or computer breakdowns etc. will not get special consideration when it comes to handing in your work. ! https://drive.google.com!

The Good Vibrations storage unit by designer Ferruccio Laviani combines traditional Oriental craftsmanship and design with the visual e"ects of a digital or analog glitch. weburbanist.com

Outcome 1:

Source inspiration, identify individual ideas and use a variety of methods to translate these into visual language.

Gallery Visits During the year, you should aim to visit a variety of galleries regularly in order to help develop your ideas, concepts and to maintain an awareness of contemporary styles, concepts and techniques present in current art practices. Take notes about the works you see with particular attention paid to the way works are presented (what are they made out of, how are they framed / hanging on the wall etc, how do they t into the gallery environment) and artists whose
!2

Year 11 Studio Art Unit 1

30 January 2014

works you particularly nd interesting. What is it about their work that piqued your interest: subject matter, size of work, photography, drawing, sculpture etc? The following venues are a provided as a starting point. At a minimum you should visit these galleries!
!
Heide Museum of Modern Art 7 Templestowe Rd, Bulleen VIC 3105 Centre for Contemporary Photography 404 George St, Fitzroy, Vic, 3065 www.ccp.org.au! Monash Gallery of Art 860 Ferntree Gully Road Wheelers Hill Victoria 3150 www.mga.org.au!

National Gallery of Victoria Federation Square and St Kilda Road"

Suggested Reading and Interneting:

! !

http://www.liquidarchitecture.org.au www.moma.org www.pinterest.com

Art Almanac, (www.art-almanac.com.au) Journal of Photography (http://www.bjponline.com), Photole (http://www.acp.org.au/photole) Artist Prole (http://www.artistprole.com.au) http://www.foam.org tate.org.uk aperture.org blindspot.com lenscratch.com https://www.lensculture.com http://designobserver.com http://artdaily.com http://au.blouinartinfo.com http://www.deviantart.com http://www.thisiscolossal.com http://www.whitechapelgallery.org http://www.anat.org.au

! ! Awesome Apps: !

Flixel - makes cinemagraphs, basic version is free. Glitche - makes photos into giltch art with various lter options, makes animated glitchy gifs you can upload and email etc. basic version is free. Stop Motion - makes time lapse videos. free Hipstamatic - retro camera styles, not free. Snapseed - not free but amazing. Like photoshop for your iThing, lots of lters, editing tools and very easy to use. Highly recommended. There is a desktop version for mac but no longer supported.

!3

Daniel Crooks

Year 11 Studio Art Unit 1

30 January 2014

! Tasks
This is what you will be doing in Unit 1. There will be specic instructions and demonstrations as we get to each stage. Use this list to ensure all tasks are completed and included in your visual diary by the end of the Unit.

! !

1. Visual Diary front cover: ensure it has your name clearly visible on it and identies your book as Unit 1 Studio Art: Digital & Mixed Media. !! 2. Mind Map: your initial brainstorming session to help you start thinking about future themes. !! 3. Drawing from observation using pencil, ink, watercolour, pastel etc 4 double pages of Visual Diary!! 4. Self Portraiture themed Collage / Glitch Task: create a self portrait using paper collage or using digital methods create a self portrait that utilises the style of glitch art.!! 5. Research and artist presentation Theory Task!! 6. Compare and Contrast written response portraiture artist Theory task!! 7. Alberto Seveso Project: self portraiture using computer or hand drawn - you will get further instructions!! 8. David Hockney / Laith Macgregor style drawing task!!

Wooden Mirror 1999# 830 square pieces of wood, 830 servo motors, control electronics, video camera, computer, wood frame.# This piece explores the line between digital and physical, using a warm and natural material such as wood to portray the abstract notion of digital pixels. http:// www.smoothware.c om/danny/ woodenmirror.html

9. Animation Task - you will create your own 20 second animation either using traditional paper mediums and then transferring to computer or you can create it wholly using digital methods!! 10. Scanner Project / Sun Prints !!

!4

Year 11 Studio Art Unit 1

30 January 2014

11. Self Portrait without a face project!! 12. Personal Project - you will get further instructions, project will be broken down into smaller tasks !!

Ideas can come from all sorts of resources"

Books ! Magazines ! Newspapers ! Artworks ! Poetry ! Television ! Music! Radio ! Dreams ! Fashion ! Novels! Real life events! Family and friends !

Personal photos ! Feelings and emotions ! Cultures and societies! Politics! Objects around you ! The Environment ! Internet! Your Diary! Videos/films/DVD ! Galleries ! Cartoons! Computer games

Rick Amor, Je"rey Smart

!5

Artists Name

Your work goes here Your TestTest work goes here

Your Test work goes here

Annotate your work here

Annotate your work here

Your Test work goes here

Your Test work goes here

Annotate your work here

Annotate your work here

Annotation about your final version goes here. Take a photo of the final and stick it here, or print out an A4 Version to stick here.

Artists Name

Your Test workwork goes goes here here Example of artists

Example of artists work goes here

Information about the work goes here

Information about the work goes here

Discuss this artists work what medium do they use, what subject matter do they work on, etc. How is their work relevant to your own ideas? Example of artists work goes here Talk about your work inspired by this artist. What did you do? What did you take away from their works or find useful in your worn work?

Information about the work goes here

Self Portraits

Self Portraits Create a series of works based on the theme of identity and self portraiture using different mediums.
!

1) in the style of Alberto Seveso using either photoshop or traditional watercolour and ink

Take a photo using the webcam print out the image a4 size, black and white using the light box, trace the main lines of your image not he back of the print out using the pouncing technique, poke holes in your image along the lines at evenly space intervals using charcoal, carefully rub over the holes so that a mark is made on the new paper underneath. connect the dots on your new image!

Mike and Doug Starn

Create a mixed media self portrait / identity themed work based on the style of Mike and Doug Starn. You need to use at least one photographic method (digital photograph, scanner, sun print, etc.) and at least one method of adding texture to your work. Think about using different types of paper to print on, painting, mixed media or about changing the structure of your paper.

In your visual diary you need to have:!

!

1. 2. 3. 4. 5.
!

your original self portrait image examples of different versions and ideas explored screen grabs of various trials on the computer examples of mini trials using paint etc annotate everything: explain what you did, what materials did you use, what will you do next etc.

You should have at least 2 nal works done (A3 size approx.) with all the backup material in your visual diary.! The nal works don't go in your visual diary - they will be loose.

Visual Diaries
Your visual diary is like a journal for your art making process. You will use the ideas you explore in it to develop your nal pieces of artwork. You should include written comments and reections on the work your produce, images of works in progress, test prints, screen shots. Also include images and notes about other artists whom inform your own work and notes on any galleries / museums you visit. Do ensure that your visual diary is legible and easy for the reader to understand. Think about what visually inspires you: movies, video clips, TV shows, magazines, designers etc. Your inspiration could come from anywhere! Take photographs as often as possible! The visual diary is designed to demonstrate to the viewer your growth as an artist. We want to be able to see where your ideas have evolved from, what your inspirations are, how you feel about your own work and the ways in which you have experimented with various materials and techniques before you arrived at your nal product.

Sunday, 5 May 13

You could make your visual diary online as a blog - try Blogger or Wordpress. You could use powerpoint, one note or word etc and not print anything out. You do need to be able to present your pages though.
Sunday, 5 May 13

Sunday, 5 May 13

Generating Ideas
Sunday, 5 May 13

Mind maps

You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved. ! Ansel Adams

Sunday, 5 May 13

Sunday, 5 May 13

Sunday, 5 May 13

- Dont worry about being neat, just get the ideas out. - Write down anything that comes to mind - use pencil if you wish to change stuff later. - Draw pictures or diagrams if you need to - Come back to ideas later, something you think of now might become another body of work later on!
Sunday, 5 May 13

Mood Boards

Sunday, 5 May 13

Mood Boards

Sunday, 5 May 13

pinterest.com
Add About Georgina

Photography I Love
Georgina Campbell Edit Board

Like

40 followers, 10 pins

Wolfgang Tilmans 3 likes 7 repins iheartphotograph.blogspot.com

"Photography is a weird process. You approach aspects of reality and you alienate at the same time. Things become something else. It is a metamorphosis. I am like a transmuter," introduces Camillo Bchelmeier. satellitevoices.com

Camillo Buchelmeier satellitevoices.com

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Jefferson Hayman

martincooperphoto.blogspot.co m

Sunday, 5 May 13

Image editing...

Sunday, 5 May 13

Histograms
Histograms help to give digital camera users a quick summary of the tonal range present in any given image. It graphs the tones in your image from black (on the left) to white (on the right). The higher the graph at any given point the more pixels of that tone that are present in an image.

Sunday, 5 May 13

Different images will produce different results. Taking a shot of someone at the snow will obviously have a histogram with signicant peaks on the right hand side. Most well exposed shots tend to peak somewhere in the middle and taper off towards the edges.

Sunday, 5 May 13