ELENA PAPARIZOU technical rider (v10.1).

HOUSE P.A. SYSTEM

Front of house speaker system should be of the highest quality possible. It should be a stereo, high fidelity, three- or four- way system plus subs capable of reproducing 30Hz - 20 kHz and sustaining 116db without distortion at the front of house mix position, and should adequately and consistently cover the audience area in a stacked and/or flying configuration. PREFERENCES: Y 10 ADAMSON EV X LINE VDOSC - DVdosc

F.O.H.
MIXING CONSOLE WHICH, IS MANDATORY TO FULFILL THE TECHNICAL SPECS 64 X input channels (8X SI-8D3 MODULES), Diocore, 16x effect returns. 16 X auxiliary sends (FULL PROCESSED) 8 X master out digital (AES/EBU) 64 X channels rec (M.A.R.S.) PREFERENCES: 1 X Lexicon 960 INNOVASON ECLIPSE (NOVA 1.0.6)

1 X CD player wired for playback. No portables MONITOR SYSTEM

6 x AVIOM II MIXER + E5 in ear system for drums, key 1,key 2, gt 1, bass, bouzouki. 4 x SHURE psm 700 + e5 in ear system for back vocals, bouzouki MIXING CONSOLE WHICH, IS MANDATORY TO FULFILL THE TECHNICAL SPECS Minimum 32 aux outputs (4 X XO-8D2 MODULES) plus 16 dsp line out. PREFERENCES: INNOVASON SY 80 + STAGE BOX (sensoft 10 11)

1 x multi-effect units : Lexicon 960 SIDE FILLS / DRUM FILL / desk monitor: 2 X PS 15 or ARCS or SX 18 ADAMSON (flying next to pa system ) one per side 1 X AVIOM II + E5 for desk monitor 1 X 218 sub for drummer 1 X 218 sub for bass EXTENSIONS CABLES FOR E5 (in ears) All necessary processing, amplification, and cabling

MICROPHONES
PLEASE REFER TO ELENA PAPARIZOU STAGE PLOT / INPUT LIST FOR MICROPHONE REQUIREMENTS. Please be sure to include all necessary stands, cables, clips, and hardware (drum mounts, etc.).

ELENA PAPARIZOU technical rider (v10.1).

NOTES
All system components are expected to be 100% operational. Tours engineers and/or production manager prior to day of show must approve any and all substitutions to and variations from these requirements. If no item PREFERENCES are listed, options must be discussed with and approved by tour's engineers and/or production manager prior to day of show. NO EXCEPTIONS. The system must be accompanied by at least (1) competent and knowledgeable technician, who may be required to engineer for support acts. The tour does NOT share consoles, either FOH or monitor. Separate consoles, processing, etc. will be necessary for support acts. The tour shall provide intro & outro music for entire evening. For aesthetics, Promoter/sound Company needs to supply black cloth or scrim to cover amp racks, backs of consoles, etc. MIX POSITION LOCATIONS: F.O.H.: Please consider the mix location carefully and arrange seat-kills (please refer to the tour rider) as necessary. Extreme mix positions, to either the side or rear of a venue, are unacceptable, as is mixing from under a balcony. If the proposed location is clearly not ideal from a sound mixers point of view, this must be discussed IN ADVANCE between the sound company, the promoter, and tours production manager. Monitor Console: STAGE-LEFT Please make sure that all racks are well illuminated, and located to allow convenient access to controls and easy visual monitoring of displays. Do not locate ANY racks under the consoles. COMMUNICATIONS & RETURNS: Two-way exclusive communication between the F.O.H. and Monitor mix positions. A talkback mic at F.O.H, which shows up as an input on the monitor console. Two returns from FOH connected at stereo aux or matrix out which shows up as inputs to monitor desk. POWER REQUIREMENTS: The Sound Power Service must be on transformer-isolated phases, separate from the lighting power service.

CONTACTS
FOH ENGINEER: Nikko Chronopoulos Mobile +306930888857, +306932411424 Fax: +302112214562 Email: nikko@hiend.gr

ELENA PAPARIZOU technical rider (v10.1).

INPUT LIST
CH
1 2 3 4 5 6 7 8 9 10 11 12 13 14-21 22-23 24-25 26-27 28 29 30-32 33 34 35-42 43

INPUT
BASS KICK SNARE 1 up SNARE 1 down SNARE 2 (PICCOLO) HI HAT TOM 1 TOM 2 FLOOR 1 FLOOR 2 OVERHEAD LEFT OVERHEAD CENTER OVERHEAD RIGHT SOUND CARD GTR KEY 1 KEY 2 BOUZOUKI TZOURAS B VOCS LENA HAND LENA HEAD LEXICON 960 TALKBACK

MIC
ACTIVE DI D 112 or BETA 52 SM57 or BETA 98 SM57 or BETA 98 SM57 or BETA 98 C 451 or BETA 98 Beta 56-SM 57-PRO 35 Beta 56-SM 57-PRO 35 Beta 56-SM 57-PRO 35 Beta 56-SM 57-PRO 35 C 451 or BETA 98 C 451 or BETA 98 C 451 or BETA 98 ( DI BOX ) DI BOX DI BOX DI BOX WIRELESS FOR INSTR WIRELESS FOR INSTR BETA 58 WIRELESS

EXTRAS
1 X 218 SUB 1 X 218 SUB

NOTES
AVIOM II + E5 AVIOM II + E5

8 CHANNEL MIXER 8 CHANNEL MIXER SHURE PSM 700

AVIOM II + E5 AVIOM II + E5 AVIOM II + E5 AVIOM II + E5

SHURE PSM 700 E5

HEADSET WIRELESS

BASS PLAYER

ELENA PAPARIZOU technical rider (v10.1).

AUXILLIARY OUTPUTS Monitor desk CH OUTPUT 1-2 3-4 5 6 7-8 9-10 11-12 13-14 15-16 17-18 19-20 21-22 23-25 25-26 27-28 29-30 BASS DRUMS DRUMS SUB BASS SUB EL GUITAR KEYS 1 KEYS 2 BOUZOUKI BACK VOX 1 BACK VOX 2 BACK VOX 3 LEXICON 1 LEXICON 2-3-4 SIDE FILS HELENA DESK MONITOR

ELENA PAPARIZOU technical rider (v10.1).

BACKLINE REQUIREMENTS
Bass: Keyboards: EBS AMP 1 X 4X10 +1 X 15 (cabinets) KEY 1 1X KORG M3 1X ROLAND FANTOM X7 1X KORG M3 1X YAMAHA MOTIF X8

KEY 2

Electric guitar: 1 X MIDI PETAL BEHRINGER FCB 1010

Drums:

Cymbals

1 Set DW 22 X 18 BD 10 X 8 Tom Tom 12 X 9 Tom Tom 14 X 13 Floor Tom 16 X 14 Floor Tom 14 X 7 Edge SD 14 X 4 Edge SD 1 X Drum Stull 1 X Double foot machine Plus All necessary Hardware 1 X 14" Hi-Hat Hybrid Zildjian 1 X 20" Ride K Session Ride Zildjian 1 X 17" Hybrid Crash Zildjian 1 X 18" Hybrid Crash Zildjian 1 X 14" Oriental China Zildjian 1 X 16" Oriental China Zildjian 1 X 14" A Custom Splash Zildjian 1 X 18" Sabian O-Zone Crash 1 X 20" Sabian O-Zone Crash 1 X 10" A Custom Splash Zildjian 1 X 12" A Custom Splash Zildjian : 7 X MUSIC STAND WITH LIGHT 2 X GUITAR STAND

EXTRAS