Professional Documents
Culture Documents
CAN LISTEN TO
FOCAL'S PETITE AND
PRETTY DME SPEAKER
HIGH-END
MAKEOVER
A HOME THEATER
WITH EXTREME GEAR
PANASONIC'S 58" PLASMA OFFERS BIG VALUE P46
RETROFITTING
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IS THIS 55-INCH LCD A PLASMA KILLER?
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The Authority in Entertainment Intelligence www.hometheatermag.com January 2010 Volume 17 No. 1
O
f all the outstanding products reviewed by
Sound & Vision in 2008, only one was
selected as Audio Product of the Year,
not merely Speaker of the Year but Audio
Product of the Year. And that product is the
Denitive Technology Mythos STS SuperTower
multichannel speaker system.
Wheres the Subwoofer?
Built right in!
Each STS features a built-in 300 Watt
SuperCubepowered subwoofer for soul-stirring
bass impact, earth-shaking dynamics along with
tight, detailed musicality. Youll enjoy double the
bass while saving oor space and enhancing the
beauty of your room.
prepare to be amazed. The Mythos
STS is one of the most exciting products
that I have come across in a long
timeunrivaled at its price point.
Roger Kanno, SoundStage.com
More Praise
The Mythos STS SuperTowers earned
SoundStage.coms 2008 Reviewers Choice Award
for Aesthetics and Sound. Home Theater magazine
called the STS system Crisp, Lush, Focused and
tagged it with a Top Pick award. The STS also
won two Innovations Design and Engineering
awards at CES 2009, one for High Performance
Audio and the other for Home Theater Speakers.
One industry award is an honor, ve is a sweep.
Yes, this system is that good.
dynamic, full-range performance
from a compact, strikingly good-looking
package Al Griffin, Sound & Vision
Now on Sale!
For a limited time, participating dealers are
offering the Mythos STS system at a special
price plus a free pair of oor-stands for the
Mythos Gems. Visit the web address below
or call 800.228.7148 for details and a list of
participating dealers.
Denitives Mythos STS System is
The Mythos STS's
built-in powered
subwoofers, advanced
technologies and
superior materials
bring you sonic
perfection.
www.DenitiveTech.com/STSpromo
Act now. Promotion ends January 31, 2010
Audio Product of the Year
one of the best
values going in
high-end speakers
Al Griffin, Sound & Vision
Sound & Vision, February/March 2009
US & CANADA 800.228.7148
OTHER 410. 363.7148
January 2010 Volume 17 No. 1
on the
web
LOG ON TO HomeTheaterMag.com and sign up to receive our
new, free eNewsletter for rst-rate, up-to-the-minute reporting of
everything thats hot in the world of home theater.
ON THE COVER Sonos Bundle 250 brings your music into every room
of the house. Additional gear from BG Radia, Focal, and Samsung.
Screen image courtesy of Everett Collection.
21 24 26
21
16
Multiroom Magic With Sonos
So many rooms, so few wires.
Home Theater Design Going Retro: A high-end
theater gets a retrofit makeover. Plus Part I of our
exclusive feature on DIY retrofits and more.
82
Curtain Call Baby, Buy, Buy, Buy!
by Michael J. Nelson
14
Ask Home Theater
Your how-to and technical home theater
questions answered. by Scott Wilkinson
FEATURES COLUMNS
16
Multiroom Magic With Sonos
picture simulated To join our community, go to livinginhd.com
12 70
FROM THE
PREVIEW
8
Prologue Breaking Your Music Free
by Shane Buettner
Samsung UN55B8500 LCD HDTV
Back to the LED future. P32
BG Radia BGX-4850 In-Wall Subwoofer System
Its what you dont see. P36
Canton Ergo 620 Speaker System
Brilliant at making things. P40
Panasonic VIERA TC-P58V10 Plasma HDTV
Plasma brings the juice. P46
Focal Dme Speaker System
From people who do it right. P50
Paradigm Millenia 20 Hybrid Speaker System
Thin is the new in. P54
Snell CR7 Speaker System
Heavy metal is good. P58
Boston Acoustics SoundWare XS Speaker System
Shapes mightier than size. P62
Yamaha RX-V1065 A/V Receiver
The brand that rolls its own. P66
10
12
Letters
Pioneer KURO: Should we get over it?
AV News
The selectable output control fight rages on.
DEPARTMENTS HIGH END P32-38
MIDRANGE P40-60
ENTRY LEVEL P62-69
70
70
76
78
Cinema Scope Transformers: Revenge of the
Fallen, Orphan, Brno, and more of the hottest
new titles on Blu-ray.
Top Picks
Not sure what to buy? Check out this exclusive
listing of our reviewers recommended gear.
Dealer Locator Before you run out to buy a prod-
uct weve reviewed, find a quality dealer near you.
VISIT THE HOW WE TEST link on our Website for a detailed explanation of
our testing regimen and a list of our reference gear. HomeTheaterMag.com
hometheatermag.com
on the
web
32
Make room for life
With Sanus Systems, youll always get smart design, high quality and
patented technology. Our new, innovative products are easy to install
and easy to use, giving you more time to enjoy cherished moments
with friends and family. Learn more at www.SANUS.com.
TV
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L
ooking at this months cover, its not dif cult to tell that were stretching out a little
and thinking outside the box of our traditional theater rooms. Its hardly a secret that
for the last several years, consumers have been moving away from physical media
and moving toward direct access to digital fles, especially where music is concerned.
Tis isnt surprising, since CDs have always been a mere storage medium for digital
bits. Now that home networking has gained more secure footing in our homes, another
transition is occurring.
For years, the markets reaction to seeing everyone and their brother walk around with an
iPod has been to build docks and devices that let people connect their portable music players
to various home audio systems. Another example is speaker systems and boomboxes that let
you drop your iPod onto them and instantly amplify your music. Look Ma, no headphones.
But really, why have we been confned like this? In spite of being the coolest consumer
device ever, the iPod is just a portable hard drive with a really slick user interface. For home
use, we dont need to carry around and dock our iPods to serve up our digital music
libraries. We need full access to our digital music libraries, and we need it everywhere!
Te Sonos system featured in this issue shows that the future is now. Sonos gear is
afordable, simple to install and set up, and incredibly versatile. It handles nearly all of the
essential DRM-free digital audio formats. More essentially, it shatters the myth that digital
audio fles arent for audiophiles. For many people, digital audio fles are synonymous with
highly compressed, poor-sounding MP3 downloads. Tis
doesnt have to be. In addition to AAC and MP3, the
Sonos plays back Apple and FLAC lossless compression
(compression with bit-for-bit reconstruction of the
original signal on playback), as well as AIFF and WAV
uncompressed fles. Also, just as your music isnt confned
to one location in the house, youre not confned to your
own library either. Sonos allows access to streaming
services like Rhapsody, Sirius, and Pandora. Drop a Sonos
brick in any room, and youre lit up. Tis is how its done!
In recent months, weve looked at a few varieties of
media servers and the game-changing Meridian Sooloos
media system. As we move into 2010, well keep our
fngers on the pulse of this transition and also keep tabs
on systems that take managing our video fles to this
same level of sophistication. Because of the amount of
bandwidth thats required for high-def video plus lossless
surround sound, Blu-ray will remain the quality choice
for movies, TV show boxed sets, music videos, and other
essential content. But that doesnt mean catching up on
TV shows and other video-based media by other means
isnt a great idea. Grab a seat. HT will keep you informed
and in the front row of the transition!
BY SHANE BUETTNER, EDITOR
Breaking Your Music Free
The Sonos system in
this issue shows that
the future is now. Its
affordable, simple to
install and set up, and
incredibly versatile. This
is how its done!
JANUARY 2010
Free your mind, and your media will follow
LOG ON TO HomeTheaterMag.com and sign up for our free
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The King Is Dead; Long Live the
King?
I enjoy my HT subscription and, as others
have recently proclaimed, I generally fnd your
more recent editions of much improved qual-
ity. However, I found TJNs October review of
the Mitsubishi WD-73837 DLP rear-projec-
tion HDTV confusing. Here are fve examples
(inter alia) that I found befuddling: 1. Te At a
Glance review summary comments rightly
pointed out that this Mitsubishi set provides a
superb value, yet it only rates 4 stars for
Value? 2. Toward the end of the review, TJN
indicates that there was a noise issue, yet that
reference relates to earlier in the review where
he, in a comparison with the more expensive
and considerably smaller Sony XBR9,
determined that both sets had displayed the
same artifacts and that such artifacts arose
from the source material: [Te Mitsubishi]
does not add signifcant noise of its own. 3.
TJN refers to the sets black levels variously as
superior (in the review summary), solid
(toward the end of the review), and respect-
able (in the conclusion). 4. Regarding the sets
performance with real-world material, You
will likely be as impressed as I was. Only a
handful of HDTVs can surpass [this sets black
level]. And none of those can simultaneously
match the [sets] peak white level. [Shadows
and black bars on a source] werent as nearly
invisible as they are on the very best displays
Ive seen. But they werent far of. Tis results
in a 3.5-star rating for Performance? What are
we to gather from these various inconsistent
references? Finally: 5. Continuing compari-
sons to the now-defunct Pioneer KURO sets
seem irrelevant. KURO is gone, and we must
get over it.
Tanks for letting me vent.
Lon Baugh
Tanks for writing. Lon, remember that our
component review ratings are specifc to a com-
ponents specifc product category and price
category. In other words, the Mitsubishis ratings
are based on the Midrange price range for
HDTVs. Tey arent directly comparable to
scores given to Entry Level or High
End priced HDTVs. With that
said, 4 is a superb value, even if 5
is better. Our legend on the From
the Test Bench page notes that 4
stars is excellent and 5 is
reference. And yes, only a
handful of sets perform better
in some respects, and a 3.5 out
of 5 Performance rating
indicates that pretty well,
IMO. Frankly, these minute
and sticky distinctions are
why I hate doing ratings, but
Im not beating that horse
again!
On the noise, Tom was saying that it was
present in the source material to a degree, but
more obvious on the Mitsubishi, suggesting that
the Mitsubishi exaggerates the artifact slightly,
i.e., its more visible on that set than on the Sony.
Weve spoken internally about comparisons to
the now mothballed Pioneer KUROs, and we
dont agree that its irrelevant. Tose sets are
gone now, but they very recently set the bar for
performance in modern digital displays of all
types. Its the job of the other display manufac-
turers to catch up and meet that standard, and
its our job to determine if and when they have.
We know it can be done since weve seen it with
our own eyeballs, and we cant pretend we
havent seen the mountaintop. Wed be doing
you and all our readers a disservice to forget
that manufacturers can do better.SCB
Living High-End on the Hog
I just wanted to say that I love Home Teater
magazine. I felt that you made a great point in
WE WELCOME QUESTIONS AND COMMENTS. E-mail them to htletters@sorc.com. Please note: Be sure to check the FAQ page on
our Website (HomeTheaterMag.com) to see if weve already answered any questions you might have. Questions about the features
and functions of a particular product are best directed to the manufacturer. Questions about what product you should buy are best
directed to a dealer who knows all the details of your system, your preferences, and your personal habits. All submissions are consid-
ered the exclusive property of Home Theater magazine and Source Interlink Media. Due to the volume of mail that we receive, we regret
that we cannot respond to every letter.
HOME THEATER
Octobers Prologue. I agree that it is important
to include equipment from all price ranges,
especially the high-end gear. High-end home
audio/theater is kind of like the luxury car
business. Mercedes created antilock brakes
and air bags. Tis former luxury tech is now
ofen standard even on sub-$15,000 cars now.
I like reading about a lot of this equipment that
I cant aford because as I save up for my
(afordable) dream system, it reminds me that
things are changing so fast. Rather than
compromise and take something in my price
range now that doesnt have all the features I
want, I can wait a few more months and buy
something that has so much more, does a
better job at doing the same tasks the current
equipment does, and possibly does it at a lower
price than current products are selling for.
Also, this knowledge can get you some reduced
prices on the current high-end gear when
something newer comes out. I plan on buying
an Integra DHC-9.9 surround processor on
clearance once its replacement comes out.
Tanks for being a constant resource for
shopping decisions and ideas.
Brian
Shane, you pompous ass,
I agree with Octobers Prologue 100 percent.
Its fun to read about ultra-expensive
equipment and even occasionally audition it at
your local specialty store (as long as there
arent pompous asses located there, which I
have experienced), to see what technology
might be trickling down to more inexpensive
stuf that one can aford and what the state of
the art is at present. And I was reading
Stereophile, Stereo Review, and Audio
magazines well before there were any home
theater publications. So $100,000 pairs of
speakers and $2,000 power cables (which in
most cases are a ridiculous waste of money
and all marketing) are no big shocker to me.
Tere doesnt seem to be a need for fear and
loathing except for the fact that we want it but
cant aford it, so we become a bit envious of
those who can. But more power to them. Fear
about this? Yeah, this should be the biggest
thing I have to worry about. Loathing? I dont
think so. Just in lack of overall perspective,
which is dangerous in all cases when people
dont see the big picture in lieu of their desire
for toys. In other words, I wouldnt have much
to worry about. But considering the above
prices and prices for other components such as
power amps, etc., good luck to the majority of
enthusiasts who may want something in the
A ratings of Stereophile recommended
components or anything of the like in Home
Teater. Also, who among us can aford such
stuf in this economy? Not many, Im guessing.
I think people are far more concerned about
their retirements. But its fun to dream. Keep
up the good work!
Scott Kiver
Merrimack, NH
10 JANUARY 2010 hometheatermag.com
www.mksoundsystem.com
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Selectable Output Control
Fight Continues
BY MARK FLEISCHMANN, AUDIO EDITOR
TOP STORY: OLD FIGHT HEATS UP AGAIN
FRONT PAGE
S
electable output control
(SOC) is an issue thats
had Hollywood and
HDTV makers
furiously lobbying the
federal government for years. Tis
old fght is now heating up again.
What is SOC? It would enable
program producersacting
through your local cable or
satellite providerto disable
analog interfaces in your HDTV.
One of those analog interfaces is
component video, which is the
only HD-capable input on many
early-generation HDTVs.
Why does Hollywood want
SOC? Te studios say it would
pave the way for delivering hot
movie titles through video-on-
CableCARD standard. Te CEA
pleaded with the Commission not
to give in to the Motion Picture
Association of America (MPAA)
and its member studios:
If the FCC granted the
MPAAs waiver request, 25 million
HDTVs would become incapable
of receiving and displaying
programming accessed via set-top
boxes for which a content owner
or distributor invokes SOC.
Reducing the total number of
HDTVs by 20 percent to account
for replaced or inactive units still
leaves more than 20 million
HDTVs that would no longer
function as they did when
originally purchased by U.S.
consumers. CEA concluded that,
such an outcome, would frustrate
the expectations of millions of
consumers.
CEAs call for continuing the
SOC ban has been taken up by
the consumer group Public
Knowledge and the Independent
Film & Television Alliance. Te
new FCC chair, Julius Genach-
owski, has yet to take a position.
As this long-running battle
continues, the consumers right to
use the hardware and sofware
theyve paid for hangs in the
balance.
A properly calibrated video
display uses 15 to 50 percent less
energy, says a study by THX.
Researchers looked at 15 LCD
and plasma models, comparing
the Vivid or Dynamic mode to
the calibrated Movie mode.
Calibration brought energy
savings of $40 to $50 per year,
assuming 4 hours of daily use at
$0.1136 per kilowatt hour.
Plasmas that were manufactured
THX Says TV Calibration Saves Energy
demand channels prior to their
release on disc. Without the
security that the digital HDMI
interface afords, the studios fear
their crown jewels will be
recorded through analog
interfaces.
SOC may take two forms. Te
studios may down-res (reduce the
resolution of) HD signals
delivered via component video.
Or they may simply shut down
signals going from set-top boxes
into analog TV jacks, which
also include non-HD
composite and S-video. In
either case, they can act on a
program-by-program basis.
Te battleground for the
fght over SOC is the Federal
Communications Commis-
sion (FCC). As summer
turned to fall last year, FCC
of ces were deluged with
visitorsfrom the studios,
cable companies, and
various trade associations.
One of the latter visitors was
the Consumer Electronics
Association (CEA). In an FCC
fling, CEA noted that the FCC
banned SOC in the 2003
agreement that created the
before 2008 achieved
the greatest energy
savings. Any set can
save energy with
calibration. Tis
includes those that
are certifed by the
federal governments
ENERGY STAR
programand even
those certifed by
THX.
INSTALLERS MOVE
INTO RETROFIT
Its no secret that home
systems integrators
are scrambling for business now
that new housing expansion has
slowed. The average installers
revenue is down 17 percent
since 2007. That has led them to
refocus on a previously sleepy
areathe retrotting of existing
homes. Such installations have
increased from less than half
of installations in 2006 to 62
percent in the rst half of 2009.
Noting this trend, manu-
facturers have responded
with retrot-friendly products
like NuVos Renovia. Renovia
uses HomePlug 1.0 powerline
networking and covers up to 12
zones with audio from its AM,
FM, and Sirius tuners. The Music
Port Server adds XM, Internet
radio, and other audio services
along with a 320-gigabyte hard
drive. Such products may bring
custom installation into urban
and inner-suburban areas where
it previously feared to tread.
When you hrow in solar
panels, energy monitoring and
control systems, the networking
of at-panel
HDTVs, and
it looks like
home systems
integrators may
have a busy
future ahead of
them.
12 JANUARY 2010 hometheatermag.com
ATSC,
the developer of the HDTV
standard, is moving toward
standardizing a method of tam-
ing the obnoxious blare of TV
ads. This is welcome news
although you can already do this
if your A/V receiver or TV has
Dolby Volume, THX Loudness
Plus, or Audyssey Dynamic
Volume...
Blu-ray Disc Pricing
is headed in our favorite direction
down. From July 2008 to July
2009, new-title pricing dropped 12
percent, and back catalog pricing
dropped by a third...
Blu-ray Drives
are in only 3.6 percent of PCs,
and by 2013, theyll be in only
16.3 percent, says iSuppli. The
amazing picture and sound have
little or no value when view-
ing the content on a smaller
desktop or laptop PC screen and
using poor speakers, says an
analyst...
Lenovo
is offering Dolby Headphone
technology in the IdeaPad S12
and S10-2 netbooks. That would
enable them to create a virtual
5.1-channel soundeld through
ordinary headphones...
Movies in DivX,
a compressed video format thats
mainly used in PCs, are being
offered for the rst time by
Lionsgate, Paramount, Sony, and
Warner. Pricing will be $10 to $15
from lmfresh.com...
YouTube
is in talks with the studios
about a move into paid movie
streaming. This might placate Wall
Street critics who say that the
Google-owned sites ad income
isnt commensurate with the vast
number of free online videos it
dishes out...
This Just In ...
IMAX and Audyssey are teaming up to bring the latters world-class MultEQ
audio calibration software into the formers stupefying large-screen ultra-def
theaters. We often see theatrical technologies migrating into the home, but
this is a rare example of a worthy home technology migrating into theaters.
Samsung
is the rst DTV manufacturer to
license the Liquid Media Guide
from Rovi, formerly known as
Macrovision and best known for
its analog anti-copy technology.
Rovi technology is also migrating
into TiVo...
Sherwood
has adopted a unilateral pricing
policy on two hot new AVRs
including the R-972. Forget
about steep discounts on the
Internet...
Internet Disconnection
is now backed by the British
government as a response to
illegal downloading. This reverses
an earlier stand, following heavy
lobbying by content owners...
TiVo Is Suing
AT&T and Verizon over DVR
patents covering some very
basic functions, like the ability to
pause and reverse live programs.
A similar suit against DISH
Network is pendingTiVo and
DIRECTV already have a working
relationship...
AT&Ts U-Verse
is nally offering TV/broadband/
wireless service at a $30 discount
to Midwestern customers. Verizon
has been doing the same for about
a year...
Time Warner
will offer TV programs on
the Internet to existing cable
subscribers. Participating in the
test are Syfy, TNT, AMC, and BBC
America...
Big Cable
may get bigger now that a U.S.
appeals court has thrown out
the FCCs 30-percent market cap.
Biggest expected beneciary:
Comcast...
Cablevision
is reconguring its New York
City cable service to eliminate
analog channels, opening up new
bandwidth for other services. It
will also encrypt all digital chan-
nels, including basic broadcast
channels. The latter move would
force basic subscribers with digital-
cable-ready tuners to rent or buy
a set-top box or CableCARD instead
of just plugging the cable into their
sets...
hometheatermag.com 13
Redbox Takes DVD
Rentals to the Streets
Redbox has signed up
Paramount, Sony, and
Lionsgate to ofer their movies
through the companys 15,000
DVD rental kiosks throughout
the country for just a buck per
night. Meanwhile, Fox and
Universal are cutting of Red-
box until it agrees to hold of
rentals until a month afer DVD
sell-through release dates.
IMAX AND AUDYSSEY
REVERSE TECH MIGRATION
Ambilight Ambivalence
A buddy of mine has an older Philips
plasma HDTV with Ambilight. Te
frst time I saw it, I thought it was the
greatest thing Id ever seen and decided
I had to have a set of my own with
Ambilight. However, the Philips sets
seem to get pretty mixed reviews on
Amazon. Te availability and selection
also seem to be a little scarce. Are the
Philips plasmas and LCDs really to be
avoided? And if so, is there an
alternative you suggest?
Doug Muldowney
For those who arent familiar with it,
Ambilight is a Philips-exclusive feature
that incorporates fuorescent or LED
lights behind the edges of the cabinet. I
really hate its light show settings that
cause the lights to change color and
intensity according to whats on the
screen. I fnd it very distracting.
However, you can set Ambilight to a
constant color and intensity, which lets it
act as a bias light to help alleviate eye
fatigue. Te proper color for a bias light
is technically known as D65 white, and
the correct intensity is 10 percent of the
TVs peak white level. You can get a bias
light called Ideal-Lume from Cinema-
Quest (cinemaquestinc.com) for $60 and
simply place it behind any direct-view or
fat panel TV.
Career Training
Im interested in learning home theater
installation as a career path. Can you
suggest a training program I should
look into?
Carmine Abbate
Te Custom Electronic Design &
Installation Association (CEDIA) ofers
a wide range of classes in all aspects of
the installation business. In fact, the
CEDIA University program ofers more
than 200 courses in fve diferent
colleges. For more details, go to cedia.
net/education.
THX has a good training program as
well. Home Teater 1 is a one-day intro,
Home Teater 2 is a two-day hands-on
lab that focuses mostly on audio, and
Video Calibration is a three-day
hands-on class. Ive taken the Home
Teater 1 and Video Calibration classes,
and they are excellent. But its pretty
intensiveget ready to drink from a fre
hose! Go to thx.com/training/index.
html for more info.
Te Imaging Science Foundation
(ISF) also ofers a video-calibration
training course. Check it out at
imagingscience.com/seminars.cfm.
Tese programs are all fairly
expensive. If you dont have the dough,
you should try to fnd an internship with
a local installer. You probably wont get
paid muchif anythingand youll
have to do much of the grunt work, but
youll learn the ropes in a practical
setting.
Lucy to the Rescue
Im looking for a DVD changer that
will play fve DVDs in succession with
no intervention from the user. I have an
elderly, disabled mother who is terrifed
of going to sleep at night. She watches
DVDs of I Love Lucy all night, but once
I go to sleep, she cant change the DVD
when its over. I put an old Toshiba
DVD changer in her room, but once
the frst disc fnishes, you have to press
Next Disc, then wait until it loads, and
then press Play. She cannot operate the
remote.
Awe-Inspiring Ambilight?
Is there a DVD changer that will
bypass the DVD menu and play fve
discs in succession by itself? I tried
a Samsung, which wont do this,
and Yamaha tells me its changer
wont either. If not, is there anyone
who can modify a DVD changer to
do this?
Dennis Senges
I know of no DVD changers that can
do this, and I know of no one who
can modify a changer in such a man-
ner, which would probably involve
changing the frmware. Even if you
found a changer that automatically went
from the end of one disc to playing the
next, it would probably call up the disc
menu rather than start the program
directly.
As for your mothers fear of sleep, I
suggest you try soothing music and/or
meditation CDs. At least CD changers
can play discs in sequence. Even better,
load an iPod with her favorite music.
Tat will last for many hours with no
pause in playback.
Now that Im thinking about iPods,
you could possibly rip the I Love
Lucy DVDs to a computer, re-encode
them in MP4, and load them onto
a video-capable iPod. Tat would
take some work on your part, but
you might be able to play them back
sequentially with no user intervention.
Ive never done this with ripped DVDs,
so Im not sure it will work, but it might
be worth a try.
Another solution might be to rip
the DVDs and put them on a network
media server. Reader Fred points
out that TiVo boxes can play all shows
in a folder one afer another, so if you
can somehow transfer the ripped fles
to a TiVo, that would solve the prob-
lem. Alternatively, you could simply
record I Love Lucy of the air with
a TiVoafer all, its broadcast virtu-
ally 24 hours a day all around the
world. Of course, in that case, youd
see commercials, which arent on the
DVDs.
BY Scott Wilkinson
WE WELCOME QUESTIONS AND COMMENTS. If theres one thing Ive learned in 20 years as a home theater journal-
ist, its that people have questionslots of questions. This is no big surprise, since using the average home theater is
far more complicated than TV watching used to be, and its been getting more and more frustrating ever since VCRs
started blinking 12:00. To address this ongoing need, Ill be answering readers how-to and technically oriented
questions in this column every month. Questions regarding the magazines content will continue to be addressed in
HT Letters and should still be sent to HTLetters@sorc.com. But if you have a how-to or technical home-theater
question, please send it to me at scott.wilkinson@sorc.com.
14 JANUARY 2010 hometheatermag.com
problems. Tey can have poor uniformity
and of-axis performance, not to mention
the expense of having to replace the lamp
every year or two (depending on usage).
However, in the last two years, most
manufacturers have gotten out of the RPTV
businessthe only ones lef are Samsung
and Mitsubishi. Since its a product category
thats becoming extinct, I dont generally
recommend them any more. On the other
hand, a 60- or 70-inch fat panel is much
more expensive than an RPTV of similar
size, so if you need to conserve your
resources (and who doesnt these days) it
might be fne.
As for a PC VGA input, the Samsung
HL61A650 RPTV (HT, December 2008)
has one, but the Mitsubishi WD-65835 does
not. On the fip side, the $1,800 Samsung
didnt perform as well as the $3,000
Mitsubishi. Tom Norton also just fnished a
review of the Mitsubishi WD-73837
($3,000), which appears in the October
2009 issue. Like the WD-65835, this one
does not have a VGA input, but both can
accept DVI from a computer. In fact, if your
computer has a DVI output, you can
connect it to any modern TV with a
DVI-to-HDMI adapter.
Sweet Spot
Russ Herschelmann used to write a
column in Ultimate AV called Home
Teater Architect, which was very
informative and valuable for those of us
who dabble in trying to construct decent
home theaters on do-it-yourself budgets.
Russ had an Excel spreadsheet that would
give you the room mode resonances if you
input the room dimensions. Do you still
have this spreadsheet in your archives?
Wilaim Shackelford
We sure do; you can download that
spreadsheet by going to ultimateavmag.
com/news/10388/index.html.
Seething Hatred
I absolutely hate the new LCD motion-
processing technology (120-Hz and
240-Hz frame interpolation) that is being
jammed down consumers throats. I think
it makes everything look like it was shot
on home video, even the most beautiful
Blu-ray picture. Soon, Ill have the
responsibility of buying a friend a new
HDTV. I want to avoid this image-ruining
process, but Im limited to what local
stores carry. Can this technology be
turned of on most makes and models? I
would rather have the image look a little
blurry, as flm always does, than have it
look like video.
Steve Hawco
Youre not alone in your hatred of this
technology, although I wouldnt say its being
jammed down your throat. Fortunately for
Crossover Query
My Onkyo TX-SR605 A/V receiver
is connected to Sony SS-F5000 front
and surround speakers, an SS-CN5000
center, and a Yamaha subwoofer. When
I let the receivers automatic calibration
do its thing, it sets the towers to full
range. Should I leave them set to full
range or manually set the crossover
frequency specifed for the speakers?
I get more bass when I leave them at
full range.
Jerry Gascey
In general, I recommend that you desig-
nate the main speakers in most systems as
small, even if theyre capable of reproducing
the full range of audio frequencies, and let
the sub handle the lows. Te best placement
for the subwoofer is usually diferent than
the best placement for the full-range
speakers. Tis confguration also removes
the strain of reproducing bass frequencies
from the main speakers and associated
amplifers.
Te SS-F5000 is specd from 45 hertz to
50 kilohertz, while the SS-CN5000 claims
85 Hz to 50 kHz, so these speakers cant
reproduce the low bass that many movie
soundtracks and music recordings need.
You hear more bass when you set the
speaker to full range because the receiver is
sending it frequencies down to and below 45
Hz. If you set the speaker to small, it will
prevent any frequencies below 80 Hz (or
whatever the crossover is set to) from getting
to the speaker. In either case, youre not
hearing the lowest sonic information from
the main speakers; thats what a proper
subwoofer is for.
I defnitely recommend that you
designate all fve main speakers as small
before you run the auto-calibration function
and let the receiver route all frequencies
below 80 Hz or so to the sub.
RPTV & PC
Im planning to buy a 60- or 70-inch
HDTV in a few months. Te room where
it will live isnt totally darkened like a
home theater. Besides watching TV and
DVDs, we also want to hook the HDTV
up to a PC. With this requirement, is LCD
the way to go?
HT editor Shane Buettner wrote a
few years ago that RPTVs ofer better
performance for less money with screens
bigger than 50 inches. Do you think this
is still true? Te slim form factor is attrac-
tive, but performance is more important
to me. I wonder if there are any RPTV
models on the market that provide a PC
connection.
Debbie Li
RPTVs still ofer the most bang for the buck
in larger screen sizes, and they can be plenty
bright, but they arent without their own
you, frame interpolation can be disabled in
every such set Ive looked at. Of course, this
makes objects in motion look blurrier than
they would if it was on, but you say youd
rather see that than the video-like image.
For people like you, I recommend getting
a plasma, which has excellent motion
sharpness without frame interpolation. In
addition, the picture looks much better than
LCD if youre sitting at an angle to the
screen. Yes, plasma consumes more power
than LCD, and the glass is generally more
refective than most LCDs. Tis could be
problematic in a well-lit room, but in my
view, it ofen produces a better overall
picture. Of the models weve seen so far, the
current Panasonic plasmas are excellent.
To Extend or Not to Extend
Im in the market for a new Samsung
61-inch rear-projection TV and surround
sound system. Do you recommend getting
an extended warranty? I know they will
try to push this once I agree to purchase.
Doug Eddy
Tey will no doubt try to push an extended
warranty on you, because this is a big proft
center for most retailers. Ive even heard
stories of salespeople who were told by their
bosses that their jobs depended on selling
extended warranties. Some have gone so far
as to tell their customers that story.
Tis is a form of insurance, and Im
generally a big believer in insurance, but I
normally recommend against buying an
extended warranty on consumer electronics
products. Most electronic failures happen in
the frst few weeks or months, which is well
within any manufacturers standard
one-year warranty. If the product doesnt
fail in that time frame, its unlikely to in the
period of the extended warranty.
On the other hand, a DLP rear-pro TV
has moving partsspecifcally, the color
wheel that flters the white light from the
lamp into its red, green, and blue compo-
nents. Moving parts have a higher failure
rate than solid-state electronics. Also, these
sets have a lamp that will most certainly die
in a few thousand hours, but I very much
doubt that any warranty will cover that
beyond a certain period; in fact, both
Mitsubishi and Samsung include the lamp
in their standard one-year warranty.
For another perspective on this issue, see
the comment posted by Paul Martinez in
the online edition of Ask Home Teater
from March 24, 2009. His experience makes
him very glad he opted for an extended
warranty on the RPTV he purchased from
Best Buy.
In any event, be sure to read the extended
warrantys fne print to see exactly what it
does and doesnt coverdont trust what
salespeople tell you about the coverage. Tey
might be telling the truth, or they might be
saying what you want to hear.
hometheatermag.com 15
When you have such an old house, you
need to approach home-improvement
projects with trepidation. Even a seemingly
insignifcant 20-minute project (like replacing
a 10-year-old light switch with an occupancy-
sensing switch) can snowball into a day-long
repair job that will inevitably include two
trips to the hardware store and end with the
original switch put back in place.
Ive ofen thought it would be nice to have
music in multiple rooms of the house; but, as
Ive alluded, my home is not custom install
friendly. I decided that a wireless multiroom
system would defnitely be the best bet.
Sonos, a company that focuses exclusively on
wireless multiroom audio, has a system thats
Multiroom Magic
with Sonos
So Many Rooms, So Few Wires
BY Darryl Wilkinson
M
y home began as a tiny two-room house on a hilltop in the middle of nowhere back in the
late 1800s. A century later, Im sitting in a cubbyhole of ce in the original upstairs sec-
tion. Old and new sections butt up against one another. Some of the homes old elements
have been remade to look new, while its new parts have a patina of old. Straight lines and
level foors are few and far between. With two totally separate (in both location and age) upstairs areas, it
almost qualifes as a human Habitrail. As they say in the real estate business, it has character.
16 JANUARY 2010 hometheatermag.com
1 Sonos Bundle 250
designed to do just thatand morein up to
32 independent zones without breaking the
bank or tearing down any walls. Afer I read
the endearing tag line, Wireless that works
like magic, I thought, what better time or
place could there be to check out Sonos latest
system incarnation? So I asked Sonos to send
out its Bundle 150 two-zone package ($999)
plus a ZoneBridge and let the fun begin.
This Thing Is All Meshed Up
Its hard to overstate the simplicity of the
Sonos system concept. Tere are three
basic Sonos bricks: two audio players (the
ZonePlayer 90 and ZonePlayer 120) and one
handheld wireless Sonos Controller 100. Te
Bundle 150 includes one of each.
Te ZonePlayer 90 ($349) is a small,
squat, cube-like component (under 3 inches
tall and less than 5.5 inches square) that
includes two Ethernet ports, an analog audio
output, an optical and a coaxial digital audio
out, and an auto-detecting analog audio
input. Te ZonePlayer 90 can be used as
a source component for an A/V system, a
tabletop radio, or even with a set of amplifed
speakers. For $150 more, the slightly larger
(3.5-by-7.3-by-8.2-inch) ZonePlayer 120
loses the analog and digital audio outputs,
but it adds a built-in 55-watt-per-channel
amp and a subwoofer output with a fxed
80-hertz crossover.
up the ZonePlayer 90 to the radio in the
kitchen. Next, I set up the ZonePlayer 120
with a pair of bookshelf speakers in the
bathroom. Afer I plugged in the Sonos
Controller 100 to charge, I went upstairs to
my of ce and installed the Sonos Desktop
Controller sofware on my laptop. And
now heres the really hard part. Once it was
installed, the Desktop Controller instructed
me to add the ZonePlayers to the system one
at a time by pressing each devices mute and
volume up buttons. In other words, I had
to get out of my chair, walk down the stairs,
press a button, and then walk back up the
stairs. (I thought this was supposed to be
easy!) Once the controller is fully charged,
you can add it to the system in basically the
same manner.
You Will Do What I Am Thinking
I thought the Sonos Controller 100 was
about as cool as cool could get when it frst
came out. In fact, I still think its pretty
cool. Or at least, thats how I felt until Sonos
overnighted me the companys frst review
sample of the Controller 100s replacement,
the new Controller 200. Wow! What an
awesome improvement. Te new model is
so well designed, it begs to be played with.
Its also less than two-thirds the size of the
original, so the Controller 200 is easy to
hold and operate with one hand. Gone are
the Controller 100s scroll wheel and low-
resolution (240-by-320) LCD screen. Te
Controller 200 is built around a higher-
resolution (640-by-480), higher-contrast
touchscreen. You can enter text directly via
the onscreen keyboard (when searching for
hometheatermag.com 17
Regardless of the extent of your Sonos
system, you need to have at least one
ZonePlayer directly connected to your
home networks routerthat is, hard wired
with an Ethernet cable. Te system uses this
connection to access the Internet and any
shared music fles that might be stored on
other computers or network attached storage
(NAS) devices that are part of your home
network. Beyond that, each ZonePlayer
wirelessly communicates with the others
via SonosNet 2.0, the companys encrypted,
MIMO peer-to-peer wireless mesh network
technology. In addition to being an audio
component, each ZonePlayer essentially
operates as a wireless repeater, using three
built-in antennas and radios to spread the
signal far and wide. As a result, the more
ZonePlayers there are in a system, the more
robust the network is. (And the better Sonos
bottom line is, no doubt.)
Teres also a fourth brick in the Sonos
construction set, the ZoneBridge ($99),
which doesnt do audio. Its a system
extenderthink of it as a ZonePlayer
without the Player. You can use it to make
the Sonos systems direct connection to your
router if it happens to be located in an area of
your home where you dont want or need to
set up a separate zone.
It would make for great copy if I ran into
some overwhelming problem when I set
up the Sonos Bundle 150. Afer two years
of living in this house, I certainly expected
it. But thats not how it went. Instead, it
happened just the way the Quick Setup
Instructions said it would. First, I connected
the ZoneBridge to my router. Ten I hooked
1 Sonos ZonePlayer 90 1 Sonos ZonePlayer 120
an artist name, for example), which makes
it infnitely superior to the previous scroll-
and-click method. To scroll through a song
or artist list, you just slide your fnger up
or down the screen. Anyone who has used
an iPhone or iPod touch will be instantly
familiar with the way the Controller 200
operates. Te only hard keys are the mute,
volume up and down, and zone buttons
across the bottom. Te rechargeable battery
is now user replaceable, and the charging
cradle is included rather than being an
option, as it was with the Controller 100.
Te icing on the cake is that, at $349, its $50
cheaper than the Controller 100. Once its
available, the Controller 200 will take the
place of the Controller 100 in the Bundle
150. Te new package will be called the
Bundle 250 ($999).
With the introduction of the Controller
200, Sonos also released its Sonos Sofware
3.0. Te most signifcant new feature of
the sofware update is Info View, which
provides access from the Controller 200
to music informationsuch as artist bios,
similar artists, and upcoming events (if
available)when you listen to Rhapsody
or Last.fm.
In October 2008, Sonos released a free
Sonos Controller for iPhone app that lets you
control any or all of the ZonePlayers in your
system directly from an iPhone or iPod touch
in the same way you can with the Controller
200. (An iPhone or iPod touch wont expand
the SonosNet mesh network.) A new version
of the app will add the Info View feature.
For current and future Sonos system owners
who own an iPhone or an iPod touch,
MULTIROOM MAGIC WITH SONOS
downloading the free app is almost like
getting a $349 rebate check from Sonos.
A Streaming Good Time
Once you get your controllers up and running,
you can do what you most likely bought
the system to dothat is, you can access
your digital music library and play music in
diferent zones in your home. About the only
audio fle formats the system doesnt support
are Apple FairPlay DRM-protected and WMA
lossless, so format conversion shouldnt be
an issue for most people. But you dont have
to listen to your own music. You can also use
the Sonos system to directly set up online
accounts for audio subscription services, such
as Rhapsody, Napster, and Sirius Internet
Radio. Pandora, which used to be available
only by subscription, is now free to Sonos
system owners, as is Last.fm and 25,000 radio
stations via Sonos Radio.
Te analog audio inputs on the back of
each ZonePlayer let you listen to a local
sourcemaybe that iPhone youre using
Once you get your
controllers up and
running, you can do
what you most likely
bought the system
to dothat is, access
your digital library
and play music in
different zones in
your home.
18 JANUARY 2010 hometheatermag.com
1 Sonos ZoneBridge 100
as a Sonos Controller, for
exampleright there in that
zone. But each ZonePlayer can
encode the incoming audio and
stream it to any other ZonePlayer
in the system. In my case, I
connected the Zone2 output of
my Onkyo A/V receiver to the
ZonePlayer 90s input and used
it to stream audio (compressed
or uncompressed) from
the AVRs XM tuner to the
ZonePlayer 120 located
in my of ce. (You dont
need to sign up for an
additional service.) As if that
werent cool enough, the
ZonePlayers audio inputs
are auto sensing, so listening
to a particular zones line-in
source only becomes an
option on your controllers
menu if that ZonePlayer
senses that a source is plugged in.
None of this would matter if the
sound quality sufered, but thats
not the case here. Of course, a lot
depends upon fle formats and the
encoding bitrate of your digital
collection, as well as your choice of
online music sources. But whatever
the signal quality, the Sonos
system will do it justice.
On a lark, I decided to hook
up the amp in the ZonePlayer
120 to a pair of BG Z-92
foorstanding loudspeakers
and use the subwoofer output
to drive BGs BGX-4850
THX Ultra2certifed in-wall
subwoofer. Yes, it was a bit of
overkill, but the ZonePlayer
120s little 55-watt amp
sounded amazingly good
at a moderate volume
on these very revealing
speakers. You shouldnt
expect it to rock the
foundations of your
househeaven help us if
it did that to this onebut
you certainly shouldnt be
shy about pairing up the
ZonePlayer 120 with a
good pair of bookshelf or
on-wall speakers.
My Network Has Fallen,
and It Cant Get Up
Its one thing to yak on and on about how
simple a system is to set up and use, but what
happens when the system setup isnt as easy
as 1-2-3? Inevitably, its going to happen,
whether its an incompatible router, issues with
Internet service via satellite (my unfortunate
case), or incomprehensible frewall settings.
Tats when its customer support time;
and, as many of us know, this is when most
consumer electronics companies
go horribly wrong.
For starters, Sonos massive
Website is fabulous, not only in
terms of raw content, but also
in its presentation. Information
is easy to fnd, and its written
in a manner thats easy to
comprehend with plenty of
explanatory diagrams and screen
shots. For example, although
iTunes will download artwork,
it doesnt automatically embed
the artwork into the music fles
metadata. If youre using iTunes as
your main media program, youll
need to use third-party sofware to
embed the images in order to view
cover art on the Sonos handheld or
Desktop Controller. A page on
the Sonos Website walks you
through the entire process. It
even provides the download
link for a suggested program
that will do the trick. I dont
particularly care for the small,
light-blue font that the Sonos
Web folks use for large blocks
of text, but its hard
to fault the site for
anything else.
However, a Website
is no substitute for a
real human being with real
expertise. In my dealings
with the Sonos
support staf, I found
them to be equally
impressive. Granted,
its possible they put
the only two good
people they have
on my case since
this was a review,
but I think thats
unlikely. While we
couldnt solve all
of my problems
satellite Internet is
unfortunately a
royal pain in the
ass, for example
Clay took care of
a couple of other
network issues and,
in the process, discovered
a looming-but-unrelated
problem with my main
computer. I dont think thats
a normal part of the customer
support program, but it shows that
the guys know more than just how
to read a customer support fow-chart
script. Interestingly enough, during
the course of our troubleshooting, Clay
told me that I had both of the systems
ZonePlayers and one of the controllers
sitting in the same room only a few feet away
5 Sonos Controller 200
MULTIROOM MAGIC WITH SONOS
from each other. (Fortunately, he didnt know
that I wasnt wearing pants while I was talking
to him on the phone. At least, I hope he didnt
know.)
So No? So Yes
Ive seen lots of gear over the years, and
Ive had the chance to look at it from many
diferent value/performance perspectives
(as a consumer, salesperson, etc.). I cer-
tainly havent seen it all; but looking back
over everything that Ive either plugged in,
pushed a button on, or otherwise eyeballed
or touched, I cant think of another product
thats so impressive or compelling when
it comes to form, function, and perform-
ance. Not only does the Sonos system do
what it says it willthat is, make multi-
room audio easyit does it with gear that
looks and sounds great, is a joy to use,
and works consistently and reliably. If
youre even remotely interested in multi-
room audio, Sonos is the system to start
with. Most likely, itll be the one you end
up with, too.
1 Sonos Controller
iPhone Screens
Other Air-Raising Options
Just before we went to press, Sonos
announced the ZonePlayer S5, a $399
amplifed ZonePlayer with built-in speakers.
Sonos is pitching the system as the ultimate
wireless music system for iPhone owners.
Like Sonoss other ZonePlayers, an iPhone
or iPod touch loaded with the (free) Sonos
Controller app is the ideal (and free, if you
already have one) remote control for the S5.
iPhone/iPod-less people, afer they overcome
their shame (and come up with $349), can use
one of the new Controller 200 remotes. Te
one-piece design means the only wire you
have to deal with is the power cord, which
makes the S5 the quickest and easiest of
Sonoss ZonePlayers to get up and running.
However, if youre starting a system with a
single S5, youll need to have either a hard-
wired Ethernet
connection
between it and your
broadband router
or a ZoneBridge
directly connected to
your router.
Casting About for
More Music
While its hard not to go gaga (thats a technical
term) over the Sonos system, there are other
wireless music systems available that are
worthy of consideration when it comes to
price, features, and confguration. Yamahas
new MusicCAST
2
system, for example, is a
tremendous improvement over the companys
clunky frst-generation MusicCAST product.
Te heart of the MusicCAST
2
system is the
MCX-RC100 Network Music Commander
($500), a Wi-Fi-based system remote that
includes a 3.5-inch color display (not a
touchscreen) and a touch-
pad. Capable of controlling
up to 32 zones of music,
the MCX-RC100 can also
control functions of Yamahas
Network Receivers, such as the
RX-V3900 and RX-Z7, as well
as Yamahas YMC-700 neoHD
Media Controller. In other
words, as opposed to being
a separate multiroom music
system, a MusicCAST
2
system can be an integral
extension of your main
(Yamaha) theater system.
Like Sonos, Yamaha ofers
two MusicCAST
2
Network Music Players,
the amplifed MCX-A300 ($400)
and the preamp-only MCX-P200
($400). Unlike Sonos, however,
the MCX-P200 includes IR outputs
for controlling other connected
equipment. And both Music-
CAST
2
Network Players have iPod/
Bluetooth compatibility via optional
accessories.
Swimming Up Streamium
Philipss three Streamium network music
players may take a tad longer to set up and
are a bit more computer-like in terms of
operation. Nevertheless, they do a good job
of streaming
music from
your PC/Mac
or connecting
to Internet
radio stations
even when
your computer
is of. Tey
look good, too,
especially the
NP2900 ($330, with built-in speakers) and the
NP2500 ($230, preamp only), each of which
features a 4-inch full-color display screen
that can show album art and photos. Te
more basic but less expensive NP1100 ($180)
includes a 3-inch black-and-white screen that
displays track and artist info.
Logitechno Music
If youre interested in squeezing the ultimate
audio performance out of a wireless music
system, you should give serious consider-
ation to Logitechs impressive $2,000
Transporter network music player. But
if high-end DACs and audiophile-grade
circuit paths are more than what you need
for listening to Internet radio stations in the
kitchen or bedroom, Logitech has a variety of
Squeezebox network music players, starting
with the all-in-one Squeezebox Radio.
Considering that for $200 it includes a built-
in speaker (mono), 2.4-inch color display,
ambient light sensor that adjusts display
brightness, and an alarm clock, its probably
the best value around in a network music
player. But the new preamp-only Squeezebox
Touch with a 4.3-inch color touchscreen plus
USB port and SD card slot for
playing music stored on external
memory cards looks hard to
resist at $300. Add another
$100 for the Squeezebox
Duet. Te Duet Receiver
doesnt have a display
screen, but the included
Squeezebox Controller does (a 2.4-inch color
display), plus a rechargeable lithium-ion
battery. Te Controller uses 802.11b/g to
communicate with the Receiverso you can
use it to control playback from any room in
the house.
A Cheap Ticket to the AirPort
If youre computer-savvy, Apples $99 AirPort
Express can provide one of the most afordable
ways to connect to an existing wireless network
and stream music from your Mac or PC to
an audio system or powered speakers. Te
small AirPort Express plugs directly into an
AC outlet, and the line-out port provides
both analog and optical digital outputs. While
its inexpensive, you do pay a price in lack of
features. Te AirPort Express, for example,
doesnt have a display or a remote, so
you need to use your
computer or an iPhone/
iPod touch for all control
functions. In addition,
the AirPort Express
cant access Internet
radio stations by itself.
Your computer has to
be on and connected to
the AirPort Express in
order to do that. For a
basic, one-zone system,
however, its defnitely a
great option.
20 JANUARY 2010 hometheatermag.com
1 Yamaha MusicCAST
2
System
1 Sonos Zone
Player S5 and Controller 200
1 Apple
AirPort
Express
5 Philips Streamium
NP2900
1 Logitech Squeeze-
box Duet Controller
MULTIROOM MAGIC WITH SONOS
BRINGING THEATER INSPIRATION INTO YOUR HOME
HIGH-END MAKEOVER pg.22
A retrot home theater with extreme
gear and added security.
GOING RETRO pg.24
Part I: You can teach an old
house new tech tricks.
RAISING THE BAR pg.26
Take your home theater gear to
new heights.
INSTALL
W
ho says you cant get quality work done in less than a week?
Talk to David Frangioni, CEO of Audio One Sound & Video in
North Miami Beach, Florida. Hell tell you that anything is
possible. He knows because hes installed a world-class home theater with
high-performance A/V gear in only three days.
This was a retrofit installation, and we were required to install all the
specified A/V gear with little or no additional construction, says Frangioni.
The client was technically savvy and a connoisseur of high-end
components, which included Mark Levinson amps, a Lexicon seven-
channel surround preamp, a Kaleidescape media player, a Runco projector
and processor, Genelec powered speakers, Velodyne subs, and topped off
by the best way to view films, a Stewart 2.35:1 CineCurve screen.
According to Frangioni, the biggest challenge was installing this caliber
of equipment within the confines of the existing space, where a smaller
THE GREAT REMAKE
Installers reworked this home-
owners existing home theater into
a luxurious and cutting-edge room,
complete with top-of-the-line gear,
like a Stewart CineCurve screen.
home theater was already installed. Prior to Audio Ones arrival, master
woodworker Jim Pratt had retrofitted the front of the room. This made it
possible to perfectly fit the new 2.35:1 screen, which replaced an existing
16:9 screen in the same place. Moreover, the current room height allowed
the Runco digital projector to be placed at the far end of the room, for a
more simplified installation.
Frangioni acoustically tuned the room using a Sencore SP495 and TEF
Room Analyzer. These tools, combined with the equalization built into the
Lexicon, Velodyne, and Genelec equipment, resulted in smooth bass
response with precise imaging for an audience of 12. Pat Bradley
calibrated the video, and Dan McCabe, Audio Ones installation manager,
kept the $500,000 project on track.
The home already had a security system, and Audio One did a major
upgrade during the new installation to make it more functional. Prior to the
upgrade, the homeowner could only see the feed from one camera at a
High-End Makeover
A RETROFIT HOME THEATER WITH EXTREME GEAR AND ADDED SECURITY.
BY Kim Wilson
PHOTOS Myro Rosky
D
E
S
I
G
N
time. Audio One used the theaters PiP functionality to create a whole new
level of integration with the security system.
The property has a number of motion-activated cameras. When the
Crestron controller in is Security mode and motion activates one of the
cameras, the movie will automatically pause. The houses floor plan will
come up in the PiP screen and flash an icon in the part of the house that
has been triggered. Another window shows the camera view at that
position. In case of an emergency, the homeowner can quickly dial 911
from the Crestron with a single button press. The security mode can also
be bypassed. So if the homeowner is having a party for example, the
camera views wont interrupt the movie.
Quality installation doesnt have to be a slow process. When a pro-
fessional team with years of field experience handles your home theater
integration, you dont have to
put your life on hold for months
at a time. Of course, not all
installations go this fastmuch
depends on the specifications,
the space, and the equipment.
Still, a pro installer can certainly
make a retrofit like this one a
pleasurable, rather than an
agonizing, experience.
Audio One Sound & Video Inc., David Frangioni, (305) 945-1230,
david@audio-one.com, audio-one.com
Home Theater Design January 2010 / hometheaterdesignmag.com 23
KIM WILSON, HTD EDITOR
Home Theater Design is dedicated to helping you
navigate the specialty A/V waters, including working
with custom installers, retailers, designers, builders,
and more. We go beyond the dedicated theater, and
show you how to integrate the newest technology
into your entire home.
READERS, WE NEED YOUR HELP!
Are you a do-it-yourselfer or custom installer with a
great theater to share with our readers? Wed love to hear from you. Please send
your stories and photos to kim.wilson@sorc.com.
EYE SPY
The Crestron controller,
shown above, is the key
to this homes theater
control, as well as its high-
tech secutiry system. Audio
One integrated the security
system into the theaters
PiP feature, so the home-
owner can see suspicious
activity onscreen.
RETROFITTING
Going Retro
PART I: YOU CAN TEACH AN OLD HOUSE NEW TECHNOLOGICAL TRICKS.
Now what? Since there are no phone jacks handy, you can use your cell
phone to call your local home remodeler and a custom home A/V installer.
Oh, wait, youd rather not spend money remodeling a home you just spent a
lot of money on acquiring? Well, guess what? You dont have to hire profes-
sionals to remodel your home in order to bring it into the modern, digital
era of home entertainment and info enrichment. Doing it yourself is entirely
doable. And if youre clever, handy with a hammer (plus a few other basic
tools), and dont get queasy at the sight of drywall dust, you can integrate a
lot of todays high-tech gear and technology into your used home and make
it look and feel like it was there from the beginning. If youre really good, you
can make it look like the stuff isnt there at all.
Before I go any further, let me say unequivocally that theres no substitute
for a professional A/V installer. These guys are like orthopedic surgeonsthey
have the know-how and the tools to poke and prod inside your homes walls
and ceiling in ways that will leave minimal scarring. But if youre like me
and want to do it yourself, what follows is a series of tips, techniques, tools,
and products thatll make the task of retrofitting your 20th-century (or older)
home for the 21st century a little more achievable.
Wired, No New Wires, or Wireless?
With the current state of technology, you have three options for connecting
the various components located in multiple rooms of your home: wired, no
I
ve always lived in a used house. Exist-
ing home is the euphemism real estate
people like to use. Life is gooduntil you
realize that there are no phone jacks close to
the spots where your bed or desk should go.
And why are there no Ethernet jacks in the
house? And no wiring for TVs anywhere but
the living room? Needless to say, you cant
find in-wall speakers, volume controls, or
multiroom A/V distribution of any kind.
Maybe you should have guessed from the
horse and buggy parked in the garage when
your real estate agent showed the house
that the previous owners werent interested
in keeping up with the more technologically
advanced Joneses across the street.
1 Belkin FlyWire HDMI
BY Darryl Wilkinson
24 Home Theater Design January 2010 / hometheaterdesignmag.com
R
E
T
R
O
F
I
T
T
I
N
G
new wires, and wireless. Oh, what joy there would be if everything were
wireless! Peace would reign on earth, and custom-installing a 12-zone system
would be much quicker. Unfortunately, the A/V world isnt close to being
a completely wireless one. Theres a variety of non-compatible wireless
formatsstandardized ones like ZigBee and Z-Wave, the IEEE 802.11 alphabet
soup, and others that are strictly proprietary. Wireless devices and media
streaming systems can be maddening to set up, difficult and inconvenient
to use, and darn near impossible to troubleshoot. (Uh, try unplugging
everything and rebooting. If that doesnt work, sprinkle some chicken blood
around.)
Wire Not
There are some excellent wireless systems and devices that can stealthily
modernize your home without resorting to voodooas long as you pick the
appropriate ones for the task and understand their limitations. For example,
if all you need is to get an audio signal from your A/V receiver in the front
of the room to the surround speakers in the back, youll have little trouble
finding a wireless (analog) audio transmitter for less than $50. Of the better
digital options, theres i2i Streams unamplified transceiver two-pack with
a 30-foot range ($119) or Amphonys 1520 ($129), which includes a wire-
less amplifier and claims a 50-foot line-of-sight range. SoundCasts SubCast
SCK541 ($169) is designed to wirelessly send the LFE or subwoofer out signal
from your AVR to your powered sub.
If multizone audio is more what you had in mind, two standouts immedi-
ately come to mind. The first is the Sonos multiroom music system (see page
16), which is designed to provide easy and reliable access to all of your digital
music, as well as Internet radio stations and local source components, in any
location where you install a wireless (or wired) ZonePlayer. The other is Con-
trol4s home entertainment/automation system. In addition to acting as one
uber-universal remote
control for your home
theater, you can easily
expand it to provide
wireless multiroom audio
and handle all kinds of
home automation tasks,
including lighting and
power management.
Its hard to distri-
bute video wirelessly
especially high-def
videoand keep the
quality pristine. And, of
course, there are copy-
protection (HDCP) issues
to deal with. Wireless
analog NTSC video transmitters have been around for ages, though. Fifty
bucks (and a sedative to calm your nerves while you navigate the frantic
X10 Website) will get you a wireless video transmitter and a receiver that
X10 says will give you DVD-quality image with no quality loss up to 100 feet
away. Actual results may vary. Belkin and Gefen have been touting wireless
HDMI systems primarily designed for transmitting HD video wirelessly within a
single roomsay from a surround processor to a projector or flat panel at the
other end of the room. Until recently, these have only been seen in prototype
form. Gefens Wireless HDMI Extender costs $999; Belkins Flywire is slated to
be $1,499 when its available. That kind of money will buy a lot of wire and
plenty of professional install time, so for the highest-quality and lowest-cost DIY
retrofitter, hard-wired connections for video are the best way to go.
Since virtually every house is wired for electricity and many have multiple
cable TV outlets, any technology that uses those existing wires is a welcome
thing. Technically, though, its not really wireless; its more like a no new
wires solution. Products that incorporate Powerline technology utilize the
AC wiring to distribute signals. There are a limited number of A/V-oriented
devices that use the electric wiring to replace the HDMI cable that would
normally connect your
AVR to your HDTV; but
most are designed to
help create or extend
a home LAN. Unfortu-
nately, none of these
solutions is perfect.
One problem is that
your outlets need to be
electrically connected
in order for powerline
devices to establish a
network connection
between them. Main-
taining consistent video
signal quality is another
challenge that has yet to be overcome.
The final result is that sometimes its just better and easier to use a good
old-fashioned hard-wired connection.
Come back next month for the second part of this two-part story. Well
give you step-by-step do-it-yourself instructions to run wire in your existing
home.
1 i2i Streams Unamplied Transceivers
Flatwire
Speaker Wire
1 Amphony 1500 Audio
Transmitter
1 Gefen Wireless HDMI Extender
Home Theater Design January 2010 / hometheaterdesignmag.com 25
MOUNTS AND LIFTS
Raising the Bar
TAKE YOUR HOME THEATER GEAR TO NEW HEIGHTS WITH INNOVATIVE MOUNTS AND LIFTS.
BY Debbie Stampi
B
efore the days of flat panels, storage for an average TV meant putting your bulky display in
a cabinet and shutting the doors. Now, with flatter screens and more streamlined gear, the
choices for placing your set are much less conventional. With the number of mount and lift
options that are available today, you can mount your flat panel or projector almost anywhere you
want. Once its in your favorite spot, you can then adjust it by simply picking up your remote or
pressing a button. Finding the perfect spot for your gear just got a lot easier.
HEAVY LIFTER G
Auton 1004-P Plasma Lift ($4,649)
In the ever-changing world of consumer electronics, its nice to find a company that has evolved right along with it. Auton has been manufacturing TV lifts for
more than 50 years, and it shows. Its 1004-P plasma lift is no weakling in the lift businessits designed to hold a massive 350 pounds. It also features details
like welded steel construction for secure placement of your HDTV. Even with the companys history, the 1004-P plasma lift makes a modern statement, with
clean lines and high-tech features. You can also purchase an optional radio or infrared remote for total control of the system.
auton.com
M
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MOVING PICTURES D
Sanus Systems VMDD26 VisionMount Full-Motion Wall Mount ($620)
An extra-large HDTV usually means youve got a big problem if
you want to mount it on the wall. Sanus Systems has a solution
that provides strength and support for even the heftiest flat pan-
els. The VMDD26 can fit a 42- to 63-inch flat panel that weighs
up to 175 pounds. It comes equipped with Sanus Systems
trademark Virtual Axis tilting system, which lets you adjust the
viewing angle with a touch of a button. With its full-motion
capabilities, you can tilt, swivel, pan, and extend your display up
to 25.75 inches from the wall. Finally, the VMDD26s hinged arms
and heavy-gauge steel construction let you know that your prized
flat panel is in safe hands.
sanus.com
ABOVE IT ALL J
Chief SL151 Automated SMART-LIFT Projector Mount ($2,499)
Without a sharp storage system, your living room can start looking
like the headquarters for the high school A/V club. While HDTVs
can be mounted against a wall, covered with a nice piece of art-
work, or closed up in an elegant console, projectors are another
story. Chiefs SL151 automated SMART-LIFT projector mount makes
it easy to maintain your home theaters style and simplicity. It can
be installed directly into a finished ceiling with minimal clearance,
and it holds up to 35 pounds. Best of all, you can raise and lower
the SL151 with a push of a button, which makes it easy to inte-
grate with your existing room design.
chiefmfg.com
TILT-A-WHIRL D
Peerless PA760 Universal Articulating Wall Arm Mount ($349)
Known for covering all angles of the mounting business, Peer-
less just unveiled a new mount thats designed to take care of
your flat panel needs in a budget-friendly package. The PA760
universal articulating wall mount can extend up to 16 inches and
swivels up to 45 degrees. It also comes with Peerless one-touch
tilt adjustment feature, so you can adjust your display up to 15
degrees without breaking a sweat. To top it off, the PA760 mount
also has a clean and sleek design with a High-Gloss Black finish,
so your guests can appreciate every angle.
peerlessmounts.com
Home Theater Design January 2010 / hometheaterdesignmag.com 27
MOUNTS AND LIFTS
28 Home Theater Design January 2010 / hometheaterdesignmag.com
SYNCHRONICITY G
Salamander Designs Synchro Furniture Mate ($660)
Flexibility has never been the name of the game when it comes to flat panel
installation. Salamander Designs is out to change that with its Synchro Furni-
ture Mate. With the Synchro Furniture Mate, you no longer need to perma-
nently mount your flat panel to a wall or set it on top of a cabinet. Instead, you
simply mount your flat panel to this freestanding customizable component.
Salamander Designs built the Synchro Furniture Mate with a fork-like base, so
you can place your plasma or LCD behind nearly any kind of media cabinet.
Although its a freestanding mount, it has the capacity to hold a flat panel dis-
plays that is up to 60 inches in size and 110 pounds in weight.
salamanderdesigns.com
GENIUS ON THE MOVE J
Activated Dcor intellaLIFT Model 1000-R Lift ($3,195)
When a company has worked on a design for more than a year, you
should probably give it a second look. Activated Dcor now provides its
newly created SMART-BOX with all of its mounts and lifts, including the
intellaLIFT Model 1000-R. This innovative technology is designed to stop
the lift from descending when there is an obstruction in its path. Consum-
ers can adjust the sensitivity settings based on their own unique setup and
control it with the included remote control. The intellaLIFT Model 1000-R
also provides support for 140 pounds, comes with a three-year warranty,
and rotates 360 degrees for ultimate flexibility.
activateddecor.com
SUPERMODEL SKINNY J
Premier Mounts WTFM3765 Mount ($230)
Its not easy to admire a sleek flat
panel on your wall when you have to
look at a large, cumbersome mount
behind it. Look no further than Premier
Mounts WTFM3765, a super-thin
mount that will hold a flat panel on the
wall with almost no space between.
Dubbed the worlds thinnest flat panel
mount for a reason, this mount places
your flat panel less than half an inch
from the wall. The WTFM3765 can hold
up to 100 pounds, and its expandable
back plate caters to flat panels that
are 37 to 65 inches. It also has spring-
loaded brackets with a built-in safety
release.
premiermounts.com
MAKE A MOVE J
Omnimount Power55 Motorized Flat Panel Mount ($600)
Poor off-axis viewing can frustrate even the most dedicated LCD
enthusiast. Omnimount now offers a motorized solution that
might ease those frustrations. Omnimounts Power55 motorized
flat panel mount lets you swivel and tilt your flat panel with
ease via remote control. You wont have to move back and forth
from your seat to the display to adjust it for the prime viewing
angle. Instead, the Power55 mount has a built-in motor that
tilts up to 15 degrees and pans up to 20 degrees to the left and
right. The Power55 can accommodate a 37-to 55-inch flat panel
that weighs up to 110 pounds.
omnimount.com
M
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S
ZVOX IncrediBase 575 Uses High-Performance Speakers, Dual Powered Subwoofers
and 133 Watt Amp To Deliver Stunning Sound, 35Hz Bass From A Single Cabinet
Prepare to change your mind about sound bars and all-in-one home theaters. Because youve never heard one like this. Nothing else even comes close.
The new ZVOX IncrediBase 575 uses dual 6.5" powered subwoofers, ve 3.25" high-performance speakers, a 133-watt amplier and our critically-
acclaimed PhaseCue
virtual surround system to create theater-quality sound in your home. Voices are strong and clear. Music is natural and realistic.
Movie sound effects literally surround you. Bass is accurate down to 35Hz with window-rattling output.
If you want truly stunning home theater sound, but you dont want a complex, multi-speaker system, this is it. Special price through 12/24/2009: $699.99.
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FROM THE
LG OS-9020A oscilloscope
Excellent resolution
hometheatermag.com 33
like what interpolation does to
movies at any setting, you can set
Judder to 0 and Blur to perhaps 7
or 8. Te set will then switch on
frame interpolation for video
programming such as sports but
leave it of for flms.
A separate feature, LED
Motion Plus, cycles horizontal
blocks of the LED backlights on
and of, scrolling from top to
bottom once every frame (1/240
of a second). Tis shuts of the
backlighting while the
LCD is changing states
from on to of, or back,
so you dont see the lag
that occurs during this
transition. It also
signifcantly reduces
image brightness.
However, even
without these features,
I didnt fnd motion lag
to be a concern on this
set. I only switched to
LED Motion Plus or
Real 240Hz to check
them out; I lef them
of for all other testing
and viewing.
Performance Plus
Te Samsung sailed
through all of our HD
video processing tests
without a hiccup. Te
Video Test Bench chart
doesnt address
standard-defnition
upconversion (all of
the VTB tests are 1080i
to 1080p except for
Scaling, which is 480p
to 1080p), but the
Samsung earned a
passing grade on that
level as well. It only
exhibited a borderline
result on HD 3:2
pulldown, and it had
some dif culties on the
original letterboxed
DVD release of Titanican
extremely challenging test.
While many LCD sets ofer
matte-fnished screens, Samsungs
are refective. Like most LCD
displays, the UN55B8500s picture
degrades progressively as you sit
For a complete list of the picture
settings used in this review, go to
HomeTheaterMag.com.
A
ll of the measurements
here were taken in
the Movie mode,
adjusted for the
most accurate picture. Except as
noted, the Contrast was set to
82, the Brightness to 51, the
Backlight to 3 (out of 10),
Black Tone to Dark (its lowest
active setting), and the Gamma to
0. The Smart LED feature (local
dimming) was on.
The full-on/full-off contrast ratio
(above), which is sometimes referred
to as the peak contrast ratio, the
sequential contrast ratio, or the
dynamic range, is comparable to what
we have measured with other
local-dimming LCDs. A Backlight
setting of 3 was more than adequate
for viewing in a dimly lit room. When
I increased the Backlight to 4, it didnt
change the black reading, but it
increased the white level to 30.8
foot-lamberts, for a slightly punchier
picture and a full-on/full-off contrast
ratio of 30,810:1. I dont recommend
a Backlight setting above 4 under
most circumstances. A Backlight
setting of 10 in Movie mode produced
a peak white level of 63.5 ft-L, and a
setting of 10 in Dynamic mode
produced a peak white level of 100.0
ft-L. Either setting will be unpleasant
to watch in anything but a very bright
room.
The Color Tracking charts below
show how well a display adheres to
the D65 standard white point; the
tighter the overlap of the three
primary colors, the nearer the result is
to D65. Both charts show results
obtained in the Warm2 Color Tone
setting. The Before Calibration result
in this sample was fair. While not one
of the best weve ever obtained, the
After Calibration result was still good.
The deviations were largely below the
threshold of human visual perception.
The Auto setting of the
Color Space control placed
all of the color points at their
correct positions as required by
the HD standard color gamut
(Rec. 709). But the magnitudes
of the primary colors (the third
dimension on the two-dimen-
sional CIE chart) were a little on
the hot side. I corrected for this using
the Custom Color Space controls and
the appropriate test tools. As it turned
out, the visible differences between
the Auto and calibrated Custom Color
Space settings were nearly
imperceptible.TJN
further and further of
axis. But while you, the
fussy videophile, will
demand dibs on the mid-
dle seat, most viewers
wont be troubled as long
as they stay within 30
degrees or so of center.
Tis will cover any seat on
a typical couch thats
roughly 10 feet from the
set.
Before calibration, the
Samsungs black level was
impressive in a way that
sets local-dimming
designs apart. In a
darkened room, a fade to
black in the program source
plunged the room into complete
darkness, as if the set were of.
Actually, it wasor at
least the LEDs were.
Te calibration
increased the black
level a bit. I could
now clearly see the
screen in a black
fadeoutalthough it
was very dimand
the black bars on
widescreen scope
flms were visible
when I looked for
them. Tere was also
a slight variation in
the uniformity of the
blacks. Te images
were a little lighter on
the sides of the screen
than in the middle.
But these variations
were barely visible.
Tey only showed
when both the image
on the screen and the
room were very dark.
Ive reviewed
local-dimming sets
that go a bit darker
than the Samsung,
but the visual impact
of the Samsungs
black level was still
frst class. Plus, the
measured result was
about as low as our
test tools will read.
My favorite black-
level test scenes in
Spider-Man, Stargate:
Continuum, and King Kong (2005)
were convincingly dark, with
good shadow detail and little trace
of the hazy gray overlay that
af icts most ordinary LCDs. I
only noticed its shortcomings in a
direct side-by-side comparison
HIGH END
HT Labs
Measures
The Samsung remote
incorporates a sensor
that switches on the
backlighting when it
detects movement.
FULL-ON/FULL-OFF
CONTRAST RATIO: 25,160:1
0.001 25.16
BEFORE CALIBRATION AFTER CALIBRATION
SAMSUNG UN55B8500 LCD HDTV
Connections INPUTS: VIDEO:
HDMI 1.3 (4), component video (1, shared),
composite video (1, shared), antenna, PC (VGA)
AUDIO: Stereo analog (1), PC/DVI audio (1,
shared, mini-jack) OUTPUTS: AUDIO: Stereo
analog (mini-jack), optical digital ADDITIONAL:
EX-LINK (service), USB (2), LAN
Visit our Website
for a detailed
explanation of our
testing regimen,
plus a list of our
reference gear.
on the
web
Color-tracking charts were generated in Datacolor ColorFacts.
3:2 HD 2:2 HD MA HD VIDEO CLIPPING
LUMA
RESOLUTION
CHROMA
RESOLUTION
SCALING
PASS PASS PASS PASS PASS PASS EXCELLENT
34 JANUARY 2010 hometheatermag.com
For additional
details, plus a list of
the settings used
for this review, see
the online version.
on the
web
with a Pioneer Elite KURO
PRO-141FD on the most
challenging, low-contrast
scenes, such as the below-
decks sequence at the begin-
ning of Master and Com-
mander: Te Far Side of the
World. Te Samsung can
run neck and neck with the
discontinued and fast-disappear-
ing KUROs in terms of color,
resolution, and adjustability. It
can also easily beat them
in available brightness
and energy ef ciency.
But while the
Samsung approaches
the KUROs overall
black level and
shadow detail, and
does so in impressive
fashion, it still falls
shortas do all of the
other sets weve tested, to
be fair.
While the Samsungs
post-calibration color tracking
was good rather than exceptional,
that distinction did nothing to
compromise its subjective color
performance. When the program
material is right, the result could
be striking. Home Alone 2: Lost in
New York is a movie that doesnt
Conclusions
Te Samsung UN55B8500 doesnt
just ofer a wide range of useful
adjustments and other features. It
also provides a natural-looking
picture that impressed me and all
the others who had the chance
to see it. Yes, its a bit pricey, but
theres more to being a top-of-the-
get much love, largely because of
the cartoonish mayhem in act
three. But its flled with
brilliant color. Te interiors
in the Plaza Hotel, Duncans
Toy Chest, and the shots of
New Yorks Christmas
decorations were all
jaw-dropping. You wont be
disappointed with the Samsungs
color performance.
You wont fnd
yourself
shortchanged
on detail,
either. While
the transfer of
Home Alone 2
is a bit sof
here and
there, the
scenes that
countall of the
above and a lot
morewere crisp
and clean. You want
more? Check out the
buildup to the battle scenes
in Bravehearta nearly
fawless transfer. Tere isnt
a trace of sofness from the
Samsung in these scenes, even in
the longest long shots of the
English and Scottish armies.
pile set than Blue Light Special
status. Te UN55B8500 is a
superb HDTV.
Samsung Electronics America,
Inc. (800) SAMSUNG
samsung.com
Dealer Locator Code SAM
S
c
r
e
e
n
i
m
a
g
e
c
o
u
r
t
e
s
y
o
f
U
n
i
v
e
r
s
a
l
SAMSUNG UN55B8500 LCD HDTV
A
bottle of vodka cant
make a speaker
sound any better
than it actually does.
But it can make me
think I sound better (smarter, and
of course funnier). It might even
make suggestible friends agree if
you pass the bottle around the
room. However, it still cant
change a subwoofers perfor-
mance. Vodka, afer all, isnt a
room treatment product
although enough (empty) bottles
spread throughout the room
might be just the thing.
I bring this up as a way of full
disclosure. Its become a tradition
that Igor Levitsky, BG Radias VP
of engineering and research, pre-
sents me with a bottle of Russian
vodka the one or two times a year
we have the chance to meet. (We
have something of a Russian con-
nection. I took Russian in college.
He took college in Russia.) So
when Igor came to my house to
set up and tweak BG Radias
BGX-4850 in-wall subwoofer
system ($6,995 as tested), he did
not disappoint. So now you know,
and I can state categorically that
neither the gifing nor the drink-
ing had any infuence on my
ultimate impression of the system.
Hopefully, this public airing will
make Igor feel like he has to
maintain the tradition.
When I frst heard that Igor
was working with Laurie Fincham
(THXs chief scientist and VP of
research and development) on a
project to develop the worlds frst
THX Ultra2certifed in-wall
subwoofer, I thought maybe hed
been swigging from one of those
vodka bottles that were meant for
me. Afer all, THX Ultra2 certif-
ication is for products that are
designed to be used in large home
theater rooms, typically around
3,000 cubic feet with a viewing
distance of approximately 12 feet.
Its tough enough to design a free-
standing subwoofer for that kind
of application. Coming up with
an in-wall version that doesnt
require signifcant modifcations
to the wallrequiring 8-foot-tall
back boxes or stud relocation, for
exampleseems like it would be
darn near impossible.
Or so you might think. It turns
out that, afer a longer period of
time than they originally antici-
pated, Messrs. Fincham and
Levitsky have come up with just
such a thing. Better than that,
theyve come up with an in-wall
subwoofer that can hold its own
against the best subwoofers of any
confguration on the market. And
theyve done it in a form factor
thats surprisingly simple and
amazingly easy to install, in either
new or existing construction.
Dead on Arrival
BG Radias BGX-4850 system
consists of four BGX-S12B sub-
woofer modules and a BGA-2104
subwoofer amplifer. Invariably,
anyone who looks for the frst
time at the naked BGX-S12B
modules before theyre hidden in
the wall will experience a defnite
What the? moment. Te
dark-gray modules look more like
high-ef ciency space heaters or
some extremely bogus ionic air
purifers than they do subwoofers.
Of course, unless youre an uber-
techie and decide to attach them
to the wall sans covering (which,
by the way, you could do, and
theyll work fabulously), your only
chance to marvel at their unique
design will be as you or your
installer attaches them to the
studs in the wall. Each module
measures 14.5 inches wide by
26.75 inches high and is only 3.5
inches deep (more on this a bit
later). Tis means they will easily
Its What You Dont See
HIGH END
BG Radia BGX-4850 In-Wall Subwoofer System
BY Darryl Wilkinson
resonances much higher than
the operational range of the
subwoofer, and its amazingly
efective. Even with the lowest
bass information, the drywall
around an installed module
vibrates no more than any other
spot of drywall in the room. Im-
pressive as that was, I was even
more amazed when I laid a mod-
ule on its back on the foor and
placed a flled wine glass on one
of the pods. (In order to protect
our new carpet, I used water in
the glass rather than winejust in
case BGs claims were slightly
BG RADIA BGX-4850 IN-WALL
SUBWOOFER SYSTEM
PERFORMANCE
VALUE
BUILD QUALITY
ft in any standard 2-by-4 studded
wall.
Youd expect to fnd a large
single driver or, as is the case with
some other in-wall subs, a pow-
ered driver paired with a passive
radiator. Instead, each BGX-S12B
module contains a dozen 4-inch
micro-precision woofersyes,
12 4-inch woofers, not four 12-
inch woofers. Each one is sealed
in its own individual chamber or
pod. Te pods are arranged in
balanced pairs that fre in phase
directly toward each other. Sound
exits through a narrow channel
that runs down the center of the
module between the opposing
drivers. BG claims that the 48
drivers included in the four
modules have a total combined
radiating area thats equal to two
18-inch drivers. (My math says its
actually about 20 percent more
area than two 18-inch drivers,
but Ill take BGs word for it.)
Te unique design is part of
a new technology from Fin-
cham and THX called THX
Balanced Bass-line. In addition
to generating a lot of bass, the
tightly coupled opposing dri-
vers inherently cancel vibra-
tion. Levitsky tells me that the
subs reduce vibration even fur-
ther by using small, specially
shaped woofer pods made out
of a glass-reinforced composite
material. Te design minimizes
internal standing waves and
shifs mechanical structural
Easy to install in
existing construction
Darryl wires the BGX-4850. The sub ts easily into the wall.
HIGH END BG RADIA BGX-4850 IN-WALL SUBWOOFER SYSTEM
BG RADIA BGX-4850 IN-WALL
SUBWOOFER SYSTEM
HT Labs
Measures
BG RADIA BGX-4850 IN-WALL SUBWOOFER SYSTEM
T
his graph shows the
quasi-anechoic (employing
close-miking of the woofers)
frequency response of the BG
BX-4850 subwoofer (blue trace).
The BX-4850s close-miked
response in Movie mode,
normalized to the level at 80 hertz,
indicates that the lower 3-dB point
is at 26 Hz and the
6-dB point is at 20
Hz. The upper 3-dB
point is at 240 Hz
with the Crossover
control set to
THX.MJP
Te locations where I could
install in-wall subwoofers in my
theater werent ideal, but afer
we fnished dialing in the system,
the BGX-4850s performance
was about as ideal as you could
want. To prove the point about
the value of multiple sub loca-
tions, Levitsky captured the
response curves in the room with
one, two, and then all four
subwoofers in action. We didnt
need to see the graph because we
could hear the diferences. It was
especially interesting to see the
results on paper. Teres no doubt
of the beneft from having four
woofers.
But how do you know where
the best locations in your room
are? In theory, youd place one sub
in the center of each wall, or one
in each corner. Since the BGX-
4850 modules are acoustically
self-contained, you can easily
move the modules to diferent
places in your room and listen to
the system in order to fnd the
best spots. Unfortunately, you
cant do this if youre building a
new home and the modules need
to be installed before the drywall
goes up. Ten its best to rely on
theory and your custom A/V
designers judgment.
What a Blast
Earlier this year, my wife and I
were lucky enough to be at Cape
Canaveral for a launch of the
Space Shuttle. Even from our van-
tage point fve miles away, the
sound of the fury of the launch
was damn impressiveat one
point, it even elicited a stunned
Whoa! from most of the assem-
bled geeky types on the crowded
beach. Of course, having seen and
heard the real thing, and being
prompted from the hoopla sur-
roundng the 40th anniversary of
the frst moon landing, I decided I
needed to fnd out how well the
BGX-4850 could handle Holly-
woods version of a launch in
Apollo 13.
I have to admit that I always get
a lump in my throat when I watch
Apollo 13. Its partly because Im
old enough to barely remember it
happening and partly because it
was such a tremendous human
achievement. When I watched the
launch sequence, the lump in my
throat was joined by quivering in
the rest of my body as those 48
little woofers in the BGX-4850
fooded the room. Eager for more,
I dug out my three-disc set of act-
ual Saturn V launch footage taken
by NASA cameras, some of which
Connections
BGX-4850 SUBWOOFER ENCLOSURE
TYPE: Sealed WOOFER (SIZE IN
INCHES, TYPE): 4, long throw (48,
in four modules) RATED POWER
(WATTS): 2,200 RMS CONNECTIONS:
Line-level input (3), Neutrik SpeakOn
output (2) CROSSOVER BYPASS:
Switchable AVAILABLE FINISHES:
White (paintable), Black DIMENSIONS
(W X H X D, INCHES): 14.5 x 26.75 x
3.5 (ea.) WEIGHT (POUNDS): 30 (ea.)
PRICE: $6,995
were located right on the launch
pad. Visually, the real thing isnt as
spify as the theatrical version
(although I think its more awe-
inspiring); but hearing the actual
audio, including a bird or two in
the background before all hell
breaks loose, is almost frighten-
ing. Te BGX-4850 system was
superb in its reproduction of the
sonic fury. However, at one point,
while I had the volume up a bit
past the point of comfort, the
systems limiters kicked in. But I
only know this because I hap-
pened to be looking at the amps
display when it happened. Aud-
ibly, the limiter circuits action was
imperceptible.
Other than the time I crashed
an Apache helicopter in an Army
training simulator, I have very lit-
tle experience with real military
helicopters. I feel I have the exper-
ience, thoughand the em-
phasis is on the word feelafer
watching numerous helicopter-
happy scenes in Transformers. A
lesser sub would certainly be able
to pressurize the room with each
pass of the rotors. But the BGX-
4850 is cleaner and tighter, so you
get the sense of blades slicing
through the air rather than the
heavy slaps youd usually hear.
Normally, Id spend the rest of
the day marveling at the plot
twists and turns in Transformers,
but as it happens, sometimes I like
to listen to music. As with fying
helicopters, Im no expert on
playing the bass guitarmy kids
wont even let me hold our PS3
Rock Band bass guitar control-
lerbut I think Im on pretty
solid ground when I say that the
three bass players who make up
S.M.V., Stanley Clarke, Marcus
Miller, and Victor Wooten, are
pretty good. (Tat ought to
qualify as the understatement of
the year, if not the decade.) As I
listened to the long-awaited
Tunder disc, I quickly realized
that the BGX-4850 is as musical
and nuanced as it is powerful.
With nothing else in the record-
ing to overshadow the textures of
the two bass guitars in the hands
of Wooten and Miller jamming
on Classical Tump (Jam), for
example, I heard each hand slap,
as well as the way the sub com-
fortably and cleanly reproduced
the power of the initial release of
the guitar strings. Reviewers ofen
use the term efortless to describe
speakers, and the word applies
here, except that it doesnt go far
enough. Its not so much that the
subs performance gives a sense of
ease as much as a sense of is. Its
hard to think about the sub as be-
ing separate from the music. Its
just as apparent with music a little
more outrageous, such as Flight of
the Cosmic Hippo (which included
Wooten as part of Bla Fleck &
the Flecktones). Despite the exten-
sion and duration of some of the
low bass notes, the BGX-4850s
output always seemed natural.
Cuts from Big Bad Voodoo
Daddys Live recording jumped
with the same enthusiasm.
Conclusion
I shouldnt have praised the BGX-
4850 as much as I have, as it has
one seriously large drawback. Te
BGX-4850s $6,995 price tag
means that I cant aford it. A lot of
you probably cant aford it, either.
(If you can aford it, did I mention
that I hate you?) Its terribly sad
because theres no doubt in my
mind that the system is well worth
the money. Its not only the best
in-wall subwoofer Ive reviewed,
its one of the best subwoofers of
any confguration that Ive heard.
Knowing that the BGX-4850 is
out there will always make me
look at my current subwoofer and
muse on how amazing things
could be if we didnt have kids,
tuition, a mortgage, and all the
other things that suck the money
out of our bank account. Curses
on you, Levitsky and Fincham!
Youve ruined just about any
system Ill ever own. I think Ill
open that bottle of vodka now.
BG Radia (775) 884-1900
bgradia.com
Dealer Locator Code BGR
38 JANUARY 2010 hometheatermag.com
Visit our Website
for a detailed
explanation of our
testing regimen,
plus a list of our
reference gear.
on the
web
Shocking levels of openness and midrange subtlety
with terric dynamics.
Chris Martens, The Absolute Sound
Denitives ProCinema systems have always delivered
extraordinary performance and value and, with a host
of technological breakthroughs that The Absolute Sound
magazine conrms at out work, the ProCinema 600
($799), ProCinema 800 ($1199) and ProCinema 1000
($1595) systems are the industrys most advanced sub/sats.
Engineering small satellites with response that extends
low enough to blend properly with a subwoofer is very
challenging. The ProCinema systems have built-in
pressure-coupled planar medite passive radiators in
the satellites and center channels. These dramatically
extend the low frequency response and deliver lower
distortion, too. Other advancements include BDSS,
our Balanced Double Surround System driver
technology, which results in smoother response
and greatly improved dynamic range.
Sound quality and construction that are unsurpassed
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Incorporating Denitives SuperCube technology, the
ProSub 600, 800, and 1000 combine high-velocity front-
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Sonically, these ProCinema systems are a true
revelation in stunning music and movie perfection. Their
you are there presence and absolutely boxless, spacious
and three-dimensional imaging will make performances
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11433 CRONRIDGE DR. OWINGS MILLS, MD 21117 800.228.7148
www.DenitiveTech.com/ht
Denitives ProCinemas
deliver
sound that almost dees belief
Scott Wasser, Digital TV & Sound
.
L
ast year I spent my vaca-
tion in Munich,
Stuttgart, and Nurem-
berg. Aferward I sent
e-mails and pictures to
friends, raving about Germanys
high-speed trains and pedestrian-
ized shopping districts. One
friend wrote back and said that I
made him sad because I spent all
that time in Munich without
visiting BMW, and in Stuttgart
without visiting Mercedes-Benz.
Lets face it, the Germans are
brilliant at making things: cities,
cars, trains, eyewear, clothing,
sausages, and beerall the little
things that enhance our quality of
life. Wouldnt you like your
loudspeakers to measure up to
that standard?
Like a waiter carrying a giant
beer stein or two, Canton is ready
to help. Te company has been
manufacturing loudspeakers since
1972. It supports several lines,
including the top-line Reference,
Vento, Karat, Chrono, GLE, CD,
Movie, Digital Movie, a custom
installation series, and others. Te
Ergo line falls somewhere in the
middle, hitting the sweet spot
between performance and value.
For this review, I followed my
own of-given but rarely followed
advice and used a matched set
of fve Ergo 620 monitors with
the Ergo AS 650.2 SC subwoofer.
Tis gave the speakers a con-
sistent platform from which to
produce an enveloping sound-
feld. Te Ergo line also includes
three foorstanding models, an
on-wall speaker, and a center, not
reviewed here.
Hard Specs, Soft Edges
Teres nothing cheap or, in the
most fundamental sense,
compromised about the Ergos.
With shiny metal drivers peeping
out behind the metal grilles of
their round-edged cabinets, they
are practically objets dart.
Te Ergo 620 is a 13.4-inch-tall,
two-way monitor with a 1-inch
aluminum-manganese dome
tweeter and a 7-inch aluminum-
cone woofer behind a metal grille.
Te enclosure is 0.75-inch MDF,
which thickens to 1 inch at the
baf e. Canton makes the tweeter
and its voice coil former as a
single piece. Tis is meant to
improve heat dissipation and
extend frequency response to 40
kilohertz. (If your cat or dog gives
you a dirty look and runs out of
the room, youll know why.) Tere
are no sharp edges anywhere on
the enclosure, which makes the
speakers a pleasure to handle. Te
side edges are especially sofened,
ofering a distinctive look, and the
front is slightly convex, with the
grille following the shape of the
baf e. Simply put, these are
beautiful speakers.
PRICE: $5,550 AT A GLANCE: Distinctive round-edged Cantons are easy to live with
Monitors
deliver superb all-around performance
set a new
reference standard for ultra-dynamic, high-accuracy
loudspeakers, reproducing silky smooth, incredibly
detailed wall-to-wall, oor-to-ceiling sonic images for
music and movies. The SuperTowers bipolar
technology with its omni-directional room-lling
dispersion and huge three-dimensional soundstage
takes the listening experience to a new level of
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SuperTowers feature built-in powered subwoofers for
awesome, lightning-fast, earthshaking bass without
the need for separate subwoofer boxes!
All our 7000 Series SuperTowers feature:
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High-Def Crossovers with Zobel Networks
Dual Pressure-Driven Infrasonic Radiators
300-watt Digital High-Current Sub Amps
Powerful High-Pressure Subwoofer Drivers
with Finite-Element-Optimized Magnet Structures
DTARF-Optimized Driver Voicing
High-Def Drivers with Magnetic Shielding
Wide-Dispersion Driver Topology
Accelerometer-Optimized Cabinets
Beautifully Sculptured Designer Styling
Experience our amazing SuperTowers today!
If you love great sound, you must experience the
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Combine them with our perfectly matched centers and
surrounds for an extraordinary home theater system,
which is, to quote HDTV Insider, a mind-boggling
sonic achievement.
Magnicent soundeld and imaging
Rich Warren, Sound & Vision
11433 CRONRIDGE DR. OWINGS MILLS, MD 21117 800. 228.7148
www.DenitiveTech.com/ht
Breathtaking ... simply extraordinary
!
THX certied
Excellent value
Balanced performance
From People Who Do It Right
MIDRANGE
Focal Dme Speaker System
BY Mark Fleischmann
pull the rubber plate of the
bottom of the pedestal. Youll fnd
the terminals there, which take
the form of two holes where the
cable tips fasten down with hex
screws.
Youll fnd a supplied Allen
wrench in the pedestal. Te holes
are partly obstructed by an island
FOCAL DME SPEAKER SYSTEM
PERFORMANCE
VALUE
BUILD QUALITY
Sealed enclo-
sures for controlled performance
The Millenia 20
Hybrids symmetri-
cal array of drivers
includes two woofers,
two midbass drivers,
and a tweeter.
The mineral-lled
polypropylene cone
woofers are nestled
in die-cast frames.
DISCOVER THE NEW TRIBE IN-WALL/IN-CEILING. FOR MORE INFORMATION, VISIT www.totemacoustic.com
Soul moving.
I
n 1976, the United States of
America celebrated its
bicentennial, and Peter
Snell founded the
loudspeaker company that
bears his name.
Since then, Snell Acoustics has
celebrated several milestones. In
1990, it ofered the frst THX-
certifed speakers under then-
designer Kevin Voecks, who has
since moved on to Revel. Changes
in ownership came, including a
sale to Boston Acoustics. Both
brands joined D&M Holdings
along with Denon, Marantz,
McIntosh, and Escient. Since
2003, the chief designer for Snell
has been Joseph DAppolito, the
father of the DAppolito array.
Troughout its history, Snell
has remained steadfastly rooted in
Massachusetts. While other
brands have moved their
manufacturing ofshore, Snells
products are still designed and
assembled in Massachusetts. Tat
includes the cabinetry, although
there are some hip Scandinavian
drivers beneath the grilles. I had
ample opportunity to relish Snells
quality of construction during the
years when I used a pair of the
now long-gone J/IIIs, so I was
intrigued at the prospect of
sampling the brands home theater
wares for the frst time.
Five Tall Ones
Te CR7 is an LCR speaker, so
you can use it by itself as a vertical
or horizontal center with similar
timbre-matched Snell models, or
you can use it vertically for the
other channels. For this review, I
used a fully matched set of
fvemy favorite speaker
confguration and one I never get
tired of recommending to readers.
I placed all of them vertically to
maximize the soundfelds
consistency.
At 18 inches in height, the CR7
is fairly tall. But its footprint is just
5.75 by 7.5 inches, so its slim and
not intrusive. Teres no threaded
insert or keyhole mount on the
back, but the speaker comes with
a wall bracket that slots into a
back groove. Snell says its voiced
to work with either wall or stand
mounting; based on what Ive
heard, Id say its especially well
suited for wall mounting.
While the CR7 isnt a fancy-
looking speaker, its build quality
becomes apparent as soon as you
Heavy Metal Is Good
MIDRANGE
Snell CR7 Speaker System
BY Mark Fleischmann
I repeatedly removed one grille to
check various things. Unlike
many other metal grilles Ive
handled, it never deformed.
Beneath the grille is a classic
DAppolito array, with a pair of
4-inch copolymer woofers
fanking a silk-dome tweeter.
People ofen criticize woofer-
tweeter-woofer designs for their
cancellation efects when
SNELL CR7 SPEAKER SYSTEM
PERFORMANCE
VALUE
BUILD QUALITY
open the carton and lay hands on
it. Te enclosure is extruded
aluminum with a good hef. Snell
says this preserves internal
cabinet volume for better bass,
shaving 1.5 inches of each
dimension. Te speaker is rated
down to 80 hertz, minus 3
decibelssee HT Labs
Measures. Accordingly, I chose
an 80-Hz sub crossover. Te
extremely sturdy nickel-plated
binding posts look like pewter.
A curved aluminum grille fts
into slots on the baf e. Te ft is
smooth but very snug, presum-
ably to avoid buzzing and rattling.
Baby Bear
With its 2.5-inch woofer, the
SoundWare XS is the smallest
generation of the SoundWare
dynasty. Two larger members
of the product line include
the original SoundWare, with
a 4.5-inch woofer, and the
SoundWare XL, with a 6.5-
inch woofer.
62 ?6CJ6GN 2010 hometheatermag.com
BOSTON ACOUSTICS SOUNDWARE XS 5.1 SPEAKER SYSTEM
decent clarity and envelopment,
and coloration was usually below
the threshold of awareness. Tey
did well with Duplicitys Latin-
tinged score, although the crowd
noise sounded a little canned.
Te Dolby TrueHD Robin
Hood: Prince of Tieves sounded
a little thin. Te soundtracks
relative crudity stood in contrast
to the movies visual produc-
tion values. Pre-ballistic battle
efectswhizzing arrows,
whooshing catapults, roaring
fames, screaming peasantswent
by painlessly. I like the concept of
an action movie without guns or
cars. Dialogue was reasonably
clear, and the only real defciency
was the movies laissez-faire
attitude toward accents. Tats
probably how Kevin Costners
swashbuckling Robin ended up
taking a backseat to Alan Rick-
mans scenery-chewing Sherif
of Nottingham. Extra points to
Christian Slater for at least mak-
ing an attempt to fake it.
Animatrix is the fnal volume of
Te Ultimate Matrix Collection
boxed set. Tis series of animated
shorts, in Dolby TrueHD, is
dominated by prequel plots that
set up the action of the original
movie. Visuals vary from video-
game-like graphics to more
traditional forms of animation.
Since the Matrix series sound
scheme has always tended to favor
synthetic efects, this animated
installment didnt seem any more
artifcial than any of the live-
action movies. As in the previous
movies, dynamic range was
reasonable enough to keep the
most abrasive efects from
sounding grating.
Cellos, Basses, and Glitter
As my music demos got under-
way, I began to focus more on
bass. I dont always miss it when
viewing moviesin fact, getting
less than the full amount of bass
in an action movie soundtrack
can be a relief. But when Im
listening to music, scanty bass sets
of alarm bells, even in classical
chamber music.
For instance, in Te Piano
Trios, an eight-CD set of Haydn
trios by the Haydn Trio Eisen-
stadt, it became obvious that the
cello and the pianists lef hand
were both understated. I hiked the
sub volume from my customary
the drivers coaxiallywith the
tweeter in the center of the
woofer. With coaxial mounting,
the output of both drivers reaches
the ear simultaneously, even for
of-axis listeners. It can also cause
coloration, although this was
rarely noticeable in practice. Te
drivers sit behind a nondetachable
metal grille. Beneath the metal is
a porous plastic scrim. Its there
partly to protect the drivers from
moisture (although these are
indoor-only speakers) and partly
to camoufage them for aesthetic
reasons. Boston makes it a point
to design every part that goes into
its speakers.
An 8-inch down-fring
subwoofer is part of the Sound-
Ware XS 5.1 package. Although
its shape is less complex than that
of the satellites, the rectangular-
solid sub shares their pleasing
rounded edges. Controls are
sparseit just has the usual
volume and crossover dials, a
phase toggle, and a single RCA-
type line-level input. When I
placed the sub in its usual spot,
the narrow 1-inch feet sank into
the rug, and my curious fngers
could feel the drivers surround
touching the thickly padded rug.
So I placed the sub on a board. I
do this with a lot of subs, although
I rarely mention it.
Te SoundWare XS 5.1 system
was a little harder to set up than it
should have been, but its speaker
terminals are nice and sturdy.
Tey are neither binding posts
nor wire clips, but something in
betweena sort of spring-loaded
binding post, or a post-shaped
wire clip. Ive recently seen these
in a few other products. You can
push down on the gold-plated
cylindrical terminal to insert a
bare wire tip. One problem is that
the hole in the post is too small
for the 12-gauge cable I normally
use. Another problem is that the
terminals are deeply recessed into
the speaker. Tis is probably done
to keep the cables from jutting out
and spoiling a wall mount.
Te wedge-shaped recess
measures 0.375 inches at the top
and 0.125 inches at the bottom,
which is too cramped to admit
)
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