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The
Grid: An Document
Based
on
KOENRAADVAN BALEN
an experiment on
Introduction
In the continental European context the
maximization
of values
over
all
layers
of built heritage.
discussion on defining authenticity may differ significantly from the debate on authenticity in the southeast Pacific, in the United States, and probably also from the way the concept is being used in the United Kingdom. Debates in
institutes and organizations have identi
should be sought. Such an approach therefore requires being able to define those different perspectives, which today
seem to encompass more than the artis
fied the difficulty in enlarging and en riching the concept of authenticity beyond its definition in the Venice Charter. This debate has been particu larly important to the faculty at the Raymond Lemaire International Center at the Katholieke for Conservation Universiteit Leuven in Belgium, which
owes its existence to one of the main
has been values, but a methodology proposed that would assist in disentan gling the different layers that define the ? the authenticity of the built heritage Nara Grid. The Nara Document and the Nara Grid
Conservation International tion and practice Charter Restoration
on Authenticity
uses for
the
1964
the Conserva
the late
are
of Monuments
familiar with
and Sites, also known as the Venice Charter, as a basis for defining the treatment of historic buildings and sites.
Many later charters and documents
compared
concept
to the
of her
in the Venice
We have
attempted
starting On
from earlier
assigned within
tives, layers.2
developed at the international level have been gradually clarifying the interpreta tion of that charter for different sites or considering the need for applying its concepts in different cultural contexts: the Australia ICOMOS Charter for the Conservation of Places of Cultural Significance (the Burra Charter, 1999), the Charter for the Protection and Man agement of the Archaeological Heritage (1990), and the Nara Document on (1994). Authenticity Central to the debate is the under standing of the different cultural con cepts of heritage and of the variety of
values attributed to that heritage.3 How
assigned
independently,
between different possible actions, it is necessary (or at least interesting) to be able to understand how different alter
natives Fig. 1. The central staircase of the Grand Ch?teau. Images by the author, unless other wise noted. impact each layer. Assuming can be compared, that
ever, the applications of those insights should not be limited to the cultural
context that generated them. For exam
ple, the broadened or layered concept of authenticity as recorded in the Nara Document helped to introduce the her itage value of craftsmanship (which has
39
40
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Table
on Authenticity
Social Scientific
Surveying
dissertation
and documentation.
on the use of
In his
Aspects i
three-dimen
and design
sional techniques of documentation and in studying built heritage, dissemination Mario Santana started with identifying the link between documentation and
authenticity.7 tecting, Studies or that aim promoting, conserving at pro a
techniques,
monument are based on the identifica tion and evaluation of the heritage
values inherent to it, i.e., understanding
long been considered an important part of heritage in Eastern societies, as in Japan, where craftspeople could be
"protected" the Western as national preservation treasures), approach, to in
Application
The craftsman's
the authenticity
as a layered
of it and considering
of values.8
it is
concept
Documentation
therefore important,
of this information
and Santana's study infor
demonstrated
be used
as a "container"
which the value of the conservation of the original material and fabric pre
vailed.4 to define This Eastern approach was under used a more appropriate
the outcome of a project will greatly depend on the execution of the tion work
work not and thus on craftsmanship, on the technical and con analysis only In of material siderations preservation.
standing of the input of craftspeople's skills in the preservation of tangible and intangible aspects of the heritage than
was the case in the Venice Charter.5
to judg
However, the artistic and historic dimen in the Nara Grid corre sions mentioned with the criteria used in spond closely article (iii) of the Venice Charter: "The intention in conserving and restoring monuments is to safeguard them no less
as works dence." of art than as historical evi
to preservation, a to develop
that would present the relationship between this material technical approach with one that would also include the impact of craftsman ship. The result was the Nara Grid. framework
When out by a preservation craftsperson, further work it should is carried con
mation, as it can be disentangled follow ing the aspects and dimensions. The result is that the actual authenticity value can be documented considering the different layers, based on the state of the fabric, and that simulations could be that done considering modifications could affect the aging process and the natural development of the object in its
setting.
on Authenticity
of heritage
degrada
in
material
on the nature of the cultural heritage, context, and its evolution through time, authenticity judgments may be linked to the worth of a great variety of sources of infor mation. Aspects of the sources may include form and substance, use and and design, materials Depending its cultural location and traditions and techniques, setting, and spirit and feeling, and other internal and external factors. The use of these sources of the specific artistic, permits elaboration of the social, and scientific dimensions historic, cultural heritage being examined.6 function, In an attempt to develop an instru
Bois de la Cambre in Brussels demon strates the use of the Nara Grid for the evaluation of the values of a historic industrial building (Table 2).9 It is part
of a larger complex of two water towers
tion appearance of the building should enhance its historic and artistic value; and the work should contribute to the improvement of the setting of the build ing in its historic environment. Thus, the
craftsperson's contribution is crucial to
built between the end of the nineteenth century and the beginning of the twenti eth century in the Bois de la Cambre, a nineteenth-century public park in the southeast section of capital district of
Brussels. The small water tower, known
ment
help better grasp this of authenticity, we used layered concept this description from the Nara Docu ment to develop a grid inwhich aspect that would
and dimension each represent an axis
the way that authenticity will be evalu ated after the work is carried out. The Nara Grid was completed as a checklist to help identify different di
mensions and aspects that cover the
(Table 1). In this way a relationship can be visualized between the above-defined aspects and dimensions that help to make authenticity judgments.
The above example shows that the use of the grid can yield a more complex understanding of authenticity. Conserva
tors can use it as a tool to promote
discussion and wider understanding of heritage values by filling it out like a checklist.
as the Petit Ch?teau, has been com pletely renovated in order to be reused as an office building, while the larger tower, the Grand Ch?teau, has been abandoned since itwas taken out of service in the 1980s. The history of the two water towers is connected to that of the Bois de la Cambre and of the water-supply system in Brussels in the nineteenth century. The park preserved its original landscap
pressures resisting ing characteristics, streets the and increasing broadening The of structures. number excep only tion was for the the city's construction water-supply of equipment which for
system,
THE NARA
GRID
41
or Rendering
of the heritage Historic is influenced Appearance of historic understanding skills by Social Contribution of society's to visible members of heritage expression preservation Scientific Scientific-based support is required for skilled execution the influencing appearance_ Scientific investigation of
and Design
Materials
and
substance
Choice
of materials
and
influenced the procedures but also original expression the new work
and Understanding historic skills and mastering to the materials contribute conservation of material and the skills themselves X
materials gives craftspeople input into choice of materials and practices X are Groups of craftspeople to the proud to contribute of heritage preservation with workmanship Involvement of craftspeople in conservation and maintenance makes the to setting more accessible public_ X investigation gives and insight into procedures and allows workmanship evaluation of the contribu tion to preservation_ X Scientific
Use Tradition,
and
function Some artistic expressions call for traditional workmanship that require transfer of skills over generations Artistic quality of crafts influences the between the relationship object and its environment X Research manship survival heritage
Location
and
setting
manship
Preservation of historic skills is a way to preserve the option of renewing historic settings
Spirit
and
feeling
included the water towers. The decline of the area began with World War II: illicit tree cutting, negligence, increasing traffic, the burning down of the pavil
ions, and new construction character
early
interior of
and
exterior were
appearance
towers
altered in 1908, on the occasion of the Universal Exposition that took place in the Bois de la Cambre. To increase the
water raised, pressure and the Grand its pumping The water Ch?teau was system was acces tank was
ized the history of the park until present day. In 1976 the Bois de la Cambre was protected by law as a heritage land
scape, and during recent years several
adaptation, either public or private, had to deal with a limited number of win dow openings added or, preferably, none at all. Proposals that aimed at inserting floors in the inner space posed problems, as well, because they would alter the
perception pumping of system the complex or would staircase require par
modernized.
urban planning decisions encouraged a restoration project of the site under the supervision of the Commission Royale et des Sites. des Monuments The route of the aqueduct built in Brussels in the first half of the nineteenth century determined the need for and the
position towers in the of the water towers in the park: pressure essential form to and provided system and the necessary thus were system. Their
sible through a staircase constructed around the central pipe. Consequently the inner space and the bottom of the tank could be seen from downstairs at a
glance. Some structural changes also
tial or total removal of the hydraulic system. During this study, undertaken in 2004, the water tower was still empty, unused, and neglected (Figs. 1 and 2). Preservation The study, problems. carried out by architect Nicandra No
cera, cal aimed approach at a showing methodologi to the preservation of in order to of the
occurred to the Petit Ch?teau, and a small bridge was built to connect the
two water gravity-pressure towers. functioned They a new tanks until as water
system was supply introduced, time they were out of taken made to renovate water
at which service.
water
was 600 cubic meters, and itwas the only example of that type of tank in Belgium. The increasing demand for water led to the construction of the second water tower in 1891, the Grand tank Ch?teau; it has a concave-bottomed of riveted iron sheets with L-shaped profiles and a capacity of 800 cubic meters. In both cases the building mate
rials were brick, bluestone, and mortar,
removed in order to house offices (al though itwas not in use during this study). However, for different reasons,
proposals for interventions and transfor
search can be considered as a starting point and as support for the develop
ment other of a restoration the analysis project. also On reveals the the hand,
mations of the Grand Ch?teau have not been accepted by the Commission et des Sites. One Royale des Monuments
very exterior important reason of was the that tower the could appearance
studies.
values with the Nara Grid. Assessing After collecting the information in the analysis and transferring it into the Nara Grid, the evaluation of the her
itage values of the structure was aimed
The
at demonstrating
is
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Saint Barbara Church was built at the end of the seventeenth century as the convent church of the Augustinian Monastery of Diest, approximately 25 miles (40 kilometers) east of Brussels. It replaced a fifteenth-century Gothic chapel, which had been assigned to the in 1614 and belonged to a Augustinians
wider complex that was finally conse
were
forced to leave Diest in 1796. The church and monastery survived the French Revolution thanks to one of
most prominent Catholic fami
Diest's
In 1845 the lies, the Di Martinellis. the sold family complex to the Dutch of Crosiers, which used it congregation
again Crosiers Fig. 2. The exterior of the Grand Ch?teau. Fig. 3. Saint Barbara Church, facade. Brussels, west as a monastery. live the Today, in a modern convent build
worth
preserving.
Several
factors
under
The landscape inwhich they stand is a public park and protected site. The complex
historic sels and
the present condition of the building and the site is favorable to the application of the principle of minimal intervention, which could be combined with the reversibility of any intervention. This
conclusion tion proposed was different by the owner from ? the solu to con
ing, which replaced the old convent in 1962. However, except for the weekly celebrations of the Eucharist, they still use the adjacent Saint Barbara Church. So far, the future of Saint Barbara Church in terms of its conservation does
not many bers appear to be an issue. But as in communities, religious of the Crosiers community the mem are
is a testimonial
to the
in Brus
vert the Grand Ch?teau into an office building as was done with the Petit
Ch?teau.
aging, and it is likely that, at least in its present form, itwill come to an end and will pose serious consequences for the
conservation The question it can of Saint arises Barbara as Church. the site to how
The Petit Ch?teau is transformed, but the Grand Ch?teau has its original
interior The intact. techniques and the construction
Saint Barbara Church: A Global Conservation Approach The aim of the master's thesis of Bert Lemmens on Saint Barbara Church in
Diest, Belgium, about of was to produce a case
can be managed
whether ship. Transforming churches partially art or religious on mon a regular practice.
technology used for the hydraulic system are typical of the nineteenth
century.
into museums
In Table 3 the information on the towers is integrated into the Nara Grid. In this case the scientific dimension turned out to be prevailing. The Grand
Ch?teau appears to be a "container" of
heritage,
churches.10 secularization of become
in
As of
great challenge
ment. The churchgoers, human and
repu this
In the case
decrease as well
the ingenuity of the technical installation led to the identification of the water
tower heritage. Many aspects and dimensions under as an important piece of industrial
loss of
that are
line the authenticity of the Grand Ch?teau. The description based on the grid helps clarify the reason for the
preservation of the water tower. Not
indispensable for the conservation of this heritage. Although there is no dispute about the indelible influence of
monastic life on Western society, the
in a secularized
communi
Baroque The of
religious
first
only does the grid clarify the site's au thenticity, but it also helped to evaluate the best approach for its preservation:
(Figs. 3
THE NARA
GRID
43
Table 3. Completed
Aspects of the sources to documentation Form
and design
building process using for small-scale materials and for the masonry installations (tank, piping, canalizations).
Materials
and
substance
used come regions of Belgium. They show their traditional use. Some are not produced materials The materials from different anymore. The water tower is a part of the system of water it shows how distribution; at a particular that worked moment in the nineteenth century.
It illustrates
the small-scale
building process using small-scale materials for and for the masonry installations canalizations). Today the case of a private property (the water tower) in a public space (Bois de la Illustration of Cambre). urban development and relation between population and services. It illustrates the small-scale building process using the nineteenth century: its and craftsmanship techniques. The position of the tower is strategic to the past urban of the development neighborhood; today it is strategic for the valorization of the Bois de la Cambre cultural landscape. (tank, piping,
Use
and
function
of water Specific expression tower of the nineteenth of two century; combination towers; forms follow function but with certain expression typical of the nineteenth century engineering constructions.
The presence of the original pump system and the use of the space represent scientific evidence of the of technology development in close relationship with form. to study ancient Possibility techniques and craftsman ship (e.g., the iron tank).
Work has been carried out as work of art. Demonstration of the skills in construction of the nineteenth century.
Some techniques used to show carry out the works the traditional
Location
and
setting
nineteenth-century practices. Their position on the top of a The water tower was a part of the water-supply small hill, related to their system to in the Brussels region, and function, draws attention it is now one of the few the highest point of the Bois de la Cambre and underlines their connection. surviving area. examples in this
The position itself relates to its use and shows evidence the development of the in the nineteenth technology can century; this information be investigated with scientific methods through this structure. X
Spirit
and
feeling
The beauty of the construc tion in context with the Bois de la Cambre is aimed at pleasing the visitors to the neighborhood.
It shows the approach in the nineteenth century of how to deal with semi public places in relation to a cultural landscape.
of Monu
govern and in inventory churches
ness or completeness
aspect be developed.
assessment
of neo-Gothic
study a coherent
both plary,
set of qualifications
refers to the capacity to embody the idea of the "House of God," providing a place for the faithful to meet God. In the
aesthetic sense of the word, it refers to
ness (complete, disturbed) was defined. Finally, the defined aspects of architec
ture, interior, and context were assigned
the quality of the setting and the atmo sphere of the church, providing the
monumental space with sacredness has ity. In the assessment, as a separate been valued of dimension the site. interior serene
The M&S method. The M&S method is conceived as a checklist that evaluates the building on a fixed series of charac teristics.10 The checklist is divided into
three parts, interior evaluating the and architecture, the environ the mental aims at decoration, context of the providing
an overall grade of A, B, or C (with A being the highest) to determine the desired level of protection. This pro vided a performance policy tool. For
example, tecture but does a BCA of the not grade meant has the archi value as such, church require a certain
Eventually,
were used for
protection
fabric
while the interior decoration might be of no interest, but the distinct urban value of the building requires protection
as part of the urban landscape.
44
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risty,
and
oratory
on
one
longitudinal
an artistic
dimension, which particularly values the ensemble of three retables in the choir and the sculptural quality of the herms
on the confessionals. But from a scien
tific point of view, Saint Barbara might also be an interesting object of study for
raphy seventeenth-century Augustinian and nineteenth-century iconog restora
tion philosophy
churches.
regarding Baroque
Most
the use,
?G-r-^^^s?=-e^f
in
^
s^V^-^-^^ IT
of worship. though
i_r
might be reduced to a mere architectural quality, it also has an obvious spiritual dimension, which refers to the capacity of the church building to embody the
Survey by B. Lemmens. status of the or "House of God." Since is so com "sacral" "holiness" plex "sacredness" an additional
an attribute,
This method was applied to Saint Barbara Church with the aim of making
a new statement about the heritage
dimension was added to the grid in order to disentangle the origins from
this value.
the adaptation
the assessment was evaluation
value of the fabric and of its environ ment. The checklist turned out to be a useful tool to assess the findings of the
architectural and art-historical analysis
Grid.
Contrary
theM&S
been statement decora value
method,
Finally, one dimension that the Nara Grid recognizes, which appeared to be of great importance when considering the value of the site and its possible is the social dimension. developments, Most of the faithful who visit the cele
brations at Saint Barbara come from
conceived
clearly
give
Also, the findings of the architectural and art-historical analysis have been integrated here, but in a different way than in theM&S method. Instead of assigning a grade to the fabric of the
site, values architectural were and art-historical in their respec disentangled
abroad. The church does not have a strong link with the quarter inwhich it is located. The poor integration within the social fabric of Diest points to a weakness of the site. It is a problem of
which the Crosiers In the value are also aware. of the church, assessment
theM&S method
turned cause out to be serve they to determine
by which
to consider
a mean
ingful new use. Since the checklist is deliberately based on the tangible fabric of the site, the method overlooks many
intangible aspects of the local practices uses, tions, an source for the important mensions site. of a heritage site ? ? tradi which social di are
tive artistic and scientific dimensions. In this way, the architectural value of the church as an exemplary "worshipping machine"
artistic perposition
tion of the fabric of the site, theM&S method has proved to be a performance
tool, comes which accounts for the multilay
dimension,
it
THE NARA
GRID
45
and
sometimes
even
opposing
character
tween
two
types
of
evaluation
schemes
3. Article
11 of the Nara
Document
on Authen
artistic and scientific dimensions of the architecture and interior decoration of the church building and sacredness as a major intangible value, but it also re vealed the weak social integration of the
church within the quarter.
that can be used for churches, of which one was based on the Nara Grid. It appeared that theM&S method and the Nara Grid were complementary and that the open character of the Nara Grid allowed for integrating issues which were beyond theM&S method. This paper tries to illustrate how the Nara Grid has been and could be used
as a mental report on scheme aspects to and investigate dimensions and of
ticity, www.international.icomos.org/naradoc _eng.htm. 4. This is how article (iii) of the Venice Charter them ... as historical evidence" was
"safeguard interpreted.
Principles on Authen
to
13 of the Nara
Evaluation
It can
inter
7. Mario Santana Quintero, "The Use of Three Dimensional of Documentation and Techniques Dissemination in Studying Built Heritage" Lemaire Interna (PhD dissertation, Raymond tional Center for Conservation, K. U. Leuven, 379. 2003), 8. Koenraad Van Balen, R. Hayen, S. Naldini, L. Van Der Klugt, R. Van Hees, M. P. Luxan, F. and L. Binda, "Mortar Characteriza Dorrego, to Compatibility," inMainte tion, From Values nance of Pointing in Historic Buildings: Decay and Replacement, Final Report, ed. R. Van S. Naldini, and L. Van der Klugt Hees, (EC Environment contract ENV4-CT98 Program, 75-84. 706,2001), 9. Nicandra "AWater Tower in the Nocera, Bois de la Cambre, Brussels, le Grand Ch?teau: to its Preservation" Contribution (master's Lemaire Center International thesis, Raymond for Conservation, K. U. Leuven, 2004), 98. This thesis provided the framework for the towers. analysis of the Bois de la Cambre water Bert Lemmens, Nicandra and Koen Nocera, raad Van Balen, "Understanding and Evaluat the Nara Document," in ing Authenticity Using Conservation in Changing 85-96. See Societies, this report for a more detailed of description this case study. 10. Bert Lemmens, "St. Barbara Church Diest: Initiating a Global Conservation Approach" Lemaire Interna (master's thesis, Raymond tional Center for Conservation, K. U. Leuven, et al., and 2005). Lemmens "Understanding the Nara Docu Evaluating Authenticity Using ment." See this report for a more detailed of this case study. description 11. Thomas Coomans, in Neostijlen Kerken in en implementatie Vlaanderen, Ontwikkeling van een voor de en m?thodologie bescherming de monumentenzorg van het negentiende eeuwse kerkelijk architecturaal in patrimonium Vlaanderen in revival styles in [Churches and implementation Flanders, Development of a and preserva for the protection methodology tion of the religious in heritage Flanders] (Leuven: unpublished report KADOC, 2003).
The first case study is at the origin of the development of the Nara Grid. It
demonstrated how considering "as
disciplinary
however,
communication
tool. It is,
not meant
quantitative
pects" and "dimensions" allowed for a much richer evaluation of heritage values to be considered when dealing with masonry preservation, including the role of craftsmanship. While it is a tool for analysis, the Nara Grid allows us to gain insight on how different
strategies may straightforward tion promotes The impact authenticity. and simple representa communication and
that would allow "mea methodology suring" the level of authenticity. The reader is therefore invited to use it rather as a checklist and to understand the limits of its use.
KOENRAAD VAN BALEN graduated as an architectural engineer, received a postgraduate and has a PhD in engi degree in conservation, at the Katolieke neering. He is a professor Universiteit in Belgium Leuven in the civil and is currently direct engineering department Lemaire International Center ing the Raymond for Conservation.
exchange of ideas on the topic. The latter aspect is also demonstrated in the
other tracted case from studies that have works. been ex students' In doc
Notes
of 1. Christina "Conservation in Cameron, Societies: World Heritage Indicators Changing in Conservation," in Conservation in Changing Societies: Heritage and et Soci?t?s en Development/Conservation et D?veloppement, Patrimoine Transformation: ed. Teresa Patricio, Koenraad Van Balen, and Krista De Jonge (Leuven: Raymond Lemaire International Center for Conservation, K. U. 39-47. Leuven, 2006), Van Balen, "From Conservation to Materialization Principles (Or the Other IsMaterialization Guided Way Around: How in Consolidation by Principles?)," of Masonry: Advances inMaterials Science and Restoration, vol. 1, ed. D. Van Gemert (Freiburg: Aedifica tion Publishers, 135-144. 2003), 2. Koenraad
toral dissertations
used where to structure and how
tributes to defining the authenticity of the built fabric. The Nara Grid was also
offered framework. to the students In their as a reports conceptual the students