British Forum for Ethnomusicology

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Source: British Journal of Ethnomusicology, Vol. 9, No. 2 (2000), pp. 165-167
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BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.9/ i 2000 165
Index of articles
by author,
volumes 1-9
(1992-2000)
Baily, John,
"The
Naghma-ye
kashdl of
Afghanistan",
6:117
Ballantine, Christopher, "Joseph
Shabalala: chronicles of an African
composer",
5:1-38
Bithell, Caroline, "Polyphonic
voices:
national
identity,
World Music and the
recording
of traditional music in
Corsica", 5:39-66
Brown, Katherine, "Reading
Indian
music: the
interpretation
of
seventeenth-century European
travel-
writing
in the
(re)construction
of
Indian music
history,
9/ii: 1-34
Buisman, Frans, "Melodic
relationships
in
pibroch",
4:17-39
(erratum, 5:187)
Cannon,
Roderick D.,
"What can we learn
about
piobaireachad?",
4:1-15
Clayton, Martin,
"Two
gat
forms for the
sitar: a case
study
in the
rhythmic
analysis
of North Indian music",
2:75-98
Clayton, Martin, "Ethnographic
wax
cylinders
at the British
Library
National Sound Archive: a brief
history
and
description
of the
collection", 5:67-92
Dawe, Kevin, "The
engendered
lyra:
music, poetry
and manhood in
Crete",
5:93-112
Dawe, Kevin,
"Bandleaders in Crete:
musicians and
entrepreneurs
in a
Greek island
economy",
7:29-50
Duran, Lucy,
"Birds of Wasulu: freedom
of
expression
and
expressions
of
freedom in the
popular
music of
southern Mali",
4:101-34
Eydmann, Stuart,
"The concertina as an
emblem of the folk music revival in
the British Isles",
4:41-9
Farrell, Gerry,
"The
early days
of the
gramophone industry
in India:
historical,
social and musical
perspectives",
2:31-53
Gourlay,
Kenneth A.,
"Blanks on the
cognitive map: unpredictable aspects
of musical
performance",
2:1-30
Gray, Catherine,
"The
Ugandan lyre
endongo
and its music", 2:117-42
Gray, Catherine, "Compositional
techniques
in Roman Catholic church
music in
Uganda",
4:135-55
Gray, Nick,
"
'Sulendra': an
example
of
petegak
in the Balinese
gender
wayang repertory",
1:1-16
Hesselink, Nathan, "Kouta and karaoke
in modem
Japan:
a
blurring
of the
distinction between
Umgangsmusik
and
Darbietungsmusik",
3:49-61
Ho, Edward, "Aesthetic considerations in
understanding
Chinese literati musical
behaviour", 6:35
Hosokawa, Shuhei, "Singing
contests in
the ethnic enclosure of the
post-war
Japanese-Brazilian community",
9/i:95-118
Hughes,
David W., "Thai music in
Java,
Javanese music in Thailand: two case
studies",
1:17-30
Hughes,
David W., "No nonsense: the
logic
and
power
of acoustic-iconic
mnemonic
systems",
9/ii:93-120
Jones, Stephen,
"Chinese ritual music
under Mao and
Deng",
8:27-66
Kertesz Wilkinson, Iren,
"Genuine and
adopted songs
in the Vlach
Gypsy
repertoire:
a
controversy
re-
examined", 1:111-36
Lanier, S.C.," 'It is
new-strung
and shan't
be heard': nationalism and
memory
in
the Irish
harp tradition", 8:1-26
Lau, Frederick,
"Forever Red: the
invention of solo dizi music in
post-
1949 China", 5:113-31
Lewisohn, Leonard, "The sacred music
of Islam: Sama' in the Persian Sufi
tradition",
6:1
Li, Lisha, "Mystical
numbers and
Manchu traditional music: a
consideration of the
relationship
between shamanic
thought
and
musical ideas", 2:99-115
Lucas,
Maria Elizabeth, "Gaucho musical
regionalism",
9/i:41-60
BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.9/ii 2000
McCann, May,
"Music and
politics
in
Ireland: the
specificity
of the folk
revival in
Belfast", 4:51-75
Mackinlay,
Elizabeth "Music for
dreaming: Aboriginal
lullabies in the
Yanyuwa community
at
Borroloola,
Northern
Territory",
8:97-111
Menezes
Bastos, Rafael Jose de, "The
origin
of 'samba' as the invention of
Brazil
(why
do
songs
have
music?)",
8:67-96
Neto, Luiz Costa
Lima, "The
experimental
music of Hermeto
Paschoal e
Grupo (1981-93):
a
musical
system
in the
making",
9/i: 119-42
Nooshin, Laudan, "The
song
of the
nightingale:
processes of
improvisation
in
dastgah Segah
(Iranian classical
music)",
7:75-122
Pegg, Carole, "Mongolian conceptualisations
of overtone
singing (xoomii)", 1:31
Pegg, Carole, "Ritual, religion
and
magic
in
West
Mongolian (Oirad)
heroic
epic
performance",
4:77-99
Pennanen, Risto Pekka, "The
development
of chordal
harmony
in
Greek rebetika and laika
music, 1930s
to
1960s", 6:65
Plemmenos, John
G., "The active
listener: Greek attitudes towards
music
listening
in the
Age
of
Enlightenment",
6:51
Ramnarine,
Tina
Karina,
"
'Indian' music
in the
diaspora:
case studies of
'chutney'
in Trinidad and in
London", 5:133-53
Ramnarine,
Tina
Karina,
"'Brotherhood of
the boat': musical
dialogues
in a
Caribbean
context", 7:7-28
Reily,
Suzel
Ana, "Musical
performance
at a Brazilian
festival", 3:1-34
Reily,
Suzel
Ana,
"The
ethnographic
enterprise:
Venda
girls'
initiation
schools
revisited", 7:51-74
Reily,
Suzel
Ana, "Introduction",
9/i: 1-10
Stobart, Henry , "Flourishing
horns and
enchanted tubers: music and
potatoes
in
highland Bolivia", 3:35-48
Stobart, Henry
and
Cross, Ian, "The
Andean anacrusis?
rhythmic
structure
and
perception
in Easter
songs
of
Northern
Potosi, Bolivia", 9/ii:63-92
Stock, Jonathan, "Contemporary
recital
solos for the Chinese
two-stringed
fiddle erhu", 1:55-88
Stokes, Martin H., "The media and
reform: the saz and elektrosaz in urban
Turkish folk music", 1:89-102
Swanwick, Keith, "Music education and
ethnomusicology",
1:137-44
Tian, Qing
and Tan Hwee San, "Recent
trends in Buddhist music research in
China", 3:63-72
Tingey, Carol, "Auspicious women,
auspicious songs: mangalini
and their
music at the court
ofKathmandu", 2:55-74
Tingey, Carol, "Musical instrument or
ritual
object?
The status of the
kettledrum in the
temples
of central
Nepal",
1:103-9
Travassos, Elizabeth, "Ethics in the
sung
duels of north-eastern Brazil:
collective
memory
and
contemporary
practice",
9/i:61-94
Ulhoa, Martha
Tupinamba de, "Musica
romantica in Montes Claros: inter-
gender
relations in Brazilian
popular
song",
9/i: 11-40
Um, Hae-kyung, "Listening patterns
and
identity
of the Korean
diaspora
in the
former
USSR", 9/ii: 121-42
Widdess, Richard, "Festivals of
dhrupad
in northern India: new contexts for an
ancient
art", 3:89-109
Wiggins, Trevor, "Techniques
of variation
and
concepts
of musical
understanding
in Northern
Ghana", 7:123-48
Woodfield, Ian, "Collecting
Indian
songs
in
18th-century
Lucknow:
problems
of
transcription",
3:73-88
Youssefzadeh, Ameneh "The situation of
music in Iran since the Revolution: the
role of official
organizations".
9/ii:35-61
166
BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.911i 2000 167
Index of countries as
major
article themes, volumes
1-9/ii
(1992-2000)
Afghanistan:
6: 117
(Baily)
Australia: 8: 97
(Mackinlay)
Bali: 1: 1
(Gray)
Bolivia: 3: 35
(Stobart),
9/ii:63
(Stobart
&
Cross)
Brazil: 3: 1
(Reily),
8: 67
(Bastos),
Special
issue 9/i: 1
(Reily),
11
(Ulhoa),
41
(Lucas),
61
(Travassos)
95
(Hosokawa),
119
(Neto)
British Isles: 4: 41
(Eydmann),
5: 133
(Ramnarine)
China: 1: 55
(Stock),
3: 63
(Tian),
5: 113
(Lau),
6: 35
(Ho),
8: 27
(Jones)
Corsica: 5: 39
(Bithell)
Crete: 5: 93
(Dawe),
7:29
(Dawe)
France: see Corsica
Ghana: 7: 123
(Wiggins)
Greece: 6: 51
(Plemmenos),
6: 65
(Pennanen);
see also Crete
Hungary:
1: 111
(Kertesz-Wilkinson)
India: 2: 31
(Farrell),
2: 75
(Clayton),
3:
73
(Woodfield),
3: 89
(Widdess),
5:
133
(Ramnarine),
9/ii:l
(Brown)
Indonesia: see Bali, Java
Iran: 6: 1
(Lewisohn)
7: 75
(Nooshin)
9/ii: 35
(Youssefzadeh)
Ireland: 4: 51
(McCann),
8: 1
(Lanier)
Japan:
3: 49
(Hesselink),
9/ii:93
(Hughes)
Java: 1:17
(Hughes)
Mali: 4: 101
(Duran)
Mongolia:
1: 31
(Pegg),
4: 77
(Pegg)
Nepal:
1: 103
(Tingey),
2: 55
(Tingey)
Scotland: 4: 1
(Cannon),
4: 17
(Buisman)
South Africa: 5: 1
(Ballantine),
7: 51
(Reily)
Thailand: 1: 17
(Hughes)
Trinidad: 5: 133
(Ramnarine),
7: 7
(Ramnarine)
Turkey:
1: 89
(Stokes)
Uganda:
2: 1
(Gourlay),
2: 117
(Gray),
4:
135
(Gray)
United
Kingdom:
1: 137
(Swanwick),
4:
51
(McCann),
5: 67
(Clayton);
see
also British
Isles,
Scotland
USSR: 9/ii:121
(Um)