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Index of Articles by Author, Volumes 1-12 (1992-2003)
Source: British Journal of Ethnomusicology, Vol. 12, No. 2 (2003), pp. 135-138 Published by: British Forum for Ethnomusicology Stable URL: http://www.jstor.org/stable/30036859 Accessed: 06/01/2009 19:59 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=bfe. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. 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British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to British Journal of Ethnomusicology. http://www.jstor.org BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.12/ii 2003 Index of articles by author, volumes 1-12 (1992-2003) Baily, John, "Learning to perform as a research technique in ethnomusicology", 10/ii:85-98 Baily, John, "The Naghma-ye kashdl of Afghanistan", 6:117-63 Ballantine, Christopher, "Joseph Shabalala: chronicles of an African composer", 5:1-38 Bithell, Caroline, "Polyphonic voices: national identity, World Music and the recording of traditional music in Corsica", 5:39-66 Bithell, Caroline, "On the playing fields of the world (and Corsica): politics, power, passion and polyphony", 12/i:67-95 Brown, Katherine, "Reading Indian music: the interpretation of seventeenth- century European travel-writing in the (re)construction of Indian music history, 9/ii:1-34 Buisman, Frans, "Melodic relationships in pibroch", 4:17-39 (erratum, 5:187) Buchanan, Donna A., "Soccer, popular music, and national consciousness in post-state-socialist Bulgaria, 1994- 1996", 1 /ii:1-27 Cannon, Roderick D., "What can we learn about piobaireachd?", 4:1-15 Chou, Chiener, "Learning processes in the nanguan music of Taiwan", 11/ii:81-124 Clayton, Martin, "Ethnographic wax cylinders at the British Library National Sound Archive: a brief history and description of the collection", 5:67-92 Clayton, Martin, "Introduction: towards a theory of musical meaning (in India and elsewhere)", 10/i: 1-17 Clayton, Martin, "Two gat forms for the sitar: a case study in the rhythmic analysis of North Indian music", 2:75-98 Cooley, Timothy J., "Theorizing fieldwork impact: Malinowski, peasant-love, and friendship", 12/i:1-17 Cottrell, Stephen, "Music as capital: deputizing among London's freelance musicians", 11/ii: 61-80 Dawe, Kevin, "Bandleaders in Crete: musicians and entrepreneurs in a Greek island economy", 7:29-50 Dawe, Kevin, "The engendered lyra: music, poetry and manhood in Crete", 5:93-112 De Jong, Nanette, "Forgotten histories and (mis)remembered cultures: the Comback Party of Curacao", 12/ii:35-50 Durin, Lucy, "Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern Mali", 4:101-34 Eisentraut, Jochen, "Samba in Wales: making sense of adopted music", 10/i:85-105 Eydmann, Stuart, "The concertina as an emblem of the folk music revival in the British Isles", 4:41-9 Falk, Catherine, "'If you have good knowledge, close it well tight': concealed and framed meaning in the funeral music of the Hmong qeej", 12/ii:1-33 Farrell, Gerry, "The early days of the gramophone industry in India: historical, social and musical perspectives", 2:31-53 Farrell, Gerry. "The Senia style of sitar playing in contemporary India", 11/ii:29-60 Frigyesi, Judit, "The Jewish service in Communist Hungary: a personal journey", 11/i:141-57 Gourlay, Kenneth A., "Blanks on the cognitive map: unpredictable aspects of musical performance", 2:1-30 Gray, Catherine, "Compositional techniques in Roman Catholic church music in Uganda", 4:135-55 Gray, Catherine, "The Ugandan lyre endongo and its music", 2:117-42 Gray, Nick, "'Sulendra': an example of petegak in the Balinese gender wayang 135 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.12/ i i 2003 repertory", 1:1-16 Hagedorn, Katherine J., "Long day's journey to Rinc6n: from suffering to resistance in the procession of San LiAzaro/Babali Ayd", 11/i:43-69 Harris, Rachel and Norton, Barley, "Introduction: ritual music and Communism", 11/i:1-8 Harris, Rachel and Dawut, Rahila, "Mazar festivals of the Uyghurs: music, Islam and the Chinese State", 11/ i: 101-118 Hellier-Tinoco, Ruth, "Experiencing people: relationships, responsibility and reciprocity", 12/i: 19-34 Hesselink, Nathan, "Kouta and karaoke in modern Japan: a blurring of the distinction between Umgangsmusik and Darbietungsmusik", 3:49-61 Ho, Edward, "Aesthetic considerations in understanding Chinese literati musical behaviour", 6:35-49 Hosokawa, Shuhei, "Singing contests in the ethnic enclosure of the post-war Japanese-Brazilian community", 9/i:95-118 Hughes, David W., "No nonsense: the logic and power of acoustic-iconic mnemonic systems", 9/ii:93-120 Hughes, David W., "Thai music in Java, Javanese music in Thailand: two case studies", 1:17-30 Jang, Yeonok, "P'ansori (Korean narrative song) performance style: audience responses and singers' perspectives", 10/ii:99-121 Jones, Stephen, "Chinese ritual music under Mao and Deng", 8:27-66 Jones-Bamman, Richard, "Following in the footsteps of a giant", 12/i:35-54 Kertdsz Wilkinson, Irdn, "Genuine and adopted songs in the Vlach Gypsy repertoire: a controversy re-examined", 1:111-36 Knudsen, Jan Sverre, "Dancing cueca 'with your coat on': the role of traditional Chilean dance in an immigrant community", 10/ii:61-83 Kouwenhoven, Frank, "Meaning and structure - the case of Chinese qin (zither) music", 10/i:39-62 Kruger, Jaco, "Playing in the land of God: musical performance and social resistance in South Africa", 10/ii:1-36 Lanier, S.C., "'It is new-strung and shan't be heard': nationalism and memory in the Irish harp tradition", 8:1-26 Lau, Frederick, "Forever Red: the invention of solo dizi music in post-1949 China", 5:113-31 Lewisohn, Leonard, "The sacred music of Islam: Samd' in the Persian Sufi tradition", 6:1-33 Li, Lisha, "Mystical numbers and Manchu traditional music: a consideration of the relationship between shamanic thought and musical ideas", 2:99-115 Lima Neto, Luiz Costa, "The experimental music of Hermeto Paschoal e Grupo (1981-93): a musical system in the making", 9/i: 119-42 Lucas, Maria Elizabeth, "Gaucho musical regionalism", 9/i:41-60 Lucia, Christine, "Abdullah Ibrahim and the uses of memory", 11/ii: 125-43 McCann, May, "Music and politics in Ireland: the specificity of the folk revival in Belfast", 4:51-75 Maryniak-Halstead, Nadia, "Ethnographic reflections", 12/i:55-66 Mackinlay, Elizabeth "Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory", 8:97-111 Menezes Bastos, Rafael Jos6 de, "The origin of 'samba' as the invention of Brazil (why do songs have music?)", 8:67-96 Meredith, Sharon, "Barbadian tuk music: colonial development and post- Independence recontextualisation", 12/ii:81-106 Morcom, Anna, "An understanding between Bollywood and Hollywood? The meaning of Hollywood-style music in 136 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.12/ii 2003 Hindi films", 10/i:63-84 Nooshin, Laudan, "The song of the nightingale: processes of improvisation in dastgah Segdh (Iranian classical music)", 7:75-122 Norton, Barley, "'The Moon Remembers Uncle Ho': the politics of music and mediumship in northern Vietnam", 11/i:71-100 0 Laoire, Lillis, "Fieldwork in common places: an ethnographer's experiences in Tory Island", 12/i:113-36 Pegg, Carole, "Mongolian conceptualisations of overtone singing (x6imii)", 1:31-54 Pegg, Carole, "Ritual, religion and magic in West Mongolian (Oirad) heroic epic performance", 4:77-99 Pennanen, Risto Pekka, "The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s", 6:65-115 Plastino, Goffredo, "Fifteen fragments on my (field)work", 12/i:97-112 Plemmenos, John G., "The active listener: Greek attitudes towards music listening in the Age of Enlightenment", 6:51-63 Radford, Katy, "Drum rolls and gender roles in Protestant marching bands in Belfast", 10/ii:37-60 Ramnarine, Tina Karina, "'Indian' music in the diaspora: case studies of 'chutney' in Trinidad and in London", 5:133-53 Ramnarine, Tina Karina, "'Brotherhood of the boat': musical dialogues in a Caribbean context", 7:7-28 Rees, Helen, "The age of consent: traditional music, intellectual property and changing attitudes in the People's Republic of China", 12/i:137-71 Reily, Suzel Ana, "Introduction: Brazilian musics, Brazilian identities", 9/i:1-10 Reily, Suzel Ana, "Musical performance at a Brazilian festival", 3:1-34 Reily, Suzel Ana, "The ethnographic enterprise: Venda girls' initiation schools revisited", 7:51-74 Rice, Timothy, "Reflections on music and meaning: metaphor, signification, and control in the Bulgarian case", 10/i: 19-38 Ritter, Jonathan, "Siren songs: ritual and revolution in the Peruvian Andes", 11/i:9-42 Stobart, Henry , "Flourishing horns and enchanted tubers: music and potatoes in highland Bolivia", 3:35-48 Stobart, Henry and Cross, Ian, "The Andean anacrusis? Rhythmic structure and perception in Easter songs of Northern Potosi, Bolivia", 9/ii:63-92 Stock, Jonathan, "Contemporary recital solos for the Chinese two-stringed fiddle erhu", 1:55-88 Stokes, Martin H., "The media and reform: the saz and elektrosaz in urban Turkish folk music", 1:89-102 Swanwick, Keith, "Music education and ethnomusicology", 1:137-44 Tan, Hwee-San, "Saving the soul in Red China: music and ideology in the Gongde ritual of merit in Fujian", 11/i:119-40 Tian, Qing and Tan Hwee San, "Recent trends in Buddhist music research in China", 3:63-72 Tingey, Carol, "Auspicious women, auspicious songs: mangalini and their music at the court of Kathmandu", 2:55-74 Tingey, Carol, "Musical instrument or ritual object? The status of the kettledrum in the temples of central Nepal", 1:103-9 Travassos, Elizabeth, "Ethics in the sung duels of north-eastern Brazil: collective memory and contemporary practice", 9/i:61-94 Turino, Thomas, "Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music", 12/ii:51-79 Ulh6a, Martha Tupinambi de, "Mtisica romtintica in Montes Claros: inter- gender relations in Brazilian popular song", 9/i: 11-40 Um, Hae-kyung, "Listening patterns and 137 138 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.12/ii 2003 identity of the Korean diaspora in the former USSR", 9/ii: 121-42 Widdess, Richard, "Festivals of dhrupad in northern India: new contexts for an ancient art", 3:89-109 Wiggins, Trevor, "Techniques of variation and concepts of musical understanding in Northern Ghana", 7:123-48 Woodfield, Ian, "Collecting Indian songs in 18th-century Lucknow: problems of transcription", 3:73-88 Youssefzadeh, Ameneh "The situation of music in Iran since the Revolution: the role of official organizations". 9/ii:35-61 Index of countries as major article themes, volumes 1-12 (1992-2003) Afghanistan: 6:117 (Baily), 10/ii:85 (Baily) Australia: 8:97 (Mackinlay) Australia (Hmong community): 12/ii: 1 (Falk) Bali: 1:1 (Gray) Barbados: 12/ii:81 (Meredith) Bolivia: 3:35 (Stobart), 9/ii:63 (Stobart & Cross) Brazil: 3:1 (Reily), 8:67 (Bastos), Special issue 9/i:1 (Reily), 11 (Ulhra), 41 (Lucas), 61 (Travassos) 95 (Hosokawa), 119 (Neto), 10/i:85 (Eisentraut) British Isles: 4:41 (Eydmann), 5:133 (Ramnarine), 10/i:85 (Eisentraut) Bulgaria: 10/i:19 (Rice), 11/ii:1 (Buchanan) Chile: 10/ii:61 (Knudsen) China: 1:55 (Stock), 3:63 (Tian), 5:113 (Lau), 6:35 (Ho), 8:27 (Jones), 10/i:39 (Kouwenhoven), 11/i: 101 (Harris and Dawut), 11/i:119 (Tan), 12/i:137 (Rees) Corsica: 5:39 (Bithell), 12/i:67 (Bithell) Crete: 5:93 (Dawe), 7:29 (Dawe) Cuba: 11/i:43 (Hagedorn) Curacao: 12/ii:35 (De Jong) France: see Corsica Ghana: 7:123 (Wiggins) Greece: 6:51 (Plemmenos), 6:65 (Pennanen); see also Crete Hungary: 1:111 (Kertdsz-Wilkinson), 1 /i:141 (Frigyesi) India: 2:31 (Farrell), 2:75 (Clayton), 3:73 (Woodfield), 3:89 (Widdess), 5:133 (Ramnarine), 9/ii:1 (Brown), 10/i:1 (Clayton), 10/i:63 (Morcom), 11/ii:29-60 (Farrell) Indonesia: see Bali, Java Iran: 6:1 (Lewisohn), 7:75 (Nooshin), 9/ii:35 (Youssefzadeh) Ireland: 4:51 (McCann), 8:1 (Lanier), 10/ii:37 (Radford), 12/i:113 (0 Laoire) Japan: 3:49 (Hesselink), 9/ii:93 (Hughes) Java: 1:17 (Hughes) Kenya: 10/i:107 (Barz) Korea: 10/ii:99 (Jang) Mali: 4:101 (Durin) Mexico: 12/i: 19 (Hellier-Tinoco) Mongolia: 1:31 (Pegg), 4:77 (Pegg) Nepal: 1:103 (Tingey), 2:55 (Tingey) Norway: 10/ii:61 (Knudsen) Peru: 11/i:9 (Ritter) Poland: 12/i:1 (Cooley) Scotland: 4:1 (Cannon), 4:17 (Buisman) South Africa: 5:1 (Ballantine), 7:51 (Reily), 10/ii:l (Kruger), 11/ii:125 (Lucia) Spain: 12/i:97 (Plastino) Sweden: 12/i:35 (Jones-Bamman) Taiwan: 11/ii:81 (Chou) Thailand: 1:17 (Hughes) Trinidad: 5:133 (Ramnarine), 7:7 (Ramnarine) Turkey: 1:89 (Stokes) Uganda: 2:1 (Gourlay), 2:117 (Gray), 4:135 (Gray) United Kingdom: 1:137 (Swanwick), 4:51 (McCann), 5:67 (Clayton), 11/ii:61 (Cottrell); see also British Isles, Scotland USSR: 9/ii: 121 (Um) Vietnam: 11/i:71 (Norton) Zimbabwe: 12/ii:51 (Turino)
Mazurkas, Piano, B. 134, A Minor (London (No. 229, Regent Street, Corner of Hanover Street) Wessel & Co., Importers and Publishers of Foreign Music Between 1848 and 1856)