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HOW THE U.S. ALMOST KILLED
THE INTERNET
AND WHY IT STILL COULD
BY STEVEN LEVY
SPECIAL REPORT
P. 62
Honestly
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small and light, but powerful enough to
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so I can get stuff done anywhere.
Dell Venue 8 Pro
$
299
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RI GHT HE RE , T HE NE W STANDARD OF I T S CL ASS E ME RGE S F E AT URI NG A BOL D E X T E RI OR DE SI GN WI T H T HE SMOOT H RI DE AND UP
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EVERYTHI NG
YOU NEED T O DO E VERYT HI NG YOU WANT
I NTRODUCI NG THE ALL- NEW 2014 CHEROKEE
88 Bred to Perfection
What happens
when Monsanto, the
master of genetic
modification, decides
to take natures path?
BY BEN PAYNTER
76 The Data Miners
Guide to Romance
Even in the era of
online dating, nding
a mate isnt easy. WI RED
pored over data from
top matchmaking sites
to see what makes
a profile irresistible.
BY CAITLIN ROPER
82 Love, Actuarially
How one man hacked
OkCupid to find
the girl of his dreams.
BY KEVIN POULSEN
FEATURES 22.02
96 Welcome to
Zappotopia
Dozens of startups are
flocking to the Nevada
desert, where Zappos
CEO Tony Hsieh is
building a community-
powered, whimsy-
driven tech mecca.
BY SARA CORBETT
62
How the US Almost Killed the Internet
Google, Facebook, Microsoft, and other tech
titans have had to fight for their livesagainst
their own government. Inside their year from
hell, and why the web will never be the same.
BY STEVEN LEVY
0 1 0 FEB 2014
ON THE COVER
Illustration by Christoph Niemann
34
Talkin Bout Your
Generation
How the slackers passed the
baton to the next suckers
BY CLIVE THOMPSON
29 Fresh Threads
Scratch-and-snif
jeans?
ULTRA
30 Q&A: Rick Rubin
The legendary music
producer talks Spotify, the
Beasties, and Kanye
BY BRIAN RAFTERY
32 Angry Nerd
RoboCop, stay in costume!
No Stamp Necessary
How Someecards became
the hilarious Hallmark
of the Internet
37 Flight Simulator
Luca Iaconi-Stewart is
building the ultimate
paper airplane
38 Secrets, Stars,
and Bones
Things to do and see
in Los Angeles
Q:
41 Sideways Ice Smasher
The Russian Baltika vessel
breaks through ice by
moving sideways
42 Olympic Tricks
Building a slopestyle course
44 Whats Inside
Trojan Tingly Warmth
Lubricant
46 Mr. Know-It-All
On autistic whales,
hate-tweeting, and
social media charity
BY JON MOOALLEM
GADGET LAB
49 Fetish: Vitra Miniatures
Tiny versions of design icons
like Eames La Chaise are
too small to sit in,
unless youre Tinker Bell
50 My Space: Jad Abumrad
The Radiolab cohost
takes us into his studio
54 Head-to-Head:
Premium Compact
Cameras
Nikon Coolpix A vs.
Fujilm X100S
56 Split Screen:
Travel Apps
Essential iOS and Android
tools for booking and
organizing your journeys
58 Billions Served
Usernames are broken.
The way were identied
online needs to catch up
to the modern Internet.
BY MAT HONAN
ASK A FLOWCHART
Is the NSA spying on me?
BY ROBERT CAPPS
110
ISSUE 22.02
12 Network Efects
Whats happening in
the WIRED world
17 Re:Wired
Readers sound of on
guest editor Bill Gates and
projects that help humanity
18 Release Notes
Behind the scenes
of this issue
INFOPORN
The licensed sets (hi, SpongeBob!)
that saved Lego
ALPHA
22 The End of Then
Past? Present? Online it
all lives together in one
big timeless universe.
BY PAUL FORD
24 Cashing in on
Climate Change
For some investors,
catastrophe is a safe bet
24 Jargon Watch
Keep up with the latest
additions to our lexicon
26 Homo Sapiens Secrets
Think youre not a
Neanderthal? Sorry.
21
28
IN 1960, THE REVOLUTIONARY REGIME IN CUBA ILLEGALLY CONFISCATED
ALL THE BACARDI COMPANYS CUBAN ASSETS WITHOUT COMPENSATION
AND FORCED THEM OUT OF THE COUNTRY. THE BACARDS LOST THEIR
BUSINESS AND THEIR HOME, BUT AS HISTORY HAS PROVEN, NOT THEIR
SPIRIT. THEY SIMPLY STARTED OVER SOMEWHERE ELSE.
O F B A R S
KICKED OUT
O T H E R S A R E K I C K E D
O U T O F
COUNTRIES
S O M E M E N A R E
LIVE PASSIONATELY. DRINK RESPONSIBLY.
2014. BACARD, BACARD UNTAMEABLE and the BAT Device are trademarks of Bacardi & Company Limited. Bacardi U.S.A., Inc., Coral Gables, FL. Rum - 40% Alc. by Vol. BACARDI.COM
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0 1 2 FEB 2014
NETWORKEFFECTS
WHAT S HAPPENING IN THE WIRED WORLD
VIDEO
Gear Show
We love gadgets so much
that we end up kind of hat-
ing ourselvesbut the
self-loathing makes us
more insightful. Dont
believe us? Watch our Gad-
get Lab video series, where
we highlight our favorite
gear and also tell jokes.
ON THE WEB video.WIRED.com
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Why you
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and how wearable
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Insights blog dis-
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EDITOR IN CHIEF
I have two webbed toes
on each foot.
We asked:
Whats the most
private thing
youre willing to
admit?
While I usually sport a
shaved head, I also enjoy
slapping on a cosplay wig
every now and then.
theres a cryptogram
tattooed on my back.
The solution might
lead to treasure.
Nickelback
is on my iPod
(and even on
my recently
played list).
My celebrity crush:
Clint Eastwood.
I own Corey Harts
first three releases
on vinyl (the singer,
not the slugger).
I have the worlds
itchiest back.
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I sometimes throw my
hubbys things away
when hes out of town,
in an effort to cut
down on clutter.
We asked:
Whats the most
private thing
youre willing to
admit?
Ive seen Amlie
a thousand times.
I can roll my stomach
muscles like a belly
dancera dubious talent
that helped win over my
then-future wife.
My real height.
Move into a New World
When the Pulitzer Center on Crisis Reporting
awarded me a grant to pursue a project on child
labor, I chose the Olympus OM-D. Its so small and
responsive, it became an extension of my eye. It
allowed me to capture amazingly crisp, clear images
and the details I needed to tell my story.
-Larry C. Price, Olympus Visionary
Shot with an OM-D.
I NT RODUCI NG
A CA ME RA A S
P ROF E S S I ONA L
A S Y OU A RE .
The exceptionally professional
Olympus OM-D E-M1 gives you
the power to accurately and sharply
capture the detail and beauty in
any image. Now you can turn the
smallest aspects of a photo into
a powerful story with the new
Dual Focus 16 Megapixel Sensor,
TruePic VII high performance image
processing engine, and Fine
Detail Processing. These ensure
that each picture you take will be
clear, precise, and exceed your
expectations. But dont take our
word for it; you need to try the
OM-D E-M1 to believe it.
www.getolympus.com/em1
One of the smallest and lightest bodies
in its class at 17.5 ounces*
Built-in Wi-Fi
Full system of premium,
interchangeable lenses
*E-M1 body only
FEB 2014 0 1 7
RE:WIRED
YOU DONT NEED tax-deductible megabucks to
give back to the world. But it doesnt hurt.
We dedicated our December issue to scientists,
designers, and humanitarians who are making
an outsize impact, like polio vaccinators
staring down the Taliban and economists
using randomized controlled trials to ght
poverty. Bill Gates guest-editedand he
brought a pal (see right) for an epic discussion
about technology and global progress.
RE: LIKE MINDS,
ISSUE 21.12
Clinton and Gates
are right. Americans
shouldnt be jealous of
other countries for
catching up; they should
embrace it. Were all
humans, and getting rid
of that national men-
tality will go a long way
toward making the
world a safer place.
Koopication, on YouTube
RE: ALL I WANT, ISSUE 21.12
THE JUICE BOX, A PORTABLE POWER SOURCE
DREAMED UP BY BILL GATES, LOOKS SWIPED
FROM THE DIARIES OF NIKOLA TESLA.
Brandi Alexander, on FACEBOOK
RE: ISSUE 21.12
What a pleasure
to read a
magazine devoted
to technology
for making the
world better
rather than gross
self-indulgence,
and to ideas of
substance rather
than for-prot
frivolity.
David Thomson
of Lawrenceburg,
Kentucky, via email
GLOBAL GIANTS
RE: THE SURGE, ISSUE 21.12
Informative and well-written story about polio
eradication. I was surprised, however, to see no
mention of the CIAs phony vaccination campaign
[in Pakistan] during its attempt to kill Osama bin
Laden. This deception undermined the essential
trust between local people and medical authori-
ties. It may have even led to the deaths of several
medical workers, while making it harder for vacci-
nation teams to access already suspicious areas.
Peter Braden of Madison, Wisconsin, via email
RE: THE SEAWATER SOLUTION, ALPHA, ISSUE 21.12
SURFING IS A GOOD WAY TO COPE
WITH CYSTIC FIBROSIS. HOW COOL
WOULD IT BE TO FILL THAT RX?
Russell Neches (@ryneches), on Twitter
RE: THE VIEW FROM 250 MILES UP,
ALPHA, ISSUE 21.12
How can you talk about
treating Earth like a huge
spaceship without mention-
ing R.Buckminster Fuller?
His 1968 book Operating
Manual for Spaceship Earth
introduced millions to the idea.
Crawford Irvine of San Diego, via email
UNDO, ISSUE 21.12 The writer of Prime the Pump is Timothy Lesle (Alpha). The author of How
Not to Be Wrong is Jordan Ellenberg. The founder of the Stanford Center on Philanthropy and
Civil Society is Laura Arrillaga-Andreessen (Mr. Know-It-All, Q). The writer of The Seawater
Solution is Ariel Ramchandani (Alpha). The author of Rescue Squad is Mark Yarm, not
Greg Miller (Alpha). The Etn BoostTurbine pictured in Wish List was model 4000, not 2000.
RELEASENOTES
0 1 8 FEB 2014
Rock God
To capture music pro-
ducer Rick Rubin (and his
legendary beard) in his
natural habitat (page 30),
photographer Christian
Weber headed to Shangri-
La, Rubins famed record-
ing studio in Malibu,
California. Designed
for Bob Dylan, Shangri-La
has hosted everyone from
Eric Clapton and Van
Morrison in the early
1970s to Adele and Muse
today. Rubin denitely
had a rock-and-roll vibe,
says Weber, whose
work has appeared inGQ
andSpin: Rick doesnt
wear shoes, and he likes
to wear all white.
Voice of Reason
WIREDs Know-It-All column has a new Mis-
ter: Jon Mooallem, whos also a contribut-
ing writer for The New York Times Magazine.
In this issue, Mooallem tackles burning
questions about Twitter morals and autistic
whales (page 46). You can trust him on ani-
malshis book on the subject, Wild Ones,
was a New York Times notable book of 2013.
Another Brick in the Chart
To help visualize the data for this
months Infoporn about Lego
(page 21), we undertook interlock-
ing eforts. Senior editor Sarah
Fallon headed to a Lego store for
bulk bricks; IT guru Chris Becker built
our charts piece by piece. Final tally:
$378.65, 420 bricks, 12 gurines,
and eight stafers gathered around
the table waiting their turn to play.
Drawing Las Vegas
Zappos CEO Tony Hsieh wants
to transform the barren land-
scape of downtown Las Vegas
(Welcome to Zappotopia,
page 96). The work isnt done
yet, so we asked illustrator Josh
Cochran to imagine the neigh-
borhoods future. He turned
it into a hipster playground
with a giant praying mantis and
pirate ship carousel.
Love by Numbers
Theres a trick to nding love online, Caitlin
Roper reports in The Data Miners Guide
to Romance (page 76). But it turns out
that WIRED stafers arent so wired when it
comes to matters of the heart.
I MET MY
PERSON IRL.
NO WAY, NO HOW. MET MY BELOVED
THROUGH IT.
IVE USED IT
BUT DIDNT
MEET ANYONE
AMAZING.
I MET SOMEONE,
AND IT WAS BLISS
UNTIL WE SPLIT.
I PARTNERED UP BEFORE
THAT NEWFANGLED
TECHNOLOGY CAME ALONG
(CLANK, CLANK).
Whats your experience with online dating?
CHRIS BECKER
$
45 per month.
No annual contract.
(
Yeah. You read that right.
)
$45/mo.: Applies to Value Plan w/300 MB data & unlimited talk & text w/one smartphone w/no annual contract (or on AT&T Next
SM
installment agmt). Does not include AT&T Next
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installment charges. Addl mo.
charge per device & for addl data. Automatic overage charges for data use exceeding monthly allowance. Activation fee, taxes, addl deposits, and other restr. may apply. Mobile Share: Up to 10 devices per plan.
Unlimited talk & text for phones only. Subject to change. Cvg & svc not avail. everywhere. Other Monthly Charges/Line: May include federal & state universal svc charges, a Regulatory Cost Recovery Charge
(up to $1.25), a gross receipts surcharge, an Administrative Fee & other govt assessments. These are not taxes or govt reqd charges. Visit a store or att.com/mobilesharevalue for more info.
Claims: Speed claim based on comparison of national carriers average 4G LTE download speeds for Android and Windows smartphones and iPhone 5. Reliability claim based on data transfer completion rates
on nationwide 4G LTE networks. LTE is a trademark of ETSI. 4G LTE not available everywhere. Screen images simulated. 2014 AT&T Intellectual Property. All rights reserved. All other marks used herein are the
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Lego, pre-millennium: stackable bricks, generic yellow-headed characters, revenue
sputtering. Lego today: Crushing the toy industry under its interlocking feet, hav-
ing overtaken Mattel and Hasbro as the most protable toymaker in the world. Thats
partially due to licensing deals, which, starting in 1999, added icons like Darth Vader
and Batman to the mix. Many other properties followedand The Lego Movie, out
in February, features many of our favorite modular heroes meeting for the rst time.
Here are some of the character lines that helped make it happen.
AN EMPIRE
OF BUILDERS
How Legos band of licensed
heroes conquered the world.
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LICENSING DEALS
NUMBER OF SETS
IN EACH LICENSED LINE
WHAT IT WOULD COST TO BUY THE WHOLE LINE EST.
2003
Lego starts
reporting
licensing
expenses.
2005
Jorgen Vig
Knudstorp
becomes CEO
and turns
the company
around.
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$1. 5 B
$0. 5 B
THE PAST IS A FOREIGN COUNTRY,
novelist L.P. Hartley wrote. They
do things differently there. He
penned that in 1953, but in the digi-
tal era the past is now present and all
around us: Millions of out-of-print
books and historical videoclips,
black-and-white movies, nearly
forgotten TV shows and pop songs
are all available with a credit card
or in many cases for free. It used to
be that, for economic and techno-
logical reasons, this cultural history
was locked away. Libraries and cor-
porate archives kept a small subset
of it available, but the rest was in
storage, out of reach. The reversal
has happened in just the past decade.
We are now living in a history glut;
the Internet has muddled the line
between past and present.
The transformation was slow at
first, and hardly anyone besides
librarians noticed. Project Gutenberg,
founded in 1971, was a cheerfully
radical efort to turn old books into
text les. When the web came along,
the Online Books Page appeared and
began listing links to thousands of
digitized titles. Then, after the turn
of the millennium, the pace rapidly
accelerated: Google set up Google
Books, Amazon launched Kindle,
and Archive.org started scanning
public-domain works from libraries.
Meanwhile, shifts in the economics
of music, lm, and video set of an
explosion in the digitization of back
catalogs, until then the furtive ter-
ritory of file - sharing pirates. Spo-
tify and Netix, Apple and YouTube
have all now built enormous busi-
nesses based on organizing the past
for commercial exploitation. Sud-
denly we nd ourselves living in an
online realm where the old is just as
easy to consume as the new. Were
approaching an odd sort of asymp-
tote, as our past gets closer and closer
to the present and the line separat-
ing our now from our then dissolves.
By PAUL FORD
argument
Six decades after Hartley wrote
his famous line, the past is no lon-
ger a foreign land. Instead weve
brought a weirdly literal truth to Wil-
liam Faulkners famously sphinxlike
aphorism: The past is never dead.
Its not even past. Take the Ken-
nedy assassination, for instance. In
honor of the events 50th anniver-
sary last November, CBS streamed
four straight days of its news broad-
cast from the period surrounding
the killing so you could experience
what it had been like in real time. Or
consider this: World War II bufs can
download radio broadcasts and lis-
ten to the rise of Hitler or the news
from D-Day as you would have heard
them back then.
More often, though, we dont
immerse ourselves in history; its
just there whenever we want it, liv-
ing right alongside the present. We
can trace ideas backward in time,
either by searching Google Books
or (for a sum) through thousands of
academic journals, using a few key-
words to nd sources that once were
the sole domain of historians. Pick
any historical subject and the Inter-
net will bring it to life before your
eyes. If youre interested in vaude-
ville, youll nd videos galore, while
college football scholars can browse
Penn States 1924 yearbook, complete
with all the players names and posi-
tions. And every day, more history
keeps washing up. Not long ago the
news went out that a Philadelphia
woman named Marion Stokes had
recorded 140,000 VHS tapes of local
and national news from 1977 to her
death in 2012. Her collection has been
acquired by the Internet Archive, and
soon it will trickle onto the web.
This omni presence of the past has
weird efects on contemporary cul-
ture. Take any genre of music, from
death metal to R&B to chillwave, and
the cloud directs you not just to simi-
lar artists in the present but to deep
wells of inuence from the past. Yes,
people still like new things. But the
past gets as much preference as the
presentMozart, for example, has
more than 100,000 followers on Spo-
tify. In a history glut, the idea of fash-
ionability in music erodes, because
new songs sit on the same shelf as
songs recorded ve, 25, and 55 years
ago, all of them waiting to be discov-
ered. In this eternal present, every-
thing can be made contemporary.
Perhaps the biggest result of the
history glut is that manag ing all
that history becomes the crucial
act, both commercially and intellec-
tually. Wikipedia is cataloging his-
tory, but to do so it needs to keep up
an epic accounting of its own his-
torythe billion-plus edits, each a
record of human activity, that have
built the encyclopedia over the
years. Companies like Spotify and
Netix are mining the past as they
host it, looking at their own enor-
mous usage logs and analyzing that
data to draw connections between
types of people and types of music.
Theres an irony here: All of the
data were collecting, all of the data
points and metadata, is history itself.
Much as we marvel at Babylonian
clay tablets listing measures of grain,
future generations will nd just as
much meaning in our log files as
they will in the media we consume.
Sure, Frank Sinatra sang a bunch of
songs; sure, Jennifer Lawrence was
a big star in 2014. But the log les
tell you who listened, and when, and
where they were on the planet. Its
these massive digital archivesand
the records that show how we used
themthat will be the dening his-
torical objects of our era.
FEB 2014
PAUL FORD (@ftrain) is a program-
mer who is writing a book about
web pages for Farrar, Straus and
Giroux. He wrote about HTTP in
issue 21.05.
illustration by Med Ness
023
FORGET BITCOINsavvy investors bet on water. Global warming is chang-
ing the planet: Melting ice caps cause oods, fresh water vanishes, rising
temperatures shift arable regions and spread disease-carrying bugs. In his
new book, Windfall: The Booming Business of Global Warming, McKenzie
Funk investigates the proteers cashing in on the planets woes. Engineers
excited to see their seawall technology in action are just the tip of the ice-
bergfor some investors, catastrophe is a safe bet. 1UA oREENBERo
The heads of state
SOME LIKE IT HOT
CASHING IN ON
CLIMATE CHANGE
JARGON
WATCH
C
H
R
I
S
T
I
A
N
N
O
R
T
H
E
A
S
T
feb 2014 024
Business
Insurance companies
LIKE: Allstate, State Farm HOW
THEYLL PROFIT: More frequent
natural disasters means insurers
can hike rates, and natural
disasters are great advertising.
Articial-snow makers
LIKE: IDE Technologies HOW
THEYLL PROFIT: Snowmakers help
skiers and snowboarders ignore
shorter seasons and undependable
weather.
Oil and natural gas companies
LIKE: Shell, BP HOW THEYLL
PROFIT: Melting ice will expose
untapped reserves in the Arctic
and newly navigable seas for
smoother shipping.
Gene giants
(Big Ag and genetic engineers)
LIKE: Monsanto, Oxitec HOW
THEYLL PROFIT: Modied seeds
fare better, and engineered mosqui-
toes ght the spread of diseases.
Financial service rms
LIKE: Schroders, Summit Global
Management HOW THEYLL PROFIT:
Investors are buying water rights
and farmland, because drought and
food shortages can mean big prot.
Arctic nations
LIKE: Greenland, Canada, Russia
HOW THEYLL PROFIT: Fish, greener
pastures, and water become more
plentiful up north, while drought-
stricken nations pay for resources.
communications
ngerprinting
v. / k -
'
my-n -'k-sh nz
'-ger-
'
print-i /
Wiretapping to map out communi-
cations networks used by foreign
leaders, so that those networks
can easily be monitored during a
future political crisis. According
to leaked documents, the NSA has
extensively ngerprinted govern-
ment communications in Iran.
stanene
n. / 'sta-
'
nn /
A novel form of tin, one atom thick,
that in theory conducts electricity
with zero resistance. It takes its name
from stannum, Latin for tin, and
graphene, an atom-thick form of
carbon. Computer chips with stan-
ene wires would run at unprece-
dented speeds without overheating.
GPS bullet
n. / 'j 'p 'es 'b -l t /
A sticky GPS tracking device that
can be red from a grill-mounted
launcher during a police chase,
allowing cops to peel of and ambush
the suspect later. Police cars in four
states are now packing GPS ammo,
at a cost of up to $500 a round.
GROs
n. pl. / 'j 'r 'z /
Genomically recoded organisms.
GROs are created by altering DNA
codons to incorporate novel amino
acids in the proteins they make,
which could be used in new drugs
and biofuels. Unlike GMOs, GROs
are so genetically tweaked that
scientists dont expect them to
interbreed with wild organisms.
JONATHON KEATS
jargon@WIRED.com
lexicon
FEB 2014 026
Photograph by Christian Kryl By Ashik Siddique
Alpha GEEK
WE THINK OF NEANDERTHALS as the
losers in a pre historic battle against
the smarter Homo sapiens sapiens.
Its still not a compliment to be called
a Neanderthal, says Svante Pbo,
genetics director at the Max Planck
Institute in Leipzig, Germany. But
his work shows that we are more
like them than we thought.After
20-plus years of pioneering tech-
niques for extracting DNA from
bones, Pbo led the group that
sequenced the first extinct homi-
nid genome in 2010. What he found
upended dogma: Humans migrating
out of Africa interbred with Nean-
derthals rather than merely replac-
ing them, and people of Eurasian
descent could carry a whopping
4percent Neanderthal DNA.Next
up is sequencing Neanderthal
predecessor Homo heidelbergensis.
At 400,000 years old, the DNA sam-
ples could be four times olderand
are far more degradedthan any
previously sequenced hominids, but
Pbos team has a new method that
can recover genomes more easily
than ever before. Ultimately, he wants
to pinpoint why it was our ancestor
who took over instead of another pri-
mate. Not that were complaining.
THE SECRETS OF
HOMO SAPIENS
TRACKING OUR
ANCIENT PAST
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FINRA/SIPC/NFA. TD Ameritrade is a trademark jointly owned by TD Ameritrade IP Company, Inc. and The Toronto-Dominion Bank. 2014
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TRADE ON A PLATFORM THAT PREVENTS ANALYSIS PARALYSIS.
Theres a lot of information out there. Which means its easy to get overwhelmed.
With tools like integrated research on Trade Architect, you can get a consensus
of what analysts are saying about a stock, all in one simplified view. So youre
not overwhelmed. Youre not underwhelmed. Youre justwhelmed.
TALKIN BOUT
YOUR GENERATION
Indeed, MTV was frequently
blamed for turning Xers into a
post-literate generation, as a Ran-
dom House publicist snied. And if
their moronic, ironic pop culture
wasnt grating enough, they were
constantly whining about their eco-
nomic lot, having graduated into
the recession of the early 90s. A
typical headline in The Washington
Post snarled, crow ui, crYsAsiis.
Now, Im 45 years old, which places
me right in the middle of Generation
X. I remember reading these sneer-
ing op-ed pieces all the time.
But then something funny hap-
pened. Gen X punditry diedvery
suddenly.
Check the data. If you plug Gen-
eration X into Googles Ngram
search enginewhich tracks the
occurrence of words and phrases
in booksyou find that the term
exploded in use around 1989, climb-
ing steeply throughout the 90s. But
in 2000 it peaked and began declin-
ing just as rapidly. You see a similar
pattern in major newspapers, where
the term boomed to more than 2,000
in 1995, then declined to just over
800 last year. Its been years since
Ive heard it as an insult.
What changed? Well, it probably
wasnt the actual personality traits
of Gen Xers. Despite constant hand-
wringing over generational shifts,
the basic personality metrics of
Americans have remained remark-
ably stable for decades, says Kali
Trzesniewski, a scholar of life-span
changes. And anecdotally, nobody I
knew in the 90s is much dierent
now. Grayer, maybe.
No, only one thing has changed.
Generation X stopped being young.
By the turn of the millennium,
Gen Xers were rounding the cor-
ner into their thirties and forties.
They started buying houses, get-
ting into government, and running
businesses, and the emptiness of the
Ben wiseman
alpha 028 clive thompson
BACK IN THE EARLY 90S, boomer pundits across America declared
Generation X a group of apathetic, coddled, entitled slackers. Born
between roughly 1961 and 1981, they lacked any political idealism
stuck in a terminal cynicism, as The Dallas Morning News observed.
Gormless narcissists, their intimacy and communication skills
remain at a 12-year-old level, one expert wrote. Even Matt Groening,
creator of The Simpsonsone of Generation Xs most inuential mas-
terworkscomplained that theres no intellectual pride or content to
this generation. The dominant pop culture is MTV and the Walkman.
libels thrown at them soon became
screamingly obvious. Think about
it: Barack Obama, born in 1961, is a
Gen Xerwhich kind of makes the
whole slacker label bankrupt.
The real pattern here isnt any
big cultural shift. Its a much more
venerable algorithm: How middle-
aged folks freak out over niggling
cultural diferences between them-
selves and twentysomethings. In
the 50s, senators fretted that
comic books would ofer courses
in murder, mayhem, [and] robbery
for youth. In the 80s, parents wor-
ried that Dungeons and Dragons
would pollute and destroy our
childrens mindsand that the
Walkman would turn them into
antisocial drones. This pattern is
as old as the hills. As Chaucer noted
in The Canterbury Tales, Youth
and elde are often at debaat.
I bring this up because it seems
that we Gen Xers are now doing
our part to perpetuate the cycle.
We write many of todays endless
parade of op-eds snarking at mil-
lennials, intoning darkly about
the perils of Snapchat and sighing
nostalgically over the cultural glory
of the mixtape. Again, just look at
the data: In Ngram, the term mil-
lennials begins to explode in the
late 90s just before Generation
X collapses. We passed the baton
to the next sucker.
My prediction? Hold fast, millen-
nials. This current wave of punditry
will peak and then start declining
six years from now. In 2020, about
half of you will have turned 30.
Youll no longer be youngand
therefore no longer scaryand
todays rhetoric about your enti-
tlement and narcissism will evap-
orate. Youll be in charge. I cant
imagine what youre going to say
about the kids being born today.
Email: clive@clivethompson.net
Scented jeans
dont smell
on the hanger.
You have
to scratch
to release
the perfume.
M
I
N
T
:
A
L
A
M
Y
Lupine hammack
The same
coating
thats on
your nonstick
pans make
these pants
spill-proof.
fashion
YEARS BETWEEN
THE ORIGINAL
ROBOCOP AND THE
NEW REMAKE
27
. . . . . . . . . . . . . . . . . . p. 32
LENGTH, IN INCHES, OF LUCA IACONI
STEWARTS MODEL BOEING 777, MADE
ENTIRELY OF MANILA FOLDERS AND GLUE
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p. 37
FORTY-EIGHT
11,500,000
VISITS SOMEECARDS.COM RECEIVES
EACH MONTH...........................................p. 34
NUMBER OF YOUTUBE VIEWS OF
EMINEMS BERZERK
68,553,300............... p. 32
CUBIC FEET OF CEMENT USED IN THE FOUN
DATION OF L.A.S WILSHIRE GRAND CENTER
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p. 38
583,200
THE GRAMMYS TAKE PLACEjust as this issue hits stands; if youre
watching, dont be surprised if you hear Rick Rubins name a few
times. Though hes not up for an award himself, the producer
and Def Jam Recordings cofounder could earn some thank-yous
for his work on nominated albums like Black Sabbaths 13 and 3
Kanye Wests Yeezus. That he had a hand in Wests most divisive
album to date shouldnt surprise; the minence grise has been
ahead of the curve for three decades now, whether pioneering
compression techniques that kicked of the loudness war of
the mid-2000s or agitating for subscription-based music mod-
els well before Spotify. He sat down with at his Malibu
home to discuss his three-decade career as guru, executive,
seer, and onetime honorary Beastie.
always listening to good music. The
last one I discovered that way was an
English singer and producer named
Sampha. I heard about him through
Chance the Rapper.
You were cochair of Columbia
Records from 2007 to 2012.
When you rst started, you
arranged for several employ-
ees to get a private tour of
New York Citys Museum of
Modern Art. Why?
The idea was to remind everyone:
Were in the art world. Its not purely a
business transaction that were think-
ing about. Were curators of great art.
Surround yourself with great art; feel
the power of it and how its presented.
Thats how we treat our artists, and
thats how we treat our music.
Whyd you take the job?
I thought it would be a challenge,
doing what I do with artists on more
of a company level. And it was fun.
We hired a lot of great people, signed
a lot of great artists; we took a com-
pany that was creatively dormant and
turned it into whats probably the most
viable of the major labels today.
Did you clash with the old
guard while you were there?
There were clashes of ideas. I saw so
much potential, but there was a sort of
resistance to change: Well, we dont
do it that way. I wouldnt say I fought
about things, because I wasnt there
to ght. Its the same in the studio: If
an artist brings me in, they want me
there for my opinion. Sometimes they
take it, sometimes they dont. Thats
their prerogative.
Can you give an example?
As part of the negotiations, I said,
Wouldnt it be great if we could make
all the packaging eco-friendly? They
agreed to it, but then there was always
a reason not to do it.
Its been three decades since
you and Russell Simmons
released the rst LL Cool J and
Beastie Boys singles on Def
Jam. What were your expecta-
tions when you put them out?
Zerowe were making records to
make our friends laugh. I always
thought Id have a real job and music
would be my hobby.
What did you think your real
job would be?
Youvebeenpredictingasub-
scription-based music model
for more than a decade. Is
Spotify what youd hoped for?
Yes and no. Now you can hear any-
thing you want, whenever you want,
wherever you wantthats great.
But knowing what to listen to hasnt
been completely gured out yet. What
I originally thought was, if I had a ser-
vice like that, all Id want to do is DJ all
day. But once I had it, I realized that
I really dont like having to DJ. I like
being surprised by what comes on
next. I like it coming to me.
So until that happens, how do
you discover new artists?
I dont look at music blogs much. I still
feel like the best way to hear about
things is word of mouth. Luckily, I get
to talk to a lot of artists, and theyre
by Brian Raftery Christian Weber
THE CHART WHISPERER
LEGENDARY PRODUCERRICK RUBIN
LOOKSBACKAND AHEAD
0 3 1
F E B 2 0 1 4
U L T R A
Contributing editor BRIAN RAFTERY
(@brianraftery) wrote about Bob
Odenkirk in issue 21.11.
0 3 2
F E B 2 0 1 4
U L T R A
A NG R Y NE R D
Rubin with
Jay Z and
Def Jam
cofounder
Russell
Simmons
in 2011.
Daniel Nyari
For more ANGRY NERD,
go to video.WIRED.com.
J
O
H
N
N
Y
N
U
N
E
Z
/
G
E
T
T
Y
I
M
A
G
E
S
how youre going to phrase over this,
and then Ill develop it into more of
a song. With Eminem, he has a very
clear vision of what he wants to do
vocally. We were working in two dif-
ferent roomsme on tracks and him
on vocals. We got a lot done.
With Yeezus, though, Kanye
came in having already
recorded much of the music.
My role on that was diferent. He and
I went through loads of diferent pro-
ducers versions of the songs, pick-
ing and choosingand in some cases
doing additional new productionto
create new tracks for these songs. Hed
say, Instead of adding things, try tak-
ing things away. He thought of it as a
minimal album.
Will you go to the Grammys?
[Shakes head.] I went once, in the 80s.
I dont make music to win something.
Its about self-expression and making
these beautiful things. Someone com-
ing up to me in the street and saying,
Wow, I heard so-and-so: That really
moved me. I know how much of a role
music played for me as a kid. I didnt
have a lot of friends; I didnt feel con-
nected to a lot of things. I felt most at
home in my life with my eyes closed
connecting to music.
I was on track to be a lawyer. I was
supposed to take my LSATs not long
after we signed our deal for Def Jam.
After a rift with the Beasties,
you patched things up over
the years. Were you in touch
with Adam Yauch before he
passed away in 2012?
I was. More via email, but yeah. We all
grew up together, and we all think of
each other as we were then. Its prob-
ably diferent for those guys, because
they spent more time together. But for
me, its like a time capsule.
What happens when you rst
sit down with an artist?
The first step is conversation and
feelinggetting a sense of rapport,
a feeling of likemindedness. Discuss-
ing material and helping edit whats
best are next, and then developing
more, if needed.
Did that change on Eminems
Marshall Mathers LP 2?
Usually, with rap artists, we start
from scratchtalking about music
or maybe listening to music. Then Ill
play some rough sketches. If they have
a vocal idea, I might say, Let me hear
ROBOCOP
,
STAY
IN COSTUME!
A REMAKE OF ROBOCOP?! I would
not buy that for a dollar. Its
enough of an outrage that the new
lm replaces the scathing satire of
Reagan-era privatization and vigi-
lantism with dumb commentary
about drones. But I have some seri-
ous doubts about how well star Joel
Kinnaman can ll Peter Wellers
helmet. Its not the performance
Im worried about; Kinnamans an
excellent actor. But when Robo-
Cops face is the moviegoers only
link to his onetime humanity, there
had better be a hyper-photogenic
jaw peeking outeven though the
helmet in the remake is retractable
and RoboCop dofs it as casually
as if hes opening the sunroof on
his car. I get it: Hollywood pays big
bank for a bankable star, so it wants
to highlight his mug. And Kinna-
mans is ne. But Wellers? Wellers
was magnicent. Perfect lips that
werent too plump or too thin. Chin,
teeth, philtrumall awless. Give
him a Kirk Douglas dimple and hed
have the whole package. (This isnt
homoeroticism. Its canon!) Holly-
wood, I nd you in violation of
superhero bylaw 3.1, section A: Any
feature that sticks out of a super-
heros costume must be perfect!
A COMBINATION OF deadpan humor and old-timey drawings has
transformed Someecards into the Hallmark of the web, with
7million unique visitors a month. How else could you deliver a
romantic note like Just sending a preemptive apology, since
Valentines Day cant possibly live up to your expectations?
Cofounder and head writer Brook Lundy designed the cards to
be the antithesis of the musical color-bomb ecards of yesteryear.
He issues a daily assignment to contributors and matches the
wittiest responses to anachronistic illustrations culled from
image databases. We talked to Lundy about how Someecards
has redened (and proted from) the lowly ecard. BZ cARsoN
Ecards:
When you
care, but not
enough to
buy a stamp.
Whats the Someecards style?
Sarcastic? Cynical?
Id say honest. Its probably closer to
Curb Your Enthusiasm and Seinfeld,
because its a bit absurd too. We like
to play of the minutiae of life and call
attention to it in a funny way. When
youre being honest, stuf comes out
that people usually dont talk about
because its dark, dirty, or inappropriate.
Youre trying to be more
honest than funny?
Its the goal. Does everyone really hate
Red Sox fans? Do womens nipples get
erect when its cold? Thats the fact-
checking were always doing. If you nail
the honesty, you dont have to work too
hard at the make-it-funny part.
And you make money this way?
The cards are free, but we make money
from the ones we create for advertisers
like Ford and Clorox. Weve made them
for shows like The Walking Dead and
Modern Family. We combine the tone
of Someecards with the voice or plot
points of the show and release them
online the same way as our other cards.
How many cards do you create
each day?
We aim for six to 10, but it depends on
the day and whats happening. Ecards
about Obamacare, no one gives a shit
about. But if Miley Cyrus does some-
thing crazy, that can give us fodder
for the day. Kim Kardashian getting
engaged, that was a gold mine.
0 3 4
F E B 2 0 1 4
U L T R A
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Powered by Cond Nast.
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0 3 7
F E B 2 0 1 4
U L T R A
Mark Mahaney
A
L
A
M
Y
5 0 DAY S
5 Y E A R S
BOEING CAN BUILD a 777 in 50 days.
Luca Iaconi-Stewart can build one
tooin five years. True, Iaconi-
Stewart made his 1:60-scale jetliner
out of manila folders and dabs of
glue, but its almost as complicated
as the real deal, down to the retract-
able landing gear.
The idea for the project grew out
of his love of airplanesand the
massing models he made from
manila paper in a high school archi-
tecture class. Soon after he found a
super-detailed diagram online of an
Air India 777-300ER, Iaconi-Stewart
was drawing forms in Adobe Illus-
trator, printing them on manila, and
wielding his X-Acto knife. Theres
something rewarding about being
able to replicate a part in such an
unconventional medium, he says.
Iaconi-Stewart devoted an entire
summer just to the seats (20 min-
utes for an economy seat, four to six
hours for business class, and eight
hours for first class). Tweezers
helped. He designed the engines
in about a month and assembled
them in four. The tail he rebuilt
three times. When his classes at
Vassar took up too much timehe
actually stopped work on the 777
for two years because of college
Iaconi-Stewart dropped out. Im
fortunate to have parents willing to
give me a fair amount of latitude,
he says. Theyre going to have to
give a little more: When this proj-
ect is nished, probably early this
year, he might start building an even
bigger model. vicioriA iANc
FLIGHT SIMULATOR
THE ULTIMATE PAPER
AIRPLANE
T I ME T O B U I L D
0 3 8
F E B 2 0 1 4
U L T R A
SHERMAN
OAKS
CENTRAL
LOS ANGELES
V
e
n
ic
e
B
lv
d
INGLEWOOD
VENICE
HOLLYWOOD
2
I
L
L
U
S
T
R
A
T
I
O
N
:
J
U
S
T
I
N
M
E
Z
Z
E
L
L
;
M
A
P
:
B
R
O
W
N
B
I
R
D
D
E
S
I
G
N
;
W
I
L
S
H
I
R
E
G
R
A
N
D
:
C
O
U
R
T
E
S
Y
O
F
G
A
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Y
L
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O
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A
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D
O
MOST POPUL AR F I L MI NG L OC AT I ONS I N 2 01 3, B Y N U MB E R O F P R O D U C T I O N D AY S : VE NI CE B E ACH 3 7 6 , GRI F F I T H PARK
2 9 1 , DI S NE Y S GOL DE N OAK RANCH 2 2 6 , HE RAL D E X AMI NE R B UI L DI NG 1 2 9 , DOCKWE I L E R S T AT E B E ACH 1 2 8 , WI L L ROGE RS S T AT E
B E ACH 1 2 5 , L OS A NGE L E S CE NT E R S T UDI OS 1 1 7 , P OI NT DUME B E ACH PARK I NG L OT 1 1 2 , L I NDA VI S T A COMMUNI T Y HOS P I T AL 1 0 8
SEE
Visit the
1
Page
Museum at the
La Brea Tar Pits
to gawk at fos-
sils and watch
researchers
brush sand
of new nds.
Theres noth-
ing dinosaur-
ish about the
berquirky
2
Museum of
Jurassic Tech-
nology, but
curios like the
notes from
a 19th-century
Russian space-
travel theo-
rist are just as
delightful. Gaze
up at the astro-
nomical stars
at
3
Grifth
Observatory,
but ditch the
human star
tours and visit
the
4
Holly-
wood Museum
for your lm
x. It houses
the Silence of
the Lambs dun-
geon, plus four
oors of cos-
tumes from
Star Wars and
other classics.
DO
Meltdown
Comics is
legendary for
its huge col-
lection and
new-release
Wednesdays,
but dont
miss the com-
edy acts in
back at the
5
NerdMelt
Showroom.
Download apps
like
6
Secret
StairsSilver
Lake1 and
7
Our Malibu
Beaches to
explore hidden
staircases and
little-known
spots for public
beach access.
8
Its a Wrap
sells togs
straight from
the studios, so
you can walk
around wear-
ing a shirt from
Dexter. If you
prefer your
memorabilia
in your hands
instead of on
your back,
try
9
Larry
Edmunds
Bookshop, the
oldest book-
store in Holly-
wood, for
posters, auto-
graphs, books,
and scripts.
WAYPOINTS
LOS ANGELES
GREEK EATS:
Petros in Man-
hattan Beach
the best Greek
food. Dont be
surprised if you
see a Lakers
player at the
table next to
you. JEANIE
BUSS, PRESI-
DENT OF THE
L.A. LAKERS
IN FEBRUARY, LA drivers will have
to contend with an extra commute
challenge: 2,000 trucks carrying
concrete for the new Wilshire Grand.
Owned by Korean Air, the 1,100-foot-
tall mixed-use skyscraper (the tall-
est building west of the Mississippi)
will feature a hotel lobby on the
70th oor. When I went to Disney-
land as a kid and saw the Matter-
horn in the distance, I knew I was
going to go there, says Chris Mar-
tin, master architect of the project.
We want our guests to look at this
building, see the top, and want to go
there. So lets take them to the top.
But even if you dont go way up high,
theres plenty to do on the ground
in the city of angels. siz cArsoN
THE WI LSHI RE GRAND // THE FOUNDATION SLAB IS 18 FEET THICK AND THE AREA OF A
FOOTBALL FIELD // THE BUILDING WILL HAVE 73 FLOORS AND A ROOFTOP POOL
SECRETS
,
STARS
,
AND BONES
AN INSIDE LOOK ATL.A.
4
5
8
9
1
3
2
7
6
Wilshire
Grand site
041
C
O
L
O
R
B
Y
G
L
U
E
K
I
T
;
Q
:
B
Y
M
E
L
V
I
N
G
A
L
A
P
O
N
vladimir shelest
SIDEWAYS
ICE SMASHER
roll and crush
Instead of smashing ice
head-on, the angled hull
lets the ship roll over
the ice and use its weight
to do the cracking.
propulsion
Three 360-degree
thrusters let the ship
navigate sideways
to attack the ice at a
30-degree angle.
oil filter
The Baltika can also help
with oil spills. The unique
hull guides oily water
into a hatch, where a
skimmer tank separates
the oil from the water.
ballast
Inside, water and fuel
are pumped between
tanks so the ship
doesnt roll over.
wide swath
The Baltika cuts a 160-
foot path through
ice, allowing tankers
to follow in its wake.
The Baltika isnt adriftits breaking ice. Debuting in
the Gulf of Finland in early 2014, the Russian-owned
ship will be the rst to travel sideways through the
frozen stuff. Although smaller than a normal ice-
breaker, its oblique angle of attack lets it carve a
larger pathwide enough for commercial ships
to follow. You would conventionally need two ice-
breakers to make the same channel, project manager
Mika Willberg says. The Baltika can crack through
ice about 2 feet thick, but the ships patent holder,
Aker Arctic, has a larger ship in the works to cut trade
routes through heavier Arctic ice. siz cArsoN
OLYMPIC TRICKS
THE KEY TO
SLOPESTYLE
kagan mcleod
Jumps lead to more
speed, more air,
and cooler tricks.
Forsell puts the big-
ger ones at the bot-
tom of the course,
so the spectators
have a great view.
The event draws a
lot of inspiration
from urban skate-
boarding; in addi-
tion to several types
of rails, slopestyle
can even include
staircases.
When Forsell manages
to t a fourth jump
(courses normally
have three, includ-
ing Sochis), riders
can build up enough
speed to execute
ultratricky moves like
the triple cork.
Forsell builds courses
about 10 days before
an event; that way he
can adjust everything
based on snow con-
ditions. For exam-
ple, he might change
the angle of a jump
so riders dont over-
shoot the next one.
Nine times out of
10, Forsell works
with articial snow.
It contains less air,
its more solid, and
it gives him better
control over quality.
IF YOUR WINTER-OLYMPICS meh has been frozen in place
ever since you watched curling in 2010, weve got good
news. Slopestyle, a new freestyle skiing/snowboard event
in which riders y through an obstacle course, will blow
the broom right out of your hand. Unlike other events
based on speed or a specic course design, slopestyle is
about originalitythe tricks that athletes can manage
on courses that change with each competition. Thats the
challenge facing Sochi course designer Anders Forsell.
We try to create something that oers as many options as
possible, he says of building the 550-meter run. Forsell
generally tries to visit the site in summer to get a good
look at the terrain. Then he turns to AutoCAD software
to design the slope and jumps, which he usually builds
rst with dirt. Once its go time, snowcats push the white
stu into place. iiisi crAic
042
DATAS T REAM // AVERAGE T OOT H FAI RY PAYOUT PER T OOT H, BY US REGI ON
NE W E NGL AND: $ 5 . 00 // S OUT H CE NT RAL : $ 4. 6 0 // PACI F I C: $ 4. 3 0 // MI D AT L ANT I C: $ 3 . 8 0 // UP P E R MI DWE S T : $ 3 . 7 0 // S OUT H AT L ANT I C: $ 3 . 1 0 // S OUT HE AS T :
$ 3 . 1 0 // GRE AT P L AI NS : $ 2 . 80 // MOUNT AI N WE S T : $ 2 . 3 0
Whos trolling who?
THE PATENT TROLL CAMPAIGN ISNT JUST ABOUT PATENT TROLLS
Its about a group of companies that want patent law rewritten in their favor to
weaken the patent rights of all inventors.
Get the facts. Keep innovation strong.
Visit SavetheInventor.com
This wake up call brought to you by the Innovation Alliance.
MENTHOL
Best known for
creating a cool
sensation in con-
sumer products
like cigarettes
and cough drops,
menthol triggers
TRPM8also
known as cold and
menthol recep-
tor1an ion chan-
nel protein that
alerts nerve cells
when it detects
coldness. So why is
this pepperminty
substance in a
warming lubricant?
It likely provides
thatpromised
tingly feeling.
Plus, menthol
can moderate the
imaginary heat
generated by this
product, so your
skin doesnt feel
like its on re.
DIMETHICONOL
This kissing cousin
of dimethicone is
added to lotions
and conditioners,
because it leaves
a satiny coating on
skin and hair. Like
dimethicone, it has
a backbone of
alternating silicon
and oxygen atoms
and comes in a
range of viscosi-
ties. The diference
is that dimethi-
conol has had its
tips snipped of
and replaced with
hydroxyl groups
oxygen atoms
bound to hydro-
gen. It puts the
OH, OH in your
personal lubricant.
VANILLYL BUTYL
ETHER
It smells like des-
sert and can trick
nerves into per-
ceiving heat, prob-
ably by ipping
the switches of
the protein TRPV1,
which lets calcium
penetrate nerve
cell membranes.
VBEs hexagonal
head is identical to
that of capsaicin,
the molecule that
gives peppers their
punch, so both
substances push
the same biochem-
ical buttons. Luck-
ily, the sweet ether
is far less intense
and irritating than
its spicy brother.
DIMETHICONE
Few substances
have sex written
all over them like
this family of sili-
cone polymers.
A friction ghter
here, dimethicone
really gets around.
Short-molecular-
chain variants can
be found in breast
implants; networks
of rubbery long-
chain dimethicone
comprise the silky
skin of sex dolls.
Not in the mood?
You can also nd it
in a wide variety of
household caulks.
WHATS INSIDE
TROJAN TINGLY
WARMTH
LUBRICANT
For more WHATS INSIDE,
go to video.WIRED.com.
Feb 2014 044 BY AARON ROWE
Todd Tankersley
VISIT US ONLINE AT WIREDINSIDER.COM + FOLLOW WIREDINSIDER ON TWITTER + LIKE WIREDINSIDER ON FACEBOOK
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Christoph Niemann
I PUT THIS question to Laurel Brait-
man, author of the forthcoming Ani-
mal Madness: How Anxious Dogs,
Compulsive Parrots, and Elephants
in Recovery Help Us Understand Our-
selves. Her book chips away at the prej-
udicial idea that humans are the only
animals to feel and express emotion
in complex and surprising ways and
shows that animal minds can be just
as diverse as our own.
Why not? Braitman answered glee-
fully. This was followed by a long chain
of other, more nuanced thoughts and
historical anecdotes. And then, nally,
Braitman told me about A27.
046 BY JON MOOALLEM
MR. KNOW-IT-ALL
CAN WHALES BE AUTISTIC?
A27 was an orca, one of 32 that a
marine biologist named Naomi Rose
studied for several years in British
Columbia while investigating the
social dynamics of male orcas in the
wild. There was something very dif-
ferent about this guy. He behaved
oddlyinscrutably. Rose explained, for
example, that hed go on tail-slapping
jags for several minutes, repeatedly
smacking the water with his rear n.
Orcas are normally extremely social
animals. But A27 didnt interact much
with other orcas except his mom. I
ended up thinking he was developmen-
tally stunted, Rose told Braitman.
So, was A27 autistic? Who the hell
knows? Does the story of A27 present
only the most excruciatingly thin evi-
dence that a whale could be autistic?
Yes, it sure does. But as Braitman asks,
what would it even mean to apply a
human label like autism to an ani-
mal? We have only the most hesitant
understanding and denition of autism
in our own species, and the barest con-
cept of the inner lives of nonhumans.
So listen, heres your answer: The
world is full of difference and mys-
tery. Certainty surfaces only inter-
mittently, like blacksh spouting from
beneath a deep blue tide.
CHARTGEIST
Spreading
rumors about
Redbox u
An original
drama about
some variety
of criminal
Charge a fee
to stop the
When did you
mail back Top
Gun? emails
Pretend the
last season
of Arrested
Development
never
happened
Reviving Qwik-
ster as a stream-
ing porn service
Popcorn on
demand
Netixs Plans for Growth
Controller for
casual games
with a Duh!
button
Sonic the
Hedgehog
rewall
Device that
tracks your
eyes and says,
My playable
content is up
here Another
damn glove
A robot
that jumps
around for
the Kinect
while you sit
on the couch
Autoposted
videoclips of
folks naked-
playing
Britneys
Dance Beat
Popularity of Future
Game Console Innovations
If Im waiting at an airport gate
for my ight, is tweeting about
the horrible smell of egg salad
the woman next to me is eating
an acceptable way to vent? Or is
it an act of moral cowardice?
Picture it: California, 1878. A new and
curious device, the telephone, is pop-
ping up across the state. And this thing
is really stupendousan unmistak-
able success, one newspaper raves.
Other papers print a poemWhit-
manesque in its exuberant use of excla-
mation pointsthat says the telephone
can be used by lovers to express their
longing when separated by great dis-
tances! (The humblest of words like
angels fly / A thousand miles in the
ash of an eye, / You hear before they
are said!) The climate of telephone
wonder is so adrenalized that when a
man claims to receive phone calls from
the dead, it does not seem impossible.
Now look at our phones. Really look
at them. Theyre incredible! Im read-
ing that terrible poem from 136 years
ago on my telephone right now! Just
conjured it out of the ether, like the
voice of a dead man! And yet we take
it all for granted.
Which is to say: Tweeting about that
woman and her egg salad is an act of
moral cowardice. Actually, its worse.
Its a betrayal of your fellow human
being but also, somehow, a betrayal of
your phoneof its potential, itscapac-
ity for good. Youre using technology
thats meant to cohere people over long
distances to callously alienate yourself
from a person next to you. Youre tak-
ing something beautiful and using it to
ing something ugly.
Weve come a long way since 1878.
Were so staggeringly interconnected
now. Theres no such thing as time
and space. Its all been smashed, jum-
bled, and melded together. In this new
dimension we inhabit, a tweet can stink
worse and waft farther than the stench
of any egg salad.
feb 2014
KISS ME,
MOM
NO TUNG
I LOVE
IE8
BRONY4U
TL;DR
DO NOT
EAT
Least Romantic Candy Hearts
Friends often ask me to mention
their project or cause in my social
media streams, but I feel that
promoting their art opening or
charity 10K or posting pictures of
their baby will demean my brand.
How do I deect these requests?
Do you know what happens when a
hippopotamus dies? Well, it falls over,
rst of all. But then the carcass grad-
ually lls with gasses as the animals
insides rot. It sounds gruesome, but
that decomposing corpse also repre-
sents upwards of 2 million caloriesa
big bonanza of nourishmentand all
the vultures and hyenas and scaveng-
ing big cats that happen across a dead
hippo would love nothing more than to
break in and start digesting that good
stuf. Sometimes, however, they cant.
Sometimes the hippo hide is too thick
and rubbery for any animal to tear into.
And if nothing can puncture the skin
if the hippopotamus proves impen-
etrableit will simply get more and
more bloated until, nally, it explodes.
Sounds to me like your social media
presence is like that hippopotamus: a
lockbox of very special material that
everyone wants a piece of. The only
way to keep it that way is to thicken
your skin. Say no, rmly, and dont let
those hyenas and vultures get to you.
On the other hand, you may just be
awfully pompous. If youre truly so con-
cerned with bolstering your author-
ity as a curator and defending the
integrity of your brand from friv-
olous asksif youre being so cal-
culated and cynical about the whole
thingthen, Id argue, your Facebook,
Instagram, and whatever else is basi-
cally dead inside. Its as dead as that
hippo, bloated and sprawled in the dust.
Stop walling it of from the Circle of
Life. Let a baby picture or a charity 10K
pop it from time to time. Let all that
gas rush out.
Need help navigating life
in the 21st century? Email us at
mrknowitall@.com.
2013 Toyota Motor Sales, U.S.A., Inc.
Options shown.
toyota.com/priusfamily
0
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PETITE
MODERN
$135 AND UP FETISH VITRA MINIATURES COLLECTION
Youve probably seen Charles and Ray Eames La Chaise chair, but never quite
like this. Everything is in the right place. Everything is made of the right
material. But its way too small for you to sit on. The 1:6-scale reproduc-
tion of the couples 1948 design is part of the Vitra Miniatures Collection,
which specializes in tiny, high-delity versions of modern furniture master-
pieces. Like its full-size inspiration, its made of molded berglass, steel
rods, and wood. But this seat measures a scant 5.4inches high, 9.8inches
long, and 5.6inches deep. If you love the concept but want a diferent look,
youve got many minuscule options; there are 68 classic designs in the col-
lection. Next step: training your cat to perch on them.
BY TI M MOYNI HAN SUN LEE
2
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THE SOUND SCIENTIST
When Jad Abumrad, cohost of
the on-air amazingness that is
Radiolab, wants to prep a show
for broadcast, he uses WNYCs
studio. But hes most productive
when left alone in his home
studio, where he spends hours
manipulating the sounds and
efects that give Radiolab its
trademark sonic complexity.
This is where I scratch, Abum-
rad says. His space is the audio
equivalent of a sketchbook, and
its full of wonderful toys.
BY JOE BROWN DUSTI N AKSLAND
MY SPACE RADIOLAB S JAD ABUMRAD
2. MOOG SONIC SIX
I got this ve years
ago, because I could
aford it, Abumrad
says of the 1970s-
era synth respon-
sible for some of
the darker sci-
sounds on Radiolab.
Its ugly and its
harsh and I love it.
3. ROLAND JUNO-60
Produced from
1982 to 1984, this
highly sought-
after 61-key ana-
log synthesizer is
the source of many
of those dreamy,
serene sounds you
hear on the show.
1. AKG K702
HEADPHONES
If you want to hear
Radiolab like Abum-
rad hears it, listen
through a pair of
AKG K702s. These
studio-specic cans
are his faves and
one of two pairs of
headphones he uses
to mix every show.
$300
7
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8. APOGEE
SYMPHONY I/O
Any sound not
made on the
computera gui-
tar rif, breaking
glasshas to be
converted into a
digital audio le.
Thats what the
Symphony does.
$2,500
5. KENTON
KILLAMIX MINI
When perform-
ing, Abumrad
assigns sound
effects to this
controller. He
can adjust tones
with the knobs
and even map
more than one
sound to each
channel. How he
keeps track of all
the functions is a
mystery. $440
9. AVID PRO TOOLS
Radiolabs com-
plex auditory
landscape is con-
structed by pains-
takingly layering
sounds on top
of other sounds.
Abumrad uses Pro
Tools to do this.
No surpriseits
the program of
choice for record-
ing engineers
everywhere. $700
7. SOUND CON-
STRUCTION DESK
When Abumrad
got a Mac Arthur
grant, the rst
thing he bought
was this custom
audio desk from
Sound Construc-
tion, a company
in his hometown
of Nashville.
4. M-AUDIO
AXIOMPRO49
Though it looks
like a piano key-
board, this is a
49-key MIDI con-
troller. Its able
to play and manip-
ulate any sound
you can create
or load onto your
PC. Abumrad
uses it for almost
everything he
composes. $450
6. MILLENNIA
HV-3C PREAMP
Abumrad prefers
to plug his micro-
phone into this
clean-sounding
stereo preamp
when recording
his own voice.
Solid-state elec-
tronics keep
the delity true.
I hear myself
through this and
think, I like that
guy. $2,059
10. NOVATION
LAUNCHPADS
When Radiolab
does live shows,
Abumrad loads
many of the crazy
sound efects
and scene transi-
tions into easy-
to-launch triggers.
He then res
them of with this
fully program-
mable 64-button
keypad. $170
MY SPACE
CONTI NUED
N E T WO R K . D E TA I L S . C O M
NETWORK THE
PROMOTION
AN INTERNATIONAL COMMUNITY
OF MENS STYLE WRITERS AND
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Fashion.
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With big sensors and high-quality lenses, these pocketable cameras can crank out pro results.
BY TI M MOYNI HAN SUN LEE
BEST FOR: Landscape and street pho-
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wider-angle camera.
BEST FOR: Seasoned shutterbugs who
want a fast-focusing low-light shooter.
NIKON COOLPIXA
FUJI FILM X100S
These are xed focal length cameras
(they dont zoom), so your lens should
match your shooti ng needs. The
Coolpix A has wide-angle 28-mm-
equivalent optics that work best for
group shots and scenic vistas; theyre
not optimal for tight shots. The Cool-
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cant quite match the X100Ss bright
lens, and its autofocus lags a bit. Still,
its the clear choice if you want a
smaller camera with straightforward
operation. Its lighter and simpler, and
its control scheme is perfectly painless.
Its bulkier and pricier than the Cool-
pixA, but Fujilms big-sensor X100S
also ofers superior performance. The
benets start with the glassa xed
35-mm-equivalent eld-of-view lens
with an f/2.0 aperture that yields
excellent low-light shots. Fujifilms
autofocus system is also noticeably
faster than Nikons, and youll gener-
ally get better macro performance.
The main trade-of is ease of use: With
tricky controls that may confuse even
the most experienced photographer,
the X100S is not a camera for rookies.
$1,100
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FLIGHT PLAN
SPLIT SCREEN
Exploring an exotic new place? From the time you
book your trip until that nal night on the town, your
phone is the best guide through unfamiliar streets.
BY ALEXANDRA CHANG SUN LEE
ANDROID iOS
HIPMUNK Search ights not only by price
but also by agony, a metric weighing
cost, duration, and number of stops.
Book a roomeven on Airbnband nd
last-minute tonight only deals. FREE
KAYAK PRO Locate deals on airfare,
hotels, and car rentals and get up-to-
date info on the status of booked ights.
The Pro version is ad-free and includes
more than 100 airport terminal maps. $1
WORLD TRAVEL GUIDE Browse write-ups
for 15,000-plus sights, tours, and hotels
worldwide. The app stores all the inter-
esting stuf on your phone, helping you
skirt international data charges. FREE
CITY NOTES Each of these city-specic
walking guides presents a tightly curated
list of the best food, shopping, and local
avor. SF and NYC are out now; expect
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hensive lists, even track your expenses
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ights, hotels, restaurant bookings
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itinerary. FREE
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This app lists fun things to do near the
airport and even shows TSA wait times
so you dont miss your next ight. FREE
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Stories of Innovation
0
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8
his has probably happened to you: You hear about some cool
new app or game or service, rush to sign up, and discover that
another person has already snagged the username you wanted.
Its a bummer and a bad rst impression for a new service.The
username just wasnt built to withstand what the Internet has
become. Its a vestige of an earlier era, when a large service had
thousands of users. Today, despite the billions of people online,
were still designing for the sparse old days.In the late 90s,
I would have thought MetaFilter might have like 10,000 users
max, says Matt Haughey, creator of the popular online com-
munity. Haughey was also an early designer for Blogger, one
of the rst democratized online publishing platforms. For
Blogger, I thought, this is pretty amazing, and wouldnt it
be great if millions of people used it? I thought, someday we
might reach 5million or so.Those kinds of numbers, ambi-
tious at the time, seem like nothing now. Blogger, which was
acquired by Google, currently hosts tens of millions of blogs;
MetaFilter has upwards of 60,000
accounts. But while weve built these
systems to scale for machines, weve
generally done a poor job of scaling
them for humans. We havent really
gotten our heads around what having
much of the planet online means, and
nothing reects this better than the
username quandary.
When online communities were just
starting out, our digital watering holes
relied on unique usernamesand not
only for person-to-person interaction.
The servers used them to ID people
logging on. This became the estab-
lished practice, and it wasnt a prob-
lem in those early days, when it could
take months or even years for the good
names to get snapped up. Now that can
happen in a day. Take the sele sharing
service Shots of Me. It is precious.
But because Justin Bieber backs
the company, his horde of Beliebers
jumped on it almost instantly; within
hours of the launch, I couldnt get the
username I wanted.
That sucks. One of the best things
about the online world is how it lets
us be whoever we want to be. We
shouldnt have to sacrice that just
because someone else got there rst.
Facebook is handling this problem
pretty wellan infinite number of
John Smiths can use the service with
no confusion. On Twitter, conversely,
demand for its supply of usernames
is so high that people routinely buy,
sell, and even steal valuable handles
company names, rst names, celebrity
names, and so on.
The solutionand the key toFace-
books successis surprisingly sim-
ple: Identity online should take a cue
from the physical world. You are more
than your name; your face, your birth-
day, your location, and the company
you keep all help others figure out
who you are. Oh, youre Mats friend
Joe from New York? Thats right, I
remember you. We can use all those
same cues digitally, as Facebook does.
Yes, our data has to attach to unique
identifiers to live on a server, but
only the machines need to see those.
Theyre just like the Social Security
numbers we use in meatspace to dif-
ferentiate people with the same name.
Ultimately were all just numbers
to computers anyway. Its kind of
counterintuitive, but the best way
to be whoever you want to be is to
be nothing more than a number to
everyone but your friends. That means
there can always be more than one
Mat Honanwhich, trust me, is an
awesome idea.
Email mat_honan@.com.
The way were identied online needs to catch up to the modern Internet
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0 6 1 FEB 2014
NSA vs. the Internet 62 | Dating, By the Numbers 76 | The Love Hacker 82 | Monsanto Goes Green(ish) 88 | Zappotopia 96
FEATURES | 22.02
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by Steven Levy
0 6 4
STEVEN LEVY (@stevenlevy) is a
senior staf writer at and
the author of Crypto.
connected with him. Now, collab-
orating with documentary film-
maker and Snowden confidante
Laura Poitras, he was going to
extend the story to Silicon Val-
ley. Gellman wanted to be the rst
to expose a top-secret NSA pro-
gram called Prism. Snowdens
files indicated that some of the
biggest companies on the web had
granted the NSA and FBI direct
access to their servers, giving
the agencies the ability to grab
a persons audio, video, photos,
emails, and documents. The gov-
ernment urged Gellman not to
identify the firms involved, but
Gellman thought it was impor-
tant. Naming those companies
is what would make it real to
Americans, he says. Now a team
of Post reporters was reaching out
to those companies for comment.
It would be the start of a chain
reaction that threatened the
foundations of the industry. The
subject would dominate head-
lines for months and become the
prime topic of conversation in
tech circles. For years, the tech
companies key policy issue had
been negotiating the delicate
balance between maintaining
customers privacy and provid-
ing them benefits based on their
personal data. It was new and
controversial territory, some-
times eclipsing the substance of
current law, but over time the
companies had achieved a rough
equilibrium that allowed them
to push forward. The instant
those phone calls from report-
ers came in, that balance was
destabilized, as the tech world
found itself ensnared in a fight
far bigger than the ones involv-
ing oversharing on Facebook
or ads on Gmail. Over the com-
ing months, they would find
themselves at war with their
own government, in a fight for
the very future of the Internet.
But rst they had to gure out
what to tell the Post. We had 90
minutes to respond, says Face-
books head of security, Joe Sul-
livan. No one at the company had
ever heard of a program called
Prism. And the most damning
implicationthat Facebook and
the other companies granted the
NSA direct access to their servers
in order to suck up vast quantities
of informationseemed outright
wrong. CEO Mark Zuckerberg was
taken aback by the charge and
asked his executives whether it
was true. Their answer: no.
Similar panicked conversa-
tions were taking place at Google,
Apple, and Microsoft. We asked
around: Are there any surrep-
titious ways of getting infor-
mati on? says Kent Wal ker,
Googles general counsel. No.
Nevertheless, the Post pub-
lished its report that day describ-
ing the Prism program. (The
Guardian ran a similar story
about an hour later.) The piece
included several images leaked
from a 41-sl i de NSA Power-
Point, including one that listed
the tech companies that par-
ticipated in the program and
the dates they ostensibly began
fully cooperating. Microsoft
came first, in September 2007,
followed the next year by Yahoo.
Google and Facebook were added
in 2009. Most recent was Apple,
in October 2012. The slide used
each companys corporate logo.
It was like a sales force boast-
ing a series of trophy contracts.
Just a day earlier, the public had
learned that Verizon and prob-
ably other telephone compa-
nies had turned over all their call
records to the government. Now,
it seemed, the same thing was
happening with email, search
history, even Instagram pictures.
The tech companies quickly
issued denials that they had
granted the US government
direct access to their customers
data. But that stance was com-
plicated by the fact that they
did participateoften unwill-
inglyin a government program
that required them to share data
when a secret court ordered them
to do so. Google and its counter-
parts couldnt talk about all the
details, in part because they were
legally barred from full disclosure
and in part because they didnt
know all the details about how the
program actually worked. And so
their responses were seen less as
full-throated denials than mealy-
mouthed contrivances.
They hardly had the time to
figure out how to frame their
responses to Gellmans account
before President Obama weighed
in. While implicitly confirming
the program (and condemning
the leak), he said, With respect
to the Internet and emails, this
does not apply to US citizens and
does not apply to people living
in the United States. This may
have soothed some members of
the public, but it was no help to
the tech industry. The majority of
Apple, Facebook, Microsoft, and
Yahoo customers are not citizens
of the US. Now those custom-
ers, as well as foreign regula-
tory agencies like those in the
European Union, were being led
to believe that using US-based
services meant giving their data
directly to the NSA.
The hard-earned trust that the
tech giants had spent years build-
ing was in danger of evaporating
and they seemed powerless to do
anything about it. Legally gagged,
they werent free to provide the
full context of their coopera-
tion or resistance. Even the most
emphatic deniala blog post by
Google CEO Larry Page and chief
legal officer David Drummond
headlined, What the did
not quell suspicions. How could
it, when an NSA slide indicated that
anyones personal information was
just one click away? When Drum-
mond took questions on the Guard-
gibabytes
Amount of
data computer
scientist Edward
Felten estimates
the program
generates daily.
billion
Estimated number
of calls made in or
to the US every day.
billion
Number of global
cell phone location
records the NSA
collects daily. Use
a burner as a work-
around and youll
trigger red ags
with the spooks.
Anatomy
of a Spy
Network
Telcos
NSA
NSA
Analyst
Credits
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