Batboy Perusal

BAT BOY
THE MUSICAL
This score has been downloaded from
www.dramatists.com and is for perusal only.
PIANO/CONDUCTOR
No performance or use of this score is

Story written
and Book byauthorization
allowed without
KEYTHE
FARLEY andPlay
BRIAN
FLEMMING
from Dramatists
Service,
Inc.
Music and Lyrics by
LAURENCE OKEEFE
Arrangements and Orchestrations
LAURENCE OKEEFE
ALEX LACAMOIRE
Licensed under agreement with WEEKLY WORLD NEWS
Piano/Conductor Copywork
ALEX LACAMOIRE
www.dramatists.com

allowed without written authorization
from Dramatists Play Service, Inc.
BAT BOY
This score has
been
downloaded from
THE
MUSICAL
PIANO/CONDUCTOR

allowed without
written authorization
Story and Book by
from Dramatists
Play
Service,
Inc.
KEYTHE
FARLEY and
BRIAN
FLEMMING
Music and Lyrics by
LAURENCE O'KEEFE
Arrangements and Orchestrations
LAURENCE O'KEEFE
ALEX LACAMOIRE
Licensed under agreement with WEEKLY WORLD NEWS
Piano/Conductor Copywork
ALEX LACAMOIRE
DRAMATISTS PLAY SERVICE, INC.

440 Park Avenue South, New York, NY 10016
www.dramatists.com

:Sat :Sov: Cbe musical

Piano/Conductor
1.
la.
2.
2a.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
15a.
OVERTURE
THE CAVE
HOLD ME, BAT BOY
LIVING ROOM CUE
CHRISTIAN CHARITY
UGLY BOY
WHATCHA WANNA DO?
A HOME FOR YOU
ANOTHER DEAD COW
DANCE WITH ME, DARLING
MRS. TAYLOR'S LULLABY
SHOW YOU A THING OR TWO
CHRISTIAN CHARITY (REPRISE)
MAY I HAVE THIS DANCE?
A HOME FOR YOU (REPRISE)
PARKER'S EPIPHANY
COMFORT AND JOY
COMFORT AND JOY (Part II)
1
3
5
27
29
45
51
62
73
84
103
108
142
149
153
161
164
185
16.
16a.
17.
18.
18a.
19.
20.
21.
21a.
22.
22a.
23.
24.
25.
26.
26a.
27.
28.
28a.
29.
30.
lopt.
A JOYFUL NOISE
COME ON DOWN!
LET ME WALK AMONG YOU
A JOYFUL NOISE (REPRISE)
A JOYFUL NOISE (PLAYOFF)
ALL HELL BREAKS LOOSE
STOP THE BAT BOY!
THREE BEDROOM HOUSE
BABE IN THE WOODS
CHILDREN, CHILDREN
BURN, YOU FREAK, BURN
MORE BLOOD/KILL THE BAT BOY!
INSIDE YOUR HEART
IS ALL THAT YOU TAUGHT ME A LIE?
APOLOGY TO A COW
HELLO, FATHER
REVELATIONS
FINALE: I IMAGINE YOU'RE UPSET
FINALE: I AM NOT A BOY
FINALE: HOLD ME, BAT BOY (REPRISE)
BOWS
OPTIONAL OVERTURE
199
208
209
221
230
231
239
243
264
265
285
290
295
309
313
326
327
344
361
362
369
377

BAT BOY
A Note to the Music Director
THE PIANO/CONDUCTOR SCORE:
This book has been carefully proofread by the Composer and original Music Director. It is mainly a
"part" to be played by the Piano/Conductor in the band, but it is also a detailed score representing
the other musicians' parts. Rehearsal pianists should try to cover as many of the parts as possible
while still maintaining the groove and feel of the song. There will be instances where the rehearsal
pianist will need to make decisions as to what to play; for example, they will usually need to play
the smaller "cue notes" that represent the bass part as opposed to the actual Left-Hand of the P/C if
it will provide a more accurate representation of the music. In general you can refer to the Cast
Recording for basic feels and grooves. To make the music easier to read, many times the bass cue
notes are written where a bass player would read them-that means that the Rehearsal Pianist
should transpose these notes down an octave. Again, use your judgement; you may sometimes want
to double the Left-Hand in octaves.

In regards to comparing this score with the Cast Recording: this P/C was cleaned and proofread
after the album was pressed. We know the two may differ in places. This P/C is more current, and
therefore it is the "correct" version of the Composer's and Orchestrators' intentions. There may also
be minor inconsistencies in certain passages between the P/C and the pit parts; here again this P/C is
the correct version. There may even be places where the lyrics on the sheet music differ from the
lyrics in the script; again, the P/C version is correct.
On the other hand, there may also be minor inconsistencies between the actors' lines of dialogue as
they are written in this P/C and how they may be written in the Published Script. For questions of
dialogue, consider the Script the "correct" version and not the P/C.
THE ORCHESTRATIONS:
Bat Boy was orchestrated for a 5-piece band. However, the music covers a lot of styles, many of
which would ordinarily require a full orchestra. Therefore, the songs were orchestrated in a way to
maximize the use of each musician in the pit. This makes Bat Boy a challenging score to perform,
so choose your musicians wisely.
Be warned: it is a massive project to program the synths for this show, since there are many layers
of sounds per patch, and many patches per song. There are many patch changes that occur quickly;
for example, you'll play beat 4 on a Brass patch, then change quickly to a String patch and play on
beat 1 of the following measure. We have played these books and know that the changes are all
possible, but they are made more easily with a foot-pedal patch advancer. It will also take some
time to get the volumes right inside the patches; for example, within a Piano/String layer, you'll
need to figure out if the strings should be louder than the piano, if they should be of equal volume,
etc. This should be left to the discretion of the Music Director.
What follows is an explanation of how the band and the instruments were organized for our first
production in New York, 2001.
The PIANO/CONDUCTOR uses one 88-key sampling keyboard (with weighted keys, of course).
All instructions for keyboard programmers in this P/C are marked in brackets.
EXAMPLES:

[Piano/Strings]
[Strings sound 8vb]
[Vibes up to G#3, sounding-12]
Note: Instrument names that do not appear in brackets are simply cueing instructions for the
Piano/Conductor, and are not meant to be programmed into the Keyboard I synth. For example:
"+Tri" means that the percussionist plays a triangle on the specified beat, whereas "[+Timp]" means
that there should be a layer of Timpani within the current keyboard patch. Also note that
"+K2[Strings]" implies a Keyboard II entrance, on a String patch.

In this P/C score, patch advances/changes are indicated with the following symbol:
There are also many times where there is a different sound in the Right-Hand than there is in the
Left-Hand. In these instances, sometimes the split-point for the two patches is specified, other times
they are not. Make sure to have the Keyboard Programmer and the Music Director check the
programming work carefully.
In general, the PIANO/CONDUCTOR chair plays a lot of Piano-oriented sounds-the basic groove
of the songs-while the KEY II plays orchestral colors such as Strings, Brass, etc.
The KEYBOARD II player uses two synths: one 88-key sampling keyboard (weighted), and above
it, a 61-key MIDI Controller connected to the 88-key synth via MIDI. This "secondary" or "upper"
keyboard did not contain any internal sounds-it used the internal sounds of the "primary"
keyboard to which it was connected. The second keyboard came in handy for a number of reasons:
a) There are times when the Key II part is split into many "zones," and 88 keys aren't enough. .
Therefore, certain passages are intended to be played on the "secondary" or "upper" keyboard,
as specified in the Key II parts.
b) Since the Key II part contains a lot of Hammond Organ parts, it just feels better to play these
passages on a plastic un-weighted keyboard.
There may be moments when the Key II player may want certain sounds to be on the "upper"
keyboard though they are not specified as such-feel free to adjust to their liking.
A note regarding the Hammond Organ sounds: The Orchestrators specify whether the Leslie effect
should be "On" or "Off," and they also take into account the fact that on real organs, it takes a few
seconds for the Leslie to speed up or slow down. You might want to try to program organs that can
approximate the effect as realistically as possible. Furthermore, all Organ passages in the score and
parts are written in CONCERT PITCH (make sure they sound in the correct octave, as most
keyboard organs are transposed down an octave by default).
The GUITAR book plays both Electric and Acoustic Guitar, with some slide-guitar moments in
CHRISTIAN CHARITY, some wah-wah in WHATCHA WANNA DO?, etc. Have them bring
along a plethora of effects and funny-colored foot pedals, and tell them to have fun

The BASS player used only Electric, not Upright Acoustic in NYC (but only for economic reasons).
If you can fit an acoustic bass in the pit, you may want to incorporate it into the more non-rock
songs such as A HOME FOR YOU, SHOW YOU A THING OR TWO, etc. But the book can be
played entirely on Electric. You'll probably need to use a 5-stringed bass.

The DRUM book is intended for one player, playing a real drum kit with some electric drum pads
throughout.
There are moments
when they willwritten
need a few padsauthorization
to trigger sounds such as Timpani,
allowed
without
Chimes, Synth Snares, and most importantly, what we like to call "The Lion King Boom." This
should be a from
colossal, deep,
cavernous and reverbyPlay
drum, and Service,
it's used to signal things
such as the
Dramatists
Inc.
ends of big numbers, as well as other comedic moments in the show (see REVELATIONS). These
moments are specified in the P.C. ("LK Boom" for short). The drummer will need toys such as
woodblocks, mark trees, triangle, cowbell, etc., though in NYC all these sounds were triggered by
electronic pads. Real is always better.
We do not recommend the use of"V-Drums" for the kick, snare and toms in this show. We just find
that acoustic instruments work better, not least because almost all the other instruments are
electronic; so we find it's useful to have the sound ofreal drums (and for that matter acoustic
guitar) in the room. Going one further: if your Music Director and Keyboard Programmer have the
means to put a real Acoustic Piano in the pit to play some of the piano parts (not all, mind you,
because the Key II player also plays piano here and there) and thereby to take some of the pressure
off the keyboard programmer, we welcome the attempt-anything that produces a warmer and more
"real" sound can only help.
-1-
:Sat :Soy: Cbe musical

Piano/Conductor
OVERTURE
[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE

www.dramatists.com
and is for perusal only.
J=
Arranged and Orchestrated by

LAURENCE O'KEEFE
ALEX LACAMOIRE
Allegro
185
[Stgs/Brass] [Stgs doubled 8va, Brass sounding 8vb]
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No performance or use of this score ris

A
[Stgs/Brass]
L6148-802-2001
Lion King Boom
Piano/Conductor
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Overturefl'he Cave - [Rev. 11/13/01]

from Dramatists
Play Service, Inc.
is page is intentionally
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Piano/Conductor
THE CAVE
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/0i]

LAURENCE O'KEEFE
ALEX LACAMOIRE

www.dramatists.com
NOTE:
Omitm5
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[RUTHIE craters]
Dms
{RICK takes out a bong ...

RON's light shines on BAT BOY]
(go)
~ Presto
RON: "Sweet Jesus!"
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RUTHIE: "What?"
RICK: "It was over there. But then I turned back and ... "
RUTHIE: "Ahhhh! Over here!"
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RICK: "What?"
RON: "The cave monster!! The cave monster!!"
RICK: "Shut up, Ron."
RON: "I saw him, Rick! I swear."
RUTHIE: ''There's no such thing as a cave monster, Ron."
RICK: (mocking her)
"Ooh! It's the cave monster, Ron! The scary caaaave monster!"
(Ron points, Rick looks)
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{they freeze]
CUE: [BAT BOY pushes off back wall]
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RUTHIE: "It's some deformed kid."
RICK: "It's a Bat Boy ... " (go)
.. .It's okay, little guy. I'm Rick Taylor.

This is my brother Ron. And this is my sister Ruthie."
RUTIDE: "Can you say Ruthie?"
RON: "Shut up, Ruthie!"
RICK: "Dude, we are totally keeping this thing."

RON: "We won't hurt you."
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RICK: "Take my hand. Come on."

RON: "Don't be afraid. It looks scared."
RUTHIE: "I'm bit! I'm bit!"
RON: "Ruthie's bit! Ruthie's bit!"
RICK: "Get him, Ron!" (go)
RUTIDE: "See if it likes Fritos.

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RICK: "You freakin' animal!"
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HOLD ME, BAT BOY

[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE

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Hold Me, BatBoy- [Rev. 11/13/01]
IMPASSIONED FEMALE SOLOIST (WOMAN #3)

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SHERIFF: "You say it's the Bat Boy?"

RICK: "Yeah! It bit Ruthie."
RON: "She's in the hospital."
RICK: "It's huge."
RON: "And it's fast."
RICK: "And it hates Fritos. You gotta lock it up, Sheriff."
RON: "And make it stand trial."
(He kicks the bag.)
BAT BOY: [squeal]
...
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MEN'S SCENE
DILLON: "You say you got the Bat Boy in that bag?
CLEM: "Dang!"
BUD: "Whatcha gonna do with it, Sheriff?"
SHERIFF: "I figure I'll just take it up to Dr. Parker."
CLEM: ''I'll bet that's one powerful critter."
BUD: "I knew those stories were true."
DILLON: "You think Dr. Parker can handle a Bat Boy?"
SHERIFF: "It can't be that difficult. The Taylor kids managed to capture him all by themselves."
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MEN: "Ahh! Sweet wounded Jesus!"

SHERIFF: "So long, boys!" (go)
67
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BUD: "But they're all hopped up on dope, so

that's like fighting six people!"
SHERIFF: "Dr. Parker's a good veterinarian,
I'm sure he'll just put it down with no trouble."
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LORRAINE: "You say you got the Bat Boy in that bag?"
DAISY: "What are you going to do with it?"
SHERIFF: "I'm headed to Dr. Parker's."
LORRAINE: "He's gonna put it down, right?"
MAGGIE: ''That seems like a waste of resources. He might be useful around town."
LORRAINE: "Maybe we could train him to rustle up the cows--like a sheepdog."
DAISY: "Do we own it?"
MAGGIE: "Sure we do. You know, we could put him on display and charge admission."
LORRAINE: "People would pay good money to see a Bat Boy. We could be the next Branson."
DAISY: "Can we see it?"
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LORRAINE: "Let's have a

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SHERIFF: "All right." (go)
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ALL EXCEPT SHERIFF: "Aaah! Sweet wounded Jesus!"

SHERIFF: "Good day, ladies."
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Hold Me, Bat Boy- [Rev. 11/13/01)
Note to vocal director: if you can achieve good "call" vocals

volume using only 3 singers with huge voices, then by all
means assign the "calVresponse" split to 316 rather than 415...
2 WOMEN/2 MEN:
'
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Hold
me Bat
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boy,
me Bat
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103
Hold Me, Bat Boy- [Rev. 11/13/01)
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LIVING ROOM CUE

[Rev. 11113/01]
Music and Lyrics by

LAURENCE O'KEEFE
CUE:
[Lights up]

LAURENCE O'KEEFE
ALEX LACAMOIRE
ThisJ score has been downloaded from

Moderato
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[Pno/EP Layer]
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No
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L6148-802-2001
Piano/Conductor
-28-
Living Room Cue- [Rev. 11/13/01]

from Dramatists
Play Service, Inc.
- 29 -

Piano/Conductor
CHRISTIAN CHARITY
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 11113/01]

LAURENCE O'KEEFE
ALEX LACAMOIRE

Moderato J=
CUE:
MEREDITH: "The wages of sin is death, sweetheart, that's all I'm saying."
[Knock Knock]
SHERIFF: "It's Sheriff Reynolds, Meredith!" (go)
120
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Piano/Conductor
Christian Charity - [Rev. 11113/01]
SHELLEY:
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No,
SHERIFF:
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he's not.
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- 31 -
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[SHERIFF pistol-whips BAT BOY]

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SHERIFF:
"Aw, heck. Maybe I
shouldn't've done that.. .. (go)
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.. .I figure maybe we need a veterinarian to sort this out. ..

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... But that boy was hoppin like a scalded dog."
20
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.. .I'm hoping Dr. Parker will know what to do."
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Mom!
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the med_
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bet
27
they'd
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carve him
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I don't think we're at_ that stage-
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he's
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he's all __ yours!_
folks,
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Could-n't leave him out
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[Clean, w/ Chorus]
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32
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Creep-in' on all fours._
We could al-ways shoot him,
But that
don't seem right to me,_
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can't
rid_
my - self
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my
Christ
- ian__
Char - i - ty.
n'I
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- 35 -
SHELLEY:
MEREDITH:
"Can we see him?"
"Shelley, get away."
Just a little faster
40
J--
SHERIFF:
"Listen to your mother, Shelley ...
. .. You don't want to be near it if it wakes up."

K2[Rhodes, light phase]
127
41
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. ....
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:;
"Is it an animal or a ... "
SHERIFF:
"It bit one of the Taylor kids."
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MEREDITH:
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SHELLEY:
"Rick?"
SHELLEY:
"Oh."
SHERIFF:
SHERIFF:
"No, Ruthie."
"She 'II be all right."
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was hop - in' you'd see
Shel, I
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Mom, can he stay?
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Mom, he's so gross,
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"It's a Bat Child? ... "
5s
51
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think I know
how folks will feel
once they hear this Bat Child is
for real!
II
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- 38 -
Piano/Conductor
SHERIFF:
"They're just callin' it that, Shelley. I can't say I know
that's what it is. That's for your father to decide.
(to Meredith)
... There's nobody else unless I go outside with this: ..
" ... Mom, we gotta

keep it!" (beat, go)
... The ranchers have enough on their minds

right now, if you know what I mean ... "
--
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"
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''That's all right, Sheriff. You've done the right thing

coming to us. I'll take care of the boy for you."
SHERIFF:
"Ah~ that's
180
JI 65
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great, Meredith. I can't thank you enough for the favor ... "
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SHERIFF:
MEREDITH:
"We can manage, I'm sure."
"You're certain?"
"Dr. Parker has some cages ...
79
II 78
9"
111
... Do you need anything?

He can be pretty feisty."
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I'm sure we can find one that works."
SHERIFF:
"Right. That's what I figured."
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88
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look at him,
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know
but
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-42-
Piano/Conductor
Christian Charity - [Rev. 11/13/01)
Full-on Countrified Rock

www.dramatists.com
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Cha-ri-ty.
Mom? ...

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can't rid_ our-selves of our
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112
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Piano/Conductor
-45-
UGLY BOY
[Rev. 11/13/01]

allowed without
written
left blank
for page turns authorization
L6l48-802-2001
-46-

Piano/Conductor
UGLY BOY
Music and Lyrics by
LAURENCE O'KEEFE
[Rev. 11/13/01]
CUE:
MEREDITH: "You need to eat ... go on ... go on ... "

LAURENCE O'KEEFE
ALEX LACAMOIRE

Moderato ~ =
www.dramatists.com
[BAT BOY screams] (go)
156
SHELLEY:
"Mom, why is he screaming at the chicken?! Mom, make him stop!"
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SHELLEY:
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MEREDITH:
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Piano/Conductor
Ugly Boy- [Rev. 11/13/01]
MEREDITH: "It's going to be quite a storm ... "

9
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MEREDITH:
"Shelley, that's not nice."
12
13
Stu - pid starv - ing
14
freak.
Does-n't have
the
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MEREDITH:
"We just haven't figured out what he n-"
"Shelley!"
17
16
sense to eat.
Drop- ping dead
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[SHEUEY turns t0 tauntBATBOY]
19
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MEREDITH:
(Tearing up) "He's just... tired."
18
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That's
my
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him!
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MEREDITH:
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24
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-49-
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MEREDITH: "Well, we can name him, sweetheart. What would you like to call him?"
SHELLEY: "Bat Boy."
MEREDITH: 'That's cruel, dear."
No -performance
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SHELLEY: 'That's what he looks like-"

MEREDITH: "-we're not calling him a Bat Boy-"
SHELLEY: "-but that's what he looks like-"
MEREDITH: "Shelley."
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MEREDITH:
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"Gggnnnnwwgwoooo?"
Piano/Conductor
-50-

from Dramatists
Play Service, Inc.
-51-

Piano/Conductor
WHATCHA WANNA DO?

[Rev. 12/2/01]
Music and Lyrics by
LAURENCE O'KEEFE

LAURENCE O'KEEFE
ALEX LACAMOIRE

CUE:
MEREDITH: "Stay away from the cage."
SHELLEY: "Okay.
[Knock on the door]

Rick!"
(go)
RICK:
"Are you guys okay? I heard the Sheriff brought the Bat Boy over here and-(sees Bat Boy; points; mouth open in shock)
He's still alive?! He's in your house?!"
SHELLEY:
"It's okay, Rick. He's confined."
RICK:
''That cage'll never hold him! My sister's in the hospital with a big ol' ...
(indicates a neck wound)
.. .I can't believe you have him in the house!"
SHELLEY:
"Mom says we gotta keep him till Dad comes home.
RICK:
"Your dad's just going to kill it, right?
(GOON)
Moderato White-Boy Hip-Hop
SHELLEY:
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108
VAMP
Dms
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(shrugging)
"Mm-mm-mm. [I don't know.]
So ... Whatcha wanna do tonight?"
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Hey there, lit - le freak, you re-mem
Whatcha Wanna Do? - [Rev. 12/2/01]
ber me?
We were ne-ver
::.
in - tro-duced pro-per-ly...
JJ,
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This score
www.dramatists.com
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take you back
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out by the
rail - road track!
We gon-na
And leave your

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28
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RICK: "Dude, you are so hot!"
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Toms
50b
(mimicing RICK and SHELLEY)
[They kiss]

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Ahhangh! Ahhangh! Ahhangh!
Ah hangh!

RICK: "You freak! Can't you mind your
own business, Bat Boy?"
SHELLEY: "Stay away from the cage!"

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Rick! ...
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Stop it!...
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a world of
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MOM!

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to-night,
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HELP!
gon - na
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MOM,
RICK'S
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Piano/Conductor
A HOME FOR YOU

[Rev. 12/2(01]
Music and Lyrics by

LAURENCE O'KEEFE

www.dramatists.com
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[THUNDER]
MEREDITH: "There go the lights." (go)

LAURENCE O'KEEFE
ALEX LACAMOIRE
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Piano/Conductor
ANOTHER DEAD COW
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/01]
CUE:
MAGGIE: "Bud, it's time for you
boys to wake up and smell the music!"
Orchestrated by
ALEX LACAMOIRE
LAURENCE O'KEEFE

www.dramatists.com
Country Two-Step d
=
180
" ... We've obviously got ourselves a predicament!"

BUD: "All right! I admit it!"
j\
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floun-der...
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Bon
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nie, God
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rest her soul,_
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ROY:
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pole ... __
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-74-
Piano/Conductor
Another Dead Cow- [Rev. 11113/01]
BUD:
11
bare - ly
ter pound
one
er!
12
check
my
bo - vine
J.
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This score
from
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ROY:
20
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21
-- -- --
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22
:..
Another Dead Cow- [Rev. 11/13/01]
--
23
died
Gus - sie
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hac - kin' cough,
of a
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b' . e:
Cla
ra drowned in the
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feed - ing trough.
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Why would the Lord wan-na

LORRAINFlROY:
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BUD: (+SHERIFF Off-Stage)-
Why would the Lord wan-na

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30
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Another Dead Cow - [Rev. 11/13/01]
"
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MAGGIE:
"You wanna be watchin' that kind of talk.
Let's not go there. Everybody, let's pull together on this."
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BUD: "I'm telling you, this town is cursed! First the coal mines dried up on us, now all the cows are dropping like flies.
I don't know what to do, I wasn't cut out to be a rancher! What I wouldn't give to be a coal miner again."
BUD, ROY, NED: [cough]
ROY: "Those were the good old days."
K2[Pno]
>-

i

MAGGIE:
"All right, let's guide this train of thought
back towards the depot! We've gotta
figure out what's wrong with these cows!" (go on)
VAMP
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LORRAINE:
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97
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104
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114
113
115
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'.".'
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ROY:
"It is like they've bee bled ... "
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BUD:
" ... You thin Dr. Parker'll put it down? ... "
Why...
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122
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-
Another Dead Cow - [Rev. 11113/01]
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" ... Dr. Parker's a goo lman ... "
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- 84-

Piano/Conductor
DANCE WITH ME, DARLING

[Rev. 11/13/01]
Music and Lyrics by
LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
PARKER: What's the cage doing out? Another stray?
[PARKER opens the cage door]
(Go)
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" ... How did you get here?"
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"Sweet wounded Jesus!. ..
[THUNDER]
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PARKER prepares to inject his syringe into BAT BOY
cut on:
MEREDITH:
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11/f ~~~-=================================
- 86-
Piano/Conductor
Dance With Me, Darling - [Rev. 11113/01]
PARKER: "What?"
MEREDITH: "Please. Don't."
PARKER: "Well, why not?"
He leans in to inject Bat Boy.
MEREDITH: "Please!"
PARKER: "What!?"
MEREDITH: "Let him live. He's just a boy."
PARKER: "You know what this is, don't you?"
(go)

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" ... You could make him well again?"
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MEREDITH:
16
,,
PARKER:
"Are you kidding me? The ranchers would go nuts
"Yes, I know. You could save him if

you wanted to couldn't you? "
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MEREDITH:
"But if you wanted to ... "
" ... They're already blaming their problems on anything they can think of."
PARKER:
"I can hear it now. 'There goes Dr. Parker... "
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" ... 'He couldn't manage to save our cattle, but he saved
the Bat Boy. He's Hope Falls' finest citizen' ... "
MEREDITH: " ... but we could just keep him here in the house ... "
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Piano/Conductor
Dance With Me, Darling - [Rev. 11/13/01]

" ... And I'll bet you dollars to donuts that
Sheriff Reynolds expects me to put it
down, don't try to tell me any different. .. "
(cutoff)
PARKER:
" ... They'll have my head for something like this, Meredith ... "
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PARKER: " ... There's just no way around this. Sorry, little fella, there's just no way around it."
He moves to BAT BOY, pushes his head to the side and bears his neck for the needle.
MEREDITH: (falling to her knees)
"No, please! I'm begging you ...
(Parker pulls up short)
... You can't just kill him like an animal. Please, please."
PARKER:(approaching her, with the syringe)
"So, now you've got all this love in your heart, do you?"
MEREDITH: "You have to let him live. We can take care of him."
PARKER: "Where'd you find the room for all this love in your heart all of a sudden?"
MEREDITH: "We have to let him live."
PARKER: "Who do you love?"
MEREDITH: "Oh, please, Thmas."
PARKER: ''Tell me who you love. Who do you love, Meredith?"
MEREDITH: "Please don't do this."
PARKER: "Me, right? It's me you love."
MEREDITH: "Of course I love you. I'm your wife."PARKER: (turning back to Bat Boy)
"You haven't been a wife to me in years."
MEREDITH: "I could be."
PARKER: ''Tonight?"
(beat)
Tonight?"
MEREDITH: "Let me get you a drink." (go)

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" ... You remember that song, Meredith?"

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51
bare-ly
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- 91 -
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MEREDITH: "So you'll do it?"

PARKER: "So you'll do it?"
MEREDITH: "Yes.
PARKER: ''Tell me you love me, Meredith."
MEREDITH: "I will."
She turns to exit.
PARKER: ''Things are really turning around for us, aren't they?"
MEREDITH: ''That's right, dear."
Exit Meredith.
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say no,
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day would ar-rive:
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When she'd re
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- 93 -
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rit.
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I can join her up - stairs! _ _ _ _ _ _ _ _ __
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[FLASH! PARKER cuts the necks of the geese.]
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Dance With Me, Darling - [Rev. 12/2/01)
123
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Piano/Conductor
- 102-
Dance With Me. Darling - [Rev. 1212/01)

from Dramatists
Play Service, Inc.
-103-
:0at :Soy: 'Cbe ffiu8ical

Piano/Conductor
MRS. TAYLOR'S LULLABY

[Rev. 12/2/01]
Music and Lyrics by

LAURENCE O'KEEFE

www.dramatists.com
Sweetly d
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LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
[Spotlight on MRS. TAYLOR]
= 54
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MRS. TAYLOR:
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Sleep lit-tle Ruth-ie ba-by
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CUE:
SHERIFF: "Don't worry Mrs. Taylor. I've
seen the boy, and I'll admit he looks peculiar,
but he's not exactly what you'd call a-"
RUTHIE: "Monster!" (go)
RUTHIE: (cont'd)
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RUTHIE:
"Bat monster... bat monster... BAT MONSTER!"
MRS. TAYLOR:
"Hush, baby doll."
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Mrs. Taylor's Lullaby - [Rev. 12/2/0l]
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Piano/Conductor
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wear him as
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39

:0at :0ov: Cbe ffiu5ical

Piano/Conductor SHOW
CUE:
MEREDITH: "Yes, you are. You're a boy."

BAT BOY: "Boy! Boy! Boy!" (etc.)
MEREDITH: "And you're a smart boy, too ... " (Go)
-108-
YOU A THING
OR TWO
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/01]

LAURENCE O'KEEFE
ALEX LACAMOIRE
~ = 144
Allegro
This
P score has been downloaded from
" ... We'll turn you into a proper young man in no time."
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Here is a cat.
There is a goose.
BAT BOY:
This is a rat.
Hee ha za cat.
And
Zi ha za goose.
Zi bi za wat.
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-109-
Piano/Conductor
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The
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Show You a Thing or Two - [Rev. 12/2/01]
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SHELLEY: "Hi, Mom!"

MEREDITH "Hello, Shelley. How was school?"
SHELLEY: "It was great! How's Bat Boy doing today?"

MEREDITH: "Edgar's coming along nicely. Today we're learning etiquette. Why don't you introduce yourself, Shelley?"
40
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Piano/Conductor
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Love-ly, and you?
How do you do?

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How do you do?
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Piano/Conductor
M&S:
50
49
51
fear we're out of sand-wich-es, that
won't you stay the night, we're hav - ing

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[BAT BOY spills the tea and the dishes go flying. He panics.]
60
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Piano/Conductor
PARKER: "Honey, I'm home!"

SHELLEY: "Hi, Daddy! How was work?"
PARKER: "Great! How is Edgar coming along?"
MEREDITH: ''This week's been a little rocky."
SHELLEY: "We're trying flash cards!"
Double-Time Feel
Straight Sths
2xs or as needed
78

K2[Celeste]

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PARKER:
SHELLEY:
MEREDITH:
82
Au - to - bahn.
Ev - er-glades.
Ice Ca-pades.

Great White Way?
Ber-lin Wall?
Car-ne-gie Hall?

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- 122 SHELLEY:
Gold - en
PARKER:
84
Gate.
Ri
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gon?
A - ma - zon?

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86
State.
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Wail - ing Wall?
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MEREDITH:
SHELLEY:
Em - pire
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-123-
Piano/Conductor
PARKER: ''Perhaps I should have a word with the boy. Let me talk to him over here for a moment!"
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whad-da - ya know,_ you may...

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Piano/Conductor
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CHRISTIAN CHARITY (REPRISE)

[Rev. 12/2/01]
Music and Lyrics by

LAURENCE O'KEEFE
CUE:
BUD: " ... and I've got a sinking suspicion that your Bat Boy is responsible for the cattle plague!"
SHERIFF: "-Now, Bud, there's no evidence that links-"

BUD: "Sheriff-if you don't start whistling the right tune ... " (GO)

LAURENCE O'KEEFE
ALEX LACAMOIRE
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-148-
Piano/Conductor
PARKER:
"All right, All right!
This is going to be hard on Meredith. But I give you
my word. Edgar will not attend the revival."
BUD:
"Your word of honor?"
PARKER:
"My word of honor."
This score
Slower J=
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and is for perusal
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"Well. All right." (go)
SHERIFF:
"Oh, now that's just great. I knew you'd be reasonable about this."
120
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"MAY I HAVE THIS DANCE?"

ATIACCA
-149-

Piano/Conductor
MAY I HAVE THIS DANCE?

[Rev. 11/13/01]
Music and Lyrics by
LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
Attaca from "CHRISTIAN CHARITY (Reprise)"
Gaily; Swing
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BAT BOY: "Thank you, Shelley, you're looking splendid yourself."
SHELLEY: "You look great."
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Piano/Conductor
May I Have This Dance? - [Rev. 11113/01]
BAT BOY: "Oh ... "
SHELLEY: "You look, like, you're ready to go to the dance hall in Wheeling."
JO
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- downloaded from
This score has been
" ... May I have the pleasure, Miss Shelley?"
SHELLEY: "Why, I'd be delighted, Master Edgar."
SHELLEY: (cont'd)
"Um ... no. It's like this. Your right hand stays there, but your left goes up here."
rit.
K2[Celeste]
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-151-
Piano/Conductor
May I Have This Dance? - [Rev. 11/13/01]
BAT BOY:
"Oh, yes, I see."
(Go on)
PARKER: "It's just for the weekend."
MEREDITH: "I don't like the Town Council

telling me what to do with my family."
K2[Celeste]
ATempo
This score has been downloaded from _G

www.dramatists.com and is for perusal only.-

PARKER: "I know. I don't either. But these are stubborn people, and we're not
holding many cards, dear. I think we have to let them have this one."
MEREDITH: "Well, I suppose it will be

good for Edgar to get away for a few days."
[Celeste)[sounding-12] rit.
s~------------------------------------------------------------------------------------------.
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PARKER: ''Thank you, Meredith."
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37
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Piano/Conductor
-152-
May I Have This Dance?- [Rev. 11/13/01)

from Dramatists
Service, Inc.
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intentionally
-153-
Piano/Concuctor
A HOME FOR YOU (REPRISE)

CUE:
BAT BOY: "I did think it would be a nice coming out for me."
PARKER: "Actually ... " (go)
[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE
" ... we were thinking that maybe we'd go away on a camping

trip for the weekend. Just us? Alone in the woods?"
Freely ~= score has been downloaded from

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MEREDITH: "Wouldn't that be nice, Edgar?"
70
BAT BOY: "Oh, yes! But we can do that anytime.

The revival is the social event of the season!"
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MEREDITH:
"Oh, Edgar, I feel horrible telling you no ... " accel. poco a poco
"...but it just isn't the right time for that sort of thing."
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A Home For You (Reprise) - [Rev. 11/13/01]
BAT BOY: "-they don't know me."

PARKER: 'That's why they're so cruel."
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Piano/Conductor
A Home For You <Reprise) - [Rev. 11113/01]

MEREDITH:
"Edgar, this cannot happen. Not just now."
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30
31
...
32
33
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in the clear:
SHELLEY:"And when can it
happen, Mother? Next week?"
MEREDITH: "I don't know."

SHELLEY: "Next month?"
MEREDITH: "Perhaps."
SHELLEY: "Next year for
sure though, right?"
MEREDITH: "I can't say."
SHELLEY: "Maybe never?"

PARKER: "Shelley ... "
SHELLEY: "May I be excused?"
(":\ [Pno] .
3sv
II
MEREDITH: "But you haven't

finished your tea, dear."
BAT BOY:
SHELLEY: "May I be excused?"
MEREDITH: "Yes, you're excused." 'They're saying horrible things about me!"
(go)
Shelley stomps off.
"Edgar, I'm so sorry-"
Moderato
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BAT BOY:
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MEREDITH:
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BAT BOY:
52
51
53
54
"
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Some-thing was troub-ling me
re - cent - ly,
Watch-ing the world from this
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A Home For You (Reprise) - [Rev. 11/13/01)
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83
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mp
PARKER: "Edgar! You have
made your request and the answer
has been given to you, and that
answer is no. That's all."
BAT BOY: "I might as well be
in a cage!"
MEREDITH: "Oh, Edgar."
"You must allow me

to show myself!" (go)
PARKER: "No!"
BAT BOY: "Why not?"
MEREDITH: "Edgar, calm
yourself, dear." (go)
(sharp Cutoff)
87 \
86
85
BAT BOY: "Why not!

Why not? Why not?!
WHY NOT!"
88
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MEREDITH: "Oh, I can't bear it. Thomas, can't we just let him go? Once
they meet him for themselves, they'll change their minds, don't you think?"
PARKER: (stunned)
"Well, no ... "
MEREDITH: "Sure they will. He's so charming, and well-spoken. Once they
see what a proper young man he is-"
PARKER: "No no no no no! Meredith, I'm afraid I have to put my foot down
on this. I've given my word of honor."
MEREDITH: "Well, surely that's not more important than ... "
PARKER: "My word of honor, Meredith. This would humiliate me."
MEREDITH: "But can't you see what this means to him?"
BAT BOY: " ... Please, Dr. Parker ... "
PARKER: "I'm putting my foot down. None of us will attend the revival, and
that's final."
MEREDITH: "Fine, don't go. Shelley and I will go with Edgar."
PARKER: (approaching her)
"No, I'm putting my foot down."
MEREDITH: "Edgar, I'm afraid we'll have to go without Dr. Parker, but
Shelley and I will be there for you."
BAT BOY: "Really?"
r.-..
A Home For You (Reprise) - [Rev. 12/2/0 I)
- 160- '
Piano/Conductor
PARKER: "But I'm putting my foot down.
MEREDITH: "Yes, dear. And the rest of
us are going to the revival. It's settled." (go)
~=140
Allegro
BAT BOY: "You're not too ashamed of me?"

MEREDITH: "No, no, Edgar, never."
PARKER: "Meredith ... "
BAT BOY: "Oh, this is wonderful."
MEREDITH: "We're not ashamed of you, Edgar. We love you ... "
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" ... We all love you so much. Don't you know that? You do know I love you, don't you? Say that you do."
PARKER: "Meredith ... "
BAT BOY: "I know. I love you, too, Mrs. Parker."
K2[Trem Stgs]
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91
94
93
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PARKER: "You made a promise to me."

MEREDITH: "Oh, Edgar."
PARKER: "How can you do this to me?"
{PARKER grabs MEREDITH] (GO ON!)
VAMP
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Piano/Conductor
PARKER'S EPIPHANY
[Rev. 12/2/01]
Music and Lyrics by
LAURENCE O'KEEFE

CUE:
MEREDITH: "Are you all right?"
PARKER: "Yes, I'm fine, it's just a-(sees Meredith is not paying attention to him)
Oh."
LAURENCE O'KEEFE
ALEX LACAMOIRE
(GO)
MEREDITH: "It's okay.

Edgar, I love you so much."
Mod erato
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PARKER:
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Parker's Epiphany - [Rev. 12/2/01]
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as
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800----------------------------------------------------------------------------------------------------

MEREDITH: "Edgar, I just know that when everyone sees
you for who you really are, it's all going to be okay...
... Don't you think so, Thomas?" .(gQl
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- 164 -

Piano/Conductor
COMFORT AND JOY
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/01]
CUE:
BAT BOY: "Thank you, Mrs. Parker."

LAURENCE O'KEEFE
ALEX LACAMOIRE

www.dramatists.com
Allegro J=
#1. [BAT BOY bwnps into PARKER]

(GO)
#2.
#3.
#4.
#5.
150
,,
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[PARKER steps in front of BAT BOY]

[BAT BOY steps around PARKER]
[BAT BOY sits down and crosses his legs]
BAT BOY: "I'm sorry I tried to hurt you."
VAMP
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BAT BOY: [sobs]

PARKER: "You're crying. Why are you crying?"
BAT BOY: "Because I'm hungry."
PARKER: "You know that I'll feed you."
BAT BOY: "I know. Dr. Parker, in Genesis 9, verse 4,
God says to Noah, 'Blood shall ye not eat."' (GO ON)
PARKER: "Are you hungry, Edgar?" (go)
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PARKER: "Well, if you think you can, perhaps you can.

It's all a matter of will power, I suppose. But, then again,
if it's part of your nature, that's a tougher problem for you."
(GO RABBIT)
Gtr wail on CUE:
BAT BOY: "It's not dead."
(GOON)
.. RABBIT (any time)
VAMP
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PARKER: "Hmm. That's pretty clear, isn't it?"

BAT BOY: "A commandment from God Himself!
Do you think I'll ever be able to stop?"
PARKER: "Do you think you can?"
BAT BOY: "Yes .. .(go on in here) ... Maybe."
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Comfort and Joy - [Rev. 11/13/01]
- 165 -
PARKER: "Hmm?"
BAT BOY: "It's not dead."
PARKER: "Oh. Yes. Well, you don't need me to kill it
for you, do you? Hey, perhaps this would be a good
time to test yourself... " (GO ON)
I
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VAMP
" ... Can you resist?

Try Psalm 23."
(GOON)
\._
BAT BOY: "Oh, yes. I see.

'Yea, though I walk through the
valley of the shadow of Death,
I will fear no evil' ... "
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" ... 'For Thou art with me. Thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies."'
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- 179 89
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Piano/Conductor
- 184-
Comfort and Joy- [Rev. 11/13/01]

from Dramatists
Play Service, Inc.
- 185 -
13at 13oy: 'Cbe musical
Piano/Conductor
COMFORT AND JOY (Part 2)

[Rev. 11113/01]
Music and Lyrics by

LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
In2
BAT BOY: "Dear God ... "

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Comfort and Joy <Part 2) - [Rev. 11/13/01]
- 186 -
feel
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thirst grows ev-'ry day,

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Comfort and Joy (Part 2) - [Rev. 11/13/01]
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He's a beast. He's a monster. He can't control himself. We're all going to miss you very much."
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RUTHIE: "Dr. Parker, what are you doing?"

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Piano/Conductor
A JOYFUL NOISE
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/01]

LAURENCE O'KEEFE
ALEX LACAMOIRE

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REV. HIGHTOWER: "All right, let's bring it down, let's bring it down ... " (quick decresc. top)
71
Gtr fills
72
F#mlA (p on cue)
Bm7

" .. .I know there's someone out there. Someone who needs healing. I can feel your distress.
You've got a sin ... within! Step forward! Let the Holy Ghost heal you!. .. "
76
75

F#mlA
Gtr fills
79
82
83
BIG#
" ... The Holy Ghost is commanding you! He's putting a fire under your seat now.
There's a fire under your seat. Mmmm now, feel it. No fear. Who wants the healing?"
VAMP
meltdown on cue:
4Xs
86
+K2[0rg]
BAT BOY: "I want to be healed!"
:0at :Soy: 'C'be musical

Piano/Conductor
-208-
COME ON DOWN!
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 12/2/01]

LAURENCE O'KEEFE
ALEX LACAMOIRE

REV. HIGHTOWER: "Come on down, come on down!

You've got a hunger, don't you son? It's eating you up.
It's gnawing a hole in your soul."
BAT BOY: "Yes."
REV. HIGHTOWER: "Are you ready for the healing?"
BAT BOY: "Yes."
REV. HIGHTOWER: "No! I said, are you ready for the healing?"
BAT BOY: "Yes! Yes!"
(GOON)
CUE:
REV. HIGHTOWER:
"Well, come on down!"
j=/24
Up-Tempo Gospel

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from Dramatists
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:Sat :Soy: Cbe IDueicaf

Piano/Conductor
LET ME WALK AMONG YOU

[Rev. 12/2/01]
Music and Lyrics by
LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
BAT BOY: "If you could see me ...
. .. I mean, if you could really see me ...
Andante
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Let Me Walle Among You - [Rev. 11/13/01]
With motion
Build - ing your schools,
Throw-ing a foot-ball Or swim-ming in pools,

3

rit.

Out in the sun,
Liv - ing by rules,
could learn how
if you'd teach me
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Piano/Conductor
Let Me Walk Among You - [Rev. 11113/01]
Calmly
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19
could learn
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live with you,
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Let Me Walle Among You - [Rev. 12/2/01)
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31
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I\
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will
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32
milk your cows
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Let Me Walle Among You - [Rev. 11113/01]

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-214-
Piano/Conductor
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Move
47
can grow
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K2[Hns/Stgs]
48
Or
teach
yo
ga
K2[Fl/Ob]
800---------------------------------------------------------------------------------------------
~~~
sub.
-215-
Piano/Conductor
Let Me Walk Among You - [Rev. 11/13/01]
50
class;
my-self
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K2[Hns/Stgs]
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No-
Let me drive
69
the
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-217-
Piano/Conductor
73
72
Let
me
throw
Or
bar-be-cue,
join you at the bar. _ _ _ __

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ball-game,
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Majestically
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Piano/Conductor
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- 221 -

Piano/Conductor
A JOYFUL NOISE (REPRISE)

[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE

Gospel; Medium 2 d
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LAURENCE O'KEEFE
ALEX LACAMOIRE
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Piano/Conductor
A JOYFUL NOISE (PLAYOFF)

[Rev. 10/25/01]
Music and Lyrics by
LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
Applause-Segue from "A Joyful Noise (Reprise)"

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REV. IDGHTOWER:
"Amen! Amen! Thank you all for coming. God bless you."
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PARKER:
" ... Our souls are full, but are bellies are empty,
so we have barbecue and lemonade outside. Praise Jesus!"
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Piano/Conductor
ALL HELL BREAKS LOOSE

[Rev. 11/13/01]
CUE:
PARKER: "This morning I rushed to the
hospital to see if the state of Ruthie
Taylor's wound confirmed my suspicions.
Unfortunately, I discovered that Ruthie
Taylor died in the night. ... "
Music and Lyrics by

LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE
" ... Her death was due to a

bizarre and unprecedented
infection, an.infection caused
by Edgar's bite."
\
[Pno]
MEREDITH: "No!"
PARKER "I'm so sorry Ed
,,"
gar is.
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BUD: "I knew it! He's the cause of the plague!"

PARKER: "I'm sorry, Meredith."
BAT BOY: ''That girl is dead?"
MEREDITH: (to Bat Boy)
"It's not your fault, sweetheart. This must be a mistake."
PARKER: "It's true, my love. It's true. I'm so sorry. I've called the Institute
in Wheeling. They're coming to take him off of our hands. I know it's
difficult to accept all this, but we'll get through it together."
" ... Deadly to Ruthie.

And to cattle." (go on)
Slowly
~=66
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8W--~---------~--------------~---------~----------------~---------~-----------------~---------~---------
PARKER: "Don't worry.

Our love will get us through."
MEREDITH: "Get your hands off me!"
MEREDITH: ''The Institute? This is madness."

BAT BOY: "I never meant to hurt anybody."
PARKER: "Oh, sweetheart, I'll be here for you."
MEREDITH: "What are you doing?"
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Piano/Conductor
-232-
All Hell Breaks Loose - [Rev. 11/13/01]
PARKER: 'That's right, let it out." (go on)
" .. .I mean, look at him ... "
MEREDITH: (to crowd)
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"Please! Everyone! It's true Edgar was not civilized

when he was first captured, but that's because he was
a cornered animal back then. Since then ... "
I..
" ... You all just heard him.

Can't you see that he's not
a danger to any of us?"
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PARKER: "Forgive her.

She's taken to the boy!" (GO)
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[Enter RICK, RON, and MRS. TAYLOR]

RICK: "I'm gonna kill that freak!"
Allegro =182
[Marcato Strings]
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MRS. TAYLOR: "Ruthie's dead!!! He killed her! That freak killed my daughter!"
BUD: "Hang on there."
RON: "Let me at him!"
NED: "Calm down, now."
BAT BOY: "No, I didn't mean to."
NED: "What're we doing now, Sheriff?"
SHERIFF: "We just gotta take a second.... "
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800------------------------------------------------------------------------------------------------------
-233-
Piano/Conductor
MEREDITH: 'Thomas, why?"

RICK: "Murderer!"
SHELLEY: "Stop it, Rick."
MRS. TAYLOR: (to Sheriff) "You've got to do something!
RICK: "Freak!"
BAT BOY: "I didn't know... "
BUD: "We can't let him roam free, Sheriff."
SHERIFF: "I'm just saying let's take a second... "
DAISY: 'This is terrible!
BAT BOY: "No, I never meant to hurt anyone."
MRS. TAYLOR: "You know what you have to do, Sheriff."
This
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(800)-----------------------------------------------------------------------------------------------------

from Dramatists Play Service, Inc. VAMP
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RICK: "Animal!"
SHELLEY: "Stop it!"
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SHERIFF: "Now, don't do anything stupid, son."
MRS. TAYLOR: "Don't you point a gun at my boy!"
RICK: "Everyone shut up!
All right, let's take a vote!" (go on)
[RICKjires gun]
(GO!)~
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BAT BOY: "I'm so sorry."

RICK: "Shut up, freak! Okay, anyone who thinks
this blood-sucking murderer ought to live to kill
again, speak now or forever hold your peace!"
[Everyone yells at once]
RICK: "Shut up!"
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wan - na watch you wet your pants _ _ to-night.
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dig your grave and then I'll __ dance_
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to-night.
went and blew your sec-ond
You
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night...
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12
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All right? All right?
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Piano/Conductor
All Hell Breaks Loose - [Rev. ll/13/01]
16
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17
I brought my load-ed gun _ __
to-night ...
And
now you'll pay
for what you done_

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Piano/Conductor
Allegro
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[RICK pistol-whips
SHELLEY]
[Pno/Strings]
[BATBOY 8va--,
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L_ written authorization
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[BAT BOY sits up] (go)

K2[Stgs/Org/Brass]
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SHERIFF: "Bud, put that gun down right now!"
BUD: "I'm just helping."
SHERIFF: "He's gone!"
RON: "Rick, are you all right?"
BUD: {fires gun]
"I think I might've winged him!"
MRS. TAYLOR: "My boy! My boy!"
RICK: "Oh my God! Oh my God! Bat Boy bit me!"
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MRS. TAYLOR: "Dr. Parker,

please save my boy. Please!"
PARKER: "All right, Mrs. Taylor.
Let's see what we can do here... "
[PARKER injects RICK]
(cutoff)
PARKER:
"Clear away, please!"
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[Beat of silence (everything's all right)

Then ... ]
[RICK dies]
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Slow-Segue to
"STOP THE BAT BOY"
11
11
Piano/Conductor
-238-

from Dramatists
Play Service, Inc.
-239-
:Sat -Soy: Cbe musical

Piano/Conductor
STOP THE BAT BOY!
Music and Lyrics by
[Rev. 11/13/01]
LAURENCE O'KEEFE

LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
PARKER:
"I'm sorry. The wound was
RON: "Rick? Wake up! Wake up, Rick ... "

MRS. TAYLOR: "Oh, Ronnie baby, don't you ever leave me,
don't you ever leave your mama."
RON: '~Riiiiiiiiiick! !!"
BUD: "Don't you worry, Mrs. Taylor, we'll find that critter."
SHERIFF: "All right, folks! Listen up! Maggie, go call the
ambulance, lets get this boy out of here ... "
MRS. TAYLOR:
"My boy! First my daughter
and now my boy!"

allowed without
\ Allegro ~ =
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TOWNSPEOPLE:
"Kill the freak!" (go)
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-240-
Piano/Conductor
"Now everybody else go home and get your guns and your dogs
and get right back here. Were gonna do this right and orderly!"
Stop the Bat Boy! - [Rev. 11/13/01]

(go in here): "All right now, move! Were losing time!"
sub.
+Gtr
/\
/\
/\
/\

Presto ~ =
www.dramatists.com
and is for-$- perusal only.
198
OPTIONAL CUT
toml5c
TOWNSFOLK/PARKER:
' 13
' 14

'
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allowed without
Stop
the Bat_ Boy!
Find
the Bat_ Boy!
K2[0rg]
15a
Stop
him!
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Find
Stop
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'
the Bat_ Boy!
'
-241-
Piano/Conductor
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A'ITACCA
Piano/Conductor
-242-

from Dramatists
Play Service, Inc.
-243-

Piano/Conductor
THREE BEDROOM HOUSE

[Rev. 11/13/01]
Music and Lyrics by
LAURENCE O'KEEFE

aw----------------------,
www.dramatists.com
Allegro ~ =
CUE:
Attaca from "STOP THE BAT BOY!"
LAURENCE O'KEEFE
ALEX LACAMOIRE
186

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from DramatistsPlay
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[Pno/Stgs/Hrns/Picc]
[Horns from CS to Bb4]
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Dr fill
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[Pno/Stgs/Timp]
[Timp C2 and below]
>-
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MEREDITH: "Edgar!"
SHELLEY: "Edgar! Oh, Edgar. Where are you? ... "
2
" ... Mom, what are we going to do?"

K2[Hnsffbns]
.,
.,
-244-
Piano/Conductor
4
SHELLEY:
MEREDITH:
Out!
Out!
Three Bedroom House - [Rev. 11113/01]

6
Out?
Out!
Time_ to get
Out!
Out!
Got - ta just
Rip out this page, Bend the

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Three Bedroom House - [Rev. 11113/01]
17
18
Ti- re?
MEREDITH: "Shelley, listen to me:"
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Three Bedroom House - [Rev. 11/13/01)
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Piano/Conductor
58
59
For who? ...

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Piano/Conductor
SHELLEY: "I want to marry Edgar. I'm in love with him."

MEREDITH: "No, Shelley."
(go)
SHELLEY: "What?"
MEREDITH: "You're not in love with Edgar!"
SHELLEY: "Yes, I am. Mom, I love him so much. And I want to be with him forever-"
MEREDITH: "No, Shelley! Absolutely not! That's a horrible thing to say. Don't say that again!"
89
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MEREDITH: "It's hideous. It'snot right!"
SHELLEY: "You' re just like the rest of them."
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Allegro
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MEREDITH:[MEREDITHfalls; SHELLEY flees into the woods]
"Shelllllleeeeey! Noooooooooooooo!. .. "
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Slower, non rubato
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three bed - room house?

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Piano/Conductor
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BABE IN THE WOODS

[Rev. 12/2/01]
Music and Lyrics by
LAURENCE O'KEEFE

LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
Applause-Segue
~ =120
Moderato
SHELLEY:
"Edgar! Edgar! Oh, where are you?"

K2[Stgs]
[MIDIPno]
" ... Oh, Edgar."
rit.
L6148-802-2001
- 265 -
:Sat :Sov: 'C'be musical

Piano/Conductor
CHILDREN, CHILDREN
Music and Lyrics by
[Rev. 11/13/01]
LAURENCE O'KEEFE

Freely
www.dramatists.com
CUE:
SHELLEY: "No, you can keep it. It's a gift."
BAT BOY: "Oh. Thank you."
LAURENCE O'KEEFE
ALEX LACAMOIRE
(Go)
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Piano/Conductor

[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE

-286-
13at 13oy: 'Cbe musical

Piano/Conductor

[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE

Allegro ~ =
www.dramatists.com

LAURENCE O'KEEFE
ALEX LACAMOIRE
162
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[Enter RON]
RON:
"I'm gonna get you Bat Boy! You'll pay for what you did to Rick and Ruthie ... "
K2[Bassoon]
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" ... You hear me, freak! You're gonna pay!" (GO ON)
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Piano/Conductor
Bum, You Freak, Bum- [Rev. 11/13/01]
[RON runs through the woods]

II
12
13
14

RON: "Wait a second. The freak
digs blood, right? And where do they
have the most blood in Hope Falls?
The slaughterhouse!" (Go on)
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DAISY: "Sweet Jesus!

(to walkie-talkie)
Fox Leader, this is henhouse. You copy? Over."
SHERIFF'S VOICE: (on walkie-talkie)
"Daisy? Is that you?"
DAISY: (to walkie-talkie)
''Ten-four. I'm at the slaughterhouse, and there's some kind of a ruckus going on in there. I think it might be the Bat Boy. Over."
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Piano/Conductor
Burn, You Freak, Burn - [Rev. 11113/01]
SHERIFF'S VOICE: (on walkie-talkie)

"All right, Daisy. You hold on until we get there. You understand me? Don't do anything. The Institute Man will be here soon and he'll take care ofit."
DAISY: (to walkie-talkie)
"That's a big ten-four affirmative, Fox Leader. Over and out. Sweet Jesus!"
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MRS. TAYLOR: "Have you seen Ron? Have you seen my baby?"
DAISY: "You best stay back, Mrs. Taylor. We got the Bat Boy trapped inside the slaughterhouse."
K2[Stgs/Picc]

32
30
MRS. TAYLOR: ''The Bat Boy is in there?"

DAISY: "I think so."
MRS. TAYLOR: "And you're just standing here?" (Go on)
[MRS. TAYWR runs to the slaughterhouse entrance ... ]
VAMP V[Pno/Hns]
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[MRS. TAYWR throws the torch through the slaughterhouse door]
[Pno]
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MRS. TAYLOR:
"Burn, Bat Boy! Burn!" (go on)
I":'..
DAISY: "Oh, my Lordie."

[Sound of hounds. Enter SHERIFF, NED and MR. DIUON]
-289-
Piano/Conductor
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"There he is!"
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SHERIFF: "What the-"

DAISY: "It wasnt' me-she burned him up."
Freely
...-....
Bum, You Freak, Bum - [Rev. 11/13/01]
MRS. TAYLOR:
1..:.1
'That's right. Bum, you freak! Bum! You'll pay for what you did to me! You'll pay in Hell, Bat Boy!"
~~
(~)3:==========================tt====::::3:::=====~

II
MRS. TAYLOR:
RON:
"AAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHH! !!!!!!!!!!! !!!!!!!

(RON dies)
First my daughter and then my son and now my baby!" (Go on)
"Mom?"
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Allegro
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MRS. TAYLOR: "Dr. Parker.

Please save my baby! Please!"
.,
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PARKER: "Okay! Clear away! Let's see what we can do here."
accel. poco a poco
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PARKER:
"All right, Mrs. Taylor. Let's-"

(quick cut-oft)
"Oh ... he's dead."

(g )
VAMP
-cutoff any time
-290-
:Sat :Soy: 'C'be musical

Piano/Conductor
MORE
BLOOD/
KILL THE BAT BOY!
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 11/13/01]
Orchestrated by

ALEX LACAMOIRE
CUE:
LAURENCE O'KEEFE
MAGGIE: Sheriff--what are we going to do? That Bat Boy could swoop down on us any minute!"
TOWNSFOLK: [Hubbub]
(GO)
SHERIFF:"All right, everybody. Pipe down!
(pulling Parker aside)
Dr. Parker, we've got a mob forming here. Is there anything you can do to calm these people down."
PARKER:"Certainly, Sheriff. Happy to do it ... "
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Piano/Conductor
More Blood/Kill the Bat Boy! - [Rev. 11113/01)
" ... Nothing will slake his thirst. His wrath will spare no one!"
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More blood will be spilt!
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More Blood/Kill the Bat Boy! - [Rev. 11113/0l)

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Piano/Conductor
INSIDE YOUR HEART

[Rev. 12/2/01]
Music and Lyrics by

LAURENCE O'KEEFE
CUE:
BAT BOY: "Shelley, there's something I have to tell you.

SHELLEY: "It's okay."
BAT BOY: "No, I wouldn't feel right not-"
SHELLEY: "I know."

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LAURENCE O'KEEFE
ALEX LACAMOIRE
(Go)
SHELLEY: (cont'd)
70
"I know."
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SHELLEY:
67
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Such a love
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78
79
mine at last.
And I'll
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heal real fast.

[Pno/Harp] >-
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--87
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will
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Come spend
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Piano/Conductor
IS ALL THAT YOU

TAUGHT ME A LIE?
[Rev. 12/2/01]
Music and Lyrics by

LAURENCE O'KEEFE
CUE:
BAT BOY: "I love you, Shelley."
SHELLEY: "I love you, Edgar."
LAURENCE O'KEEFE
ALEX LACAMOIRE
[BAT BOY prepares to bite SHELLEY'S arm]

(GO)

Allegro ~ ::::
[MUSIC under DIALOGUE]:
SHELLEY: "Mother!"
MEREDITH: "Abomination! Get away from him!
Get away from her!"
SHELLEY: "I love him, Mother!"
MEREDITH: "This is an abomination!"
BAT BOY: "We're in love."
MEREDITH:
"NNNOOOOOOOOO! ! !"
140
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SHELLEY: "And I won't hear you call Edgar an abomination!"
MEREDITH: "You don't understand!"
SHELLEY: "You don't love him! You can't love him!
If you loved him you wouldn't want to keep us from each other!"
MEREDITH: "Please, sweetheart, don't speak ofit. I can't stand it".
[Low menacing strings]
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Piano/Conductor
Is All That You Taught Me A Lie? - [Rev. 12/2/01]

SHELLEY: "He's not a freak, Mother. He's a decent, loving, passionate boy
and I love him and I want to be with him for the rest of my life!"
MEREDITH: "Stop! You must understand how hideous that sounds!"
BAT BOY: "Mrs. Parker! Why do you hate me so?"
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MEREDITH: "I don't hate you. Oh, dear Edgar."

BAT BOY: "It's because of you that I can love Shelley... "
MEREDITH: "No!"
BAT BOY:" ... how can you wish to take that from me?
Is all that you taught me a lie? Is it only from a distance that I am your dear, sweet Edgar? ... "
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" ... But when I get too close
I'm a freak?"
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30
BAT BOY:
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BAT BOY: "I'll do what I must!"
BAT BOY:
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from Dramatists
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- 313 -
:Sat :Soy: 'Cbe ffiu8ical

Piano/Conductor
APOLOGY TO A COW
Music and Lyrics by
LAURENCE O'KEEFE
[Rev. 12/2/01]

LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
SHELLEY: "Oh, Edgar"
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KILL!!!!
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You
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Piano/Conductor
- 323 -
Allegretto (in 2)
"63
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64
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77
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-326-

Piano/Conductor
HELLO, FATHER
Music and Lyrics by
[Rev. 12/2/01]
LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE
BAT BOY: "Hello, Father."

only.
[Brass/Strings]
VAMP
Allegro with intensity ~ ea"'
.. !:....
'....
- No performance or use of this score is
ifz
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..
..
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...
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.. .
.,,.
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..
.
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., -., -Dramatists
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I
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Play
Bs~
ROY: "What's he talking about, Dr. Parker?"
PARKER: "What has she told you?"
BAT BOY: "Enough. What have I ever done to
lose the favor of my father? Tell me!"
PARKER:
"You're not my son!"
(go on)
+K2[Stgs/Brs]
- 180
OU any
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Crash
mp
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L6l48-802-2001
VAMP
out any beat\
>
mf~
PARKER:
"I'm not your father!"
(go on)
BAT BOY: "Do you want to die with that lie on your lips?"
ROY: "Stand back, Dr. Parker!"
SHERIFF: "Hold on! Nobody's shooting anybody here.
Stand down, Roy. What do you think you're doing, Edgar?"
BAT BOY: "I'm going to kill my father."
>
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TOWNSFOLK: [HUBBUB!]
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...- I E .
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---
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.,
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..
MEREDITH:
-327-
Piano/Conductor
REVELATIONS
[Rev. 11/13/01]

allowed without
written
left blank
for a e turns authorization
L6148-802-2001
-328-

Piano/Conductor
REVELATIONS
[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE
CUE:
PARKER:
"I should've done as you told me on the day he was born.
Or don't you remember?" (Go)

LAURENCE O'KEEFE
ALEX LACAMOIRE

Allegro ~ =
www.dramatists.com
if
.. -- - -- - -I- r -- - .. -- - ..
.. ~i
-.., -- No performance
- - or
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-- - of this score is
- - -- - ifz
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140
[Brass/Stgs]
"I remember everything." (Go)
>-&
MEREDITH:
17'1
Tom3
[NOTE: mm3-4 may be cut
T'I"
desired]
~"
___....--------
Tl
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17'1
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.-
-329-
Piano/Conductor
Revelations - [Rev. ll/13/01)
YOUNG MEREDITH: (off-stage)

"Kill it! Kill it!"
poco accel.
Tom14
II
14
GII

8
--- ----------------''
[Celeste]
\
from Dramatists
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Service, 1si~
Inc.
~
17~~ fl
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16~1 JJl
MEREDITH:
"I loved him dearly.
PARKER:
"I was a young and
PARKER:
ambitious vet just
"I loved her dearly ... "
--------- ________________ -~-- ____
starting o~~"
rpARKER and MEREDITH in place]
L'
MEREDITH:
"I was Thomas's
assistant at the time."
~----------------------
--' --.. ..
....
I
.,
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" ... I hoped that

she would marry
me if I asked. "
-+
l.""'111-
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[Harp]
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MEREDITH:
"I was hoping he would ask me to marry him." (Go)
Allegro
=168
MEREDITH:
20
19
And
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[Pno]
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was
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25
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22
Revelations - [Rev. 11/13/01)
.
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-331-
Piano/Conductor
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31
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30
,, ' ,_
' ,,
Revelations - [Rev. ll/13/01]
my arms,
in
We
danced
five
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or more,
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melt
in
my arms,
[Reeds+Strings]
[From 05 to A6, Clar -12 and Strs -12]

[From Bb6 up, Flute -12 and Strings -12]
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33
I 32
--
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..........,
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And we kissed with

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36
--
Revelations - [Rev. 11/13/01]
Slower
We'd
made
37 r--3-----iI
--
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--
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pro - mise
wait,
--This score has been downloaded from

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7.
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- .-.. - - - - .--[Piano+Strings]
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'"
PARKER:
"I was developing a pheromone to increase birth yield in cattle."
MEREDITH:
"It would have been a windfall for him if it had been successful."
PARKER:
"We were working late one night in my laboratory."
Freely
' 41
tJ
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pp
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--
42
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43 ~Ji
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L'O
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44 o
-333-
Piano/Conductor
PARKER:
"I'm so sorry."
MEREDITH:
"And that's when the accident happened."
(go)
MEREDITH:
"It's all right."
PARKER:
"I'm such a klutz."
The Accident J

MEREDITH:
[Marcato Strings] [Doubled 8vb]
"It's not a problem, really."

(Go on)
>-
48
45
.,
Tom51

CUE: [PARKER and MEREDITH hit their marks]
\-
PARKER:
"The pheromone was designed to be rubbed into the hide of the cow to stimulate sexual arousal in the bull."
,, 51 ~:;;:
5"
~.Q_
~.Q_
K2[Vibes]
t)
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mp
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"
0
"
"0
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.c.
T_
MEREDITH:
[Piano+Strings]
(.\
55
e-e-
.~
"But he'd had no success with his experiments. In desperation, he

explored beyond the bounds of accepted scientific practice .... " (Go on).
.
-------.
".,
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[Piano+Strings]
{7:
..
..
~.
"
-334-
Piano/Conductor
ILove Me I
Allegro
~ =152
" .. .Into the bovine solution, he introduced the pheromones of a dozen other animals. Some endangered.
Some human. The result had properties greater, and more universal, than he had i n t e n d e d . " - - - -
--a-
A little faster
4Xs
1:1;---'-
j\
VAMP
.$7
\..
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~
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Fade out stg w/ vol ped.; Sustain should be "off" for Piano
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1111-
..
-#-
K2/Bs/Dms
800--~------------------------------------------------~----------------------------------------------

...aaand again faster
I,.Service, Inc.
from Dramatists
Play
....- -.. PARKER:
"Love me, Meredith."
MEREDITH:
"Dr. Parker! What are you doing?"
PARKER:
"You are so beautiful."
MEREDITH:
"Thomas, no!"
~--3---,
Tom60 60
58
"
-~
+Gtr
... ---
---
ff
I loco
61
LL
,,
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=
=
-111
111
111
111
'
1
'
1
111
111
'1
#!
#!
#!
(800)-----------------------------------------------------------------------------------------------------
::>
::>
::>
::>
::>
-~
::>
::>
::>
::>
SAFETY
MEREDITH:
- ..-
1i2
'
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-'
.;
..
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\.. 63
....
"
,._
"
Dance with me,

r--3---i
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..
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tt
"
Dance with me,
..
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dar
,,_
"
No!
Love
me,
"
It!!.!
Stop!
"
ling,
Love
me,
.,
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!!.!
64
Tho-mas, no!
ling,
I, ..
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Tho-mas ...
PARKER:
-....
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11
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' #!
(800)---------------------------------------------------------------------------------------------------
,.
111
111
111
::>
::>
::>
'
::>
'
::>
-335-.
Piano/Conductor
Tom67 67
65
Tho-mas,
NOOOOO! _ _ _ _ _ _ _ _ _ _ __

from
ME!!!... ________
lSma- - - - - - - -,
Me - re - dith!
[High Psycho Strings]
LOVE
(.'.,
ifz
No performance or use of this score is J

allowed without written authorization from Dramatists Play Service, Inc.
>-
LKBoom
>-
(Svb)--
MEREDITH:
"To say that he took me would be romanticizing the act.
To say that he raped me would be unfair. He was beyond
his own control, acting on an impulse of his own creation
that I'm sure he didn't understand. For me, it was the
most. .. " (go)
,':0
~
<
" ... painful experience I had had in my young life ... "
LKBoom
>
...
J
L
-336-
Piano/Conductor
MEREDITH: (cont'd)
" ... But, of course, I had no idea
what was about to happen as I
tried to walk back home."
IThe Bats I
Moderato
J=80
7o(.\
mp
This
[Music Box]
Faster
(300)-----------------------------------------------------------------------------------------------------

allowed without written authorization mp
More BATS flutter by
+K2[Stgs]
76
.. aaand again faster
j\
..
accel.
(300)----------------------------------------------------------------------------------------------------~
,.. - -~~~~~~
77
- .. 79 ..,
... - - - .. 78 ,..
- - - - .. 80 ,..
... - - - -
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[Pno from A4 down]
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(300)---------------------------------------------------------------------------1
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Allegro
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~=184
>
>
>
.-
p]I
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>
>
8~------------------------------------------------------------------------------------------
--....
Piano/Conductor
-337-
I"They Bit ... " I

Dictated
MEREDITH:
"They were
everywhere."
87
"They bit."
"They burrowed."
88
"They burrowed ...

everywhere."
89
90

No performance
I"I Ran" I
Allegro Pesante
..
allowed
without
written
authorization
-: . - ..-..
"They violated me."
" "
.i
.. 91
--..
MEREDITH:
92
.,
,......
95
94
93
I ran ...
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JP
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11
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11
.;
!;1111
11
8vb----------------------------------------------------------------------------[+Clav up to Fl, sounding Sva]
MEREDITH: " ... They followed me as I ran for

home. I hoped my parents would know what to do."
b ~--------::::::::::::-----~~
b.i::~:
~
-' --..,,
..
...-....
-
96
97
-9"'
#b~-------
- ---
:..
~
+K2[Stgs]
JP
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FATHER:
"Dear God! Meredith!"
K2[Stgs]
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Piano/Conductor
MOTHER:
FATHER:
"What's going on? Oh my Lord!"
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MEREDITH:
"Were they done with me? Was this

horror finally over? I looked up.
The bats went after my parents."
IParents'
Death I
No performance or
use
of this score is
from Dramatists Play Service, Inc. -
"I felt the bats release."
K2[Music Box]
17'1
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tomll3
+Tri
PARKER:
"The next morning, I found Meredith barely alive between the dead bodies of her parents. I took her to my home.
I still loved her, though we were both so ashamed that we couldn't even look at each other. When I discovered,
two months after the incident, that Meredith was pregnant with my child, I begged her to marry me.
I hoped that she would love me again."
MEREDITH:
"In my heart, I knew that I could never love him again, but I wanted my child to have a father."
,, 13
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PARKER:
"We moved to Hope Falls ... "
(Go)
" ... where I was sure with time we could put the horrors of the past behind us. But the true horror was yet to come."
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"Just one more push. That's it. Good. Wonderful. Congratulations Meredith, you are the mother of a baby girl."
[Celeste; sounding -12]
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YOUNG MEREDITH:
"She's beautiful. Can I hold her?"
DOCTOR #2:
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cut any time

(800)------------------------------------#-----------~-----------------------------------------------
120
121
122
" ... wait a second, what's

this? Hang on."
YOUNG MEREDITH:
"Ahh! What is it?"
(Go)
(800)--------------------------------------------------------1
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[CUE: MEREDITH: "What is it?]
IWhat's this? I
YOUNG MEREDITH:
"What is it?"
DOCTOR#2:
DOCTOR #2 (cont'd):
"Give me one more little push would you,
Meredith? There seems to be .. something else-"
"I'm not sure. May just be the

placenta ... "
Allegro
~=184
VAMP downloaded from

This score has been
(GO!)
[High Psycho Strings]
Moderato
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[The DOCTOR holds up a small wriggling Bat Baby.]
133
MEREDITH:
134
Kill it!
Kill it!
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(in the clear)" .. .But I found that I couldn't do it."

[BAT BOY gasps]
(go)
PARKER:
" .. .I felt, to my horror, that I would be killing my own creation ... "
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past we'd worked so hard to erase."
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Piano/Conductor
FINALE:
I IMAGINE YOU'RE UPSET
Music and Lyrics by

LAURENCE O'KEEFE
[Rev. 11/13/01]
CUE:
BAT BOY: "How could you tell me I was human, when you knew me to be a beast?"
MEREDITH: "Look inside yourself, Edgar... " (go)

LAURENCE O'KEEFE
ALEX LACAMOIRE

www.dramatists.com
Moderato ~ =
VAMP
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Finale: I Imagine You're Upset- [Rev. 11/13/01]

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Piano/Conductor
She-riff, you i-di-ot, Why do you pi-ty it?

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Finale: I Imagine You're Upset - [Rev. 11113/01)
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Finale: I Imagine You're Upset - [Rev. 11113/01]
-357-
Piano/Conductor
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Piano/Conductor
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Finale: I Imagine You're Upset - [Rev. 11/13/01)
~~
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101
100
much
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Segue to "FINALE: I AM NOT A BOY"
-361-

Piano/Conductor
FINALE:
I AM NOT A BOY
Music and Lyrics by

LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE
[Rev. 11/1/01]
[CUE:
This
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ran.
PARKER: "Edgar... Are you hungry?"]
[BAT BOY bites PARKER'S NECK]
[PARKER stabs BAT BOY in the back]
[PARKER cuts his own throat]

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BAT BOY:
"I am not a boy ... " (cut-oft)
" ... My dear, sweet boy."
-362-

Piano/Conductor
FINALE:
HOLD ME, BAT BOY
(REPRISE)
12/2/01]
This score has [Rev.
been
downloaded from
Music and Lyrics by

LAURENCE O'KEEFE

LAURENCE O'KEEFE
ALEX LACAMOIRE
CUE:
SHERIFF: "It's a long story. I don't know where to begin."
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Finale: Hold Me, Bat Boy (Reprise) - [Rev. 12/2/0l]
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Finale: Hold Me, Bat Boy (Reprise) - [Rev. 12/2/01]
-364-
Piano/Conductor
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BUD/NED
INSTITUTE MAN :
For-give,
Keep your
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Piano/Conductor
-369-
BOWS
[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE

from Dramatists
Play Service, Inc.
L6148-802-2001
-370-
:Sat :Soy: 'C'be musical

Piano/Conductor
BOWS
[Rev. 11/13/01]
Music and Lyrics by

LAURENCE O'KEEFE
LAURENCE O'KEEFE
ALEX LACAMOIRE

Bright Gospel J=
www.dramatists.com
144
(A JOYFUL NOISE)
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-374-
Piano/Conductor
Bows - [Rev 11113/01]
Gtr
42

.,
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Bows- [Rev 11/13/01)

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Piano/Conductor
-377-
11 opt.I
OPTIONAL OVERTURE
NOTE: This "OPTIONAL OVERTURE" may be used in place of the "OVERTURE"
Music and Lyrics by
LAURENCE O'KEEFE


LAURENCE O'KEEFE
ALEX LACAMOIRE

-378-
11 opt.I
Piano/Conductor
OPTIONAL OVERTURE
NOTE: This "OPTIONAL OVERTURE" may be used in place of the "OVERTURE"
Music and Lyrics by
LAURENCE O'KEEFE

Allegro ~ =
www.dramatists.com

LAURENCE O'KEEFE
ALEX LACAMOIRE
140
K2[Trem Stgs]
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No .performance or use of. this

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Optional Overture

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aniente

Batboy Perusal

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BAT BOY

No performance or use of this score is

This score has been downloaded from

No performance or use of this score is

DRAMATISTS PLAY SERVICE, INC.

This score has been downloaded from

:Sat :Sov: Cbe musical

This score has been downloaded from

This score has been downloaded from

This score has been downloaded from

[Strings sound 8vb]

[Vibes up to G#3, sounding-12]

No performance or use of this score is

This score has been downloaded from

No performance or use of this score is

:Sat :Soy: Cbe musical

Music and Lyrics by

This score has been downloaded from

Arranged and Orchestrated by

No performance or use of this score ris

Lion King Boom

Overturefl'he Cave - [Rev. 11/13/01]

This score has been downloaded from

:eat :eov: 'Cbe musical

Music and Lyrics by

Arranged and Orchestrated by

This score has been downloaded from

No performance or use of this score is

{RICK takes out a bong ...

qf'- --- - ... - ~

The Cave - [Rev. 12/2/01]

CUE: [BAT BOY pushes off back wall]

This score has been downloaded from

No performance or use of this score is

RON: "What is it?"

.. .It's okay, little guy. I'm Rick Taylor.

RICK: "Dude, we are totally keeping this thing."

RICK: "Take my hand. Come on."

RUTIDE: "See if it likes Fritos.

RON: "I'm getting him!"

Attaca HOLD ME, BAT BOY

:Sat :0ov: Cbe ffiu&ical

HOLD ME, BAT BOY

Music and Lyrics by

This score has been downloaded from

MAN 1: ,--- 3--i

Hold Me, Bat Boy- [Rev. 11/13/01]

boy_ _ born with fangs__

This score has been downloaded from

sum -nrtr night_

Hold Me, Bat Boy- [Rev. 11/13/01]

You call him "beast"

heard _ _ he was born _ _ in the

MAN, cont'd You have

Hold Me, Bat Boy- [Rev. 11113/01]

No performance or use of this score is

He's much like

Hold Me, Bat Boy- [Rev. 11/13/01]

This score has been downloaded from

me, Bat_ Boy;

me, Bat_ Boy;

me, Bat_ Boy;

No performance or use of thisr . score is

me, Bat_ Boy;